here you go anon and hope you like it

anonymous asked:

You're selfish for giving up on your blogs just because some people have said shit that apparently upsets you. Your blogs aren't for whining about stuff no one really cares about, they're for making content to entertain people. Grow up.

yikes

anonymous asked:

Hi, I've been stalking you for quite a while now and honestly you're the most caring person I've met here. I hope you're doing just fine. :)

hello, uhm honestly i don’t know what to say bc i don’t get messages like this often. but thank you. really. it means a lot. and yes, i’m doing just fine, anon. i hope you are too :) you can pm me anytime. go off anon! :) take care x

anonymous asked:

*shyly whispers* do u think u could do another Greek Mythology story~

“Your tapestries are so fine,” the merchant says in wonder, “that you must be blessed by the goddess Athena.”

Arachne tosses her head, braided hair falling over her shoulder like an obsidian waterfall, “What’s Athena got to do with it? My hands wove these, not hers.”

The merchant blanches and looks to the sky, as if expecting Zeus himself to smite them for blasphemy. Personally, she thinks the king of the gods has better thing to do with his time. “Ah,” he says weakly, “I suppose.”

He pays her for her wares and she leaves, almost immediately bumping into a hunched old woman with grey eyes. “Do you not owe Athena thanks for your talent?” she croaks, gnarled hands curled over a cane.

Arachne is not stupid, but she is foolish. They will tell tales of it. She looks into those grey eyes and declares, “Athena should thank me, since my talents earn her so much praise.”

She pushes past her and keeps walking, ignoring the goddess in humans skin as she disappears into the crowd.

They will tell tales of her hubris. They will all be true.

~

The next day she bumps into the same old woman at the market. Everything goes downhill from there.

“Know your place, mortal,” Athena says, grey eyes narrowed. There is a crowd around them, and Arachne could save herself, could walk away unscathed, and all she has to do is say her weaving is inferior to that of a goddess.

She will not lie.

“I do,” she says coolly, “and in this matter, it is above you.”

She is not honest as a virtue, but as a vice.

Athena challengers her to a weaving contest. She accepts.

~

Gods are not so hard to find, if you know where to look.

“It’s a volcano,” the baker repeats, looking down at her coins, as if he feels guilty for taking money from someone who’s clearly not all there.

She grabs her bag of sweet breads and adds it to her pack before swinging it over her shoulders, “Yes, I know. Half a day’s walk, you said?”

“A volcano,” he insists, as if she did not hear him perfectly well the first dozen times.

“Thank you for your help,” she says. He’s shaking his head at her, but she knows what she’s doing.

She walks. She grows hungry, but does not touch the bread she paid for, and walks some more. The sun’s begun to set by the time she makes it to the base of the volcano. It’s tall, impossibly large, and for a moment the promise of defeat threatens to overwhelm her.

But Arachne does not believe in defeat, in loss. They will tell tales of her hubris. Those tales will be true.

She ties a scarf around her braids then hikes her skirt up and ties the material so it falls only to her thighs. She fits work roughened hands into the divots of cooled magma and begins her slow ascent.

~

The muscles in her legs and arms shake, and her hunger pains are almost as distracting. Her once white dress is dirt smeared and torn and sweat makes her itch as it covers her body and drips down her back.

“What are you doing?”

Arachne turns her head and bites back a scream, looking into one giant eye. The cyclops holds easily to the volcano’s edges, even though her hands are torn and bleeding. She swallows and says, “I heard you like honeyed bread. Is it true?”

The creature tilts his head to the side, baring his long fanged teeth at her. She thinks he might be smiling. “You’ve been climbing for hours. What do you want?”

“Is it true?” she repeats, refusing to flinch.

“Yes,” he says, looking at her the same way the baker had, “it’s true.”

“There’s some sweet bread in my pack, baked this morning,” she says, “it should still be soft.”

His hands are big enough and strong enough that it could probably squeeze her head like a grape. Instead he gently undoes her pack and reaches inside. The honey buns look comically small in his large hands, and he swallows half of them in one bite. He licks his fingers clean when he’s done, and his smile is just as terrifying the second time around. “I am Brontes. Why are you climbing my master’s volcano?”

“I’m the weaver Arachne,” she takes a deep breath, “I need your master’s help.”

~

They tell tales of Hephaestus’s ugliness.

They are not true.

He’s got a broad, angular face and short brown hair. His eyes are like amber set into his face, and his arms are huge, and he’s rippling muscle from the waist up. He has legs only to his knees. From there down his legs are bronze gears and golden wire, replacements for the legs destroyed when Hera threw him from Mount Olympus.

“Had your look, girl?” he asks, voice rough like he’s always a moment away from breaking into a coughing fit.

“Yes,” she says, and doesn’t turn away, keeps looking.

His lips quirk up at the corners, so it was the right move. The heat is even more oppressive inside the volcano, and all around him cyclopses work, forging oddly shaped metal that she can’t hope to understand. “You’ve gone to an awful lot of trouble to find me, girl. What do you want?”

She slides her pack off her shoulders and holds it out to the god, “I have a gift for your wife. I have woven her a cloak.”

He raises an eyebrow and doesn’t reach for the bag, “You believe something made with mortal hands could be worthy of the goddess of beauty?”

They will tell tales of her hubris.

“Yes.”

They will all be true.

With a gust of wind the oppressive heat of the volcano is swept away, leaving her chilled. In its place stands a woman – more than a woman. Aphrodite has skin like the copper of her husband’s machines and hair dark and thick and long. Her eyes are deepest, richest brown, piercing in their intelligence. People don’t tell tales of Aphrodite’s cleverness. That is because people are stupid.

“Let’s see it then,” she says, reaching inside the pack and pulling the cloak from its depths.

It unrolls beautifully. It’s made from the finest silks, and it shimmers in the light from the forges. The hem of the cloak is sea foam, speaking of Aphrodite’s beginning, and up along the cloak is intricate patterns it tells of her life, of her marriage and her worshippers and escapades, all with the detail of the most experienced artist and the reverence of her most devoted followers.

Her lips part in surprise and she slides it on, twirling like a child. “Gorgeous,” Hephaestus says, though Arachne knows he does not speak of the cloak. She doesn’t take offense.

The goddess smiles and Arachne’s heart pounds in her chest. She does her best to ignore it – Aphrodite is the goddess of love, after all. It is only expected. “Very well,” the goddess says, “you have my attention.”

Arachne swallows. Aphrodite’s attention is a heavy thing. “I have offended Athena,” she says, “She has challenged me to a weaving contest.”

Their faces somber. Hephaestus rubs the edge of a sleeve between his fingers and says, “Athena will lose such a contest, if judged fairly. She does not take loss well.”

“I know,” she says, “you are friendly with Hades, are you not?”

There are no tales of their friendship. But she’s staking her life on its existence, because why wouldn’t it exist – both of them even tempered, both shunned by Olympus, both happily married.

Gods hate being made to feel lesser. It is why they say Persephone was kidnapped, why they say Aphrodite cheats with Ares. It is why Athena will crush her when Arachne wins the weaving contest.

“Clever girl,” Hephaestus says, smiling.

Aphrodite stares at her reflection in a convenient piece of polished silver. Arachne assumes Hephaestus left if lying there for that express purpose. “Very well!” the goddess says, not looking at her, “when Athena sends you to the underworld, we will entrench upon our uncle for your release.” She turns on her heel and points a finger at her. Arachne blushes for no reason she can think of. “In return, you will weave me a gown, one equal to my own beauty.”

A gown as exquisite as the goddess of beauty. An impossible task.

They will tell tales of her hubris.

“I accept.”

They will all be true.

~

The contest goes as expected. Athena’s tapestry is lovely, but Arachne’s is lovelier.

The goddess’s face goes red in rage, and her grey eyes narrow. Arachne stands tall, ready to accept the death blow coming for her.

The blow comes.

Death does not.

~

She is an insect. Even if she can make it back to Hephaestus’s volcano, even if they can help her, they will not know it is her. She has no hope left, no course of action, she should just give up. But –

She doesn’t believe in defeat, in loss.

It was a terribly long journey on foot, that first time. It is even longer this time, although now she has eight legs instead of two. She makes it to the volcano, and creeps in between crevices, until she finds out a hollowed room, one with a sliver of sunlight and plenty of bugs to keep her fed.

Athena’s cruel joke of allowing her to weave will be her downfall. Her silk comes out a golden yellow color – it will look exquisite against Aphrodite’s copper skin.

~

It takes seven years for her to complete it. She hasn’t left this room in the volcano in all that time, and as soon as it’s done she scurries out back toward the village. She’s a large insect, but not that large.

She arrives just as the sun begins to rise, and leaves before the first rays have even touched the earth, her prize tied to her back with her own silk.

Arachne doesn’t return to her room. Instead she goes to the more popular parts of the volcano, hurries and runs around terrifying stomping feet until she finds who she’s looking for and scurries up his leg and onto his shoulder.

“Huh,” Brontes looks onto his shoulder and blinks. “What on earth are you?”

She cautiously skitters down his arm, waiting. He bends closer and lightly touches her back. “Is – is that a piece of a honey bun?”

She looks up at him, waiting. It’s her only chance, if he doesn’t remember, if he doesn’t understand –

His face slowly fills with a cautious kind of wonder. “Arachne?”  She jumps in place, being unable to nod, and Brontes cautiously cradles her in his massive hands, “We must find the Master immediately!”

She jumps down, landing in front of him and running forward. “Wait!” he calls, and she makes sure he’s running after her before skittering back to her corner of the cave. It’s almost too small for him to enter but he squeezes inside and breathes, “Oh.” He stares for several moments, and Arachne climbs her web and waits. Brontes shakes himself out of his reverie and uses his powerful wings to bellow, “MISTRESS APHRODITE!”

There’s that same breeze and she’s in the crevice with them, “What was so important, Brontes, that you had to yell?”

Arachne sees the exact moment that the goddess sees the gown, golden yellow and glimmering, made entirely of spider silk. “Beautiful,” she says, reaching out a hand to brush down the bodice. Her head then snaps up, “Brontes, where’s Arachne?”

She warms at that, that Aphrodite knew it was her weaving even though she hasn’t been seen in seven years.

They’ve told tales of her hubris.

They are all true.

Brontes points at the web, and Aphrodite steps over and holds out her hands. Arachne crawls onto the goddess’s palms. “Athena is more powerful than I am, I cannot undo her work,” she says, “but I know someone who can.”

Then they are in front of a river. A handsome young man stands there waiting with a boat. “Goddess Aphrodite,” he says, “we weren’t expecting you.”

“Thanatos,” she returns, “I need to see Persephone.”

The man’s face stays cool, and for a moment Arachne fears they will be refused and she will be stuck in this form forever. Then he smiles and says, “My lady is of course available for her favored niece.” He holds out a hand to help her onto the boat, “Please come with me.”

~

Arachne weaves a dress for Hades’s wife as a thank you, and returns to her volcano.

“I can take you somewhere else,” Aphrodite says, “you don’t have to hide here.”

Arachne pauses at her loom. She has lived in this volcano for seven years. It’s her home. “Would you like me to leave?” she asks instead.

Aphrodite scoffs, “Of course not! How could I dress myself without you here?” She’s wearing the spider silk dress Arachne spun for her, and she’s working on another for the goddess now. Aphrodite runs a gentle finger down Arachne’s cheek and for a moment she forgets to breathe. “You are the finest weaver to ever exist.”

She looks up at the goddess, “Then as the god of crafts and goddess of beautiful things, where else would I belong besides with you and Hephaestus?”

To declare your company equal to that of gods is the height of arrogance and blasphemy.

They tell tales of her hubris.

“An excellent point,” Aphrodite murmurs, and tucks a stray braid behind Arachne’s ear.

They are all true.

gods and monsters series part iii

cryptidsanonymous  asked:

I just read everything in your gods and monsters series and wow I am in awe. I am absolutely blown away by your writing it's beautiful the Icarus one had me staring at a wall for ten minutes afterwards absorbing what I'd just read. anywhoozle, I love everything you've written and not to rush or pressure you or anything but I was wondering if perhaps we could get more of the greek mythology stories?

a continuation of this


Caeneus has only ever had two loves in his life.

First is the sea. He’s loved her his whole life, heard her siren song from the time he had long curly hair and still tolerated being put in dresses and called a girl. He loves the sea like his parents go to temple, in an unmovable and inexplicable way that he no longer questions.

Second is Poseidon. Foolish, but so achingly kind. He’s a man who professes his wish to master the sea without ever really understanding it, and Caeneus smiles and kisses the stress lines from his brow but does not worry.

The sea has never loved him back, and it never will. She is power and coldness and loss, and her beauty is in her tragedy. Poseidon is warmth and thoughtfulness and strong hands on his hips. He is nothing like the sea, and he will never rule it.

Caeneus knows this, and he’s relieved by it. Poseidon loves him back. Poseidon is not the sea.

Then he wakes up to his lover’s lips on his neck, cold enough that flinches away from the sensation, and for a terrifying moment he doesn’t recognize the person touching him as the man he loves.

“I can do it now,” he whispers, and cool fingers splay against his waist, “I can make you the man you want to be.”

Caeneus wants the body that men usually have, wants people to stop looking at him and seeing a woman. But if Poseidon had asked, he would have told him – Caeneus would choose his lover over a new body, would rather live as he does now than have Poseidon harm himself for his benefit.

But he did not ask, so Caeneus closes his eyes and accepts the gift his lover is so eager to give him.

~

Amphitrite has never had a heart before.

She was the sea, and what she desired, she took. Men, women – she wanted, and she had, and then she moved on.

But the heart in her chest is softer, warmer. It turns her pearl hued skin pink and makes her swim to the surface to watch the sun set, makes something like empathy stir inside her when before all she had was selfishness.

The heart in her chest is in love, and she thought it was something she could control, something she could stop. It’s not. It will be one day, when she masters this heart in her chest, but not yet. She spends hours following Caeneus as he sails her seas, guides fish into his net and feels her borrowed heart beat that much faster whenever he pears into the ocean and she catches sigh of his gorgeous amber eyes.

So she says to Poseidon, “You spend too much time on the shore for a god of the sea.”

He glances at her, and his eyes are green just like hers, are cold and uncaring just like hers used to be. She wonders what her eyes look like now. “Caeneus is on the shore.”

“Bring him here if you’re so concerned with your mortal,” she says, focusing on weaving shells into her hair and giving the impression that she couldn’t care less what he does with his mortal plaything. “The palace is big enough.”

He stops and turns to her, eyebrow raised. “You do not mind me bringing him here?”

“Do with your mortal as you wish,” she repeats, and stamps down on the trembling joy in her chest, “It’s no concern of mine.”

~

Caeneus doesn’t know how to love a god of the sea. He knew how to love Poseidon – take him onto the water to watch the sunrise, feed him warm, sweet drinks, and let him curl around him at night and listen to his stories of his siblings, of impossible gods who do impossible things.

But now he sits in a palace under water, with his own room and the freedom to see the other side of the ocean he loves so dearly. There are no sunsets here, no cocoa to barter for, and Poseidon doesn’t tell him stories any more.

Poseidon still loves him. He kisses him and holds his hips when they sleep together and keeps him by his side while he crosses the sea and gains more and more control over this domain that he now commands. Poseidon still loves him, he tells himself when he itches to return to the surface and the home Poseidon build for him, and the life he built for himself.

He didn’t want to be a consort of the king of sea. He just wanted to be Caeneus, a man who loved a man and was loved in return, a man who loved the sea even though it would never love him back.

The sea will never love him back. He’s known that since he was a child, so the real question is – how much of the Poseidon he knew is left, and how much of him the depths of the ocean?

~

There’s a hurricane that requires her husband’s attention, and even he is not so foolish as to bring his lover to a place as dangerous as that. Which means it’s the perfect time for her to run into him in the interior gardens, as he stares up through the iridescent seaweed to the rays of sunlight that just manage to penetrate the water. “Do you miss it?” she asks him, and he startles, swinging around to face her and stumbling away.

“My lady!” he says, and falls to his knees before her, bowing his head. It’s what she expects of all mortals, but not from him, never from him. The heart in her chest loves him, and if it’s not her heart, well – the rest of her doesn’t know the difference. “A thousand apologies.”

“You are welcome here,” she says, and smiles. She’s never smiled quite like this before, she’s never felt quite like this before, fond and fluttery and so painfully eager that it would be embarrassing if she ever dared articulate it. It’s a wonder Poseidon managed to get anything done at all if this is what he had in his chest.

He looks up, hesitant, and she holds out her hand. He takes it, and she pulls him to his feet, pulls him closer until they’re nearly touching and he’s forced to look up into her eyes or be stuck staring at her chin. He’s warmer than her, she can feel the heat pouring off him in waves, and she wants him to hold her in his arms so she can languish against him like she would a sun-warmed rock.

Before she had a heart, she took who and what she wanted, when she wanted it.

Now she has a heart, and she takes his hands in both of hers and says, “Would you like to visit the surface? I can take you, and bring you back before my husband returns.”

He’s hesitant because he’s afraid of her. Caeneus will never love her, because although she holds the heart he loves she is not the person the heart belongs to. Not that he knows any of that, not that anyone will ever know the details of her and Poseidon’s arrangement. But she doesn’t want Caeneus to be afraid of her. She wants him to smile at her like she is a sunrise. “Yes, please,” he decides on finally.

She stands and watches as he walks through his home, as he touches the hearth and looks longingly at the bed, as he stands in the small cottage that he clearly prefers over her palace, over all the riches and adoration that comes with being consort to the sea.

Caeneus is a simple man, whose heart loves with a simple love.

He is a man whose heart loves someone who now has no heart, and Amphitrite can’t bring herself to tell him. She’s the one who took it away, and she won’t give it back.

She likes having a heart, and one day she will need to return it, but not now, not yet, not for a long time.

~

Caeneus lies besides Poseidon, curled up so his head rests on the god’s outflung arm and he can watch his chest rise and fall as he sleeps. There are bruises on Caeneus’s hips and down his chest, bite marks on his shoulder and up his neck. It’s not the first time his lover has been rough with him, and he doesn’t mind, like that Poseidon doesn’t touch him like he’s afraid he’ll break, likes that whenever he’s rough he’s careful enough with his strength not to ever cross the line from bruising to breaking.

It’s different than it used to be. It’s been different for a long time, ever since Poseidon somehow convinced the Lady to hand over her title as monarch, to share her power with him for no reason that Caeneus can see. It’s not love between them, because the sea does not love. But she got something out of it, something valuable enough to bargain away part of her power, and as soon as she did the man Caeneus loves ceased to exist.

He slides out of bed and angrily rubs at his eyes. He can’t do this anymore, can’t sleep and live with this man who has his lover’s face and memories and nothing else.

He knows this palace well, and everyone else knowns him too. The servants don’t question him, only offer shallow bows before hurrying on his way. He’s a fisherman who lives on the outskirts of society. He’s not any sort of person that people were meant to bow to. He stands in front of an ornate set of carved doors, the beautiful shimmering inside of a muscle shell of impossible size. Two guards stand at each door, but neither move to stop him as he pushes it open and slips inside.

“Lady?” he whispers. Large, bioluminescent carvings flare to life all across the room, bathing them in soft golden-green light. Amphitrite pulls herself out of bed, green hair loose around her and the rest of her on display, pale and flawless, as perfect an example of a beautiful woman as Caeneus has ever seen, and he averts his gaze. “Lady!”

“So modest,” she teases, and when he glances over she’s in a simple white robe and pulling her hair up behind her. She looks vulnerable like this, almost like his mother did when she would rouse him and his father from sleep in the darkness of early morning so they could catch the fish while they were still sleeping. “What’s going on Caeneus? I thought my husband had exclusive rights to your nights,” she winks, and he forces a smile.

He walks over to her, takes her hands in his because he knows she likes how warm he runs compared to her, and her smile slips off her face. “Please,” he whispers, “Poseidon is different than he once was, and I want to know why. Please.”

~

She shouldn’t tell him, but the heart in her chest loves him, and she loves him too, thinks she would even without Poseidon’s heart influencing her.

So she tells him, and when he starts crying she brushes away his tears and he doesn’t stop her. “He’ll never love you like he once did,” she tells him, “It’s not that he doesn’t want to, he just can’t.”

“The sea doesn’t love you back,” he says, because he knows, because he’s a skilled sailor, because he’s one of the people who has worshipped her his whole life without ever expecting anything back, because that’s what an ocean gives back – nothing at all. “Can – can I give you my heart?”

She stares. “Excuse me?”

“Let me give you my heart,” he pleads, “so that I may hold Poseidon’s in my chest. You can have mine, I know I’m only a mortal–”

“You’re all mortal to me,” she says, because a hundred years, a thousand, ten thousand, what does it matter – she and Gaia were around long before gods and humans, and they’ll be around long after them. “If I give you Poseidon’s heart, you will become a god.”

He pales and flinches away from her. He’s not in this for power, this was never about power to him. It was always about love. “Lady, I’m not trying to – I don’t want that.”

“If you become a god,” she continues, because she loves him and that means she wants him to be happy, even at her own expense, “you will be alive when the time comes for me to reclaim my title of monarch. One day I will take back my heart from Poseidon, will reclaim the cold, black thing in his chest as my own, and when I do he will no longer be master of the sea. When I do, you can give him back his heart, and he will love you as he loved you before, as he will always love you.”

Caeneus has a hand over his chest and there’s so much hope shining in his eyes that it’s almost painful to look at. “Please, Lady. Please. I love him, let me carry his heart, let me have him back once you are done. I will wait.”

“It will be a long time,” she answers honestly, “Empires will rise and fall before I’m willing to give this up, before Poseidon will be willing to give up his power over the sea.”

“I will wait,” Caeneus repeats, “I love him. If you have my heart, maybe you will grow to love him too. If you have my heart, you will protect him, you will keep him safe.”

Amphitrite loves Caeneus, and Caeneus loves Poseidon, and Poseidon is incapable of loving anyone at all. “Very well,” she whispers, because a heart is a heart, and just like Poseidon she’s unable to deny Caeneus anything.

She breaks open her chest and takes out the warm, beating heart of Poseidon. She slits open Caeneus’s chest for him, and holds him upright while struggles to take out his heart and clumsily places in into her chest. She heals over instantly, and nestles Poseidon’s heart in Caeneus’s ribcage. He too heals over, and his eyes flash with power as the heart settles inside of him.

Caeneus becomes so much more than a mortal man in that moment.

This heart doesn’t feel too different, she still loves Caeneus because she’s capable of loving and he is worthy of it. “Go,” she says, “Say your goodbyes, and leave. If you stay, he’ll just continue hurting you, and in a few thousand years he’ll hate himself for it. Leave now, and spare both of you that pain.”

He leans forward and cups her face in his hands, kissing her on each cheek. “Thank you,” he breathes, and then he’s gone.

~

Caeneus can feel the power of a god flowing into him, but he doesn’t care about that, the only reason he’s glad he’s a god now is so he’ll live long enough to get Poseidon back, to get the Poseidon who loves him back.

He goes back to where Poseidon is sleeping, and takes a long, careful look. It will be a long time before he sees this man again. He kisses him on the lips, softly and carefully, the way Poseidon first kissed him when he thought he was sleeping.

Then he leaves, stepping outside the palace and using his newly gained powers to bring himself to the shore.

~

Poseidon is furious, bur Amphitrite won’t budge, says only that Caeneus left. He throws a temper, and half the palace is lost in the aftermath, but she does not care.

She doesn’t tell him that she no longer carries his heart. It doesn’t matter. Caeneus’s heart beats in her chest, and she sits on her throne amongst the rubble and does nothing more than sigh at the way he threatens to tear the world apart looking for his lover. It will pass. The depth and coldness of the sea is unable to sustain such fits of wild passion.

Years pass. Rumors reach them of a sea god, one who is known for rescuing sailors and fisherman from storms, one who they say used to be a mortal fisherman himself.

They call him Glaucus, and say that he swallowed a magical herb to become a god.

She smiles when she hears these rumors, and thankfully Poseidon has long given up trying to get her to explain herself. The rumors are only half right, but she likes hearing them none the less.

It comforts her to hear that Caeneus is well.


gods and monster series, part xiii

read more of the gods and monsters series here

4

★ “Stop talking. I will win. That’s… what heroes do.” | “So I’m going to be a hero. I’ll make that money… So that my mom and dad can have easier lives!” ★
Katsuki & Ochako | Brave Heroes | Requested by anon  o(〃^▽^〃)o  

anonymous asked:

I would love some Tenko and Himiko Art!!! They are my favs and I feel like they are so under appreciated but they look so good in your style !! c:

the girls!!