have some more free! guys

anonymous asked:

GIRL YOU HAVE A TYPE: TALL, DARK, AND A LITTLE BIT ( OR A LOTTA-BIT) DANGEROUS AND BROODY ADMIT IT

ALRIGHT ALRIGHT YOU CAUGHT ME, DARLING! also you forgot “older”

In my defense:

Originally posted by my-weak-spot

HOW 

Originally posted by catvampcrazines

CAN

Originally posted by johnbabayagawick

ANYONE

Originally posted by thewalking-deadimagines

BLAME

Originally posted by akamatthewmurdock

ME

Originally posted by totheendofthelinepal

ALRIGHT

Originally posted by antiqone

<3 xx

Gerblin-Central Give-Away

Hey everyone! I’ve been (semi) successfully running this blog for a few weeks, and I’ve had such a great time seeing all of this great content, so I thought it would be fitting to give something back.

I can’t make gifs, or audio posts, or anything McElroy content related, BUT, I can knit!

So!!!!!

I will be giving away FIVE HAND-KNIT ITEMS (for warmth, mostly) to five randomly selected people that like/reblog this. I have over 25 colors to choose from (including multiple Holiday Colors with sparkles just right in there), and I can make any of the following:

-Hats

-Hand/Leg warmers

-Scarves

-Knit or Braided belts

Like = 1 entry, Reblog = 2 entries. You can reblog as often as you’d like. The winners will be chosen on Saturday November 11th.

Reasons Why I Can’t Watch 13 Reasons Why: A Discourse Open For Discussion On Both Sides

1. The scriptwriting is cliched. The teenagers act simply like a broken record. We can see these kids walking around schools just like ‘real life’. Except no molds are broken. Jocks are always girl-hungry and horny. Let’s not even mention how she says ‘you are like an actual nerd’. For saying something about Star Wars. We have 2 gay people, but that only leads to Reason 2. The story is writen in such a way that it sounds like either a melodrama or a cheesy high-school movie from the 90s-early 2000s. 

2. Diversity seems more as a token aha moment, then to actually be a part of a genuine discussion as to everyday vocabulary that can be a target to minorities. I constantly hear people calling people ‘gay’ or a ‘f*g’ or ‘queer’ with no context whatsoever. With gay characers, especially (from what I have read since I couldn’t get the past few episodes) since one commits suicide. They could have a discussion about minorities and how they are harmful to life. We could talk about trans kids, who have the highest suicide rate and how transphobia is in everyday lives. Racism, we could go down the list. Instead of focusing on how words can affect all people, we see how it affects her. The diversity in the show is killed off, again showing something that is common and yet  we can’t discuss events relating to self-deprication in high-schools. There was a perfect opportunity to mention how school administration can also be culprits of homophobia in schools. 

3. It seems to dramaticize a horrific event. We get 13 hours of material to act as a mystery as to why this happen. But that’s the entire point of suicide isn’t it? The horrific part of suicide is that we won’t be able to hear what the victim says. We will never know ‘13 Reasons Why’ the suicide occurred for people but somehow, we get an entire story as to why it happened. We dramaticize something horrific for entertainment purposes. The suicide is only a means of suspense. In medias res, we jump into the story and don’t know how it happened. And yet the story teaches us that we can. It is important to show empathy, but does it also need to be written in such a way? Do we have to see that death scene for 3 minutes? Not sugar-coating is something I am all in for, but it sugar-coats the entire story in naive hope that we will know everything that a person felt when they killed themselves. And unfortunately, for everyone that kills themselves, we won’t get to know what is exactly in their minds except for a letter at best. There isn’t just 13 reasons. There’s infinite amounts of discouragement and hurt + 1 - yourself. And yet it doesn’t want to discuss that part of it as seen in reason 4. 

4. It doesn’t touch upon mental illnesses at all. Not once do we get the words uttered. It a personal struggle to do as such. It is fighting demons, it is a constant battlefield for yourself. Yet, you don’t see that aspect. You don’t hear her feel like she is fighting herself. The people are always the targets. And while bullying and rape is something needed to be spoken about, we also need to disable ableism into thinking that mental illnesses don’t exist. Depression, anxiety is thrown around all the time, as if that is something to equate to yourself.The ‘kys’ jokes are always around and circling and never seems to stop. We see these awful signs of mental illness everyday and yet, we neglect to realize that the main character herself has depression. We didn’t get to see that barrier of ‘I am simply upset about everything around me’ or ‘I don’t feel anything’. Sometimes its crying in your bed at 3am because you realize that you really don’t matter to yourself. Its terrifying, yet we don’t show that reality for people struggling with such thoughts are more than simply stuff that other people said - it’s fighting yourself as well. 

5. Romanticization. We see at the end that the main character is simply a crush of hers and she regrets not spending more time of him! It is not only awful writing that you can smell away, but it also romantcizes that perhaps that if they got together that it would eliminate all problems. You can’t love someone out of a mental illness and while this was touched upon, people in the 13rw fandom keep going about how they were star-crossed lovers. The problem is, that the story relies on this budding romance as a climax as well. We realize that there is a romance that could of happened. And I hate that it is seen as something that could have cured anything when she was alive. The pain is still there. Raw and powerful and yet we see that pain being overshadowed with angst. Love is definitely encouraging for healing, yet it never really touches upon that as to much as how it could have helped her. 

Just an afterthought: This show is being thrown around with ‘I can’t believe how much words can affect someone’. I am wholeheartedly disappointed that it takes a show with relatively attractive, white, abled, straight, cis characters to make someone realize this. Yet I know many of the people I have gone to school with do not even apply this to their everyday lives. They still are harmful, as much as the show brings to light attention of issues, these are the same people that will make harsh words to others. It only perpetuates self-awareness for a while before people simply forget about the message. That or the message is scewed in such a way to only apply to people they deem as such. A show has a responsibility to bring light to situations, yet now it’s a ‘binge-worthy’ show. I hate that word for this, why is it so entertaining for someone to kill themselves? It seems like once you show some melancholy moments in someone’s life do people feel sorry. ‘People only care when you are dead’ is the message of the show and yet it does exactly that. People would much rather watch a girl narrating killing herself than her story ending with her killing herself. Frankly, maybe we would be shocked. It tells a lot about our society today. 

//Hey it’s oct.17.17 - two neutron stars collided (wild), and my blog has been around for an entire year (also wild)

Still semi-hiatus while my house is on market (I may disappear abruptly for a day or few now n then), but if anyone wants to interact with Bee (Helmsman), it’d be super stellar if you’d hmu -
or like/comment on/reblog this post so I can hit you up!

[Rules][About]

So, I really love the superphantom fics that we’ve got, and am so happy that the crossover fandom has been garnering more attention, but I also really appreciate side characters and would love to see more fics that aren’t focused on just Danny, Sam, and Dean. They’re great and I really enjoy reading them, don’t get me wrong, but I want to see more Vlad and Crowley being evil best buds drinking tea in their designer suits. Cujo being a hellhound puppy that refuses to collect souls. Dani pickpocketing hunters at the Roadhouse until the Harvelles realize what’s going on. Jack and Maddie being contacts of John’s back in the day so that Sam and Dean were there visiting toddler Danny while the adults talked shop. Charlie and Jazz getting mistaken for each other somehow. Maddie and Dean arguing about who has the better ghost fighting vehicle. Tucker and Ash being internet pals. Bobby letting Danny stay with him after a revelation gone wrong…

aslfjdhsaldkf I just want more superphantom fics and I want them to be things we haven’t seen beforeeeeeeee and now I’m giving myself far too many plot bunnies to write.

.

So L & Rem died … and now I stopped reading death note, the characters after that period of that time never interested me that much, still I will finish the manga, later though. For now I am actually considering to read kill la kill (rainbow-coloured-hair woman caught my interest), seems to be a relative short manga? Certainly wanna read more than watch. Well on my list is also Berserk, Claymore, Gantz. Uhh hard to pick

hey guys!

now that i have some more free time since summer is over, i gotta follow some more blogs. i thought i’d never make one of these posts, but it’s the easiest way to find some of you cool cats.

rb if you post:

-twenty one pilots

-bastille

-buzzfeed unsolved

-pokemon (especially pokemon fanart! that’s some good shit)

-gravity falls / over the garden wall

-lgbt+ 

-memes

and i’ll try to take a look at your blog! thanks friends

Surprised to see that many fans are of the vein that Kara was insensitive to the fact that Alex needs her, but I’m kind of like… of course she doesn’t know she needs her.

Alex doesn’t tell her. The closest she comes is when she brings up that she was supposed to help in finding her father. Hell, that’s a loss that, within the conversation, she blames Kara for. (Not exactly the best way to go about telling someone that you want them to stick around- telling them that they are the reason for the bad parts of your life.)

The only time that Alex conveys that Kara isn’t a burden, that she’s needed, is when she’s going to lose her to the Black Mercy. But Kara lost her planet again and then her aunt. I don’t think that that revelation, that Alex might be better off with her around, was gonna stick after all that. Of course, she reassured everyone that the only reason her perfect dream was of Krypton was because she’d been feeling down in her current life. That she would choose Earth, something that I don’t think anyone could reasonably ask her to do.

Someone on here said that they didn’t buy that Kara doesn’t think Alex is better off without her, that it was an excuse so she could fly off with Clark. But look at what Kara thought some of her last words were going to be:

“I want you to have a good life. I want you to find love and be happy. I want you to do all the things that being my sister kept you from doing.”

Kara really truly believes that she’s keeping Alex from having a good life. And Alex kinda sorta regularly reaffirms this belief.

I think the issue is that some people are reading Kara as selfish for not picking up on Alex’s needs, but Kara’s face-value nature, inability to tell when Alex is lying, and hero worship that views Alex as too strong to need anything, blinds her to Alex’s more closed-off nature. (Also, we all should know Kara has only one selfish bone in her body and that’s reserved for food hogging.)

Ultimately, I think that the search for Alex’s father is a cover for Alex, so she doesn’t have to admit that she needs Kara for emotional reasons and not practical ones. Alex is likely unaccustomed to asking for things, forced into a caretaker role, so it’s a lot easier to list off the things she’s sacrificed for Kara to guilt her into staying than to ask Kara to stay because she wants her to.

It feels kind of like a co-dependent relationship, where one person needs the other and the other needs to be needed. But Kara thinks she’s the only one who benefits, and Alex isn’t emotionally aware enough to know that she likes being needed. (Still workshopping this idea…)

In the end I don’t think either of them is the bad guy, but I also think Alex said some hurtful and not fully truthful things to avoid being fully vulnerable. For instance, as we saw in the flash backs, Alex didn’t become a DEO agent because of Kara, she became one because she was drowning in her current lifestyle. This is the path she chose. When Supergirl came on, her job entailed protecting her, but she likely performed the same job for her fellow agents. As Alex said before, “protecting you isn’t my actual job”. Also, having Kara help her find her father doesn’t feel quite accurate, because when Alex disappeared in season one to find him, she was fully prepared (and even seemed to want) to do it without Kara.

I don’t think Alex really intended to hurt Kara, but she certainly played dirty, implying that she blames her for her father’s disappearance, that she’s sacrificed everything good in her life for her, and bringing up that, conversely, Clark abandoned her. The last was something that Kara should probably know, and I’m so happy Alex said it, but I wish it wasn’t used to manipulate Kara into staying with Alex. (I don’t mean the word ‘manipulate’ in some villainous abusive way, but the way we all utilize from time to time. More like convincing someone of something by using what you know to your advantage. Not quite clean, but not innately bad.) I wish it was “He didn’t treat you right,” without the addendum, “but I did.” I don’t think the words were meant to be malicious at all, but I do think they hurt Kara.

And finally, if Kara knew that Alex would wanted her to stick around, she wouldn’t have even brought the idea up. This is evidenced by the simple fact that as soon as Alex conveyed that she didn’t want her to leave, she didn’t leave.

tl;dr Kara does think that Alex would be better off without her, but Alex can’t properly express when she needs things, so she won’t really tell Kara that she’s wrong. She, instead, pretty much guilted her into staying by saying that Kara owes her for everything that she has sacrificed. It did the trick for now, but I think their relationship has some major things to work out (and I have full faith that these things will be explored).

6

Kerry Washington on ET 9.23.15 [x]

I mean, it’s tricky. If Olivia is doing what she’s doing in the promo, what the heck is happening over at OPA?