hermetic astrology

Super New Moon 🌑Gemini ♊️ Healing 💆🏻 Magick 🔮Ritual 👇🏽
Under the influence of this Super New Moon, it seems that the cosmos is very strongly guiding us to heal our energy, our emotions & even our physical bodies.
Under the May 2017 Super New Moon in Gemini, we are being guided to heal ourselves on all levels. To heal any anxieties, energy blockages, stresses, symptoms, diseases, twitches, aches & pains; whatever may be presenting on our bodies right now, the time has come for healing.
Healing can happen on many different levels, but the focus for this ritual will be healing the energetic body. Along with this ritual, use the rest of this lunar cycle to really look after yourself, practice clean eating, sleep, rest, exercise & really listen to your body.
New Moon : The dark of the moon, when the moon is invisible, is the most affective for casting spells concerning New Beginnings, & the launch of new projects. It is generally a time for taking new paths & making fresh plans established on the basis of past experiences. The influence of the New moon can also boost ambitions & careers, so it is a productive time for sowing the seeds of success. During the New moon, money spells & work spells stand a better chance of being fulfilled than at other times. It is generally a good time for spending money & speculating with a view towards the future. Those who have experienced problems should take advantage of the valuable time.
Astrological Sign : Gemini ♊️ the Heavenly Twins: 22 May – 21 June. Color: yellow or pale grey. A mutable Air sign for spells concerning communication, learning, choices, adaptability & short-distance travel.
Day: Thursday
Planet: Mercury
Conjuring: business, logic, social matters, political power, material wealth, publishing, education, long-distance travel, religion, philosophy, broadcasting, publicity, expansion, luck, growth, the law, doctors, guardians, psychologists, charity, self-improvement, researching, reading,
Gemini Super Moon Ritual for Healing 
* Blue or white crystal of your choice (Aqua Aura Quartz is a good choice)
* Sage, palo santo or incense (for smudging)
* Candle (white preferably)
* Paper & pen
1.) Before you begin your ritual, smudge your aura & your surroundings.
2.) Light your candle & hold your crystal in your non-dominant hand. Take 3-5 deep breaths to center & ground your energy for the ritual.
3.) With your pen & paper, you are going to start writing down messages from your body. The trick with this is to really let yourself relax & go with the flow of what comes out as you are writing. Try not to censor or judge yourself, just give yourself permission to write whatever comes to your mind. Trust that whatever is written will have some meaning for you.
Questions to guide you to the wisdom of your body:
a.) Dear body, how would you like to feel?
b.) Dear body, what can I do to help you feel this way?
(If you have any current ailments, or feelings of anxiety you can even try talking directly to them. It sounds weird, but it can be quite enlightening. Again, you will have to trust the answers that flow. Try to just write your answers or feelings without judgement.)
4.) Once you have communicated with your body, take your crystal & place it over your ♥️. You can lie down or you can simply hold the crystal to your ♥️.
5.) Close your 👀 & visualize the healing rays of the crystal going into your body in order to heal & nourish it. Breathe in & out deeply as you do this. Give thanks to your body.
6.) Once you feel the crystal is activated, begin visualizing a blue light around your entire body. See the blue light surrounding your body & moving through your body. Feel the blue light healing your entire body. As you feel the blue light, keep breathing deeply.
7.) Once you can clearly see the blue light, recite this mantra or one that you have written for yourself. Say the mantra 3 x

“I am healed. Healing light surrounds me. I am a Divine being with the amazing power to heal my mind, body, ♥️ & Spirit. I know healing energy surrounds me now & forever more. I am healed. I am blessed. I am a miracle.”

8.) After reciting the mantra 3 times, you can open your eyes & close the ritual. Snuff out the candle & keep the crystal with you for the next few days.

After doing this ritual, try to stay open to the messages that your body is sending you & try to check in, to ensure that you are taking care of yourself.

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Hermes Trismegistus (Greek for “Hermes the thrice-greatest” or Mercurius ter Maximus in Latin, is the syncretism of the Greek god Hermes and the Egyptian Thoth. In Hellenistic Egypt, the god Hermes was given as epithet the Greek name of Thoth. He has also been identified with Enoch. Other similar syncretized gods include Serapis and Hermanubis.

Hermes Trismegistus might also be explained in Euhemerist fashion as a man who was the son of the god, and in the Kabbalistic tradition that was inherited by the Renaissance, it could be imagined that such a personage had been contemporary with Moses, communicating to a line of adepts a parallel wisdom. A historian, however, would leave such speculation to the history of alchemy and the nineteenth-century history of occultism.

Both Thoth and Hermes were gods of writing and of magic in their respective cultures. Thus the Greek god of interpretive communication was combined with the Egyptian god of wisdom as a patron of astrology and alchemy. In addition, both gods were psychopomps, guiding souls to the afterlife.

The majority of Greeks, and later Romans, did not accept Hermes Trismegistus in the place of Hermes. The two gods remained distinct from one another.

The Hermetic literature added to the Egyptian concerns with conjuring spirits and animating statues that inform the oldest texts, Hellenistic writings of Greco-Babylonian astrology and the newly developed practice of alchemy. In a parallel tradition, Hermetic philosophy rationalized and systematized religious cult practices and offered the adept a method of personal ascension from the constraints of physical being, which has led to confusion of Hermeticism with Gnosticism, which was developing contemporaneously Dan Merkur, “Stages of Ascension in Hermetic Rebirth”.

As a divine fountain of writing, Hermes Trismegistus was credited with tens of thousands of writings of high standing, reputed to be of immense antiquity. Plato’s Timaeus and Critias state that in the temple of Neith at Sais, there were secret halls containing historical records which had been kept for 9,000 years. Clement of Alexandria was under the impression that the Egyptians had forty-two sacred writings by Hermes, encapsulating all the training of Egyptian priests. Siegfried Morenz has suggested (Egyptian Religion) “The reference to Thoth’s authorship…is based on ancient tradition; the figure forty-two probably stems from the number of Egyptian nomes, and thus conveys the notion of completeness.” The Neo-Platonic writers took up Clement’s “forty-two essential texts”.

The so-called “Hermetic literature”, the Hermetica, is a category of papyri containing spells and induction procedures. In the dialogue called the Asclepius (after the Greek god of healing) the art of imprisoning the souls of demons or of angels in statues with the help of herbs, gems and odors, is described, such that the statue could speak and prophesy. In other papyri, there are other recipes for constructing such images and animating them, such as when images are to be fashioned hollow so as to enclose a magic name inscribed on gold leaf.

During the Middle Ages and the Renaissance, the writings attributed to Hermes Trismegistus known as Hermetica enjoyed great credit and were popular among alchemists. The “hermetic tradition” therefore refers to alchemy, magic, astrology and related subjects. The texts are usually distinguished in two categories the “philosophical” and “technical” hermetica. The former deals mainly with issues of philosophy, and the latter with magic, potions and alchemy. Among other things there are spells to magically protect objects, hence the origin of the term “Hermetically sealed”.

The classical scholar Isaac Casaubon in De Rebus sacris et ecclesiaticis exercitiones XVI (1614) showed, by the character of the Greek, the texts that were traditionally written at the dawn of time, to be more recent: most of the “philosophical” Corpus Hermeticum can be dated to around AD 300. However, flaws in this identification were uncovered by the 17th century scholar Ralph Cudworth, who argued that Casaubon’s allegation of forgery could only be applied to three of the seventeen treatises contained within the Corpus Hermeticum. Moreover, Cudworth noted Casaubon’s failure to acknowledge the codification of these treatises as a late formulation of a pre-existing (possibly oral) tradition. According to Cudworth, the text must be viewed as a terminus ad quem and not a quo.

Modern occultists continue to suggest that some of these texts may be of Pharaonic origin, and that “the forty two essential texts” that contained the core work of his religious beliefs and his life philosophy remain hidden away in a secret library.

“The word ‘Amen’ is from Amon, the father god of Egypt, and was an ancient Egyptian salutation to the supreme power of the Universe." 

- Manly P. Hall: The Secret Teachings of All Ages

Ra, the god of the sun, had three important aspects. As the Creator of the universe he was symbolized by the head of a scarab and was called Khepera, which signified the resurrection of the soul and a new life at the end of the mortal span. The mummy cases of the Egyptian dead were nearly always ornamented with scarabs. Usually one of these beetles, with outspread wings, was painted on the mummy case directly over the breast of the dead. The finding of such great numbers of small stone scarabs indicates that they were a favorite article of adornment among the Egyptians. Because of its relationship to the sun, the scarab symbolized the divine part of man’s nature. The fact that its beautiful wings were concealed under its glossy shell typified the winged soul of man hidden within its earthly sheath. The Egyptian soldiers were given the scarab as their special symbol because the ancients believed that these creatures were all of the male sex and consequently appropriate emblems of virility, strength, and courage.

Plutarch noted the fact that the scarab rolled its peculiar ball of dung backwards, while the insect itself faced the opposite direction. This made it an especially fitting symbol for the sun, because this orb (according to Egyptian astronomy) was rolling from west to east, although apparently moving in the opposite direction. An Egyptian allegory states that the sunrise is caused by the scarab unfolding its wings, which stretch out as glorious colors on each side of its body–the solar globe–and that when it folds its wings under its dark shell at sunset, night follows. Khepera, the scarab-headed aspect of Ra, is often symbolized riding through the sea of the sky in a wonderful ship called the Boat of the Sun.  -Many P. Hall  “Secret Teachings of All Ages” (Fishes, Insects, Animals, Reptiles and Birds).


The Picatrix: Secrets of Ancient Magic

“The human organism is a Living Zodiac and in each of its twelve constellations, the consciousness sleeps profoundly. It is urgent to awaken consciousness in each of the twelve parts of the human organism… It is really lamentable that this living zodiac of man the microcosm, sleeps so profoundly. On the basis of tremendous super efforts, it becomes indispensable to achieve the awakening of Consciousness in each of our twelve zodiacal signs. We need to awaken Consciousness in order to cause each of the twelve parts of our own microcosmic zodiac to shine and sparkle. Our entire zodiac should become light and splendor.”

~ Samael Aun Weor; Esoteric Treatise of Hermetic Astrology

“A Mason is not necessarily a member of a lodge. He is any person who tries every day to live the Masonic life, and to serve intelligently the needs of the Great Architect.” 

- Manly P. Hall - The Lost Keys of Freemasonry, The Legend of Hiram Abriff.

A Method of Building a Circle for Astrological Magic

This will be the eleventh post in my series on astrological magic. In the last post, I talked about the planetary hours and days, as well as some of the spirits ruling over certain times. That information will all be necessary to understand in order to do all the things I’ll be explaining in this post, which will discuss magical circles and their geometric construction. Be careful when you’re doing these things. You’re always welcome to ask us if you have any questions.

To consecrate your working space before you carry out any magic is one of the most important parts of nearly all forms of ritual magic. There are a great many methods for preparing a circle, and I will readily admit that I believe certain methods are more effective than others, and that I feel as if some methods are just as good as not casting a circle at all (but I won’t get into that right now). For the type of magic I’m talking about now, I like D'Abano’s method of casting a circle, because it reflects planetary rulership, and it also calls upon the power and protection of some relevant ruling spirits for aiding in your work. It’s important to note that there is room for variation in this method if you want to work with a different system of spirits, but the basic geometric features of this type of circle are vital to its function, and to make sure you call on the power and protection of appropriately powerful and benevolent spirits is also essential. If you’d like to substitute something, and you want to double-check something with us, you’re welcome to get our opinion or advice by asking. The traditional ruling spirits and D'Abano’s are here, in the previous post.

The first thing you should do in this method is make a circle which is 9 feet in diameter. Inside it, make a circle with a diameter of 7 feet (meaning its edge will be 1 foot in from the larger one), and be sure it is concentric with the larger one as precisely as possible. Make a third concentric circle with its edge one foot in from the second (meaning it will be 5 feet in diameter). These are the basis for your circle.

Next, you want to find the point in the innermost circle which is farthest north. Draw a straight line from there through the center of the circle until you reach its southern edge. Then do the same from east to west. Now you can make the last circle one foot in from the innermost so far. The lines you already made will cross this circle’s boundaries. Finally, make four pentagrams outside your circle. One at the southeast, one at the southwest, one at the northwest, and one at the northeast. The points of each of these should be directed toward the center of your circle. Now you have most of the geometric basis for your circle of protection, and you can start on writing in the names and symbols which should be included.

Inside the edge of the second circle (if the outermost is the first), you should start at the farthest point east. Beginning there, write the name of the hour you’re working in. Next, write the name of the angel who rules the hour. Following the angel’s name, you will add its sigil (the sigils of these angels are easily found by using Google, and entering something like “sigil of the archangel Raphael,” for example). Next, you will write the names of the ruling angel of the day, as well as its sub-ruling angels or spirits. Now you should write the name of the season. Then, you should write the names of the spirits ruling over that season (and keep them in the order that I have listed them here). After that, you should add the name of the spirit ruling the sign of the season. Next, you should add the names of the Earth, Sun, and Moon according to the season. This completes the writing in the space between the second and third circle.

Inside the edge of the first (outermost) circle, start again at the farthest point east. Here, you will write the name of the aerial king who rules the day you’re working in. At the south, west, and north, you’ll write the names of the aerial spirits under his command (in the same order I gave them to you here, excluding the spirit Flaef on Friday, but adding him in on Wednesday).

Between the third and fourth circles (outside the edge of the innermost circle), there will be four parts divided up by the lines you’ve made. In each of these parts (starting with the southeast, and proceeding clockwise as before), you should draw a cross (not a Christian cross, but one where the lines are of equal length), followed by an appropriate name of God for your purpose, followed by another cross (employing a total of four different names of God).

The last step in building your circle is to write “Alpha” on the eastern part of the innermost circle, allowing the line through the center to divide it, so it appears like “Al|pha” and then to write “Omega” on the western part, allowing it to be divided by the line so it appears like “Om|ega”.

This is all the geometric knowledge you need in order to build an effective circle based on the time. From here, you should proceed to consecrate your circle. I’ll speak about methods of doing that in my next post. I hope this post has been useful to you. Thank you for reading.


Relief with Phanes, ca. 2nd century A.D. - Modena Galleria Estense

Phanes (Ancient Greek: Φάνης]), or Protogonos (Greek: Πρωτογόνος, “First-born”), was the mystic primeval deity of procreation and the generation of new life, who was introduced into Greek mythology by the Orphic tradition; other names for this Classical Greek Orphic concept included Ericapaeus (Ἠρικαπαῖος or Ἠρικεπαῖος “power”) and Metis (“thought”).

In these myths Phanes is often equated with Eros and Mithras and has been depicted as a deity emerging from a cosmic egg, entwined with a serpent. He had a helmet and had broad, golden wings. The Orphic cosmogony is bizarre, and quite unlike the creation sagas offered by Homer and Hesiod. Scholars have suggested that Orphism is “un-Greek” even “Asiatic” in conception, because of its inherent dualism. Time, who was also called Aion, created the silver egg of the universe, out of this egg burst out the first-born, Phanes, who was also called Dionysus. Phanes was a uroboric male-female deity of light and goodness, whose name means “to bring light” or “to shine”; a first-born god of light who emerges from a void or a watery abyss and gives birth to the universe


“The human organism is a Living Zodiac and in each of its twelve constellations, the consciousness sleeps profoundly. It is urgent to awaken consciousness in each of the twelve parts of the human organism and that is the purpose of the zodiacal exercises. Aries governs the head; Taurus, the throat; Gemini, the arms, legs and lungs; Cancer, the thymus gland; Leo, the heart; Virgo, the abdomen, the intestines; Libra, the kidneys; Scorpio, the sexual organs; Sagittarius, the major fenioral arteries; Capricorn, the knees; Aquarius, the calves, the feet.
It is really lamentable that this living zodiac of man the microcosm, sleeps so profoundly. On the basis of tremendous super efforts, it becomes indispensable to achieve the awakening of Consciousness in each of our twelve zodiacal signs. Light and Consciousness are two phenomena of a same thing; to a lesser degree of Consciousness, corresponds a lesser degree of Light; to a greater degree of Consciousness, a greater degree of Light. We need to awaken Consciousness in order to cause each of the twelve parts of our own
microcosmic zodiac to shine and sparkle. Our entire zodiac should become light and splendor.”


“Man, know thyself. Thou art the flame, and thy bodies are the living altar.”

— Manly P. Hall:  The Initiates of the Flame

Taurus by Johfra Bosschart, From April 21 and May 21.

In the alchemical tradition, one of the names for the lunar dew was nostoc. As Fulcanelli reminds us, this word is from the Greek nox, which meant ‘night’ and, in some contexts, 'darkness’. This nostoc was a heavenly power which came to Earth during the night, and remained on the Earth only for a short time before being dispelled by the rays of the Sun.
Here we see an arcane parable, so beloved by the alchemists. The freeflowing and chaotic stream of imagination bestowed by the Moon on the Earth can be directed by mental activity and attention into fantasy. Imagination, like all thought-pictures, is visualized as coming from the dark skies, from the dark Moon, in the form of nostoc. The germination of the imaginative faculty, like the germination of plants, can take place only through the operations of lunar darkness. When the occultists say that darkness must mix with light to give form, we now begin to see what they mean, for without the human mind being continually fructified with the element of lunar fantasy, no creation can take place. The dark Moon militates against the light of the Sun.
Fulcanelli points out that the healthy development of the chick in an egg depends upon darkness, as does the survival of the silver-based photographic image in the light-excluding camera. However, what Fulcanelli does not reveal is the secret in the word nostoc itself: it is evident that he knew what the word really meant, yet he elected not to reveal it in his published works. No doubt, he felt that the time was not yet right for him to reveal the secret of nostoc, save in a way protected by occult blinds which could be interpreted only by those familiar with the arcane langauge. In fact, the Greek word nostos means 'return’, both in the sense of a journey and in financial terms - such as a return on an investment. The return homeward of the Greek heroes after the fall of Troy was called the Nostoi. How could this word possibly relate to the arcane term nostoc? To understand the connection, we must look at another level of Green Languge interpretation.
In the arcane tongue, the word breaks down into nos stoch. The Greek stock is a word with several meanings, including to 'aim at’: in certain compounds, it is linked with the art of divination. The final Greek letter, chi, is conveniently preserved in the Latin form C, which is an image of the crescent Moon - a conversion which is often used in occult and Christian symbolism.6 It is the Moon of the Night (nox). We trust that it is not too fantastical to read this uncomplicated Green Language as implying that when we exercise our (Nos) imagination, and become fantastical, we are aiming at the Moon, and expecting a certain return, a payment back, or even the return of the thing aimed.
Perhaps this concept explains the most curious graphic detail of the Marseilles Tarot deck, which shows influence lines streaming like tears (or could those be dew?) towards the Moon, from the Earth. This upward, vertical stream of tears (or rain) may seem unnatural, as though the card depicted some unexplained phenomenon. However, in estoric terms, its actually depicts the true influence of the Moon.