hi, society

10

-And Kal? That’s my name.
-It is.
-I have so many questions. Where do I come from? Why did you send me here?

Ok so I know Ron was all like “thank goodness you inherited your mother’s brains”  so now everyone’s sort of like “oh Rose Weasley she’s the girl and she’s smart so she’ll be just like Hermione.”  and its like ok, that’s good BUT

what if she inherited her mothers brains but also inherited her fathers personality?  So yes, she does know the counter curse that would easily take down that jerk of a 3 rd year that keeps picking on her BUT kicking him in the teeth is way more fun/effective.  Or like she’s studying for a test and Albus is having a crap day so she just tosses her textbook in the air and is like “let’s play chess or sneak out or whatever.” And she ends up failing the test the next day but is all like “lol whatever I can make it up later” OR EVEN BETTER-

Scorpius:  People keep picking on me because my dad was a Death Eater.

Rose: Kill them.

Scorpius: Rose no.

Rose:  *stands up* Fine, I’ll kill them.

Scorpius: roSE NO.

10

Okay, but can we all just appreciate that Izuku, timid, quirkless, average teenage boy (and his mother, too)… that this average boy who everyone had thought would never become a hero… that he gave All Might, Number One, who had already accepted his future and death, his will to live back?

Because that’s literally what happened. All Might wants to live for Izuku - he is alive because of Izuku, because he refused to die and leave his student behind. All Might is not alive because he wants to for his own sake, or society, or because there is something he has to do as a hero  - he is alive for Izuku.  

… and anybody telling me that this boy is not the best successor and a lucky twist of fate for All Might really needs to read this chapter again because, dude, I think you missed a line. (Addressing Nighteye with this.)

Realtalk: Beauty and the Beast

((Spoilers: DUH))

Okay, but jokes about bad CGI wolves aside, Disney’s latest live action remake just served to remind me what didn’t work in the last few films. Keep in mind this is all my opinion and you don’t have to agree to any of it.

I could appreciate the effort they took in better explaining the lore. The classic film implied Beast could be as young as 11 when the curse took effect for them to be wasting away for “ten years” (as stated in the original Be Our Guest), and a lot of people were left puzzling as to how exactly an entire town failed to notice the ominous castle sitting on their outskirts for all those years. But as with all the other remakes Disney also attempted to flesh out the characters, usually in the form of a heavy backstory, and this is where they always seem to fall flat for me.

This is the main problem I have with live action: they seem to struggle in deciding which tone they want to run with. Do they want to prove they can play with darker and more sombre themes? Those poignant backstories and frequent deaths in the families would suggest so. But then they turn right around and try to emulate the cartoon almost frame for frame. Suddenly the action sequences, one-liners, and visual gags look too hammy and out of place, especially when juxtaposed with the aforementioned Dark Subjects. This isn’t helped by the uncanny valley characters at all.

I’m sure some kids out there find all of this enjoyable and see no problem with the new films (though personally if I saw that CG Lumiere as a child I would have run screaming out of the theatre), but all I could think as I watched Beast tear through the tower pining and singing his heart out was:

“Holy shit Disney, you should remake Hunchback of Notre Dame.”

Think about it: they could play with dark themes all they wanted and it wouldn’t feel out of place at all. The animated film was already one of Disney’s heaviest, in fact I feel it’s been swept under the rug as a result of its heavier tone. The characters themselves are some of Disney’s most subdued and wouldn’t be terribly difficult to translate into live action without changing too much, and they could go nuts with the special effects and locations all they want because it’s got everything.

Medieval city? Check. Tall, ominous towers? Check. Spectacular views for breaking out into song? Check. Political/social commentary still relevant today? Check. Vibrant/fictional locales to pour their CGI budget into? Check. They’ve got one of the best villains in that movie, whether you love to hate him or just … love … him … if you’re one of those weirdos.

But that brings up another point: if they did rework it, I want them to go really dark with it. I’m talking taking cues from their friends in Germany and Der Glöckner von Notre Dame, a musical that managed to preserve a majority of the film while also capturing the weight of the original novel.

Don’t try to redeem Frollo like you did with Maleficent. Preserve all the slimy, misguided, despicable facets of his personality. Don’t gloss over the political commentary of gypsies in Paris, and highlight Clopin’s juxtaposed sides as a result–willing to do whatever it takes to survive even if it means stealing and murdering. We already have one of the most badass women out there in Esmeralda, and finally one who isn’t a damned princess that needs her sparkly dress. Give Phoebus a bigger role, give us time to really see the conflict between his role in society and his moral compass. Focus on Quasimodo’s internal struggle, torn between his curiosity and love for the outside world, but also his blind loyalty and affection to the one man who raised him his entire life.

And for f**k’s sake those gargoyles better be hallucinations to illustrate the toll a lifetime of solitude has taken on the poor guy or I am going to flip some heavy Medieval tables.

And finally Esmeralda dies. No-one gets the girl. Phoebus fails at his job, people get hurt as a result, and he can’t even save the love of his life. And Quasimodo is left utterly broken hearted and alone, with neither his father figure or his friends by his side. The movie ends as the stage play did: with our hunchback carrying the gyspy in his arms in a sad nod to the iconic “Sanctuary!” scene, walking away into the dark unknown, presumably to die as he did in the novel, with Esmeralda in his arms. A sombre Clopin, knocked back down to a beggar (if not dead as well during the seige), narrates the closing scene.

Because life sucks and that’s what you get for attempting to turn a Victor Hugo Novel into anything less than a tragedy.

TL;DR: Disney remake HoND. I double-dog-dare you.

(Oh my god I have not drawn these guys in literal ages. It felt so weird!)

history-rover  asked:

You asked for it. When the Scot Ties The Knot AU. 😜

okay, bit of background. we were talkin in discord about scottish twitter, which then transmuted into a talk about scottish romance novels, and then i brought up the greatest romance novel premise i’ve ever heard of: when a scot ties the knot by tessa dare. i’ve never actually read this book besides the back cover and some choice passages from my friend @galpaladvns who got it for her birthday or smth (all i really remember from that night was @funnythingsandphysics hunting through the pages for the smut which apparently took ¾ths of the book to get to?) but basically….. what happens next is the rough premise of the book, but viktuuri. and (very heavily winged) historical, because @kazliin and i are in agreement that there should be more period drama viktuuri anyway 


When a Russian is Rushin’ to Marry: Or, the Unexpected Consequences of Inventing a Boyfriend

“I’m so jealous of you,” Phichit laments as he helps Yuuri get ready for the evening’s events. “I remember my first season like it was yesterday. Everything’s so exciting and bright your first time around; I wish I could experience it again!”

Yuuri says nothing, only turns slightly to watch the way the light catches on his blue brocade waistcoat in the mirror. “I don’t know,” he admits after a moment. “I’m probably going to be dreadfully old, especially in comparison to young Mr Plisetsky who’s also debuting this season.”

“Well, sometimes people like a late bloomer,” Phichit chides, patting his forearm. “Now turn, so I can help with your ascot.”

Yuuri lets him adjust the silken material with a weary sigh. He’d been putting off his entrance into society for as long as could be deemed socially acceptable, mostly for his nerves. But with each passing season, his parents would get more and more concerned that he wouldn’t marry and settle down, and eventually he’d caved. Tonight’s soiree would mark his debut, and it was about as quiet an affair as he could manage. Still, the thought of being approached tonight with potential suitors continues to threaten to overwhelm him at any given moment. 

“Deep breaths, Yuuri,” Phichit offers kindly as he pats at his now properly-tied ascot. “You’re going to be just fine.”

“You sound more confident about this than I feel,” Yuuri retorts. Phichit helps him into his tailcoat with a grin.

“You’re a divine dancer, Yuuri,” he points out. “Who could say no to you?”

Keep reading

This is an excerpt from “Why Kids Kill: Inside the Minds of School Shooters.” It’s part of Peter Langman(Ph.D)’s case for Schizotypal Personality Disorder in Dylan. I think he makes a good case for it, but I neither agree nor disagree. Posting for info/speculative purposes. 

Dylan also misused language by utilizing actual words in improper ways. This occurred most frequently with the word “halcyon”, which is generally used as an adjective meaning “calm” or “peaceful.” Dylan repeatedly misused the word, employing it in odd sentence structures. “We have proven to fate that we are the everything of purity & halcyon” and “all the imaginative halcyons & pure existences I have with her.”

Dylan’s third misuse of language was his odd sentence structure. Two flagrant examples occurred with his misuse of the word “me”: “me is a god” and “why is it that the zombies achieve something me wants?” His use of “me” instead of “I” in these sentences is markedly odd. It makes him sound as if he has regressed to being a toddler.

Besides his misuse of language, Dylan demonstrated other signs of disordered thinking, such as paranoia. Dylan wrote, “I swear - like I’m an outcast and everyone is conspiring against me.” A few months later, he wrote, “I have always been hated, by everyone and everything.” Two months after that entry, he wrote, “all people I ever might have loved have abandoned me, my parents piss me off and hate me.” On that same day he wrote, “I get screwed and destroyed by everything.” These comments are contradicted not only by other people but also by Dylan himself. In an earlier entry in his journal, he listed his “nice family” among the good things in his life. But in his ruminations, he became lost in feeling abandoned by everyone, hated by everyone, as if the world were against him.

A few days after he got caught for breaking into the van, Dylan wrote, “society is tightening its grip on me.” Assuming that this referred to his arrest, he seemed to view it not as a natural consequence for breaking the law but as part of his ongoing persecution by society. On the same day, he wrote “the zombies and their society band together and try to destroy what is superior.” “Zombies” was Dylan’s term for all the people he locoked down on, which was virtually everyone besides Eric and himself. He seemed to think that society was out ot get him. 

Dylan also seemed convinced that God persecuted him. After complaining that he lost two objects (which he explained he later found) and losing $45, Dylan wrote: “Why the fuck is he being such an ASSHOLE??? (God, I guess, whoever is the being who controls shit). He’s fucking me over big time and it pisses me off.” Thus, Dylan attributed even trivial incidents to the malign intentions of some being who controlled his life. 

***

Dylan was also detached from humanity in the sense of being split off from his own humanity. He wrote about himself as if a fundamental split had occurred between his human nature and his identity. This splitting of the self is one of the more bizzare aspects of his journal: “I wonder how/when I got so fucked up with my mind, existence, problem - when Dylan Bennet Klebold got covered up by this entity containing Dylan’s body.”

Here he wrote about himself in the third person, which suggests a detached perspective. In addition, the quote indicates a split between himself (Dylan Bennet Klebold) and some other entity that contains Dylan’s body. This strange, convoluted passage suggests that in his mind, he was not really himself - whatever that might mean. Later in that entry, he wrote, “I lack the true human nature that Dylan owned.” He is writing as if he is not Dylan - as if he had an existence apart from Dylan. This sense of a split self - a self “cast asunder” from its own humanity - is an ongoing theme for him.  

anonymous asked:

Hey, I just finished the tog series and I don't understand why lorcan betrayed aelin? Why did he summon maeve? I thought he was falling in love with elide so I don't get why he would do that and also why he was devastated when maeve broke the blood oath. Didn't he say he wanted to go to perranth with elide?

The answer to your first question or two is simple, while the last one is more complicated.

To answer why he betrayed Aelin or summoned Maeve, can be long or short. The short answer was that he actually had no loyalty to Aelin and he was trying to protect Elide.

The longer answer is that when he summoned Maeve, it was at a point in time where he thought that there was a ship full of enemies come to kill/capture them. They had just used all of their power fightings so they would have absolutely no chance of succeeding. Lorcan has been abused for the past 100 years plus some, in these years the relationships he has had have been surface level or based around survival.

Elide is the first individual to ever really mean something to him or show him affection, probably in his whole life

. His being is centered around that.

All he has ever tried to do is protect and fight for himself, those are really the only skills and emotional capacity he has developed. So when he began caring for Elide, Gaverielsthose transferred onto her.



Now, we have seen that he does display loyalty to the cadre. This is rare and hard to come by, but we see it when he ran to help Aedion in QoS simply because he was Gavriel’s son. These loyalties come from years of surviving abuse and trauma together, though that does not change that Lorcan never developed or had a loving relationship (once or twice if at all), but he did respect this cold, but loyal, survival kinship with the cadre. Calling Maeve would not endanger them since they were all sworn to her anyway besides Rowan. As for Rowan, we see that Lorcan felt a deep betrayal at Rowan leaving with Aelin. Rowan was the closest thing Lorcan had to an actual friend, he actually felt close and connected to him over all the other cadre members. This was because Lorcan is almost, if not as, powerful as Rowan so they were often sent on missions for months together. Rowan was the closest thing he ever had to family, a brother. And Rowan just left Lorcan with Maeve, without so much as a backward glance. Before, Rowan was grief stricken and cold like Lorcan. He felt comradery to him. Then Rowan left him to become more emotional, feeling, and to have a court, a family, with other people. This genuinely was both a physical, relational, and emotional betrayal of sorts for Lorcan. While I certainly do not blame Rowan or think he should not have done anything differently, that does not mean we wouldn’t expect Lorcan to react this way. We often see this with people in real life. Trauma victims or abusive victims, when someone else gets out or moves on with their life, while we would hope that most would be happy for the individual, others might feel a sense of abandonment.

And Lorcan, cold and abused, had no moral reason for serving Maeve. She was just a way to achieve status, a way to not be the prey in life and instead be the hunter. Lorcan operates on a kill or be killed mentality, as all his life experience has told him to. It was a survival decision to join Maeve. He says himself, he cares not about the actual battles or why they are doing the things they do, he is so depressed and traumatized that he simply just exists. So, he could care less personally about Aelin and the goodness she represents. He has no personal ties to her, he has only talked to her maybe three times in his life.He only knows himself and Elide when it comes to base instinct. She is the first person to move into his circle of survival, the first time he really has an active role in someone else’s fate. She breached those walls. So when he thought they were under attack, his first instinct and thought are to try to find some way to save himself, and the first person he has come to really care about or have. He barely even thought, he just reacted on a base survival need. He might have paused if this resulted in the death of his cadre, but they were on the same side as him. And while I do not think he wished any harm particularly to Aelin, Rowan, and their court, he was not going to choose them over himself and Elide, nor the cadre, who are his brothers in arms of sorts. 


As for why he was devastated that Maeve cut the bond, there is a long list of complicated emotions he was probably feeling. One is simply shame. The culture in throne of glass is very different from where I live or where most people live in today’s world. It is very much based on visible status, etiquette, titles, and honor.  Maeve cut his blood oath in the most dishonorable way she could think of. Lorcan was a street bastard, the lowest you could get in society. The main reason he even took the blood oath was so that he could have a name so he could be something in his world and society. Now, not only has he returned to nothing after years of abuse and torture and trauma, but he also has added dishonor. He basically just became an outcast homeless person.
And the abuse. That I think is the primary reason he reacted the way he did. For 100s of years, Maeve has been in his mind, perverted his actions, forced him to do and endure terrible things. basically ruled his entire existence. He can barely remember the world without Maeve. It’s the same concept you see when sex trafficking victims who have been rescued try to return to their captors, why domestic violence victims lie to law enforcement and say they aren’t being abused, why kidnapped victims will fight and defend their captors against law enforcement trying to rescue them. Brainwashing, Stockholm syndrome, confusing their identity, making their abuse and their captors become essential to their survival, whatever you want to call it. HIs brain, his emotions, who he is is so confused and traumatized; everything he was is wrapped up in and depended upon Maeve. He had nothing and no one before her, this way of life was his only known reality. He does not know what or who he is without it. And when Maeve displayed displeasure and anger, the only way his mind knew how to react was to try to please her, beg forgiveness, and the fear of losing the only life and ways he understands caused him to try to hold onto that as much as possible.

It is very hard to understand or relate to unless you have gone through it yourself or know someone who has. And that’s okay, that’s understandable. Trauma and abuse are horrible things and are very hard to overcome. To anyone who may not be aware of why he would do this, it seems pathetic and confusing. 

I hope these answered your questions. 

And to anyone out there who may be going through abuse or have been traumatized, know that there is help out there and that it is not hopeless. I cannot imagine all you are going through, but there are people out there who have been through it as well. I escaped emotional abuse in high school, and life has gotten significantly better. Attatched are some resources for the domestic abuse hotline, suicide hotline, trauma resources, and people can feel free to reblog more.

Here if you need me ToG fandom!

http://www.thehotline.org/


Suicide hotline: Call 1-800-273-8255

https://www.domesticshelters.org/

https://www.samhsa.gov/capt/tools-learning-resources/coping-traumatic-events-resources