he says some other things in between but it won't fit so

today on overthinking the trading card anime

So the whole Kaiba-calling-Joey-a-dog thing is pretty infamous, to the point that it’s the source of their ship name. And the dub may have played it up a little, but it’s still definitely a thing in the original.

Which is why it’s notable that in the subs, there’s one other time that Kaiba brings up dogs:

When he’s talking about himself in relation to Gozaburo.

And we get the same connection in the manga, too, with this panel of Gozaburo (literally or metaphorically? it’s all in Mokuba’s head, so it’s a little hard to tell) forcing a young Seto to wear a dog collar.

There’s definitely some interesting stuff we could take from this. We could be dealing with an example of the classic “abused kid becomes a bully by turning their abuser’s tactics on other people” (and if we take some of the stuff Kaiba says to Joey as paraphrased versions of things Gozaburo said to mini!Seto…ouch). But it’s also interesting to look at in the context of Joey and Kaiba as foils.

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;currents | (m)

pairing— jung hoseok x reader
genre/warnings— smut, fluff, slight angst (this is low-key cute and sad at the same time, my heart)
words— 5,959

:: summary: you’ve been in a long-distance friendship with Hoseok for a couple of years, hiding feelings that you think he may also reciprocate. What happens when you finally cross paths with him again…

note. based on a request. Named after this song here. Also, periods of italics indicate the characters are speaking English!

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won’t you tell me your name, #1

In a world where soulmates can write messages on their skin, Peter and Chris mostly use their connection to take their anger out on each other. Stiles is the somewhat traumatized kid on the other end of their bond.

For Stetopher Week’s cross-generational issues prompt, with the issue in question being what exactly you’re supposed to do when your soulmates have hated each other since before you were born. Title from The Doors’ Hello, I Love You, because at first I wanted to title this Hello, I Hate You but I decided that was a bit much. 

[Stiles/Chris/Peter, pre-slash, starts pre-canon with some time skips later, soulmate AU.]

There’s only one picture of Stiles on the day he was born. Stiles keeps it in his bottom drawer of his wardrobe, hidden under a bunch of stuff he throws in there when he’s supposed to clean his room. Afterwards, he takes all the stuff out again and hopes his parents don’t make him clean until the next weekend, but the picture always stays inside. It’s a scene that’s reflected in half of the picture frames downstairs, his parents on either side of him, beaming at the camera. In this one, Stiles looks like he’s about to cry, but that’s what babies do, so Stiles isn’t really embarrassed about it. It’s the rest of him that bothers him, the way that there’s only glimpses of his pale skin under a chaotic mess of years of dialog between two other people. The words creep around his face, his little hands, and there’s even black smudges on his ears when the magic that tied him to his soulmates ran out of room to fit the words.

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anonymous asked:

We are seeing that most of the reddit leaks are true :( Do you think the letter thing is true, smaragaide? I think that there won't be so much interaction between Petyr and Sansa in the next episodes. Petyr and Sansa banging was a risky arc, so controversial, so I think that D&D haven't wanted to go that far.

All I wanted was a damn kiss. A real one.

Something tells me I’m not getting shit. I’m so done with this show. I’m only watching for Aidan until the very end. Then I’ll root for the dragons to turn on Dany and roast her dumbass, Cersei to fuck shit up and the Night King to take out everyone else.

There has been too much build up between these two characters for it to go down as stupid as this. They had to make Petyr an idiot to make it believable (which it isn’t) that Sansa is suddenly smarter than him and a master manipulator/player of the game. Yeah, ok. No. If Littlefinger actually ACTED like the way he was originally written, he would be fucking EVERYONE over, including Sansa.

I could go on and on how D&D’s writing sucks and they’ve ruined multiple characters to fit their narrative which is also dumb. As smart and ahead of the game as Petyr is…he wouldn’t be dumb enough to do the shit they’ve made him do, nor follow Sansa around like a lost puppy. He would have called her out on her shit. But we have to make the Starks the heroes at all costs no matter how stupid they are most of the time. Sansa would have been in deep shit without Petyr and Jon would have been dead (and Sansa too) without him and the Vale. Too many were involved in Ned’s death, to solely place all blame on Petyr alone.

I knew Petyr was probably going to die one way or another. I had hoped it wasn’t from the dumbest of all damn subplots that this character would never have attempted EVER and/or saw coming a million miles away. What I loathe the most is the dumbing down of a really great character to build up others that aren’t half as interesting.

Petyr is NOT a good man. But if I’m only supposed to root for Dany and Jon…. SNORE. Typical good guys/heroes. Boring. Done to death. Don’t give a shit.

As I’ve said before the plot has taken it’s most predictable and boring turn into a territory everyone guessed correctly years ago. I was holding out hope there might be a cool, dark twist but it appears the writers have chickened out and now are just crapping out pure fan service instead of attempting great storytelling.

We’re going to get Dany/Jon…Cersei probably dying at some point, and the ‘good’ defeating ‘evil’ with a huge CGI battle…the end.

I guess I like the ‘dark horses’ in stories. I don’t care for perfectly tied up, happy endings. Blech….

Baelish is a very complicated, intriguing character. You don’t know where his loyalties (if he has any) lie, if he redeems himself, he has a human side that most fans don’t care about, they just want to paint him as a one-dimensional villain. I don’t agree with what he has done but his backstory, the way he is written makes Baelish very entertaining and interesting to read. They cast a great actor to play him, who understood this character very well…and after all that? They dumb him down, make him do/say stupid things that are so OOC for him, waste the talents of the actor they hired….

Ugh… I’m just supremely disappointed with the predictable direction the writers chose to go and angry that they had to destroy some great characters in order to please a fan base than going for a better story line. It just seems like a waste of 7 seasons if this is all we’re getting.

Death was Never Meant to Be Easy

Yesterday morning my aunt lost her battle with cancer so I’ve been feeling all of these different emotions. To help with coping I decided to write this inukag one shot in dedication to her. It turned out a lot longer than intended but either way I hope you like it.

Pairing: Inukag

Genre: Angst

Word Count: 3,640

Death wasn’t an unfamiliar enemy in the lives of Kagome and Inuyasha. In fact, when battling Naraku for those two long years, death was seen just about every day. Some days they would stumble upon an entire village razed to the ground, lifeless bodies lying limp in the streets or wherever the demon (and sometimes humans) had discarded them. Other times they themselves had to kill enemies who attacked them. No matter the circumstances it was always an unsightly scene to witness, and half of the time it ended with being covered in demon guts. Right now Kagome would have taken being covered in a pool of slimy, stinking guts than face reality.

Her heart felt like it was tearing itself apart in her chest as the miko sobbed into red cloth, her tears darkening the color. “It’s not fair! It’s not fair!” She cried out, releasing her pain in the form of anger. “He shouldn’t have…h-he can’t be-” her shouts morphed into another round of heart wrenching cries.

“I’m so sorry, Kagome,” Sango told her friend in a soft voice, her own eyes beginning to pool with tears that she refused to shed. “He wouldn’t want you to feel this way, you know that better than anyone.”

Kagome pulled her face out of the fire rat skin long enough to cast a misdirected glare at the brunette. “No, he’s not,” she snapped in a harsh tone, her voice slightly hoarse from her constant cries. “He should still be here.”

Sango flinched slightly but continued. “He’s no longer in pain. We can be grateful for that much at least.”

The grieving woman went to answer with a sharp retort but the hand that rubbed her back appeared to calm her slightly. “Oh, InuYasha…” she whimpered, burying her face into his chest.

“I know, I know, Kagome,” the half demon murmured soothingly into her ear, having not let go of her since they heard the devastating news. It happened when Inuyasha had passed through the well to pick up more ramen at his wife’s request. He had stopped into the Higurashi household to see how everyone was doing (he knew Kagome would ask) when the sounds of crying filled his sensitive ears. He rushed in only to find out that Kagome’s grandfather had passed away that morning. Ramen forgotten, the hanyou awkwardly patted his mother and brother in laws head and brought them over a fresh box of tissues before bolting back to the feudal era to reluctantly give his wife the news. Obviously she wasn’t taking it very well.

“Kagome, please stop crying,” her husband whined not unlike a dog. He kept one arm wrapped securely around her waist while the other shifted from stroking her hair to rubbing circles in her back.

“I-I can’t help it! Grandpa is gone and…and I didn’t even get to say goodbye,” the dark haired girl whimpered, fisting her fingers into his robe tighter.
Inuyasha breathed out through his nose. He knew she’d be emotional but this still took him off guard. The half demon could handle almost anything, including cynical demons but Kagome crying, that was a whole new level of difficult! “He knew you cared for him even if you didn’t get to say your final farewells. You had no way of knowing.” His lips planted a soft kiss to the side of her head, hoping the small gesture of affection would calm her slightly. Unfortunately it did nothing to appease the grief stricken woman.

Kagome let out another cry, pulling away from him slightly so that she could rub her eyes with the long sleeves of her robe.  “Grandpa will never get to meet…” she couldn’t even finish her sentence as she broke into another fit of tears.

“He’ll get to meet her, I swear,” Inuyasha murmured, watching his wife give him a confused look. “Even if your Grandfather is no longer part of this world physically, he will always watch over you. So because of that he will be able to meet her,” he finished, resting his palm on the soft swell of her stomach.

“Do you really believe that, Inuyasha?” The priestess sniffled, her eyes turning towards her abdomen. She wasn’t far along and just began to show but her loose clothes hid that small bump of her tummy. Her pregnancy hormones definitely weren’t helping her in this moment one bit.

“I really do, Kagome,” Inuyasha kept his hand on her stomach where his child grew just beneath his fingertips and rested his forehead against hers, tan skin clashing with creamy white. Her eyes closed but he kept his own open, staring at her beautiful face covered with tears. In that moment his heart ached to see her bright smile again. Someone as wonderful and kind hearted as her never deserved to be so upset. Death wasn’t something he could slay with the sword of his father’s fang. Only Sesshomaru could and even those powers were limited. With her grandfather so old it was likely that if they did manage to convince Sesshomaru he would die soon after from another illness. The whole having to travel through time also posed a bit of a problem.

Her soft request brought him out of his thoughts. “Can you come with me to the future…so that I can say goodbye?”

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nettlestonenell  asked:

Any meta thoughts on wig wearing and Turn characters? Particularly in the wake of Hewlett in photos with his real hair? Culpers seem to wear them the least (then again, Richard never wears one), and Hewlett always wore one until he was kidnapped. Andre had his brief debut in one and then never again. And Simcoe--well, what do you think? Does wearing a wig/false hair signal anything to the audience about characters on Turn?

This is SUCH a fun question, thank you! Disclaimer: I am soooo not a fashion or military historian. I’m not any kind of historian, in fact, and as such, I feared I wouldn’t be able to answer because I simply don’t know enough about wig-wearing habits of the 18th century. INCREDIBLY, though, I actually DO know a totally concrete answer to at least ONE of these character’s situations, because JJ Feild told USA Today last year:

[Andre] did have the wig early on, but Feild was able to ditch it after asking executive producer Craig Silverstein, “‘Do you really want that for your seducer/lover for the next three years? And he said, ‘No, not really.’”

So, where Andre is concerned, the answer is — yes! His wiglessness was much more a narrative choice than a historical one, and it absolutely signals something to the audience! It signals, “You Are Supposed To Fall In Love With This Man And His Sexy Hair”!

(pictured: HAHAHA NO.)

Feild also said that he wanted to ditch the wig because he wanted the audience to see Andre, born to immigrant merchant parents, as an outsider among his fellow officers, who are largely of gentle birth. This is more of an in-universe explanation than the sexiness principle, but it was still definitely a conscious choice intended to influence audience perception. So overall, I suppose the question is: Does TURN give its men wigs based on historical accuracy to their social class, military rank, etc.? (Aka, an in-universe justification?) Or is TURN more concerned with the overall impression of a character’s costuming than with strict historical accuracy?

…TURN being not particularly known for its historical accuracy, I kind of already have my suspicions. But I’m also not discounting the historical element entirely; I think that does play a part. Let’s see…

Powdered wigs were expensive and troublesome to maintain. As such, I would expect to see them only on men of means, status, and/or a keen sense of fashion, and broadly speaking, TURN … kind of holds true to this principle. Most of the civilians we see are wigless, as are the Continentals. Makes sense; these are colonists, after all, provincials, many of them country folk. Even GWash powders his own hair for formal occasions rather than donning a peruke. A notable civilian exception is Rivington and a notable Continental exception Lafayette; I think both can be justified in-universe by Rivington’s pretentiousness and Lafayette’s status as foreign aristocracy. (There’s also Freddy! Who’s just stylish.)

Where things might get a little shakier is the British army. While there are background redcoats who wear their natural hair, I’ve seen it opined that TURN honestly features far too many wigs being worn by soldiers who would have more likely just treated their own hair with grease and powder and styled it into some sort of queue or plait. Again, Hewlett and Simcoe we can forgive on the basis of their social class, but what about orphaned Baker? What about all the other background common soldiers in their expensive, troublesome-to-maintain perukes? 

The overall trend — though with definite exceptions — seems to be a not strictly historical effort on TURN’s part to associate wigs with British rule and wiglessness with the colonists. More abstractly, these expensive, fussy wigs are associated with the old-money wealth, social hierarchy, and pomp implied by British rule, while the colonists are made to seem more down-to-earth, more egalitarian, less pretentious. It’s alllllmost a way of coding Good Guys vs. Bad Guys, at least in s1, when that was more clear-cut — but that’s a complicated issue. Again, there are practical, in-universe reasons for this. I mean, the Continentals are broke, they couldn’t afford wigs even if they wanted them! But I really do think that the general principle goes back to what JJ Feild said about Andre. Andre is allowed to go wigless even from the beginning because we’re meant to dissociate him from the wealth, status, and pomp (and … villainy?) of the rest of the British army. Rivington, although a colonist (an English immigrant, but still a colonist), does wear a wig because he’s pretentious and at least ostensibly a Tory. Lafayette’s wig likewise signals wealth and status.

Okay, what about the other exceptions, then. Simcoe and Rogers. British soldiers, yeah. But wildcards. They — and the Rangers in general — are Irregulars, with a sort of wild, woodsy, feral lawlessness that sets them apart from the fussiness and ceremony of the Regulars. Also, as far as I can tell, historical Rangers just legit did not wear wigs. But I still think it fits the theme, especially since historical Regulars apparently probably wouldn’t have either. Certainly Simcoe’s shift from Regular to Irregular is essentially one in which he’s let off his leash, free from the constraints of regular military hierarchy that kept him somewhat in check in season 1.

And then there’s Hewlett. Of COURSE I have thoughts about Hewlett.

Honestly, ever since the photos of him with natural hair came out, my mind keeps going back to that JJ Feild quote. Like, I don’t want to sound like a crazy shipper fangirl here, but the evolution of Hewlett’s wig situation over these four seasons has been notable, and I think that it’s very much been about influencing audience perception of him. I mean, look:

Season 1: The Worst Wig. The poofiest wig. I can’t look at it, it’s so tragic. But it’s also no better than I’d expect, because at this point, Hewlett is essentially a non-villainous antagonist whom we’re meant to find a bit ridiculous — and, of course, the absolute epitome of that upper-class old-money fussiness that’s being contrasted with salt-of-the-earth ‘Merica.

…But then suddenly. Holy shit. Suddenly, someone decides that this guy should be a love interest. A love interest for a major protagonist. And like JJ Feild said, you can’t have your love interest looking like … that. You have to make him attractive! You have to give him a much more dignified, more understated wig that flatters the shape of his face!

And is it coincidence that part of season 2′s process for making Hewlett more likable involves revealing that, oh, actually, he’s not the epitome of old-world wealth and status? That he’s a gentleman, sure, but his family’s broke, and he’s just trying to support himself and his parents, and actually he’s big into the kind of Enlightenment thinking that (particularly in Scotland, which is where he’s, uh, from, suddenly?) was concerned with social progress? …Weird.

As part of this humanization, s2 also gives us our first glimpse of his actual hair, which I am … more than okay with, even considering the circumstances.

Season 3 is either the same wig or a very similar one, which makes sense given that Hewlett does not have any major beats of character development between 2 and 3. But then season 3 smacks him with some MAJOR disillusionment and personal tragedy, and thus … The Hair!

I still suspect that the in-universe explanation for this is that he’s been demoted to some extent, if we’re to believe what he said about resigning his commission and being cashiered. But I seriously cannot shake the sincere suspicion that this development is FAR more about making him more appealing to viewers than about anything in-universe. It’s another step in the same progression of character development that has, since 2.01, been continually positioning Hewlett as more sympathetic, more down-to-earth, more at home in the colonies, and — critically, if my theory about the overall wig theme holds true — less certain about his devotion to the British cause. And if there’s Annlett this season, the hair will also be part of his progression as love interest.

Again, I’m definitely coming at this from the perspective of a storyteller, not the perspective of a historian. I would love to hear from anyone who can give a better opinion on TURN’s wig accuracy and how much of a role historical fact plays in determining which characters wear wigs. But the more I think about it, the more I think that there is some sort of general characterization trend here and that the costumers are conscious of how audiences will perceive men who wear wigs versus those who don’t.

zuckarr  asked:

can you give me reasons why Yoi is worth watching? I really want to get into it, dont spoil tho. Thank u💕

Yes ofc!! I actually haven’t seen Yuri On Ice in a while and I should really re-watch it soon, but I’ll try my best, haha! ♥ ♥

1) Ice Skating

Originally posted by the-glass-heart

Some wouldn’t think ice skating is a particularly interesting sport or is a little feminine, and some even think it’s not a sport at all. What Yuri On Ice does so well is it proves that not only can ice skating be for anyone, it can also be really interesting. Watching this show has taught me so much about the sport, it really digs deep into both the intricacy of the routines, how well thought out they are and they’re even animated in their entirety, all of them, also keeping you on the edge of your seat with each one, and the mechanics of what jumps are and exactly how difficult they are to execute, etc. Bearing in mind that a majority of the characters have been skating since they were small or for an inordinate amount of time.

Not only that, but this show also teaches that experience and skill are two completely different things entirely and that both matter equally. One of the characters is 15 and the others are in their 20s, and they’re all in the same league!

2) The Animation

This show in particular was made by Mappa, and some may say the animation was a little shoddy but personally I think it was wonderful. The animation is smooth and detailed at just the right moments, and the skating in particular is done so well, especially as the series progresses. The art style is also really lovely and soft and definitely goes with the feel of the show, and when it comes to the funny parts of it, it’s really fitting there too and not at all disturbing, actually I think it looks adorable. X’D

Originally posted by solidwatershipper

3) The Gay

You knew this was coming, Yoi fans, but hear me out. XD

Sports anime generally don’t dig all that deep into the matters of relationships and quite frankly, why would they? With the whole “they’re on different teams/they’re rivals” and that. But even though that’s the case, a lot of fans ship them all together anyways. c: It’s more likely that people on the same team will have these kinds of relationships purely because of the rivalry. The thing that Yoi does so well is it ensures you that even though all these skaters are technically rivals, they’re still civil and friendly towards each other. They’re not exactly at each others’ throats. They actually cheer each other on, too. 

Originally posted by nikforovs

And when it comes to romantic relationships, this anime in particular isn’t exactly subtle about it. Not only does it openly acknowledge the lgbt+ community and hints more at a gay couple than most anime have ever done but it also digs deep into the fundamentals of relationships. Supporting each other, sacrifices, mistakes and how they learn from them, etc. Even the romantic side of it is pretty on point. Yeah, it’s mostly about the skating, but there is a lovely balance between that and the building of the characters.♥

And pertaining to the fan-service part of the show, it’s done in moderation and with reactions from the other characters that don’t make it at all awkward to watch. The development of the characters and the feels are real.♥

4) The Feels

Originally posted by yuri-on-ice-ice-baby

Hnggggg there’s not much I can say about this without spoiling it but hngggg the emotions are real-

5) The Humour

Can I just say this anime is also really funny? It knows when to be funny and when to be serious and honestly I think that’s great. ‘Nuff said. :’D

6) Dreams and Personal Dilemmas

Originally posted by nikforovs

This show personifies that dreams can be realised, and the dreams of others are supported, too. I can’t say much about this without spoiling it, but every characters’ idea of success is different. They all have their personal goals, everyone has a great amount of character development and they all have realistic problems and moments of weakness. Yuuri in particular has a pretty normal family and personal problems like lack of self-confidence, sad memories which he will eventually grow to accept and he even gains weight easily, even though he’s a figure skater, something that usually isn’t touched upon much in anime, mainly because of ideals and all that.

All the skaters are from different countries, too. I personally feel like it’s great when interracial relationships and characters are not only introduced, but developed in their own special way. Personally I love all the characters so I feel like they all turn lovable throughout the series but everybody has their own little arc, and honestly when I think about this kind of thing I think of JJ, and I really like JJ now despite his initial personality. You’ll see why if you ever go into watching it all.

7) Yuuri.

Okay but Yuuri is one of the most socially awkward and wonderful protags ever. :’D He knows what his flaws are but he embraces them and tries so hard to make himself better. Meeting Victor makes him a lot more confident in himself, he has a great personal story of growth, which is steady and strengthens his character over time. He makes mistakes just like any other person can and he learns from them. That and he’s just generally lovable. c’:

And yes, this:

Originally posted by honeyuuri

And this:

Originally posted by asparagusoup

aRE Th E s aME p e RSO N. helpmyheart-


Can we all just take a minute to appreciate the opening and ending and all the music played in the show pls and ty.  ♥ ♥ ♥ ♥

Originally posted by kukapanda

Thank you so much for asking me that! I had a blast explaining all this, haha, I hope you get around to watching it! It’s definitely worth it!♥♥


Title: Ride With Me - part six
Serie’s prompt: Alternate Universe (AU) in which the reader is a horse rider who goes to a ranch in Arizona to gain work experience. During her time on the ranch she develops a strong connection with a wrangler and horse trainer named Dean. A story about a cowboy who falls for the girl, a story about the importance of family.
Prompt part 6: Reader’s hard work pays off and she joins the guests and crew on a morning ride. Dean casually flirts with her and she does the best she can not to fall for it. Luckily Jo is there to talk to.
Words: 1757 words
Characters: Dean, Jo, Reader
Pairings: Dean x reader (not in this part yet, but I’m getting there!)
Warnings: language and hangovers, maybe even a little fluff?
Author’s note: Well it took me long enough! I promised an extra long chapter, but the second part was running so long that I decided to cut it in two. Upside: there’s a new chapter coming very soon!
Tags: Below the story. Want to get tagged? Send me a message!
Previous parts: 1 - 2 - 3 - 4 - 5

Okay, maybe the tequila last night wasn’t such a good idea. Neither was that margarita the previous night, or the drinking game the night before that one. Or was it the other way around? You cannot seem to recall, but today it’s Friday, so at least tomorrow you can sleep your way through the headache. Never ever did you drink as much as you did this week. Normally that would bother you, especially considering you’re not here on Spring break. But when the drinks are offered in a time when you need a little something to help you stop overthinking the feelings that you are developing for Dean, you couldn’t care less about the increase of your alcohol consumption. 

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anonymous asked:

I saw a post the other day that said people seem to forget this: and then quoted "Zayn": "There’s no secret relationships going on with any of the band members" and I was thinking: People really seem to forget (or didn't really ever recognize) the ‘I won't mind’ lyrics. I know it's kind of an old topic but I think about this song so much! It's so beautiful and so telling and so obvious! But so many people don't see it. And I don't know it just baffles me so much... (1)

I mean he says he loves this person (“Don’t look around cause love is blind, and darling right now I can’t see you”) and that they are committed to each other (“we found the one thing we said we could never ever live without“) but it’s something hidden/secret (“we are who we are when no one’s watching“) and he’s “not allowed to talk about it”!!!… What or who else could this be about!? (2)

And the song had to be “leaked” with the words “Let the music do the talking” so Zayn definitely wanted to get the message out there… I think songs/lyrics are more truthful than interviews… and I think Zayns lyrics tell so much! I really really liked your analysis of the Mind of Mine lyrics! But I couldn’t find anything about I won’t mind… And I want to know what you think about that song and the lyrics? Or If you have made any posts about it could you please link me? Thank you:)) (3)

Hello!  The funny thing is that when I was done listening to Mind of Mine, my first thought was, “My favorite of Zayn’s solo music is still I Won’t Mind”.  The remix that Eminik made is really good, so I listen to that a lot on my mp3.

I’m not sure that it was leaked by Zayn exactly.  I think the Twitter fight between Naughty Boy and Louis was set up in order to draw attention to the drop and since that fed into the Zayn vs OT4 narrative and eventually the Zayn vs Naughty Boy fight, it was part of the official narrative.  

It was an official release framed as a leak.  They needed something to legitimize Zayn as a solo artist and put distance between him and One Direction in the public eye since his actual music wouldn’t be released for almost a year.

There are many ways for songs to be interpreted, but some are more direct and detailed than others.  The more details a song has, the harder it is to make multiple interpretations fit it.  I think “I Won’t Mind” is probably somewhere in the middle range.

I did a full interpretation below the cut XD

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meowlluu  asked:

Yass write that kaider, you go- how about, "This dress won't let me breathe- some help,please?" Or "I didn't know you could cook!" OR BOTH WHY NOT BECAUSE IM TRASH

Cinder stared at her reflection in the mirror. In less than two hours, she would be presented in front of millions of Lunar and Earthen citizens at the very first Lunar Peace Ball. To say she was nervous was an understatement. It didn’t help that the particular dress she was being fitted into—she’d wanted to wear an old dress, or maybe even pants, but Iko wouldn’t let her have it—was actually suffocating her. The dress was great for the Ball, but awful for breathing.

She squinted at her large closet where the seamstress must be. One could get lost in the various rows of dresses and colors, so it was only fair that Cinder couldn’t find the seamstress through the labyrinth. She pursed her lips in thought.

“This dress won’t let me breathe,” She muttered. “I’ll be dead before I even make an entrance.” Louder, she said, “Could someone help, please?”

She waited a beat before she heard a response. And it came from behind her. And it was from a man.

“I’m not sure how much help I can be. I’m only good for talking, you know.” Cinder whipped around to meet Kai. She hadn’t heard him step in. Her retina display was already listing the drastic changes in her body temperature. “And dancing,” he added almost like an afterthought. The tips of his ears had turned pink. He was having a hard time keeping his eyes on just her face.

“Kai?” It was a stupid thing to ask when he was standing right in front of her. But her optics were going crazy and she felt her brain becoming frazzled. She didn’t think he was going to make it for the Lunar Ball. Konn-dahren’s husband was facing medical troubles, and Kai wasn’t sure whether to leave him alone right now. Cinder felt ashamed for being happy after remembering what the situation was. “When did you…?”

“I just arrived. Sorry I’m so late,” he said sheepishly, rubbing the back of his neck. “I came to find you as soon as we landed. I forgot you could have been…” His ears flared red.  

Changing. Stars, was Cinder lucky she couldn’t blush.

“It’s alright,” She said quickly. “’We’?”

He threw on one of his princely grins and she felt her heart wince. “Torin and Suho came with me. They both saw how much I wanted to be with you tonight, and they were both feeling better… And I haven’t been giving you dance lessons just so you could dance with other guys, Cinder.”

She stifled a giggle. Great stars, could you believe that? Kai made her want to giggle. She quickly recovered and surveyed him. He seemed happy. Less worried. She smiled. “Everything’s alright, then?”

His grin melted into a soft smile, and his eyes crinkled thoughtfully at the corners. She always loved it when she could see his appreciation of her in his eyes. He was always expressing things through his gazes. Cinder loved that about him. “Everything’s alright.”

“Good,” Cinder said. Then laughed, “Stars, this dress is killing me.”

He laughed, “I was going to say something about you being absolutely breathtaking, but thought that might have been a little too literal.”

“I would have killed you,” She said, laughing harder.

“I know.” He was looking at her harder now. It looked like he was fighting some internal battle, and Cinder’s heart leaped. She decided to be daring. After all, it’d been months since their last dance lesson.

“Are you going to stand here,” She said after a pause, “or are you going to kiss me?”

Kai exhaled, and pulled her into his arms. “It’s been too long,” He said and smiled into her hair. He tugged on her chin and she looked at him expectantly. He grinned and their mouths connected in seconds. It had been too long, way too long, Cinder thought. How could she have let so much time slip between them?

The seamstress dismissed herself from the room. Cinder would just have to wear one of her old dresses.

Or maybe she’d wear pants.

Iko would hate that.

But Kai wouldn’t care.



Theories about Rey's lineage

Rey is the central figure of the Sequel Trilogy, so it’s not surprising that the identity of her parents is the hot topic. After TFA came out there was only one dominating theory abour Rey’s bloodline (the one I hate with passion of the thousands suns), but since TFA was released on DVD and Blu-Ray, Bloodline came out and we’ve been exposed to many spoilers the balance among theorists have shifted significantly and I decided to explore and comment on all existing theories about Rey’s parents and how they may affect her character arc in future movies considering all existing information.

Rey Solo

This theory is dead and thank God for that! 

Not only it would’ve been a character assassination for Han/Leia - it simply never made any sense in the context of the  movie. You would think that Han or Leia would comment on the fact that Ben is not their only child and they left their younger daughter in a desert with some creep because…. reasons. I mean…. Ulkar and Jakku itself was a much bigger threat for Rey’s safety than Ben himself, so either Han and Leia are very stupid or they decided to get rid of their daughter just in case she becomes Dark too. 

And this theory also made no sense for Rey’s character development. The whole point of the TFA was to make Rey move on from the idea that she needs to wait for her family. She must continue to move forward in order to create new relationships in her life and create her own family, which she kinda did - with FInn, Chewy and Leia (and I am sure Poe wouldn’t mind to join her friend circle too). So it made no sense for her to overcome her own fears of abandonment so in the end she could stumble upon the people who abandoned her in the first place. And this would happen in the first part of her journey! 


What an awkward reunion it would’ve been for Ben and his sis though…

I understand why it existed before TFA was released. But why did this theory existed for so long after? I have no idea.

Rey Skywalker

A lot of people I know (relatives, friends, colleagues) came to me after watching TFA with that crazy theory that Luke is Rey’s father.

My reaction:

Yeah…. If your average Joe immediately finds out the answer for your most guarded plot twist in the Trilogy, it’s not a very good plot twist. It’s actually laughable and pathetic. But apparently most of the fandom prefers to believe that the writers are that incompetent and they made the answer for this question THAT obvious. 

The problem is while this answer sounds obvious -  in reality this theory is as crazy and ridiculous as the previous one.

We know that the “destruction” of Jedi Temple (presumably caused by Ben Solo) happened long after Rey was born. So…. Why Luke sent his daughter off to Jakku? If it was her mother, why did she hide the fact from Luke? Why Jakku of all places? Why Luke didn’t even bother to find his child and was chilling in Anch-To? Why Leia and Kylo didn’t recognise her as a Skywalker? Why Luke would keep it a secret - even after Rey reunited with him (considering the fact that we know that Rey’s parents identity will be revealed in Episode IX if we to believe Colin Trevorrow)? Why the hell did they made every Rey’s interaction with Kylo filled with so much sexual tension and subtext if they are related? What will be the point of this reveal if Rey have already met her father in the end of the first part of her journey? How will it influence her story? What is the point of hiding presumed Luke’s fatherhood still? 

If this theory is true than the writers are so lazy it’s not even funny. Even reveal that Palpatine is the Emperor would be more shocking than this one.

But people still believe it. Apparently Luke is going to choose Kylo over Rey and it would lead her to the Dark Side which explains the recent filming spoilers and it totally makes sense and Reylo can never be canon so…. Yeah….

Originally posted by lgbbq

Rey Erso

They are both white women with brown hair which automatically means that they are related. Cause God forbid for female characters to exist without them being someone’s baby mom!

No, guys. I will believe Daisy and Pablo on this one. This theory is false.

Rey Kenobi

This theory is the most legit one. The fact that Rey and Obi Wan have a lot of parallels - the biggest one being between Reylo’s snow fight and the last fights between Anakin and Obi Wan; the fact that Ewan McGregor was invited to the studio to record his words to Rey and they even edited Alec Guiness lines, so he could call Rey by name -  all of this leads me to believe that this theory is true.

The reveal itself won’t affect Rey too much - she never knew her ancestor but it may influence her relationship with Luke and Kylo (who is actually named after Obi Wan) and there would be a lot of great thematic callbacks to both prequels and original Trilogy if Rey is truly a Kenobi. 

It would be so fitting for Kenobi and Skywalker’s feud to end with their grandchildren mending the bridges…. among other things.

But there are more theories to explore.

Rey Palpatine/Dark Origins

This one is…. tricky. There is not a lot of evidence supporting this theory. Some say that Rey’s fighting style resembles Sheev’s (I’d say it resembles Kylo’s because Force Bond but it’s debatable). Also there is the fact that her parents left her on Jakku and if they were targeted because they were Imperial royalty it would make sense for them to dump her in Jakku - a place where noone would think to seek a young princess and an heir of Palpatine’s legacy. But… It’s all just a speculation.

Although this reveal would shake Rey’s worldview greatly. She cares about her family so much and the fact that she associates herself with her family’s enemies (or even worse - their possible killers) would make her question a lot of things. 

Enter Kylo - the guy who is ready to open her eyes to “the true nature” of the good guys and we have a very interesting plot possibilities here.

And thematically it would add so much to her being a complete foil to Kylo - she is “Light” with Dark origins and he is “Dark” with Light origins.

It would be even cooler if she actually seduces him back to the LIght which would mirror her granddparent’s actions when he seduced Anakin to the Dark Side.

Besides, it would prove that Skywalkers just can’t stay away from Palpatines and their…. allure ( ͡° ͜ʖ ͡°) 

God can’t help me now

Rey Random

I like this theory a lot because it would prove once and for all that it’s not our bloodline that makes us special - it’s our own actions and decisions.

“Just a scavenger” kicking everyone’s asses - that’s something I can get behind!


After all this drama and JJ’s mystery box this answer would feel…. not satisfying for many people

And we have this quote from Colin Trevorrow - the director of Episode IX:

“I’ve seen all of the theories… What I do know is that we’re going to make sure that that answer is deeply and profoundly satisfying, because Rey is a character that is important in this universe, not just in the context of The Force Awakens but in the entire galaxy, and she deserves it. So we’ll make sure that that answer is something that feels like it was—it’s something that happened a long time ago [in a galaxy] far, far away, we’re just telling you what happened.”

It seems that the plot twist will be a little more than Rey’s parents were Jane and John Whites - for better or worse.

Rey is the Child of the Force/the reincarnation of Anakin/the Chosen One

Sounds familiar, doesn’t it? Well…. We already have Sokka (Finn) and Zuko (Kylo) in this story. May as well add Aang and his past lives to this mix!

But, to be honest, this theory would be hard to pull off if it’s true. It demands a lot of explanation and we’ll have to return to prequels and the fact that Anakin was a Space Jesus gone wrong again which many fans won’t like too much.

It would explain why Rey’s awakening was so prominent that every Force user had felt it. And it would calm the cries of bitter fans who can’t understand why Rey is so good in the Force.

But it feels like cheating. 

Creating new “Space Jesus” figure to rehash the same storyline that was given to Anakin but this time with parts of Luke’s story bits and, maybe, with a different ending… That’s not very creative. But it’s still possible, so I won’t dismiss this theory yet.

The conclusion

As you can see, despite the fact that not long ago Rey Skywalker was considered to be the only true option, nowadays we have much more to choose from. And I didn’t even mention the possible Finn’s theories that can also change the story dramatically.

But whatever theory will be proven to be right, I hope that it won’t interfere with Rey’s character development and it will allow her to shine on her own.

Rey deserves it after all!!!

anonymous asked:

Hi! I'd love it if u make a scenario or one shot about v and reader, after going on a group trip, they all sleep in the car, but v is getting car sick so u try helping him to fall asleep so he won't feel sick anymore (or idk). As fluffy as you can~ thank you and love you guys :)

I tried to make it extra fluffy, so I hope you enjoy!!~
- Devi (⋈◍>◡<◍)。✧♡

comfortable discomfort 

word count: 1917

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anonymous asked:

prompt: riley sets lucas free so he won't have to choose anymore. when lucas realizes that riley isn't there (not literally) anymore, he starts missing her.

a/n: This was sent to me pre ski lodge so sorry taking so long to get to it! Lets just say Ski Lodge never happened and triangle is still sharp :D!
Altered the prompt a little but I hope you still enjoy it anon! :)

Word count: 1625

♡ ♡ ♡
Freshman year comes to a close and Summer Vacation is upon them.

It’s only a few days into Summer and everyone is having a nice time together. The group went and saw a movie and stop for a quick bite to eat.

Lucas sits between Riley and Maya like he’d been doing all year and tried to respectfully give them both attention, even though it’s exhausting him.

After the movie Lucas notices Riley looks deflated and isn’t her usual bubbly self during dinner.

Riley gets up as their meal was nearing an end and goes to the bathroom.
Lucas follows shortly after to check if she was okay.
He waits for her by the restrooms and upon exiting Riley is startled by Lucas on the other side of the door.

Instinctively he reaches out a hand to still her body when it jerked in fright. “I didnt mean to scare you.”

Riley laughs softly at herself for jumping. “That’s okay, sorry if I was holding you up.” 

“I don’t use the ladies room.” He laughs pointing at the door.

“Right.” Riley, shakes her head.

“I just wanted to check and see if you were alright.” He rubs her shoulder soothingly but became aware of his actions and stops immediately. Riley watches as he buried his fits into his jacket pockets.

“I’m not feeling very well.” Riley mumbles. “I think I might head home.”

“I can walk you?” Lucas offers.

Riley looks as if she’s contemplating something but agrees. The pair go back to their other friends and announce they’re leaving. Maya offers to come home with Riley but she insists her friend should stay behind and have fun.

Lucas and Riley make their way onto the street and the two walk together. Lucas tries to make small talk but he can tell Riley’s head is elsewhere. A few minutes of quiet pass before Lucas speaks up.

“Talk to me?” Lucas pleas. “Something’s on your mind.”

”I’m leaving for Philadelphia tomorrow.” Riley blurts out.

”What?” Lucas laughed, confused. “Like…for good?”

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I actually have this story up on my FFN account, but I decided that maybe I should also post it here too. You know, really spread the pain around. So yeah, this story is based on a guilty pleasure AU I have. The first 3 chapters won’t show what’s AU about the story. The AU part will come with chapter 4. But, until chapter 4 shows up, you can enjoy the rest. I only made 2 chapter so far, so here’s chapter 1! Chapter 2 may get posted later today on this site. I plan on uploading chapter 3 on FFN later today too, so I’ll maybe upload the chapter on this site tomorrow or something. We’ll see! Well, let’s get on with the tale~!

Title: Twist of Fate Chapter 1

Chapter Title: You and Me

Fandom: Big Hero 6

Summary: Big Hero 6 AU. A small twist of fate can change quite a lot about a story. But, in the end, a brother still grieves. A story that looks to offer a different but familiar approach to the story if a certain something had happened differently.

Warnings: While not present in this chapter, movie spoilers will appear in later chapters.


“Tadashi, honey, don’t be like that…”

Six year old Tadashi Hamada’s pout grew bigger at his mother’s words. He drew himself up into a tighter ball as he lay on the couch, fiddling away with the toy robot his father had gotten him for his birthday the week before.

He heard his parents sighing. He wasn’t taking the news as they had expected, but he didn’t care. You see, Tomeo and Marie Hamada had come back from the doctor’s office with what they thought was exciting news.

Tadashi Hamada was going to be a big brother…and he didn’t like that at all.

Tadashi had heard about what it was like to be an older sibling from the other kids at school. He’d seen what it was like too. Parents never had time for the oldest anymore, focusing all their attention on the new baby. They spoiled the baby rotten while the older one got left behind. A boy in his class had told him about how his little sister always got away with messing up his stuff since she’s his parents’ “precious angel”. One of the girls talked about how her little brother’s crying has kept her up all night. Tadashi had seen a couple younger siblings do something wrong, only to get the older sibling in trouble. Because it was the older sibling’s “job” to look out for the younger ones.

If that was how being a big brother was like, then Tadashi wanted no part of it. He wanted his parents’ love all to himself, thank you very much.

“Tadashi,” his mother said softly, taking a seat beside where he was curled up on the couch, “C'mon, sweetie, I know you’ll be a wonderful big brother.”

“I don’t want a baby,” the six year old mumbled, a frown planted firmly on his face as he twisted his robot’s arm this way and that, “Cancel the order.”

“Tadashi, that…isn’t exactly how it works,” his father replied, amusement in his voice, “You’ll love your new brother or sister, I’m sure you will.”

“No, I won’t,” Tadashi answered, sitting up and glaring at his father, “Being a big brother won’t be any fun. The other kids said so.”

“Well, they’re new to being older siblings,” Mr. Hamada pointed out, “I probably would’ve acted the same way if I ever had a sibling.”

“I was that way,” Mrs. Hamada added, “You know how your Aunt Cass is my little sister, right, Tadashi? Oh, I remember crying and begging my parents to take her back when I first saw her at the hospital.”

“Marie…” Mr. Hamada began warningly, looking at the way Tadashi stared at his mother.

“She never seemed to stop crying either!” Mrs. Hamada continued on, too lost in memories, “I was practically falling asleep in class for the whole first year!”


“And that little weasel was always drooling over all my stuff. I got so mad when I saw her chewing on my favorite book.”


“And do not get me started on that time with the go-kart and that ice cream truck! My parents never let me hear the end of that one-”


Mrs. Hamada jumped at her husband’s shout before following his finger, pointed at their son. She chuckled sheepishly at the horrified expression on Tadashi’s face.

“Yup,” Tadashi decided as he jumped off the couch, “I don’t want a baby!”

With that he ran out of the living room, headed towards his own bedroom. That decided it. There was no way Tadashi would ever like this new baby. He only hoped his parents would understand and decide to cancel their order after all.


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anonymous asked:

I don't know if you're taking prompts and if you aren't you can totally ignore this. But you said in one of your tags that you need to write smut so how about Oliver not being allowed to touch. Maybe at the foundry or work or something and felicity gives into the sex but she won't let him use his hands.

[somebody sent this to me aaaaaaages ago and I ended up writing it with rosietwiggs in mind. it was going to be a lot longer, but it took me forever to write/finish so i decided this worked too. literally pure smut, so, enjoy!]


Don’t get her wrong. There were few things that Felicity liked more than Oliver’s hands. He was a tactile person. Always touching, reaching, gripping. She could watch the flex of his fingers for hours; how they straightened and curled and plucked at the taught string of his bow. She had long memorized how they felt on her skin, the callused pads of his fingertips dragging down her arms or skimming along the slope of her stomach. She knew, with pinpoint accuracy, where every scar was on his hands, she knew the paths each vein took, and the intersecting lines of his palm. Felicity loved his hands. She loved the way they fit around hers, how his fingers slotted between her own, how he pressed his palm into hers as if expecting it to mold and fit to his like a puzzle piece it’d been searching for and finally found.

Oliver liked to touch her. That was evidenced in how his hand always found an elbow or a shoulder or the small of her back as soon as she was within reach. And those little touches were nice, they kept her grounded. The heavy touches though… He liked to take his time, to touch everything, every part of her as reverently as if it were the first time. And she loved that. She loved how lost she could get in the way he mapped out her body, that furrow in his brows, that determined set to his mouth as he found new ways to make her feel appreciated. As he found new spots that made her squirm and laugh and beg him to fuck her.

He always got her to beg.

Now it was her turn.

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Steven Moffat and Romance. My rambles about how Jekyll reinforces my belief of TJLC.

          ~Spoilers for Jekyll and Sherlock and Doctor Who (11th) bellow~

I watched BBC’s Jekyll expecting to add to my understanding of Moffat’s writing style. I got more interesting comparisons than I was expecting. I would love to start a discussion about comparing Sherlock and Jekyll, because I have only begun to delve into the complexities.

One episode into Jekyll, I was unsurprised to see a lesbian couple casually mentioned. Coupling reveals that Moffat has a bit of a thing for lesbians, and he likes to casually slip lesbians or mentions of lesbians into his other shows. That was a bit of an aside, but I often hear people saying that Johnlock won’t happen because of Steven Moffat, and that just seems way off the mark to me.

Moffat’s writing of Hyde had some distinct similarities to his writing of mind palace Moriarty in His Last Vow. This post shows the direct comparison: (x) Bonus recycling dialogue Doctor Who and Jekyll edition with Claire and River Song: (x)

And then there was episode 6…WHAM BAM plot twists. I have not read “Strange Case of Dr. Jekyll and Mr. Hyde,” but from the summaries I have read, the original text seems like a straightforward split personality case. In the original story, Hyde kills someone and Jekyll writes a letter acknowledging that he will become Hyde permanently. So what happens in Moffat’s version of Jekyll? Everything is revealed to be about love through complicated plot twists.

Watch this scene: (x) I am going to add the text bellow too.

Tom’s mother: People think Hyde is rage or hate or greed or lust. But Hyde is far worse.

Claire: What is he?

Tom’s mother: What was the first day you knew you could kill anyone? Anyone at all if you had to?

Claire: The day I first held my children.

Tom’s mother: It’s our oldest deadliest impulse, the need to protect our own at the expense of any other living thing. And we give that impulse such a nice name, don’t we? Hyde is love. And love is a psychopath.

Cue my brain connecting to Sherlock: “Bitterness is a paralytic. Love is a much more vicious motivator.”
Moffat paints love in such a dark light in both Jekyll and Sherlock.

Essentially, Moffat took a piece of classic literature and turned it into this odd grand romance. A character played by Mark Gatiss revealed one of these romantic plot twists (and with that I need to pause for a moment and laugh). The note handed to Jekyll said that there was no medicine that caused Jekyll to turn into Hyde that it was the girl (Claire) all along.

Cue my brain connecting to Sherlock: “It’s always you. John Watson, you keep me right.”

I don’t really understand the logistics of the change happening because of Claire. It honestly seems like a huge gapping plot hole. Am I supposed to believe that the original Doctor Jekyll loved Claire so much that he developed a split personality to store the vicious side of love? The transition from a purely cruel and child-like Hyde to a Hyde who is willing to sacrifice himself for his cloned wife and their children is sudden and frankly ridiculous. The show was cut short, so Moffat had to figure out a way to end it with less episodes than he was expecting, but he chose the romantic direction.

Moffat does love twists like that ending with Dr. Jekyll’s mother. One thing that I am certain of is that we have not seen anywhere near the end of plot twists in Sherlock. The successful nature of Sherlock allows for more time to slowly build in foreshadowing for twists and cliff hangers.

Let’s go back to the scene where Moriarty lines mirror Hyde’s dialogue. Was this unintentional or was Moffat trying to tell us something? This comparison makes me think of LSIT’s M-theory, in which Moriarty is viewed as obsessed with Sherlock in a romantic/sexual way. The character types don’t translate exactly between the shows, but I see Moriarty as similar to Hyde, Sherlock as similar to Jekyll, and John as similar to Claire. Moriarty’s behavior can fit into the obsessive side of love, but unlike Hyde I don’t see Moriarty making any grand romantic gestures. I also think that Hyde only made the gesture that he did because at that point he was connected to Jekyll, and so the good side of love was blending in with the bad side. Moriarty and Hyde both enjoy toying with people and their emotional reactions. Even though Jekyll’s mother says that love is a psychopath, I see Hyde as more of a child than a psychopath, and I don’t see Moriarty as a psychopath either. Sherlock/Moriarty have many similarities though they are not quite as similar as Jekyll/Hyde, but Sherlock/Moriarty display the opposite sides of the same coin (consulting detective/consulting criminal). Jekyll and Claire’s relationship ends up being the most important part of the show, and Sherlock and John’s friendship is already the most important part of Sherlock.

The above River Song and Claire dialogue seems more likely to be an unintentional repetition, but there are also some similarities between River and Claire. Both women have complicated backstories involving evil organizations creating or controlling them in order to manipulate the main character of the respective shows. Both women cause the main character of their show to be viewed in a more romantic way than the character was classically viewed. I saw the Doctor as more asexual until Moffat started writing him. The Doctor had feelings for Rose Tyler, but I didn’t see those as sexual. Whereas River Song makes comments that are undeniably sexual. In Jekyll, even if Jekyll was married in the original story, Moffat took that relationship and expanded its importance. Jekyll only loved one woman all those years across generations. Bringing Sherlock back into the discussion, I read the Sherlock Holmes stories as separate from anything romantic or sexual until BBC Sherlock’s writers set the seeds for that direction. All of this makes me think that Steven Moffat really is a big romantic.

Jekyll begins like a typical Jekyll and Hyde adaptation, but then a romantic plot twist changes the entire meaning of the split personalities. This modern adaptation could have followed a more typical Jekyll and Hyde plotline, but that is just not what Moffat does. Sherlock and Jekyll initially seem like shows about a detective and a scientist with a split personality respectively, but they are both ultimately about the relationships between the characters. I believe Sherlock will follow a similar twist reveal pattern as Jekyll, but will not fall into the plot hole territory that comes along with the romance in Jekyll.

kissmewinchester  asked:

Prompt: Weecest; Dean tells Sam that he can't hang out, even though he promised, because he's got a hot date; Sam freaks out (screaming/crying/throwing things). Dean doesn't get what the big deal is at first. Once he does, he let's Sam know that he feels the same way. Sam asks Dean to make it hurt, but Dean won't have it (not their first time anyway).

Dean checks himself in the mirror. Clean shaven and breath minty. He looks good, never looked better. He’s primed for that date tonight.

He hears the motel door close as Sam comes in from school. Its Friday and all the kids have to be excited.

“Hey, Dean. So I was wondering watch movies you wanted to watch tonight, thought we could order from that pizza place you liked,” Sam says, pink cheeked and happy.

“Not tonight, Sammy. I got a date with that hot waitress from the diner,” Dean answers, pushing past Sam.

He gets to the door. He’s about to tell Sam to check all the salt lines and make sure he has his butterfly knife on him, but a loud crash stops him.

“Sam, what the fuck?” Dean hisses.

“We always hang out on Friday nights, Dean. You’re always on a hunt with Dad and Fridays are our night!” Sam yells, eyes wide with anger.

“Sam, its just-”
“No, Dean! Why go out with that-that slut! She only wants to fuck you!” Sam screams, shoving the couch forward.

He didn’t know the kid had that strength. Sam picks up the phone book and hurls it at the door, Dean ducking just in time.

“She’s not a slut, Sam,” he grits, feeling tense.
“Why should she get to hang out with you? Last Friday was good, Dean!” Sam says, tears in his eyes.

He remember last Friday. He remembers his fingers up inside Sam’s young, warm ass. Tight and wet with lube. Remembers Sam’s wide eyes and pink mouth; the curve of his cock.

“Sam, I want to go, we’ll hang out tomorrow,” Dean whispers, going over to Sam where he’s pacing in the kitchen.

He slams Sam back against the stove and gets up in his space. Sam is barely up to his chest at 14.

“I can be better, Dean. You know I can be so much better,” Sam whispers, rubbing his half hard dick against his brothers thigh.

“Show me,” Dean growls, picking Sam up and laying back onto the stove. He fits perfectly between the burners, small body still growing.

He unbuttons his jeans and pulls them down baby soft legs, along with his underwear.

Sam blushes but doesn’t cover himself. His dick strains up towards his already exposed stomach.

“Take off your shirt, wanna’ see you naked,” Dean grits, rubbing his own aching erection through his jeans.

Sam bites his lip and obeys, slipping the navy blue shirt over his head, showing his stiff nipples and thin stomach. Dean knows its wrong to feel the zing of arousal up his spine when he sees his baby brother fully naked on top of a stove.

“So sexy, Sammy,” he says softly, letting his thumb circle Sam’s left nipple, Sam mewling and arching up into it. He pinches it, making it raw.

“Now, Dean. Should take me right now,” Sam hisses as Dean leans forward to suck at the abused flesh, rolling the hard numb against his greedy tongue.

“No, Sam.”
“That takes prep and-”
“I finger myself now,” Sam interrupts with sharp eyes.
“I. Finger. Myself.”

Dean watches as Sam leans back and lifts up a leg. A finger slips dry inside his ass, but its practiced. Sam looks deep in concentration.

“So, you gonna fuck me or not?” Sam smiles, placing his leg on Dean’s shoulder.

Dean can only nod, unbuckling his belt and jeans, letting them drop to his ankles. Sam’s eyes go dark and hungry as he eyes his big brother length.

“Where’s the lube?” Sam breathes.
“Right here,” Dean answers as he digs it out of his jacket pocket.

Sam bites his lip and brings his other leg onto Deans other shoulder too. He’s a damn twink and knows it.

“Fuck me like you would fuck that girl,” Sam whispers, breath hitching as Dean spreads the lube around the pink, little hole, pushing in.

He knows Dean likes it quick and hard. Likes to feel the burn of it on his hips when he’s done.

“No, we’re doing this slow,” Dean growls, slipping another finger in. Sam’s eyes close and a shaky sound leaves plump lips.

“Fuck me hard or not at all, Dean,” Sam growls, pushing his hips out and the tip of Deans dick pushes softly in.

“Oh, yeah,” words shared by them both.

Dean pushes in, forever hating himself for feeling this bliss. This hot and tight channel.

“Feel so big inside me,” Sam gasps, legs tightening around Dean’s neck.

Dean rolls his hips in and out, slow slow slow. Bites his lip against any sounds, listens to Sam gasp and moan so pretty.

“Better than her pussy, come on, Dean. Know you wanna, you wanna’ fuck me harder,” Sam whispers, leaning toward to kiss Dean softly.

Dean sobs and speeds up the pace, holding Sam by the ankles and driving in. He falls in love with the way Sam yells his name, Dean’s face towards the ceiling for a couple of thrusts, savoring the sounds of their fast fucking.

“Yes, yes, yes. Feels better than some girl, right, Dean,” Sam breathes hard, moaning hard when Dean fucks against his prostate.

Dean looks at Sam and keeps the gaze, even has Sam jerks up with every thrust, a dirty smirk on his sweet face.

“Come on, Dean. Come inside me. Didn’t even have to wear a condom, just cum all inside me,” Sam says, gasping like he can’t breathe.

Dean cries out loudly, slamming in harder and quicker as he releases. Keeps on, never had an orgasm so strong.

He opens his eyes and sees Sam jerking himself off, fist blurring over his red cock.
“Always better then any girl, baby,” Dean says, looking straight at Sam even has his dick softens slowly.

Sam loses it then, eyes slamming shut and cumming hard around Dean, yelling out his release, spurts of come hitting his chest.

He catches Sam as he falls forward, kisses his sweaty cheek.

His phone vibrates and he knows it the girl from the diner. Sam breathes in slow, lifting his head up to suck a hickey into Deans neck.

Dean doesn’t pick up the phone.

I’m so sorry that this took long. I’m also sorry if it sucks.

anonymous asked:

Potterlock prompt: Sherlock's parents are traveling to the USA for the holidays and he doesn't want to spend Christmas with Mycroft so he stays at Hogwarts. Molly won't let her friend spend Christmas alone.

Despite his often rude manner, Sherlock Holmes was not particularly vulgar in his language, so when he muttered “fuck” after reading a letter from his mother, Molly knew something was significantly wrong.

“What is it?” she asked, eyes wide, lowering her copy of Advanced Potion Making.  Her mind began coming up with all sorts of horrible explanations.

“My parents are going to America for the holidays, which means that if I go home, there’ll be nobody there but Mycroft and Swidgy.  It’ll be nothing but nagging for me every waking hour.  If I stay, though, I’ll die of boredom,” Sherlock complained and Molly instantly relaxed knowing things weren’t as bad as she had anticipated.

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