hit pieces

anonymous asked:

is it possible that plants have consciousness?

this is actually a small sub branch of botany thats been growing and gaining some recognition in the past 5 years or so called plant cognition! we’ve been thinking about if plants can possibly be intelligent to any degree for centuries, but the main paper that started up this huge discussion in the modern era was one called Experience Teaches Plants to Learn Faster and Forget Slower in Environments Where It Matters by Monica Gagliano, a plant researcher in Australia who specializes in it. because the results indicated that plants were possible of learning and retaining information in a kind of memory in response to environmental changes, it received a lot of backlash and denial- generally in science, that kind of intelligent reaction to an organism’s environment is a good indicator of cognitive behavior in the organism. it got rejected by 10 different journals before being published in 2014. 

the experiment worked like this. i’ve talked before about mimosa pudica, a tropical plant that curls its leaves back when touched (they go back to normal in a few minutes):

this is to help deter predators among other things. but in this experiment, Gagliano used it as an indicator of stimulus and to test cognitive function. It’s well known that pudica has a rudimentary nervous system that can even be temporarily inhibited using anesthetics (just like ours can!). she hooked up a ton of these plants in pots to identical rail systems that allowed them to be lightly dropped in an identical way, juuuuust heavy enough to trigger the stimulus so all the leaves drop down when they hit the bottom (a piece of foam so they wouldn’t actually hurt the plants). every time the plants would be dropped, they would close up. 

but after the plants were dropped about 60 times each, they stopped responding to the drop. 

they remembered that no harm was coming from this action and decided that it was against their best interests to keep expending energy closing their leaves. they 200% learned to stop. 

she decided to test it further. she put some of the plants in a shaker and let them receive a more jarring response; the plants closed up as usual. then, she put them back in the droppers and dropped them again. they didn’t close up. they had remembered that response. this dispels the obvious rebuttal to this experiment of the plants just being tired; they still closed up when stimulated differently.

they just chose not to close up when they hit a stimulus they remembered. 

it turns out that not only could they remember to keep their leaves open when dropped on the apparatus, but they remembered after 28 days when she kept testing it!! apparently by the end of the experiment, all the plants had decided to keep their leaves open when dropped!!!!

how do they do this?? we literally dont know. they have no central brain, only a basic nervous system. can other plants do this??? 

well, adding onto that, venus fly traps can count! like. they have three hairs inside their traps, and all three must be touched within 20 seconds for the trap to close. once closed, those three trigger hairs must continue to be stimulated by thrashing prey, or the trap will reopen. 

so yeah like. basically ‘are they sentient’: apparently to an extent???? we dont know exactly why or how but they are??? maybe???? sort of????? at least some of them are?? but they dont have a brain so everyones like????????????????????? maybe its through a signaling network????????????????? but like how would that even work?????????

plant consciousness is still new enough to be dismissed as crazy by a lot of biologists but like. the evidence is there. we don’t know a whole lot and its clearly a radically different kind of intelligence than we know in animals, but it’s there and we 200% dont know how it works yet or even the full extent of how plants use this intelligence (for example: does a redwood have the same intelligence as a venus fly trap?? how does it learn things and use that knowledge???) 

national geographic wrote an awesome article visualizing the experiment here if you want to read more!

prongswhatthefuck2  asked:

What are some good tips for getting started with writing a book? I have a concept but i can't put it into place.

Getting Started with Your Story

There’s no one way to start writing a book. For some people, it’s enough to just jump in and start writing to see where the story takes them. If you’re not too keen on that idea, then here is one process (as in, not the only process) that might help you move beyond your concept. 

  • Concept ≠ Plot

Many writers mistake concept for plot, but they’re actually two very different things. A world where everyone grows up with superpowers is a concept; the plot is what you decide to write about within that concept - the specific characters and what happens to those characters; who your antagonist is and what conflict arises when that antagonist goes after what they want. All of these things contribute to your plot. 

So first, define what it is you actually have at this particular point. Do you just have a concept? If so, you’ll need to take the necessary steps to develop that concept into a plot. 

  • Concept >>> Plot

If you’ve decided that all you really have is a concept, then how do you take it and turn it into a plot? You brainstorm. All brainstorming really amounts to is expanding your ideas. All you’re doing is asking questions about the concept and delving deep into the answers. 

The most simplistic way to start this process, especially if you’re struggling, is to ask one of two questions (or both, if applicable). These two questions: What could go wrong? What could go right?

Going back to my example about a world where everyone grows up with superpowers. If I were to ask the question “what could go wrong,” I’d end up with a whole list of possibilities. 

  • The powers suddenly disappear
  • People start abusing their powers
  • Someone figures out how to steal powers
  • A hierarchy of strong vs. weak powers develops, creating superiority/inferiority dynamics
  • Someone is born without a superpower

There are many more possibilities I didn’t even think of here, but any one (or more) of these could become a plot. Choose one that sounds interesting, and then ask yourself “and then what?” 

Say I choose: Someone figures out how to steal powers. Then what does that person do? Do they recruit people to do the dirty work for them? Do they work alone? Do they hoard these powers and barter them for other goods? Do they attempt to enslave people? Do they attempt to take control of institutions? What do they do?

Your goal is to take your ideas and turn them into actions taken by characters. People doing things. And each piece you add will usually lead into another. If you went with the idea that this character is stealing powers and essentially selling them for other goods, you’d have to ask yourself follow-up questions. First, who are they selling to? Why would anyone buy a new superpower if they already have one? What uses would they have for additional ones? What is the key demographic that this person is trying to reach? Secondly, what are they selling them in exchange for? Money? Favors? Souls? What is this character getting in return?

Now that you’ve examined potential actions that the character takes, you’ve also exposed potential new characters. 

  • People they’re stealing from
  • People they’re bargaining with
  • People that try to police these crimes
  • People that try to copy this character’s process

At the beginning of this section, I talked about using “what could go right” as another optional jumping off point. This is a good path to follow if your concept is already really negative. For a concept where someone is killing people for some pointed reason, you might ask “what could go right” and explore ideas where the killer is caught and brought to justice. 

The point of all this is to think about change as a means of taking your idea from concept to plot. A concept is static - it doesn’t move, evolve, or change. By developing a plot, you’re forcing the concept to be challenged in some way. If you think about it that way, you’ll be able to formulate conflicts, and the people that orchestrate and fight against those conflicts. 

On that note, I think we’re ready to move onto the third piece of my graphic above. 

  • Plot = Character Actions and Consequences

At this point, you have sketches for characters. You’ve got this nameless, faceless person that is stealing the powers, and all these other nameless, faceless people that I listed above. In essence, we have character concepts. And just like we turned our initial concept into a plot, we have to turn these character concepts into actual characters. 

The basics are the easiest way to start. You figure out their name, their gender identity, their age, their appearance, some brief backstory and personality traits. I personally prefer the simplest questionnaire that I put together back in the early days because it hits on the poignant pieces of a character without overwhelming you with 100s of questions. 

Now that you’ve given your character concepts names and faces and potential behaviors, you start to consider how one character’s view of the world inspires them to take certain actions, and you then think about how those actions affect your entire story. 

We already kind of talked about the motives of the power thief in our example, but definitely delve deep here. On the surface, this character seems bad - stealing from people and then selling what they steal. But depending on what it is they’re getting in return, could we not argue that this character is a supernatural Robin Hood? Maybe instead of selling, they’re giving, and maybe the characters they’re stealing powers from are people that abuse and misuse their powers. Character motives can take a plot and turn it on its head, forcing you to reconceptualize everything. And that’s okay! That’s part of the process.

But separate from that idea, if we have a character concept of someone whose powers were stolen, and after developing their basic backstory, we discover that person’s name is Rose, and she has an especially close relationship with her brother. So when her powers are stolen, how does this affect her life? Was she using her powers to keep her brother alive and protected? What she using them to keep a roof over their heads? Was she using them as part of her job, as a means of providing? What happens to her life when her powers are stolen? And what will Rose do about it? Whatever Rose does will impact the story. If she does nothing to get her powers back, how does she solve her problems and does that make for a good story? If she does decide to act, then you’ve moved onto a new plot point to dive deeper into.

My point is, character concepts come from plots, but characters themselves often create plot, as their decisions and mistakes and successes create new outcomes. So if I could modify my original flow chart:

Before you develop something, you conceptualize it. You have a concept, then you make it a plot. You have concepts for characters, then you make them characters. And those characters end up driving your plot, to the point that this happens:

Plot inspires character. Character inspires plot. And it just keeps going around and around and around. Breaking it down into these pieces helps organize the process, but developing a story is rarely this neat and tidy. You’ll get ideas that don’t make sense, ideas that aren’t cohesive, characters you don’t need, characters that piss you off, problems you can’t solve, or plot points you’ve committed to that you no longer like…it will be messy. But it’s your mess, and the more you work on developing your own process, the more it’ll make sense to you. And it’ll become easier to know how to go about fixing it when something’s not right. 

Have fun with this process! It’s supposed to be fun. When the pieces start to become clearer, you’re able to put them together in a rough outline. And once you have a rough outline, you can start writing, and really see it take shape. 

-Rebekah

Why DaveKat is Narratively Important

Let’s talk about DaveKat because I have nothing better to do!!
So, whether or not you personally ship or agree with davekat, this is just going to be about how, from a narrative standpoint, it is 100% vital to both Dave’s and Karkat’s storylines and personal character arcs, let’s start with:

Knight Class- So, bit of class/aspect analysis because the fact they both Dave and Karkat are both Knights is absolutely VITAL to their character development and their connection to each other. Something Kanaya said, that classpects are not necessarily chosen to suit the strengths of each player but rather to challenge them in a way that is most beneficial to their personal growth? That is completely correct, Dave and Karkat being some of the best examples in the comic. The aspects are the elements which the game, and therefore the universe(s) are made of - literally. Like, these are the constructs out of which the world exists, the building blocks so to speak. However, they also represent more metaphorical concepts, Life=Optimism, Hope=Belief, Heart=Soul, so on and so forth etc. So paired with the Knight class, the active pairing of Maid class, we have to examine how exactly the aspect *applies*. Obviously, being active, the Knight class is self serving (more on active vs passive or knight vs maid specifically if y'all hmu with some asks I’d be happy to explain more in depth), there’s also a metric shitload of symbolism involved in the name. I’ve been reading this comic for almost five years and the sheer amount of symbolism never ceases to amaze me, but the absolutely loaded amount of metaphorical value behind this class has to be in my top 5. The classic “knight” iteration, sword and shield type of deal, is instrumental in the interpretation of how Dave and Karkat wield their abilities and grow as characters. The weapon is obviously the way in which they wield their aspects, but the shield is so much more interesting: it’s their PERSONA. Part of the blatant parallels between Dave and Karkat’s story arcs is how they allow others to perceive them in regard to their own internal struggles, they both put up a persona to protect themselves. For Dave it’s his “coolkid” facade, he doesn’t let others see his emotions, feelings, or motivations because he’s so wrapped up in this delusion of irony and toxic masculinity that he feels it would be a weakness to show himself for what he is, one that could very possibly (at the hands of Bro) get him severely injured at best, dead at worst if he fears for his life which is a distinct possibility. Karkat suffers in a similar way, his persona is this image of the overly aggressive, “shouty/angry” guy, he’s loud and obnoxious because he’s trying to keep people at arms length, similar to how Dave doesn’t let anyone in. Karkat also has similar motivations behind this persona, because of his blood color he knows he will be in immediate danger if people get too close, look to closely, care too much, so if he can shout and seem just as bloodthirsty and aggressive as other trolls, he can both keep them away and keep himself free of suspicion. So, they have their shields, their personas, this is how they protect themselves from the world. Let’s talk about their weapons.

Aspects- As I mentioned above, aspects are the literal elements that make up the world, but also have a more metaphorical meaning. In the same way that Heart=Soul, Dave’s aspect Time is not only literally representative of time, but metaphorically representative of PROGRESSION. Karkat’s aspect of blood is therefore, while literally blood (possibly a reference to his mutation), also more symbolically representative of UNITY. Now, let’s see how those apply to each players personal struggle, because remember that’s the key here, how their classpects tie in to their character arcs. Dave is troubled by his aspect at multiple points throughout the storyline, severely disturbed by dead Dave’s and essentially haunted by the multiple loops he has running, in what is a single day to his fellow beta players likely feels like *weeks* for him, he’s not progressing in the game, he’s running all these loops and doing so much and yet he’s not really going anywhere. He’s like a broken record, if you will. Dave doesn’t see himself as a hero, broken sword symbolism aside because I cannot get into that rn lmao that’s way too loaded and this is long enough, Dave *can’t* see himself as a hero because in his mind, Bro was a hero, and he will never live up to it, so why bother. Easier to just run his loops and do whatever Terezi says because she’s probably right and anyways it’s just easier to do something menial and meaningless that doesn’t move anything forward because he would probably fuck it up anyways, right? Dave is so stuck in the past, haunted by his loops, haunted by the legacy of his Bro, haunted by dead Daves, he is terrified (whether consciously or subconsciously) of moving forward, of Progression. Alternatively, Karkat’s aspect of Blood, or UNITY trips him up in similar ways. Karkat’s relationships are…complicated. It’s been *headcanoned* that he comes across as pale towards most of his friends, because despite how hard he tries to act loud and aggressive, he’s a big softie who cares way too goddamn much about everything. Terezi also represents his biggest struggle with Unity and relationships, he “wanted her in every quadrant like a desperate fool”, and she played along for a while to see if he would settle in any one quadrant, but when he never did she moved on. This is a huge blow to Karkat’s self-esteem, he thought he was being so suave and smooth just like his romance novels and movies, but really he was pushing her away either knowingly or unknowingly. On the topic of his romance novels, his obsession with relationships also shows him trying to compensate (more on this in a sec) for his lack of capability in the area, as if he’s studying them to get a better understanding of how relationships should work because he really has no idea. In his very first conversation with Sollux that we see, he ends by affirming that he hasn’t gone too far right? They’re still friends? Because underneath his loud, obnoxious persona, he’s just acting the way he thinks he’s supposed to in this hyper-aggressive society. Sound familiar? It’s because Dave is doing the same thing. They’re both using their personas to survive, to appear the way they think they should to other people, because when it comes to their aspects, they’re fucking terrified and don’t have a clue as to what they’re really doing.

Storyline Parallels- So, I’ve seen a lot of good analysis of this and I doubt any of what I’m saying will be news to any of you, but I’m gonna put it in my own words as best I can bc this shit is imperative to understanding why DaveKat works so perfectly in the narrative. Dave is obviously working an uphill battle the entire story to overcome the hyper-masculinity (see also: toxic) that his Bro has ingrained in his psyche for 13 years. Not the least of which is some deeply rooted homophobia. Dave fronts constantly, accusing others of being gay, accusing *Karkat* of being gay pretty amusingly. Obviously he pokes at this in other people because he’s so insecure about it in himself, he struggles heavily with his sexuality the way so many pre-teens do, only he’s fighting against a decades worth of anti-gay propaganda basically so there’s no room for him to search within himself too deeply without feeling deeply uncomfortable because obviously that’s Wrong and Bad and that’s not how society works in his world. Similarly, Karkat struggles with the quadrants which is practically unheard of on Alternia. It’s such a clear parallel to human homophobia that like. I’m left speechless when I think about it honestly. Their struggles are so overwhelmingly similar and parallel to each other sometimes I just have to stop and appreciate it. But back on topic, his whole life, Karkat has grown up with this over idealized concept of romance, the quadrants, and he obviously knows something is wrong with himself from an early age. Karkat’s obsession with romance novels is no coincidence, he’s clearly always felt off when it comes to that and so he most likely reached out to these novels and movies to get a better grasp of the quadrants, consuming what was essentially romantic propaganda to overcompensate. The problem is, in studying these works, he latched onto the wrong thing which is so funny to me. He’s reading these trying to understand, to make himself fit into this system because that’s what society is like *cough* heteronormativity *cough* and yet he latched onto quadrant vacillation like it’s the holy fucking grail of romance. Like oh, okay, this is normal? Obviously people do this, as long as they switch within the bounds of the system it’s Okay™ and even romantic in some occasions. Only, this is fiction he’s reading and if you try to apply the logic of romance novels to real life…well, we all know what happened with Terezi. He was constantly pushing the boundaries of vacillation, he was red for her, he wanted to act black on occasion, he cares so much about everyone it’s impossible for him not to be pale, and we see him (though I doubt he realizes he’s doing it) trying to auspistice for her and Gamzee in the pre-retcon timeline by staging a sort of intervention. He “wanted her in every quadrant like a desperate fool” and I don’t understand how people put Karkat into the quadrant system!!! That line is so IMPORTANT, not even taking into account that we know his dancestor, who shared his blood mutation which may have had something to do with his irregularities, loved the Disciple “beyond the quadrants”. It’s. So. Obvious. Karkat is overcoming the stigma of wanting to love beyond the quadrants in the same way that Dave is struggling to overcome the loaded idea behind being Not Straight. They’re both overcoming these extremely similar prospects and it’s an absolutely stunning feat of narrative that as an English major it makes me fucking weak in the goddamn knees like Hussie is a lot of things but this? This is fucking genius. I’ve never seen two characters written together in such an in depth and parallel way before.

Opposites Attract- So we’ve talked about their similarities, let’s talk about their differences and how those differences are also actually poorly disguised similarities. Karkat is obviously a Loud Boy, thats his coping mechanism. He keeps people out and away by being loud and aggressive. Dave needs to cope for similar reasons, to protect himself he needs to keep people out and away but he does it in just the opposite way, he gets quiet. He doesn’t talk about his shit. Sure, he’ll go on the rambling metaphor when the occasion calls, but although he’s always talking he’s never really saying anything. Karkat is an almost compulsive over sharer, like, the boy (bless his heart) has zero filter. Dave will talk your ear off just as well, but I’ll be fuckin damned if he says anything worthwhile outright (his many, many Freudian slips aside). It’s also interesting to note that while I’ve seen people talk about how part of the reason Karkat doesn’t fit into Alternian society is that he’s so human, as its stated in the narrative that after seeing this soft species, that shares his blood color and stupid, stupid compassion, even *Vriska* admits that Karkat seems to fit in better with them than he ever did with trolls, we don’t see the same for Dave? I’ve rarely, if ever, seen the situation flipped, in that Dave was more suited for Alternian society the same way Karkat was more human than troll or at least had severely human aspects. Obviously Dave’s romance is still very human in that he’s a big ol’ fan of monogamy (he and Karkat both faced problems in their relationships with Terezi romantically when she became involved in other quadrants, these boys love monogamy I’ll fight), but his upbringing? Yikes. Lusii are supposed to, while still protecting their trolls, prepare them for the harsh and violent world. Whether they had to kill other trolls and Lusii to feed them, or learn how to fight to fend off other trolls on their own, there was a shit ton of fighting in their pre-pubescent years. Trolls are a hyper aggressive, violent species that learn to fight basically as soon as they can walk, which is exactly what Bro did to Dave. Dave could fight practically from the second he crawled off the meteor, I doubt a day went by without a sword in his hand for some reason and god knows he suffered through enough strifes. Both boys were brought up just thoroughly *wrong* for their societies in a way that ensured they would never feel like they truly fit in.

Finally, Romance- In the final culmination of all this, let’s actually talk about how they work together as a couple. So, they have this overwhelmingly similar upbringing and life experience, what happens when they finally meet up? Dave thinks it’s hilarious that Karkat is always yelling, “get a load of this guy I was telling you about, Rose”, and while I have no doubt he thought Karkat’s shitfits were the funniest thing since Colonel Sassacre, there had to be a part of him that was just in awe of how someone could be so free with their emotions. Like, he’s angry? And you know it the second he walks into a room?? This is an entirely new concept to Dave, my son, who grew up with an insanely passive-aggressive psychopath who would sneak up on him and fight him with a crazy fucking puppet like what the fuck?? Dave has always had to be on edge at home, Bro was quiet so you never knew when he was upset and you never knew when he was coming for you. With Karkat, that’s such a non-issue it’s like the issue dined and dashed, no bill and no tip, vanished into the wind. You can hear Karkat stomping down the hall five minutes before he even gets into the room, and once he gets there oh boy he will Let You Know What The Problem Is. Why is Dave always provoking Karkat? Literally just to hear him yell because it’s so goddamn refreshing to know exactly with 100% certainty what someone is thinking, no irony, no bullshit, just genuine fucking refreshing annoyance. And for Karkat, well here’s the guy he’s always wanted to be, right? Cool and suave, the romcom hero who could smooth talk the paint off a wall. Only, Dave isn’t actually cool in the way he pretends to be, he’s not this smooth suave hero, he’s not even just a hero. He can’t be. He’s just…a kid. A kid like Karkat who has issues like Karkat and talks just as much when he’s nervous as Karkat and he’s relatable even though he’s trying not to be. He’s trying so hard to be what society wants from him he wants to be the tough guy with the sword but he’s just so not and that’s so refreshing! Karkat realizes he’s not the only one who’s trying to live up to some buttfuck impossiblestandards and he realizes…that’s okay. He doesn’t have to be anything he’s not. And they figure that out together.

So pardon me if I don’t understand how you can put Dave with John, or Jade, because they don’t fit. The narrative literally doesn’t benefit in any way for them to fit, and if it’s your personal preference then by all means go for it who am I to stop you, but there is no benefit to them being together. They will not grow from it, John is explicitly someone who doesn’t seem to focus or care much about romance even? And Jade has no concept of anything Dave has gone through, she couldn’t even begin to understand. Same with Terezi and Karkat, or Gamzee and Karkat or John and Karkat or whatever, Terezi likes quadrants. They make sense to her and she enjoys them, Karkat cannot bring himself to deal with with that and they’re so much happier as just friends. I’m not even getting into Gamzee, I’m not even gonna dip my toe into that discourse because everyone likes different characters for different reasons and I won’t begrudge you of that so I’m just gonna stay away. So again, if you ship those then that’s fine! Go for it! This is just an analysis of why the narrative, in my personal perspective, supports DaveKat and why I personally think they are good and healthy for each other and help each other grow as people.

Just so we’re clear about how Conservatives feel about “treason”, just look at their disperate reactions to Chelsea Manning and Donald Trump JR.

Exposing war crimes commited by the Federal Government that they supposedly hate so much? High treason, should be executed; write dozens of hit pieces and berate on Twitter.

Openly colluding with a hostile foreign government to dig up dirt on a political opponent Watergate style? Totally justified, just working for the good of the country; do softball interviews on Hannity.

hello how are you? hope you’re fine and ready for me to spam your askbox! xD since we’re getting closer to summer B/ *makes success fist* i was wondering how would our baes react to seeing their crush’s very alluring figure in a swimsuit/bikini the first time? - maybe for ace, sabo, law, shanks ? idk if anyone else wants to add more into this request? headcanons are fine for me. thank you :3 *leaves a crepe here for you   

A/N: *eats the crepe happily* thank you! I’m great, I hope you’re fine too, also, I imagined all of them with no shirt………. yeah………. God bless. 💗


Ace

  • The whole Whitebeard crew had decided to just chill at the beach for today, the weather too good to waste it in other ways
  • Everyone was either having fun in the water, slurping on some drinks or if they couldn’t enjoy the waves, sitting on some towels and enjoying the sun
  • Ace was standing somewhere, searching for you with his eyes while he’s talking to someone, wondering why he hasn’t seen you yet
  • He’s about to ask Thatch where you are, when he sees you happily walking into their direction in a bikini, showing off your body just perfectly
  • Get ready for the nosebleeds
  • He forgets to breath for a few seconds and just stares at your body in pure amazement
  • His ears turn red and his eyes grow twice the size
  • “Ace, what are you staring at?- oh, oh my god…” Thatch would notice too and after a seconds he would glance back at his fellow member, only to see him practically drooling at your sight “Jeez, get a grip, what are you? 13?”
  • Let’s just say Ace wasn’t so sure about his age anymore, he wasn’t even sure about his own name, too focused on a certain someone
  • But then you walk up to both of them and smile in such a innocent way, the freckled man wants to cry and run away
  • “Hey guys!”, you happily say and Ace just… no
  • He can’t even bear to look at you so he just stares at the sky, sand- hell, he even stares into Thatch’s eyes in pure horror
  • You’re too close, but at the same time, someone in the back of his mind just whispers, you’re not close enough ;-)
  • You get confused at his reaction and ask him if he wants to drink something and he just…
  • “My favourite colour is red.”
  • He wants to smack himself in the face, but he just closes his eyes
  • Thatch starts to laugh and you just shake your head in amusement
  • After a few more failed conversation starters you decide to leave the poor man alone, so you turn around 
  • You’re about to walk away, when you turn around again and catch Ace staring right at your booty and… is he drooling?
  • Thatch is cracking up and smacks the back of his friends head and you can’t help but laugh too, all while Ace’s whole face turns bright red and apologies fly out of his mouth and he wants to cry and hide and hates thatch and oh my god
  • this kid is2g

Sabo

  • Okay, Sabo is such a cutie
  • When he first saw your body in a bikini/swimsuit, he couldn’t breath either
  • He was so amazed by your sight, he almost forgot to behave
  • But only almost, he knows how to handle this feeling, he’s a man
  • Instantly, he glances at the floor/sand and tries his best to get him under control again you interpret what I mean with that 
  • Turns out to be a bit harder then expected, because you just look too good  this sounds really wrong and I’m really sorry LMAO
  • You wouldn’t even notice his reaction and just go and talk to koala a few metres away from him 
  • Everything is fine for a while, but then you just feel like someone keeps staring at you
  • You turn around but never see someone and you’re just???
  • So you ask Koala if someone stares at you and she just glances behind you and then giggles uncontrollably
  • You get curious and ask what’s going on, so she comes closer and whispers into your ear:
  • “Sabo’s face is burning red! He keeps glancing at you, I’m sure his drink is already empty but he just doesn’t want- no wait, can’t get up!”
  • You turn around too and then you catch him
  • He starts to choke and turns his head around, suddenly getting panicked
  • You grin, walk up to him and sit down next to him, “Hi.”
  • ohmygod ohmygod what the- they noticed I stared I am so oh my god- 
  • “Hey.”
  • “It’s really hot today, don’t you think?”
  • “OH, yes, it sure is hot today, haha. So hot, so freaking… hot.”
  • He glances at your face and you just bite your lip at his face
  • He looks like he’s about to cry
  • “You look beautiful.” He whispers, even though he didn’t really wanted to say that out loud
  • You thank him laughing and playfully grab his arm and he just freezes
  • He feels it, it just got too hot and you’re too close and you look so beautiful and your smile is so adorable and oh, oh no-
  • He excuses himself and runs into the nearest hiding spot, blushing extremely
  • Koala is still laughing in the background

Law

  • Okay, now Law is different
  • He’s not reacting like Sabo or Ace, no
  • He actually doesn’t like to see you like this, because even though he has admitted that he likes you, no one else knows that he’s into you, so therefor others will stare at you in ways, he doesn’t want them to
  • He gets a bit pissy and his mood just drops a bit
  • And yet he can’t help but think how gorgeous your body looks in this light or how good your skin must feel under his fingertips
  • He notices you playing with Penguin in the water and gets so frustrated, because first, he can’t join you and second, Penguin is being too friendly for his taste
  • After a while you notice him being grumpy in the sand, so you turn to your friend and open your mouth, about to tell him that you’re leaving, when you suddenly feel a weird vibration around you and then everything is lighly blue?
  • “Room.”
  • A second later you’re next to Law in the sand and almost fall down from the sudden change of location
  • You stare at the dark haired man and just go ????
  • And he just glances at you, “I thought there was a shark.”
  • Yeah, no, there was no shark
  • “You should wear something else, Y/N.”, he then mumbles and you merely smirk
  • “Why? You don’t think I look good in this?”
  • And he just hides his face in his hat, but you know he turned red, you just know it 
  • “That’s not it.”
  • “Yeah,” You grin and then you say it, “I know. I saw the way you stared, Captain.”
  • He is speechless and you cover your mouth with your hand so you don’t start to laugh loudly
  • His brain works super fast, trying his best to find an excuse to why he was staring and then he just gulps,
  • “I wasn’t staring. I was just making sure you don’t get hurt.”
  • “Of course, how admirable.” you say and stand up, on your way to get something to drink, when you bend down and whisper:
  • “I don’t mind you staring, because I was staring at you too, Law.” and then you leave just like that
  • And he just swears, he will make sure everyone knows you belong to him, everyone 

Shanks

  • *laughs in shanks*
  • Okay, my beautiful, gorgeous, stupid, hilarious little daddy shanks
  • This man, oh my god
  • Secretly staring and drooling? Nah, he’s too old for this crap
  • The red haired man will simply walk up to you the second he sees you and flirt with you as much as he can
  • Get ready for a lot of compliments
  • “No wonder it suddenly got so hot, I mean look at you…” - “Everytime I look at you, you just seem to get more beautiful.” - “Y/N, Hancock has got nothing on you…”
  • If other people talked to you like this you’d probably smack them and leave, but it’s shanks and you’re crushing on him so you just thank him and giggle
  • Shanks just feels like you’re the perfect wifey for him; you’re smart, funny, strong minded, kind and so so beautiful
  • also he can’t help but wonder how your skin feels like against his ;-)
  • After a few more seconds of flirting talking to each other, someone calls for him, so he has to leave for a short while
  • You stand there in the sun and then, some random dude comes up to you and starts to flirt in such a weird way, you feel uncomfortable, you try to be polite and leave, but it’s not as easy as you thought and then, oh my god
  • Guess who notices
  • Yes, you know who
  • He is by your side in a few short heartbeats and suddenly, he’s not as playful as before anymore
  • “Is that how you talk to a woman?”, he asks and glares at the dude in such a scary way…
  • You actually feel a bit sorry for him, but then he sprints away and you don’t really care anymore
  • Shanks takes you to the other members and you all sit on the sand and have a nice chat
  • He doesn’t really care if other people stare at you, as long as you don’t feel uncomfortable or if they don’t get disrespectful, he feels like they’re complimenting you
  • He actually feels a bit proud, because yes, this beauty next to him is in his crew and yes, he knows you’re liking him as much as he likes you
  • Yeah, Shanks is just great I love him
  • also, shanks in no shirt *drools in ace- style*
The Thirst Order’s Greatest Hits Collection!

@fuckingkyloren

Lo is known, I think, primarily for her Kylux/Reader work, so I’ve included one of those, here—but she has great work outside of that, too. Her work gets straight to the fucking (hohoho) point and is just excellent smutty fun.

Whenever I Want: This is a Kylo Ren/Hux/Reader threesome—and it’s one of those that, despite me not being into Hux, like, at all, I find myself still thinking about.  I think that alone is a testament to its hotness—but it also has some good, nasty shit like cum-sharing and snowballing.

Kylo Gets Off: The title is self-explanatory. We all love Kylo Ren jerking off. But getting nearly 1000 words of it is such a blessing. He jerks off to the thought of fucking Hux and Reader at the same time. Usually I don’t like sharing someone’s fantasy spotlight, but I love this.

Punishment: I’ve recc’d this before on, like, two other lists, but I won’t stop reccing it, because I love it so much. This was, I think, one of the first sub!Kylo fics I read and loved. I still think about the line, “It’s so good,” he answered. “So warm and fucking wet…” Like, kill me please.

@kylophiliac

If you’re looking for weird stuff, sad stuff, or bloody stuff, Jinx is your girl. Not only does she have unique takes on certain AUs—her writing is fantastic. Her descriptive language is dark and poetic and beautiful.

A Full Confession: Okay, this seems self-aggrandizing, but hear me out. Almost all of the ideas in this fic, and a ton of the gorgeous/tongue-in-cheek imagery come from her. It’s easily some of her best writing, and you’d be doing yourself a disservice not to check it out for that reason.

Exposed: I really love vampires. I really love Kylo Ren. So why not both? This is the answer to that question. Good imagery, hot sex. Is there any more we can ask for from a Vampire!Kylo fic?

The Angst Files, Chapter 3: All of the chapters in this collection are great, but this one is a favorite. Not only for the idea of Kylo Ren getting hard from his own tears, but the sex is visceral, too. A Sad Boy Sex Hall of Famer, for sure.

@bestwithalisp 

Maybe even more than she loves writing Kylo Ren, Beth loves writing Ben Solo. Her Ben Solo work is fantastic, and I’ve included one of my faves. Her smut is raunchy and her dirty talk is nasty as fuck. She pulls no punches.

Frozen NSFW: Beth will probably kill me for putting this here, but oh well, I’ll face death bravely. Frozen NSFW is a fantastic collection of dubcon/noncon scenes as Reader navigates her life as Kylo Ren’s new sex slave. And Kylo is just… an asshole. A hot, sexy, asshole.

Solidarity: I’ve recc’d this before, too, but, look. I said this was the greatest hits, goddammit. The sequel to another piece she so thoughtfully wrote for me, you’ll find doggy-style dubcon inside. I frequently think about the line, “Fuck this is the perfect little cunt. I think I need this to greet me at the end of every day.” Christ.

A Hasty Landing: Just one of many great Ben Solo pieces, this is one of my faves because of the intimacy and heat captured. I love the way Ben is written—snarky and naughty and fun.

@faestae

It was hard narrowing down the list of Fae’s fantastic works to just three. There’s so much by her that I truly love. She’s incredible at laying down themes in even the shortest one-shots, her characterization is always engaging, and her imagery is unique and evocative.

On the Desk: I’ll be honest. I’ve probably gotten off to this thing like five or six times. Professor AUs are hot, but this is just beyond everything I could want from one. Professor Ren is dirty as hell.

Okay, Fine: No smut in this—but it’s one of my favorites. A twist on the sweetness of a Coffee Shop AU, this fic instead features  an antagonistic relationship between Kylo (in his triplet form) and Reader. Enemies to Lovers, perhaps? Great dialogue, great characterization, great narrative. It’s good-feelsiest fic around.

Don’t Tell Kylo: In this fic, you’re double-teamed by Organa Solo triplets Ben and Matt. This fic is a perfect hallmark of Fae’s style—it’s hot with a consistent thematic foundation and strong emotions.

@satans-codpiece

Because Kat is known most widely for Love is a Four Letter Word, I wanted to take this time to point out a few of their other excellent works. Kat’s narrative style is so immediate and engaging, and their language has the ability to drag tears of out of me, which is, like, unheard of.

All Tied Up: This work is heavy noncon. Reader is kidnapped by the twisted triplets and horrible things happen. You should absolutely not read this if it isn’t your thing, but I could not fail to recommend it because if it is your thing, it’s fucking hot as hell, and you’ll love it.

On Display: Reader is fucked against a window by Kylo Ren, an officer gets off to the show. Exhibitionism/voyeurism are one of my big kinks, and this piece just… hits all the right spots. One of my faves.

Infraction:  In relative terms of the Kylo Ren fandom, this piece is older. But it’s still one of the hottest in my memory. It has one of my favorite lines in fanfiction ever: “Yes, you would. You’d never leave, the only thing you’d ever have to do is get fucked.”  *SWEATS*

@tonictransistor

I’m going to imagine Tora will be shocked I even included her, but she hardly gives herself enough credit. She’s been the only person who’s managed to get me to enjoy Hux outside of a Kylo/Hux/Reader context. Her sense of humor and sass come through brilliantly in her writing.

Valentine’s Day: I have to be honest. I really enjoy these Hux drabbles. As mentioned, Hux isn’t my guy. But the banter and snark here makes me think maybe he could be my guy.

Untitled: Another Hux/Reader drabble, which I won’t title as “this is dumb” because it isn’t. There’s great sexual tension captured between Reader and Hux, and the unexpected cigarette burn is so salacious.

De-Stressing: This piece is Kylo/Reader—and there’s daddy kink. Look, y’all know I don’t typically go for daddy kink, but this one is enjoyable. If it’s your thing, this is right up your alley.

Rancher!McCree for @afterglowingassassin​’s fic (ノ◕ヮ◕)ノ*:・゚✧

have some winter sasodei