he thinks he is so clever

I love Johnny Bond so incredibly much… I am so miserably fond of this hat wearing weirdo… GOD. He is so endlessly interesting to me… I want so bad for him to just tell me about what he’s thinking… feeling….. about his LIFE…. it seems like it’s been so wild and overall just really fucking cool? He knows and has worked with so many cool people??? Done so many cool things??? and Just wow. He’s been at this for so long?? He’s so talented and clever and wise and hardworking???? and just…. gentle and kind and self aware and funny and compassionate and supportive and lovely…. he’s seriously my all time favorite person…. I LOVE JOHNNY BOND

Prince Aladdin

i just rewatched aladdin with the roommates and it got me thinking

aladdin wishes to be made a prince, but all genie does is get him a lot of stuff and money. that’s not what a prince is. a prince is the son of the king, someone in line for the throne. someone with a lot of money is just - rich. so what i think is:

genie goes okay, that’s a big one - and i can do it! but not on my own, not if you want to do it right. not if you truly want a chance to marry your princess for real, as a prince. and aladdin is a foolish, moral, kind boy - and he agrees. he’s fallen in love with jasmine, an innocent all encompassing love, and he’ll do anything for this sweet, clever girl he only knew for a few hours. so genie takes him across the desert, far from agrabah, and plops right in the middle of a skirmish and is like okay, good luck! and aladdin is like ?????

but there’s assholes with swords attacking a young girl, and aladdin doesn’t even have to think about that, just like when he stood in front of the whip for those little kids. there are three men against him, but he’s fast and clever and has been against a dozen trained palace guards. so it’s not easy to get out of there alive, especially with the little girl to protect, but he manages it with only a thin slice on his upper arm, and he’s endured worse for less. so he picks up the little girl and says “i think we should get out of here, hmm?” and she’s in a pretty red silk getup with tiny jewels encrusted on her like stars against sunset. and she nods and throws her arms around his neck. she won’t talk, only points in the direction of home, but aladdin’s okay with that, he’s used to quiet, scared kids. so he keeps up a steady stream of stories of agrabah, which seems almost like this other desert land. but there are more men with swords and aladdin is like what the fuck is going on, but he hides the girl in a corner and fights them too. and that’s how it goes all the way home. there’s no one on the streets really, and they all scatter when the men attack, and they keep on attacking, he fights his way all the way through the city with the girl on his hip or hidden away.

and he should have known, of course, but he was tired and bruised and bleeding by the time he realized the little girl is silently guiding him to the palace and he’s like why can’t you princesses stay inside??? but he walks up and the guards get one look at the child in his arms and whisk him through and multiple people try to take the girl away but she won’t budge from him, a stubborn pout to her lips as her hands remained locked behind his neck. and he’s finally tossed into a throne room where a tall old man is sitting in agony and two young men pace in front of him, each at least a decade older than aladdin. “they’ve taken our sister!” one of the younger men hiss, “i don’t care about their power or their connections, they’ve taken esfir, and we must go get her!”

“uh,” he clears his throat, “hi?”

and all three men whirl on him and the old man stumble-runs to him. esfir finally lets go of aladdin to picked up and twirled around by her father. the two men are rahim and shapur and they look in wonder at this dirty boy of fifteen who’s returned the girl to them, and he speaks with an accent and clearly is not from here and they get the story from him - he’s traveled across the desert because those in his own country want him dead. “you know,” rahim says as the king clutches at esfir in desperate relief, “you could have held her for ransom. you almost died saving her, and we would have paid handsomely to have her returned safely.”

and aladdin gives him a flat disapproving look, appearing in this moment four times his age, and says “people are not objects or bargaining chips. especially not lost little girls.” and rahim and shapur share an impressed conspiring look and they each grab one of his arms and lead him away. “hey! what are you -”

“do be quiet little brother,” shapur says cheerfully, “we really have to get you out of your rags.”

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4

I fucking. Love. This man.

Ok, first off, I adore the sense of humor, it’s just so goddamn golden, it’s over simplified and it knows it.

It’s almost like he’s mocking academics and scholars agonizingly going every tiny detail of history and arguing over the molecules.

He glosses over it, but there are these brief seconds where you can absolutely tell he’s studied it carefully and trivialized it in a meaningful way, like, he brushes over a lot of shit, but he knows he HAS to, and how does he do it?

By making really clever one-second story gloss-overs.

I just adore it.

I remember more of AP World history than I care to and boy, was this fun.

Thank you so much, I really enjoyed 20 minutes of my life there, I just think these videos are great.

Maybe they’re not as detailed as people who’re cramming for  AP World need, but…it’s great on timelines and letting you know the chronology of shit.

Plus it’s funny enough to get you a little more interested in parts of history you’re not conventionally taught, right?

I mean seriously, he covers so much ground in such a great way that you’re compelled to figure out what he was referring to…

because as I mentioned, HE knows.

and it’s funnier when YOU know.

So it’s compelling you to find out.

I just love it, man, I love these.

There was a request for a solo larger version of this so… here you go.

It was a joke, baby. I swear

Request: 41,46,or 63. Whichever you’re more comfortable with :))

Could you do #46 with Peter Parker? ps all ur writing is bomb af

Summary: Peter pulls a prank on you and you threaten to kick his ass.

A/N: SO I COMBINED #41 AND #46 OFF THE DRABBLE CHALLENGE. HOPEFULLY IT TURNS OUT GOOD.

Part 2

Originally posted by jessikaort


You gasp at the sight in front of you. Looking back at you through your mirror was yourself, but not exactly. You had just gotten out of the shower, and once you walked by the mirror, something a little blue had caught your eye. You went into the shower with y/h/c hair, and now you’ve come out with royal blue hair. You took deep breathes as you lifted some parts of hair from your scalp to see that all of it really was blue. Some strands were a more faint blue than others. 

Meanwhile, Peter was sitting on your living room couch, giddy with anticipation. You didn’t know it yet, but he was the one who had put the blue dye in your shampoo. It was semi-permanent, he figured it’d be a funny little prank. He impatiently waited to hear something from you, knowing your reaction wouldn’t be subtle. He had heard the shower turn off, “Hows it going in there y/n?” Peter called to you.

It all clicked to you now. Peter was the one who had ruined your hair. Of course it was him. Blue hair to match his red and blue suit. “Peter Parker, I’m gonna kill you!” you screeched as you bolted into your room throwing on two pieces of clothing that were the first items you saw, a pair of underwear and Peters hoodie that you “borrowed”. With your wet blue hair, you marched out to the living room where Peter was laying, laughing uncontrollably. His eyes ran up and down your body and rested on your hair, “Well you look, amazing,” he told you, attempting to stop his snickering. 

“You think this is funny, Parker?” You grumbled, breathing heavily. 

“No, no not at all, I’m sorry. I think it’s hilarious,” He knew you meant war when you said his last name, but he couldn’t help but give himself a small pat on the back at his clever prank.

You groaned at his comment and began to advance towards him. Peter was taking no chances, knowing you were currently wild. So he flexed his arm out, and from his wrist shot out a web that pinned your fist to the bookshelf behind you. Looking at your hand that was covered in a sticky substance, your jaw dropped and features turned to a bewildered look. Oh he did not. You yanked and pulled at your hand, but it wasn’t escaping anytime soon.

“Look just calm down,” he tried to reason, with a wide smile on his face, “wait, is that my sweater?” he asked you in a higher, curious tone of voice. He cocked an eyebrow, as he studied the article of clothing. But because he was a teenage boy, his eyes became glued to your naked legs. He was quite enjoying your outfit, 

“Don’t try to change the subject Peter. What did you do to my hair?” you demanded, ignoring his burning gaze,

It was just a joke, baby. I swear.” He said, taking slow steps towards you,

 “You think it’s funny that I get to match your stupid onesie now?!”

“Ugh, it’s not a onesie,” he whined, squeezing the bridge of his nose between his thumb and pointer finger, “babe, I’m sorry-”

Sorry isn’t going to help when I kick your ass!” you interrupted him, yanking at your hand once again. 

“I’m not letting you out of that till you calm down y/n,” Peter told you, gazing down to webbing. 

“I’m not going to calm down, my hair is blue!”

He sighed, and tilted his head to the side. He began walking towards you again. Once he was within arms reach of you, you brought up the hand that wasn’t pinned down, and swung it at Peters chest. He caught it before it could hit him, and he pressed his body against yours. Trapping you completely, in the corner between the wall and the bookshelf. You tried taking back the hand that he had a hold of, but he held it tightly and closely to his chest. You grabbed a fist full of his grey shirt, and attempted to push him away, but he wasn’t budging. 

Peter lowered his forehead to yours, knowing your wild mood was slowly fading. He knew what he was doing, and he knew the effect he had on your body. “Stop it. I’m mad at you,” you spoke to him sternly, determined to keep your fuming attitude, to prove a point to him. “No, you’re not,” he persuaded you with a smile.

“Yes, I am. Look at my hair!” You argued not looking him in the eye. Again you tried shoving him away, but it was hardly worth trying, without control over either of your arms.

“There’s nothing wrong with your hair. It’s perfect,” he whispered to you. You stopped struggling against him, and decided your best bet now was to give him the silent treatment. Moving your head to the side, you didn’t give him any attention and took your forehead away from his. Shortly after, you felt a pair of soft lips press themselves to your temple. You closed your eyes at excitement of butterflies attacking your stomach. Peters lips pecked a trail of kisses down the side of your face, “I’m sorry,” he muttered in between every one of them. Leisurely, he brought them down to your exposed neck. Sticking to your plan of the silent treatment, you didn’t protest. 

“Please-forgiveme-I’msorry,” he repeated every time his lips left your neck and reconnected them. 

“I hate you,” you whispered, just barely audible for him. Peter smiled against your neck and placed his forehead back against yours, “What was that?” he asked teasingly with a grin. You tried so hard to keep a smile from taking over your lips, but you failed trying, “I hate you,” you said louder to him.

He shook his head with a smile, “No you don’t,” he declared with a laugh. You just nodded your head in response, letting out a laugh also.

“Nice sweater by the way,” he said to you, “mind telling me where you got it?”

Imagine - Zach breaks up with you

Originally posted by pitterpratter

@thrtreasons Request: “pls zach x reader where they dated for a long time and they were super goals but then they broke up idk why and he’s still in love with her and you know he’s not doing well after the tapes and she notices and helps him?? i mean he tells her everything and thinks she’ll hate him etc anyway thank you💫”

It has been exactly one month since you and Zach have broken up, and it was over something extremely stupid. It was over an argument that the two of you had. An argument over the fact that you and Bryce were “too friendly with each other”. Clearly Zach had gone mad. Because you would never cheat on him, and certainly not with Bryce Walker. That guy was a complete asshole and a pervert. If anything, he was always flirting with you, even though you were dating one of his best friends. But you had no intention what so ever to cheat on Zach with Bryce. You loved Zach, you truly did. And he loved you, but clearly not as much as you though because he couldn’t see how it was not you being “too friendly” with Bryce but the other way around.

It has been a painful month for you after the break up. You and Zach were perfect for each other, in your eyes and in the eyes of most of the students at Liberty high. You two were the “IT” couple. Always the talk of the school on how cute the two of you were together and how others wished that they had what you and Zach had. Why did things have to end between the two of you. You remember the night where everything went downhill, like it was yesterday…

“I’m not ‘all over Bryce’ Zach! That’s ridiculous!” You yell.

You and Zach were sitting in your living. Your parents were gone for the weekend on some business trip and Zach had promise to keep you company in the time being. So he had come over to your house so the two of you could cuddle and watch some movies. But things turned south pretty quickly…

“Sure you’re not.” Zach scoffs “You two are always flirting with each other! And right in front of me too!” He booms out.

“You know I’m really surprised that you haven’t left me for him yet, slut…” He breathes out the last word that you nearly missed what he said.

But it’s too late. You heard it. And you have never been more humiliated and furious in your life.

You look at him straight in the eyes, seething, and slap him. Hard. Right across his face.

“You know what!? Fuck you Zachary!” You spit out. “I fucking hate you! Get out!”

Zach scoffs and then says with malice, “Sure, I’ll leave, but know this, we’re fucking done (Y/N). I don’t even know why I went out with such a slut like you in the first place.” Then Zach walks out your door.

Keep reading

Marvel...

We need to have some words.

As you may have noticed, a certain writer that is on your payroll has raised the ire of your fans.  Again.  The fans who buy your stuff.  The fans who love the characters that you are responsible for.  The fans who do not exist for you to insult and walk over time and time again.

Hydra!Cap was bad enough.  People were offended and horrified, even though we knew it was going to be just a cheap publicity stunt in the end.  You didn’t fool us, we knew it wasn’t going to be permanent.  But that doesn’t change the fact that you allowed your certain writer to spit on Jack Kirby and Joe Simon’s legacies as well as the fans who idolize the character and looked to him for comfort during a difficult time, insulted all of these people, for a juvenile attention grab.

Another blow was the removal of the Jewish heritage of Quicksilver and the Scarlet Witch.  Why was this done?  Any reason?  Other than…I can’t even think of a reason other than pure idiocy.  What is even the hell.  It did not help matters at all that in the Age of Ultron film that these two characters were made into Hydra agents as well.

And speaking of.

Magneto.

…You done fucked up now.

Magneto is not only your most well-known Jewish character and a Holocaust survivor, but he is probably one of the most well known fictional Jewish Holocaust survivors in all of fiction.  He is someone who is intimately shaped by his Jewish heritage and by his horrific experiences during the Holocaust where his entire family was systematically murdered.  He is someone who made “Never Again” his mantra for life.  It is what drives him.  Although he has undeniably done terrible, even unforgivable, things, every decision he makes is driven by his desire to never allow what happened to him or his family to ever happen to anyone.  His trauma is what has driven him to hate humanity as a whole.

And who traumatized him?  Who murdered his family and his people and who tried to wipe out his culture?  Who does Magneto hate with every fiber of his being?  Who has he constructed himself to oppose?

The Nazis.  The same Nazis who, in your universe, created Hydra.  You’ve tried your best to whitewash Hydra and make it look cute what with Bob and everything, but your fans know better.  They are, and have always been, Nazis.

And you are having Magneto join them.

It doesn’t matter that it’s probably a stunt.  It doesn’t matter that if it’s not, it’s all going to be retconned away by the time my nail polish dries.  It doesn’t matter.

Do you know the world that you live in?  It is a world where anti-Semitism is on the rise.  It is a world where Jewish schools receive bomb threats and children live in fear.  It is a world where people genuinely are terrified that another Night of Broken Glass will happen or that Muslims and other marginalized groups are going to be carted away to camps.  It is a world where people with Nazi sentiments are in high positions of the US and other governments and are abusing their power.

You cannot do what you are doing in this world.

In the late 1930s and early 1940s when the world was bleak and hatred was festering in every part of the world and growing stronger, comic book writers and artists, many or even most of whom were Jewish, gave people heroes.  When the US had yet to enter WWII and the American Nazi party was large and growing, two Jewish men created a hero and draped him in the American flag and had him punch Hitler square in the face.  They kept writing this hero even as they received threats and the mayor of New York City had to step in to protect them.  Your distinguished competition created an immigrant from another world who used the traits of his homeland to fight injustice.  They created a woman who was stronger than any man and whose compassion was stronger than any hatred.  And you, in the 1960s, created a supposed villain who drove himself into becoming what he was so that what happened to him and his family would never be allowed to happen again.

Your certain writer thinks he’s being clever and commenting on the nature of the world today.  He is wrong.  We know the world is in a bad place.  We know how scary things are.  We know corruption looms everywhere and that hate is omnipresent.  We live on planet Earth.  We’ve seen this shit first hand.  We don’t need to be told this.

We need heroes.  We need to be told that it is possible to fight this evil.  We need to be told that there is hope.  That the future is bright if we work hard.  Even if one of those heroes is a villain half the time, we need them.  We don’t need you erasing these people’s identities, even for a second.

And it you won’t give us what we need, we will give it to ourselves.  Fan culture is stronger now than it has ever been.  If you won’t treat your characters and most importantly your FANS with respect, we will do it for ourselves.  We do not need you.  But you need us.  And you need to remember that.

the thing about the glorious people’s republic of treacle mine road is that havelock vetinari was a kid.

he’s cunning and clever and self-possessed even at that young age, but still, he must have been so excited! they were planning a revolution. they were going to change the future of the city. and he was going to be the assassin that delivered the final blow. at the time, he was not the kind of person to think cynically, “well, revolutions, they always come back ‘round again.”

except when snapcase became in change, the first thing he did was… well, you know the story.

i wonder how much of vetinari’s political philosophy was formed right then and there?

in the fifth elephant, it’s hinted that vetinari first met lady margolotta just after graduating from the assassin’s guild. so imagine some other 25th of may, several years after the first one, a while into the rule of lord snapcase — imagine a young vetinari sitting at a dinner table in uberwald with lady margolotta, telling her about john keel and the barricades and how he leapt into battle with a sprig of lilac held between his teeth.

imagine margolotta asking, “have you considered what would have happened if the revolution had put someone else in charge? chosen a different figurehead?”

imagine him saying no, no more figureheads, no more hidden centers of power, because that’s how they got into this mess in the first place. imagine him pausing to think, and then saying, “they say if you want a job done right…”

…you have to do it yourself.

remember that vetinari has never been much for dramatically flaunting his power in the open. he might have been quite happy to let someone else hold the title of patrician while he used his influence quietly behind the scenes.

but i think the glorious people’s republic of treacle mine road is the reason vetinari is patrician.

Homestuck Meta Theory

Alright, so I know there’s a lot of people disappointed with the ending, again, I sound like a broken record by this point. And don’t get me wrong- While I love the ending, I would still love to see more of the characters and the story! I just feel it’s a good end as it is. I’ve made a lot of theories about what the End means and everything about Act 7, but all of the things I said, about the Jujus, about becoming freed from Paradox Space, it made me think about the rest of the story, and I believe it has made my entire idea of what Homestuck is change.

So the big question here is, what IS Homestuck? Most people, including me, when talking to someone who knows nothing about it, will speak about the story, the 4 Kids playing SBURB, and the subsequent destruction of Earth. And then mention its huge amount of references towards programming languages, popular culture, storytelling in itself, and it’s self-referential nature. But this Ending has got me thinking that maybe the reason why so many people have been disappointed in the End is because they got Hussie’s intentions wrong.

We tend to reference how the humor and the nature of Homestuck’s narrative is a little extra onto the story, and while it is true the story itself and the characters have drawn a big part of the Fandom, I thought… What if the important part of the Narrative isn’t the Story, but the Meta elements.

As soon as I made connection, everything about the ending began to fall into place. I have commented before that I feel Act 7 is like being shown the Good Ending of a video game without seeing its Neutral Route. 

The Kids have Earth, and Juju Vriska uses manages to flip the ending so that instead of being trapped by Paradox Space’s rules…

They manage to ‘End’ the game properly and get their Happy Ever After.

All while Caliborn is shown getting his power of Immortality, and while we’re left ambiguous about what happens to Vriska and Lord English and everyone in the Dream Bubbles…

Another thing people have complained about is the Character Arcs.

They say how ‘different’ the timeline is. What was the point of Rose’s alcoholism if then Vriska just swats the drink away and it never had any relevance anymore? Terezi’s relationship with Gamzee never happened. Dave and Karkat got together? The Game Over Timeline is bad, everyone agrees that people dying is never good, but they also claim that suddenly having all that Character Development changed made them unable to relate to some characters anymore.

And of course there’s always the mention of how Vriska, even though she’s an abusive 8itch, ended up being somewhat of a heroine, or at the very least not seemingly getting too punished…

That’s where the Narrative itself told us there was something off.

DAVE: rose we dont have fuckin “arcs” we are just human beings

Many have mentioned it, about how not having a closure to certain character arcs referenced this portion, the notion that the characters didn’t have an arc. The same way she then references Jade breaking Endgame ships and such. Rose’s power is Light, and her information source comes from the same place as SBURB and Skaia. It’s a game. Of course she’d have the notion that all of them have to fit certain predisposed stereotypes or their stories have to follow a certain pattern- Rose is looking at their lives since SBURB started as it has been. A Story.

But Dave is having none of it. Dave is beyond the thought that all they do has to follow a set pattern, and claims they don’t have character arcs. This might sound like a clever device by Hussie so he didn’t have to explore more of each of these character’s lives and he could close the comic leaving some loose ends but, there’s more.

Hussie? As an entity? Exists within the story. This would be all fun and dandy if it were a couple of stupid references and memes. And that’s what many people think! Most of his appearances in canon have been a joke, really. But…

Hussie joked about his influence on the comic, when his bot-self was about to mess up with the Kids in the Yellow Yard, but eventually didn’t do it. And yet? His fight with Vriska. His interactions with Caliborn. Everything pictured above? Hussie is a physical entity that follows the same rules as everyone else in Paradox Space and can influence the story. But he’s not a self-insert. He IS the Author. He is the one who wrote every of these characters and continued the story. He’s not another character, he’s himself, in the Homestuck Universe.

And then it began to dawn on me, that perhaps the Meta aspect of Homestuck was a bit more than Fourth-Wall Breaking fun and references to real life stuff. Of course, this train of thought led me to another main plot device that has never exactly been explained to its full extent. Jujus.

There’s the Sucker…

The Crowbar…

The House Juju…

A lollipop that could change character’s personalities, making them immediately make up for aaaall of their mistakes without a care in the world, start alchemizing new weapons, and end up exactly where they needed to be.

A crowbar that can break other of these mysterious devices, and more importantly, has been shown to be able to interact with the Website itself, which seems to be its own physical entity as well!

A house that gave John the ability to change the story, and that ended up being used against the Big Bad of the entire comic.

A puppet that trapped the Souls of various characters and became the gateway for the Big Bad of the comic to become who he is.

A mysterious pair of rings that oh so conveniently appear and disappear on characters, and leave you wondering what they really do, but clearly shown to at least be able to revive someone who, by no other means in the story, would have been able to get back to the world of the living.

Jujus are mysterious, when you look at them from the perspective of the characters. They have no beginning, no end, they just appear at some point and do a loop through time, ending up exactly where they appeared first. They are powerful artifacts able to change reality itself, with no explained origin… But we are no characters. We have seen what these things do on the comic through its entire lengths.

Jujus are plot devices meant to alter the Meta of the comic. They are not things that make sense in a true physical reality. They are artifacts that alter the rules of the plot. Because that’s what the plot is. A story. Because Homestuck is not real, and it acknowledges this.

Or at least… It was supposed to acknowledge this. Many have also claimed that the last updates were so disappointing, compared to Cascade, as Cascade managed to solve so many plot points, but this last one felt empty of everything. Plot. Character Development. That’s where Jujus and Hussie come in.

Hussie dies, in his own comic, a comic that acknowledges him as the actual AUTHOR of the events taking place. And later, we see…

Caliborn, the young version of Lord English, acknowledging Hussie’s death, as he takes the rest of Act 6 and makes it his. Through the use of the Command Prompt, through his own drawings, he begins to write his own story.

[S] Cascade had so many plot points resolved, and these last updates didn’t. Because that is the point. Ever since Act 5 ended and Act 6 started, Hussie has begun to lose control of the story. He was killed by Lord English, the big bad, who also took control of the narrative. Vriska acknowledges a narrator speaking, and forces the narrative to shift back to her opening the Juju chest out of frustration. The command prompts, John’s retcons- At this point, Hussie is no longer in control of his characters.

The Game Over timeline was bad, but it felt like it had more Character Development. That is because it was a not-retconned Timeline. The characters had struggles, the plot moved on forward, some people was possessed, it was all prime material for a conflict and a resolution afterwards! But Aranea’s intervention made it a Doomed Timeline. A Bad End. We all know how Doomed Timelines work, so everything that happens there would have been totally irrelevant. But John didn’t want to accept that. Roxy was still alive, and sad. And Terezi wanted him to fix things up. So instead of acknowledging he was in a Doomed Timeline, like Roxy did? Roxy, who saw her mother-daughter die in her arms, and claimed there might be nothing left for them. And meanwhile, John just managed to get his powers ready, zapped back in time and solved everything.

New problems arose in the new Timeline, sure, but not as many. And a lot of the character arcs were suddenly shoved back. Rose no longer struggles with alcoholism, Karkat doesn’t chase after Terezi, and becomes Matesprits with Dave after mellowing down. Gamzee, one of the biggest dangers, is shoved back by Vriska until he’s barely relevant anymore.

And all of this might just be me trying to find an explanation to the sudden loose ends not being tied. But I think, all of this, was meant to express more than Hussie rolling the story back or changing the story to fit other things. No.

We go back to Dave’s words. We’re real people, we don’t have arcs. We are real people. In a comic, where the author is a character, and that always acknowledges it’s a comic? Dave saying they’re real people is big. It was taken as a joke, because they are characters, come on! Right? … Right?

Well of course they are. But that’s the thing. Up until Act 6, all of the various characters were nothing more than that. And even during the Game Over Timeline, they were nothing more than that. But Hussie’s death, the ghosts, no longer relevant, trying to fight back against Lord English? Caliborn’s acknowledgement of a story and trying to take control of it? And finally, John’s powers.

The House Juju gave John something more important than being able to change the Timeline.

The ability to make Selfcest canon.

Wait no- That wasn’t it.

The ability to alter the plot to his own whims.

John’s zapping doesn’t follow the rules of Paradox Space. It allows him to change the timeline as he wishes and it still be the Alpha. Not only that, but he can also warp out of the story itself, sending people and things to the background of the website.

It’s when Vriska starts to try and find this Juju that everything about the narrative begins to shift gears. John now can change the plot. Which means he is not adhering to the rules that bound them all anymore. He can go back, bring people who were dead back to life, save his friends, and aid them get a better ending.

And in this new timeline he’s changed? Everyone seems a bit different. They have gone through different things, and are as confused as anyone else about what is going on. This is the moment where these characters stop being characters.

This isn’t a story about Four Kids playing a Game, getting involved in Shenanigans and trying to live a happy ever after as villains try to plot on destroying them and reality. Homestuck is the tale of the characters from a webcomic, becoming self-aware, and escaping the grasp of the author and the narrative.

I don’t know if this is what Hussie intended, and if it is, at what point he planned to start leading the story this way. I might just be crazy and be reading too much into this? But as I see it? It closes every single loophole in this story.

Doomed Timelines are meant to be nothing. They are meant to fade, and not be relevant anymore. But the ghosts are having none of this. They WANT to be relevant in this story again. They create an army, and head off to defeat the biggest threat in the entire comic.

Caliborn knows reality itself isn’t as it seems, and tries to make his own story within it. He strives to become almighty, and then begins to destroy and rend reality itself so he can make way for his own rule.

Vriska knows she’s in a story, having interacted with the very Author and the command prompt! But she is not trying to change the story- All the opposite. Vriska follows the rules of the story, closes loopholes from what she has seen, but tries to be the one who causes everything. She wants to be in the spotlight of this tale. She creates Bec Noir just because she had seen it in her screen. And knowing this is a story, she goes off of her way to find methods to defeat each of these villains, at any cost. Because in a story, once she defeats these big, powerful foes, she’ll be a heroine, and everyone will regard her so highly, she’ll be over everyone else. Just like she wants.

John? I don’t think he knows he’s in a story. But he has the power to alter it. And after he begins to mess with the timeline, the rules of Paradox Space begin to shatter around him and his friends. Time loops, Rules, Plot, why would they care about how a story goes, if it’s not a story, it’s their lives. They just want to be happy and get away from this cycle of destruction and death.

I’d even go as far as to say God Tier Calliope knows this. If her Land and her Earth were anything like Caliborn’s, she might also been in contact with the command prompt. Perhaps the fact her entire mission was a self-sacrifice to collapse the Green Sun represented how she, too, saw Paradox Space as what it was- A construct that kept these characters trapped as that. Characters. And the only way to escape its grasp was the erase its very existence, using Lord English’s destruction to tear a hole through the comic, and destroy it.

In this way, everything that happens towards the ending makes perfect sense. There are hundreds, thousands, who knows how many timelines, in which every plot hole will be closed. But we’re not following these. It would be easy to cause, say, the Condesce to wake up. Because of her immortality curse given by Lord English. Or the Draconian Dignitary get to the Frog Lily Pad. Something happens, interrupts the kids from entering to the new Session, and bam! Suddenly more plot! Their entrance to the Universe is blocked. Terezi worries about Vriska, so they begin to plot a way to help her defeat Lord English. The black hole in the Session that likely leads to Caliborn’s land becomes relevant, and they all have a trip to beat up Caliborn. Something happens to Calliope, her ring has ended up in Caliborn’s hands as well, he traps the kids, the Alphas beat him up, all loops are closed, we have a bittersweet, predictable ending. And this has happened. In many timelines before. Over, and over. Perhaps the one we’re following isn’t even the Alpha, for that very reason.

But it doesn’t matter. I talked about how the Jujus were a way to alter the plot, and let’s go back to this, and look at my theory about the Kids Souls being Trapped for all eternity in this Juju. The moment Caliborn uses this Juju, he kickstarts the entirety of the rules of Paradox Space. These kids we follow through the story, are trapped in a plot, with rules dictated by narrative that they HAVE to adhere too.

Then the ghosts decide that this is bullshit, and that they, even after death, want to still be relevant. Instigated by Vriska and Meenah, and aided by Aranea’s mind control, they manage to find a way they can alter the plot once again, a Juju. John touches this Juju, and suddenly he gains the power to alter this plot as well, and begins his and his friend’s journey to escape the clutches of Paradox Space and the comic itself.

John was trapped in the house all along. So of course, shoving his arm through it? He managed to grasp at the other side. He got a taste of what it was to be free. And he gained the power of changing the plot as a result.

Then, Vriska becomes alive again. She’s relevant, and bashes down on her ghost self. Ghost self that had at one point tried to make herself relevant, even though since she’s dead she shouldn’t be. This way, Vriska proves that, while she acknowledges the story as a story, and wants to be always present and in the middle, she never sees it as something she has to escape. She has no character development, because now, in this timeline that John has changed, she’s free to do whatever she wants, she’s her own person without a character arc, but doesn’t find the need to become said person. She doesn’t want to change, she wants to keep following the plot, and take down the big bad.

So Vriska takes the house Juju from her alternate self, goes against Lord English, beats up the Author of the comic itself as a last Fuck You, and then uses the Juju towards him. And this is when Alive Vriska makes her big mistake. By following this plot, this story, the Juju house crashes behind her…

She’s on Lord English’s side of the house. Because both of them know the comic is just that, a story. He knows about the narrative, and the author. So he kills the author, and becomes the big evil that must be defeated. Meanwhile, Vriska knows about the narrative, and the author, so she beats up the author and tries to become the heroine.

Caliborn and Vriska could very well strive to break free of Paradox Space in other ways, but instead they do what they do best- Be themselves, and fuck shit up in the process. And it’s this mentality that in the end, as the House Juju appears, tells us that both of them have been doomed. Doomed to be trapped in this Collapsing Paradox Space there’s no escape from.

Except there is an escape.

Because the door opens. It opens for the Kids and Trolls on the lily pad. And it opens for the Ghost Army and everyone else in the Bubbles. These are people that have been living aside from the story for a long time. The ones that are alive in the Session have had John change everything and the events happening after make them question Paradox Space itself. And the dead ones or the ones just stuck in the Furthest Ring? They fear being forgotten. They fear being erased by the collapsing Paradox Space, and had faced Lord English to try and become relevant once more.

Of course Condy’s curse didn’t wake her up. Of course DD didn’t appear. The moment the Juju appears, the story is done. There is no more plot. Because it’s not a story. The ones wanting to follow the plot are now seeing it crumble, seeing everything end. And the ones that wanted to become relevant against Paradox Space- Why would they need to even follow the rules? They are trying to escape them.

The Plot Holes are part of the plot in itself. John and everyone else didn’t need to fill it up. Because they are not part of the story anymore. We didn’t see their character arcs close. Because they are not characters anymore. They are not characters anymore. They don’t need to show us they have grown- Or maybe they haven’t even grown. They are always growing, learning. But now, they have escaped this evil Universe that trapped them and forced into cruel and crueler situations. They have escaped to a peaceful realm. They don’t need to keep following the story. They are happy and free to live their lives however they want.

They are finally happy.

on draco malfoy's patronus being a thestral

I AM HERE TO ANSWER YOUR CALLS thestral may seem like a badass / very strange choice of a patronus for draco but I am here to explain WHY I think it should be draco’s patronus!!! I’d love to hear your thoughts / have people elaborate on my thoughts so feel free to!

First off, I feel like a lot of people brush off the idea of him having a thestral patronus because heck, why should draco malfoy of all people have a mythical creature? But that’s one of the reasons why i love it. We all know that draco would absolutely LOVE having a mythical patronus ( you know, being special ) but I stand strongly behind the idea that the ONE mythical patronus he would have never wanted is a thestral.

A patronus is suppose to be a representation of yourself, and why the hell would he like it if he had patronus that reminds him of the war? of him being a death eater? of what he had to do and what it ended up causing? it’s an irony i love to indulge in & think about. Rather than being stuck up and proud i personally think draco would have wished for anything else. I’m pretty sure draco would be the type who would pull a disgusted face if he saw a thestral rather than be happy by it. He wouldn’t want to show this patronus off. Like, can you imagine? Pansy pestering him to show her, “wow i bet it’s a fucking ferret, isn’t it”, and when she actually sees it everything goes to shit because of fucking course, draco malfoy out of all people would have a thestral patronus, that even the embodiement of his happiest memory and his soul would link back to the horrors of the war and what he’s done.

Thestrals as you all know are considered to be dangerous, omens of misfortune and only visible to those who have seen death. They are quite literally representative of death. It spells out /evil/ and /bad/ no matter how you look at how the world portrays them.

This is where I’m grateful for Luna Lovegood. We’ve all seen a different side to the thestrals in the films, with Luna stating that “they’re quite gentle, really, but people tend to avoid them because they’re a bit…different.” Thestrals externally look ghostly, grim with them being dark & skeletal all the way through ( this could be another reason why draco = thestral but i’m not making that connection LOL ) if we place in on a canon timeline, the only place where draco would /really/ be trying to conjure a patronus would be after the war, and keeping that in mind it makes a lot of sense. It’s not a big stretch to say that post-war draco became an image of the war, with him being a death eater. His past haunts him, with people only seeing into his image of a death eater without acknowledging him trying his best to redeem himself.

The whole idea of a thestral being a creature that is representive of death & misfortune but also having the ability to be a person’s patronus, basically the opposite of what a thestral is known for, is SUCH a good way of describing draco. The image of post-war draco malfoy is like the image of a thestral in a flowerfield, they stand out too much for their setting of peace despite them not doing anything but being themselves. People fear/hate thestrals and they can’t help it, just as people can’t help but slap “death eater” on draco.

BUT! despite their external appearances thestrals are gentle, extremely loyal…and cutting away at the war and everything else we know draco is loyal. He is so loyal to his family, and even if its /bad/ he wouldn’t hesitate to defend them even if it’s by taunting / mocking the person. He loves them, and this goes both ways - maybe it’s him being prideful of his blood heritage because of how he was raised, or maybe he truly really loves his family ( which i definitely think he goddamn does ). Thestrals can be representative of both, they are attracted to the smell of blood but will also become aggressive if they view someone as a threat to themselves, their friends or even their owner.

It makes sense that draco’s patronus would be a gentle, misunderstood being who sometimes does the wrong thing out of love, or fear, but for a reason that isn’t purely “ because i wanted to”. I just really like the idea of a thestral both symbolising draco’s deeper, hidden parts that he’s too scared to show to the world while also simultaneously being able to represent his life and what he experiences.

I also do think it’ll be a nice way to make draco get over the horrors of war and let go of his past and just live. Draco coming to terms with him having a thestral patronus would practically be him coming to terms with who he is and the mistakes he’s made.

And just to add onto everything above : draco was owner of the elder wand at a point ( thestral hair core ), and thinking about when he was the owner and what was happening at the time, i think everything works out nicely.

All in all i just think thestral is a really clever choice for draco, and clever just so happens to work perfectly for him.

EDIT: ALL THIS AND I FORGOT TO EVEN MENTION THE FACT THAT THESTRALS ARE CLEVER

anonymous asked:

Jw why do you hc lance as dyslexic? I don't want to seem rude and I'm not dissing your hc, I just wanted to know why (I'm really hope this doesn't come off offensive, I'm just genuinely curious)

not offensive at all! i’m happy to explain why i headcanon him as dyslexic :D

for one thing, i myself am dyslexic so i can spot the traits in Lance that give off a dyslexia vibe

exibit A) flying a spaceship simulator is hell because there are buttons all over the place and it’s easy to forget what each one does/easy to misread the labels and mix them up, no wonder Lance always crashes it

(one can argue it’s because Lance gets easily distracted, i think it’s a mix of both)

exibit B) math is confusing af and its really easy to get numbers that look/sound the same mixed up. it’s also easy to get your basic addition, subtraction, multiplication shit mixed up too

lmao shut up keith he knows that, he just gets it mixed up

exibit C) weird af motor skills when there’s a lot goin’ on at once

exhibit D) celebrates the tiny wins bc he doesn’t win a lot

exhibit E) disliked school enough as a child to pretend he was sick to get out of having to go, and if you’re a dyslexic who hasn’t been diagnosed and put in a special learning class to aid your learning disability yet, you are going to hate school with a burning passion and will try to avoid going in any way you can

exhibit F) clever come backs on the spot????? who???? bitch i need time to think of a clever response you don’t just come up with something witty to say right off the bat

exhibit G) insecure af??? he thinks he’s pathetic??? feels like a 7th wheel??? doesn’t think he has a “thing”????? doubts his capabilities?????? has a shit self esteem???????? all these are common things to feel for people with dyslexia because they struggle so much

literally fuck you Iverson. how dare you attack his self worth like that

also, i want to refer back to a quote i once read from an official website on the learning disorder, which is “the most consistent thing about dyslexics is their inconsistency”, and i think that ties in really well with Lance representing water, which is also inconsistent af. i think that’s one of the key roots to Lance’s “i feel like i don’t have a thing” insecurity. 

so yeah, this is why i headcanon Lance as dyslexic. as someone who has dyslexia myself, i see a lot of myself in Lance’s behavior, and can relate to a lot of the things he does/says/feels. 

thank you for asking! 

Sheriff’s Daughter

Originally posted by mendescamilas

Anon requests: please do an archie imagine 💖💖

please write an archie imagine

I love your writing so bad! So I got this idea and hoped you would write it? So, reader is Archies girlfriend, Kevin’s sister which makes her the daughter of the sheriff. Since Jasons dead it has been forbidden to go to the river, but she and Archie sneaks out in the middle of the night and go there. The get in the water and make out. Things heated as her dad aka the sheriff finds them and takes her home. He forbids them to see each other, but the keep doing it, tho. U decide the happy ending :)

Pairing: Archie x Reader

Description: The sheriff’s daughter and her boyfriend are quite the trouble-making pair.

Warnings: none

Word count: 940

A/N: ahh my first archie imagine!! hope you all enjoy!!


You and Kevin sat in your room together, listening to Taylor Swift’s older albums.

“I’m just not feeling the country,” Kevin critiqued.  “Even in the Red album, she was leaning towards pop.”

“But this is classic Taylor!” you protested.  “You’re telling me you don’t like Fearless?”

“I’m not saying that,” he raised his hands in defense.  “I’m just saying 1989 is way better.”  You rolled your eyes.

“Whatever, Kev.”  Before he could think of a clever remark, a tapping on your window interrupted the two of you.  Sharing puzzled glances, you and Kevin slowly moved towards your window. You pushed back the curtains to reveal your boyfriend, Archie Andrews, standing on a ladder.

“Can I come in?” he asked cheekily.  You rolled your eyes, but smiled and opened the window.  He climbed in and closed the window behind him.  Listening to the music that was playing, he shot you a raised eyebrow.  “Taylor Swift?”

“Hell yeah!” you nodded, but lowered the volume a bit.  “So what are you doing here?”

“I was wondering if you wanted to go to the river,” Archie suggested with a small smirk.  Before you could respond, Kevin cut you off.

“Dad said we aren’t allowed,” he shot you a warning glance.

“So what?” you rolled your eyes. “He’s not gonna find out.”  Kevin pursed his lips and crossed his arms, sending you a pointed look.  “You wouldn’t.”

“I will,” Kevin warned.  “There’s a murderer in Riverdale right now, and going to Sweetwater River is like walking into death’s trap.”

“Come on, Kev,” you whined. He shook his head.

“No.  There’s nothing you can say that’ll convince me not to tell him.” You furrowed your eyebrows trying to think of something you held against him.  Finally, you reached an idea and smirked.

“I’ll tell him about Joaquin,” you declared.  His face visibly paled as his eyes widened.

“But… but you can’t!” he stuttered.

“I won’t tell dad if you don’t tell him about me going to Sweetwater River,” you bargained.  He huffed and rolled his eyes, but agreed. You smirked triumphantly and smiled at Archie.  “Let’s go.” He went down the ladder first to make sure he could catch you if you fell.

The night was dark and silent, and you and Archie stifled your laughs as you ran towards the river.

“This is such a bad idea,” you whispered, but he just waved it off and kissed you.  You smiled into the kiss.

“Let’s go into the water,” he said, and you nodded.  The two of you, holding hands, ran into the water.  You shrieked with delight as the coldness of the water enveloped the lower half of your body.  Archie snuck up from behind and grabbed you by the waist, twirling you around as you laughed.  He set you down and turned you around so you face him.  Still grasping onto your waist, his lips connected with yours. This kiss was not like the ones the two of you had shared before; this one was rough and passionate.  You wrapped your arms around his neck, deepening the kiss.  Archie’s fingers traced the hem of your shirt.  You were about to prompt him to take it off, but the shine of a flashlight caught your eye.  The two of you separated and looked for the source of the light.

It was your dad.

“Fuck,” you muttered under your breath, squeezing Archie’s hand.  Your dad approached the edge of the water.

“(Y/N)!” he yelled, shining his flashlight directly in yours and Archie’s eyes.  “Get out of the river right now!”  You and your boyfriend obliged, slowly trekking onto the shore. The two of you were dripping wet, and your dad, who had come prepared, threw each of you a towel.

“Sorry dad,” you mumbled, keeping your head down.

“Sorry?” he demanded, his voice cold with anger.  “Sorry doesn’t cut it, (Y/N).  As the sheriff, I have to protect this entire goddamned town, and my own daughter won’t listen to me.  My own daughter!  Do you know how that ruins my reputation?”  You had no reply, so you just kept your head down.

“We’re sorry, Mr. Keller,” Archie apologized.  “This was all my fault.  I convinced (Y/N) to come out here with me.  Don’t get mad at her, please, I should take all the blame.”

“Another reason why my daughter should have never started dating you,” the sheriff spat.  “Get in the car, both of you.  I’m taking Andrews home and having him explain to his dad why the sheriff had to escort him home.  And then, (Y/N), we’re going to have a nice long chat.”


You sat in your room, dismally staring out of the window.

“I didn’t tell him, you know,” Kevin said, not bothering to knock before he entered your room.  “He walked into your room and saw you weren’t there, and I guess he just had a hunch.”  You turned to face your brother and rolled your eyes.

“That’s great, Kev, but it doesn’t help the fact that I can’t see Archie anymore,” you responded, and then turned back to the window.  Kevin sighed and exited your room.

Lost in thought, you didn’t notice the ginger climbing towards your window until his face was right in front of yours.

“Archie?” you whisper-yelled, opening the window.  He grinned, but didn’t climb into your room.

“Hey,” he said.

“What are you doing here?” you asked.  He just smiled and kissed you.

“I had to see you,” he answered after you two pulled apart.  You smiled and shook your head.

“God, you’re an idiot.”  He pouted, causing you to peck him on the lips. “My idiot.”

so I really enjoyed binge watching gravity falls all over again but there’s one particular thing that I noticed about dipper that literally broke my heart and that’s how he seems so alienated from the world. like, he thinks the only thing he will ever be is the “smart one” and he’s so scared when it seems like ppl are not taking him seriously. he thinks he has to gain other ppl’s affection by being super clever because he’s not as funny as mabel or as chill as wendy or as cool as robbie and he’s so self conscious about it, it breaks my heart. he knows really well he’s different from the others kids and just can’t ignore and glorify it as mabel does so he tries to keep his mind busy with the mysterious stuff to avoid thinking about it but every time someone makes him notice that, he falls apart and alienates himself in the quietest and saddest way ever for a 12 y/o and I wanna die

Riverdale Sorting

If you disagree you can fight me.

  • Archie is a Hufflepuff. He’s just trying to quietly live his life and do what he likes. Poor kiddo. Let him relax.
  • Betty is a Slytherin. She works behind the scenes, works hard to be perfect, and she’s clever. I like to think she comes from a long line of Slytherin women.
  • Veronica is a Gryffindor. She’s honest, brave, kind and a good leader. She is very chivalrous to Betty. 
  • Jughead is a Ravenclaw. He is very smart but chooses to use his intelligence for what suits him. He’s seen as a little bit of an outcast. 
  • Kevin is a Hufflepuff. He just likes to watch everyone else’s drama and laugh.
  • Cheryl is a Gryffindor. She can’t shut up. She is being so brave through everything she’s gone through. She is very prideful.
  • Josie is a Slytherin. She is ambitious and hardworking.
  • Ms. Grundy is a squib and I hate her.
‘ultimate guess who’ anon fic recs

for those who missed it, @mlficwritersanon​ set up a fun guess who challnge. buncha writers wrote fics anonymously and readers are supposed to guess who wrote what! super neat idea.

anyway, i finally read thru all these and felt like reccing the ones that stood out to me =D/ not gonna be as detailed as my regular recs since i read most of these a while ago, and forget a lot of details xD;;;; sorry. i’ll do my best tho ;0;/ 

and for the record, all of these are reveal fics. that was the theme. :]


[listing these in reverse order, cos a lot of the ones at the end got buried by newer fics ;0;]

A Revealing Interview  Alya Césaire uncovers more than she expects to one afternoon when she interviews Chloé Bourgeois for the Ladyblog.
- this is a alya/chloe fic, in which they have miraculous. it’s rly cute ;0; 

We Were Lovers In A Past Life –  Alya’s kryptonite? Blondes and stripes.
-
 alya/chloe, with miraculous again. but different! this one ended my life. good shit :’D

Tomorrow’s Troubles – But that was a thought for tomorrow. Those were all thoughts for tomorrow. Melancholy was for tomorrow and so was responsibility.
- ladynoir/adrinette. THIS ONE PUNCHED ME OUT THE FUCKIN SEAT. I HELLA REMEMBER THAT. it was really good. ;0; it’s aged up. that is all i’mma say.

Dredging Up the Past Sabine reminisces about her time with the ladybug miraculous.
- s
abine + marinette mainly [also adrien and tom are in it~]. THISSSSSSSS FIIIIC IS ALL OVER AN OOOOLD HEADCANON!! previous ladybug!sabine was a really popular headcanon early on! This fic is nostalgic to me cos of that, and it’s a fun read. xD I loved the reveal hahah. this was cute.

i’m like dropping hints that i’m ladybug – “…I’m Ladybug.” (In which Marinette tries to get Adrien to figure out her secret identity. She was not counting on him being this oblivious.)
-
 Adrinette. This one is p fuckin great xD i remember cackling a lot. I liked how it ended up panning out too xD well played, anon //salute

If Only It Were That Simple –  Ladybug and Chat Noir have been partners for three long years, growing closer by the day. One night, Adrien argues with Plagg, as he often does, about not being able to tell Ladybug who he is. He just didn’t plan for Ladybug to hear.
-
 Adrinette/Ladynoir. Argh I REMEMBER THIS BEING REALLY CUTE.

Premier Amour  It has always been said that you never move on from your first love.
-
 adrinette/ladynoir. gfdfkjgjdfk this one is really sweet. it’s got a tiny bit of angst, but it’s good angst.

The Fox is Out of the Bag –  “Could uh, could you maybe forget about this?” she asked, eyes flitting around the room as if looking for an escape route.
"The whole transforming in front of me thing?” he said, raising an eyebrow.
-
DJWifi. Lmao this is short and funny. 

Those Freckles on Your Butt – It turns out that Adrien has a thing against modesty and Marinette gets a fateful eyeful.
- adrinette. //sobbing// was this fic written for me? b u t  t s //more sobbing//  no but really this is p damn funny :’D 

My Boss is a Vampire… Well, sort of – There’s something weird going on with the Agreste couple, and Nathalie is determined to find out.That, or she may just be paranoid for no real reason and is coming up with theories that mean nothing. Who knows.
- NATHALIE. MY FAVE BABE. This is another really funny one. :’D [also dem ot3 vibes yaaaaaas]

dropping hints Ladybug asks Chat Noir for boy advice. This goes about as well as expected.
-
 ladynoir. THIS IS SOOOO GOOD. i really liked this one. i cackled at how the reveal went down here tbh. smh@lb… [also think i might know who wrote it 👀 … too bad i am not participating in the guessing lol] 

Orion’s Belt – Here, kitty kitty.
- Ladynoir/Adrinette. pfff WHOEVER U ARE THIS DESCRIPTION SUCKS. tryin’a sell ur fic here!!! lmao. anyway yea this fic is super cute! just. really cute and sweet. good shit anon :> …except for that description :’D [but it’s really good so read it lol]

No Matter How You Spin It – They were bound to find out about each other eventually. It just figured that it would happen at a time where privacy came at a personal cost to both of them. (Or that time that Adrien nearly died twice on his 18th birthday.)
-
 ok so this is adrinette, but y’all, chloe legit steals the spotlight anytime she steps into the narrative lmfao. i love her :’D bless this fic. bless this fuckin chloe xD

It Had To Be Her… –  Adrien is used to listening to Chloe’s “secrets”. He’s not used to them changing his life… What he thought would be a simple conversation about his friend’s unrequited celebrity crush turns into one of the most revealing conversations he could have ever imagined.
-
 adrien&chloe. YOOOOOOOO IS ADRIEN AND CHLOE ON THE FRIENDSHIP MY DAMN JAM? IS IT ALSO THE FUCKIN BREAD AND PEANUTBUTTER OF MY SANDWICH? YES IT IS. sorry y’all i just get a lot of feels about platonic chloe/adrien lmfao. this is really cute ;0; 

I Used To Make You Smile, If Only For A While – She was the first person he’d unmasked for and THIS was her response?
-
 alya/chat [+ lowkey ninette]. holy ambitious premise batman. this is…so good??? and i could see it happening? like legit my fave alyadrien ‘how they hooked up’ set up here, but holy heck this was a rough read. like, i mean, due to the situation and just the charas…i just wanna hug everyone, poor complicated bebs ;0;

Mint Two-Lips –  Marinette thought she would never taste anything sweeter than Adrien’s sweet, minty flavored lips…until she tasted the exact same flavor on Chat Noir’s mouth.
-
  adrinette/marichat. sjhdfjkhfjkshdjk SOOOO i don’t usually like kiss reveals cos of the whole unfaithful angle [cheating is an instant turn off for me], B U T!! this one does it right! so i was pleasantly surprised :’D i liked how it worked out in the end too. nice play, anon c:

must be love – What’s a girl to do when she finds out her crush and suitor are one and the same? Ladybug finds out that Adrien is Chat completely by accident, and then proceeds to… have something of a crisis.
- guys it’s ladrien, come on … also   a  ng   s t  //laysonface// like i was dead before i even got out the gate on this one lmao 

Just Asking For Some Privacy – “No but she’s right. What the heck could the four of us possibly have to do that’s apparently so important that it needs to be done in private, in an abandoned locker room, and in the middle of an akuma attack?" 
- marinette, chloe, adrien, alya. o m f g. this fic lfdjkfsd these kids. what a mess lmao. i love this

Between The Lines   So he found who she is in the most unexpected way… now what?
- Adrinette. “No, that’s the problem.” FUCKIN CACKLIN’. this is p clever and funny xD  i think the writer’s first language isn’t english, so there are a few places that are a bit off, but it’s p easy to read anyway and it’s p fuckin cute, so it’s worth it xD

Tea and Sweets – When you’re sad, sweets get rid of that salty taste on your tongue. But he doesn’t have any sweets.
- Marichat. AGRESTE. FAMILY. ANGST. YAAAAAAAAAAAAAAAAAAS. my jam. hel lo . this was, like the name, incredibly sweet. and made me want tea lol. thANKS


alright that’s it!! i honestly wanted to add a few more than this, cos all the fics are pretty damn good, but i wanted to keep the list as short as i could xD;; [i managed to fail in that anyway, cos i think i recc’d almost exactly half of them…] 

but yea, pls also go check out the others in the collection!!  =D/

Interruptions (M)

Genre: Smut

Pairing: Jimin x Reader

Word Count: 2,116

Summary: You would probably be able to concentrate on your work more if your boyfriend, Jimin, wasn’t sending such distracting text messages.

Keep reading

fireandiceblr  asked:

What do you think about Sansa's crush on Loras? Do you think it means something that no matter how much she seems to grow as a character she still holds a crush over some pretty knight that never really seemed to care about her and she still imagines him when she kisses people (even if her thoughts get directed back to sandor)

Well… Loras is a very safe crush.

Loras plays the role for Sansa that teen heartthrobs do for many adolescent girls, a safe exploration of their growing sexuality.

The idolization of teen idols typically begins in early adolescence when girls start to become interested in romance and dating and more aware of social norms which suggest that they should have romantic feelings for someone of the opposite sex (Simon, Eder, & Evans, 1992). Rather than dating in real life, developing a crush on a teen idol is a way for girls to acknowledge their emerging sexual feelings in a safe, non-threatening way (Engle & Kasser, 2005). Because teen boys are viewed by girls as only interested in sex (McRobbie, 1991), teen idols are a preferable option. Further, they often project a feminine form of masculinity that is sexually non-threatening and thus accessible to young girls (Engle &: Kasser, 2005; Karniol, 2001; McRobbie, 1991; Sweeney, 1994).

Bitten by Twilight: Youth Culture, Media, & the Vampire Franchise

One of the most popular ways people like to hate teenage girls is to complain about their “insane” crushes on boy band members. Now, let me fucking tell you something: those big dumb crushes are what helps a teenage girl develop her sexuality in a safe environment that she can control. In her world, she can listen to One Direction and hear all these songs about how great she is, and how much these cute non-threatening boys want to make her feel special. Why is this so important? Because no one is pushing them. There’s no fourteen year old boy shoving his clammy hands down your shirt without your consent. These fantasy boys are not convincing a girl to send naked pictures, only to show all their friends and call her a slut. In the fantasy land of boy bands, the girl has all the power. And we need to stop judging them for wanting to escape into that.

–Meghan Harper, “Why I Fucking Love Teenage Girls”

ASOIAF is a medieval-style world, so it of course doesn’t have pop idols and movie stars, but it does have tournaments and tourney champions, who play that role for the adolescent girls of Westeros. (And the boys, too. Consider Bran’s idolization of knights, especially the Kingsguard.) And Loras Tyrell is not just one of the best upcoming stars of the tourney scene, but he’s so dreamy handsome, young, and from one of the best families of Westeros. (Even Robert Baratheon crushes on him, in a manly way.)

Now, the fact that Loras is actually gay (as are so many teen heartthrobs - George Michael, we miss you) makes him even safer, whether Sansa consciously realizes it or not. This is all the more important, since because of the close circles of Westeros aristocracy, Sansa Stark has far more of a chance of personally interacting with Loras Tyrell than your typical teenage girl has with her most beloved Bieber or Zayn.

So when Sansa actually has the opportunity to meet Loras, is even led to believe she might marry him… the expression of her sexuality, while very real, is also very safe:

The sight of Ser Loras Tyrell standing on her threshold made Sansa’s heart beat a little faster.

Sansa was finding it hard to walk and talk and think all at the same time, with Ser Loras touching her arm.

I am talking to him, and he’s touching me, he’s holding my arm and touching me.

Desperately she tried to think of something clever and charming to say to him, but her wits had deserted her. She almost told him how beautiful he was, until she remembered that she’d already done that.

Ser Loras in white silk, so pure, innocent, beautiful. The dimples at the corner of his mouth when he smiled. The sweetness of his laugh, the warmth of his hand. She could only imagine what it would be like to pull up his tunic and caress the smooth skin underneath, to stand on her toes and kiss him, to run her fingers through those thick brown curls and drown in his deep brown eyes. A flush crept up her neck.

–ASOS, Sansa I

Or, for a visual representation:

Now, the trouble (or not?) is that this safe crush of Sansa’s is no longer something she can rely on. Whether it’s because of her aging into womanhood, or because of her actual experiences with sexuality – the dark masculine danger of Sandor Clegane, her marriage to Tyrion Lannister (including seeing him nude and sleeping next to him in bed for weeks), the explicit rape threats of Joffrey Baratheon and Marillion, the disturbing attentions and unfatherly kisses of Petyr Baelish – when she wishes to escape into her formerly favorite safe fantasy of Loras Tyrell, it twists away from her into something else:

Before she could summon the servants, however, Sweetrobin threw his skinny arms around her and kissed her. It was a little boy’s kiss, and clumsy. Everything Robert Arryn did was clumsy. If I close my eyes I can pretend he is the Knight of Flowers. Ser Loras had given Sansa Stark a red rose once, but he had never kissed her… and no Tyrell would ever kiss Alayne Stone. Pretty as she was, she had been born on the wrong side of the blanket.
As the boy’s lips touched her own she found herself thinking of another kiss. She could still remember how it felt, when his cruel mouth pressed down on her own. He had come to Sansa in the darkness as green fire filled the sky. He took a song and a kiss, and left me nothing but a bloody cloak.

–AFFC, Alayne II

Note that there are many analyses of “the unkiss” (link 1, link 2), Sansa’s imagined memory of being kissed by Sandor the night of the Blackwater, but what many point out is that it is again an attempt by Sansa of a safe fantasy, a subconscious attempt to control and understand and romanticize a frightening sexually-charged situation. It’s just several octaves away from her non-threatening fantasies of kissing and touching the “beautiful” Loras.

And though you say Sansa still holds this crush, please note that Loras is only mentioned in Sansa’s narrative once in AFFC (that scene above), where she recognizes that Loras’s attentions were nothing real, no kisses, just a rose. Also, when she thinks about the men who helped her in King’s Landing, Loras is not one of them. Furthermore, he’s not mentioned at all in her TWOW preview chapter – which, considering it focuses on an upcoming tourney and the young knights who wish to be its champions, should be a perfect occasion for the pretty knight Loras to stroll through Sansa’s head, and yet he does not.

So I would say that Sansa’s adolescent crush on Loras is something perfectly understandable… and also something she has outgrown. I hope that helps!

loki · the trickster god of mischief

Loki is known as the tricker God, he is not evil, nor is he good, he lives in Asgard even though he is from Jotunheim (the land of the giants). he loves to make trouble for anyone and everyone especially for the Gods and Goddesses in Asgard. Loki is both cunning and clever and he always comes up with new ideas to annoy and bring people in the uttermost embarrassments. Loki just loves to prank people in all the ways he can think of, aslong that he think it is funny. After he brings someone in trouble with his pranks, he often saved them so he would look like the hero of the day. Loki has an amazing ability which is a quite useful skill for him, he is able to shape shift into almost any living being. In some separate incidents he appears in the form of a salmon, a mare, a seal, a fly, and possibly also an elderly woman. After Loki had made one prank to many for the Gods and Goddesses in Asgard, he was placed in a cave with a poisonous snake above his head. Loki’s faithful and loving wife Sigyn, stayed with Loki in the cave and held a bowl over his head to catch the poison from the snake.

requested by: @orvynn

So apparently the chess comic bothered and annoyed everyone because they thought I meant that Kirk was dumb and I had no idea I feel really bad and awful