“What, are you going to call it madness? Because you’d be correct, and I’d be correct, and perhaps we’d be able to actually speak for once, Martin.”
Marteline 4E AU! Magically, Martin gets to meet his now-Daedric BFFL(/GF) in the afterlife. Due to his experience with Daedra, it goes exactly as well as expected.
I used Natalie Portman as the reference for my HoK, the design I used for Sheoline’s outfit is largely my own (obviously, the doublet is not exactly). I used Jared Padalecki as the reference for Martin Septim, because in my mind Martin’s like 32 and if you don’t like it, I don’t care, now you know how I feel when I see y’all fancasting Sean Bean as Brynjolf.
Disclaimer: I do not own anything in the elder scrolls franchise. This is fan art, and I will in no way profit from this.
Gaara whatever you’re intending to do… I will be right here~
gaara is so horrible at containing himself oh my god. he is in the middle of a fight and has a “friend” who’s been kidnapped but he just doesn’t seem to give a kuso at all. he simply strolls to naruto with his arms crossed, staring at him like a HAWK
Hi! I'm currently a magnet high-school student studying architecture and I love your blog! I was wondering if you have any architecture you like in Florida-specifically South Florida. Thank you, love your blog!
Don't get me wrong. I like scanitly clad blonde cavewomen as much as the next guy. But are there any pulps that take a more realistic approach to the concept? I mean, the cavewomen on the covers are far too well groomed for people who are living in the wilderness and fighting dinosaurs and mammoths.
A lot more stone age
stories are more accurate and researched than you’d think, but that’s very
seldom reflected in the cover art. This is something people need to understand
about cover art: it’s not designed to accompany or reflect the story, it’s
designed to advertise the story. So no matter what’s on the
inside of the book, the cover will have stone age societies with highly
advanced push-up bra technology and Cover Girl cavewomen (although you won’t
hear any complaints at my end about that…that’s the opposite of a problem!)
Cover art is
advertising, and uses the principles of psychology and marketing. If you want
to understand this better, I recommend reading “Frank Kelly Freas: As He Sees
It.” Among other things, this is why covers tend to use the hero-monster-girl
cover over and over and over, because it creates emotional involvement. The
threatened, vulnerable beautiful girl creates an instinctive need to protect that draws you
in, the monster creates a threat, and the hero is someone the reader projects
themselves into. Interestingly, research shows the hero-monster-girl cover
creates the same reaction in women as it does in men.
As Freas himself said,
“advertisers love it when you think you can’t be manipulated, because that
means you’re not analyzing all the ways you can be.”
If you want brutal
realism and scientific accuracy in your stone age story, you can’t do much
better than one written by a true-blue paleoanthropologist, Björn Kurtén, “The
Dance of the Tiger” from 1980. It’s yet another novel about Cro-Magnon and
Neanderthal contact, the same as the Hok the Mighty stories, Clan of the Cave
Bear, and Golding’s “The Inheritors,” except that Kurtén believed the way it
all played out was interbreeding. Neanderthals in particular loved the
African-originating Homo Sapiens because of how smooth their brows were, which
reminds them of children, and therefore looks “cute.”