has someone already pointed this out

5
Types In The Classroom

ENTP

- competition with others on how fast they can take notes

- 8 pages of notes summarized into 2 pages

- talking to people around them silently; doesn’t get caught

ENTJ

- notes organized so neatly that people around them thought it was a textbook

- always raising their hand either to ask questions, or prove the teacher wrong

- “what is the long term purpose of this?”

INTP

- playing video games on computer secretly

- whispers answers to people next to them, too afraid to raise their hand

- has a lot of doubts but refuses to raise their hand and ask them

INTJ

- already knows everything the teacher is talking about

- on their computer, learning ahead of the class

- rolls eyes when someone asks a stupid question/comment

ESTP

- class clown

- that one kid the teacher always hates but the kids love

- asks a lot of stupid questions

ESTJ

- “shut up I’m trying to listen”

- diligently writing their notes

- teachers love them; often left in charge when teacher leaves room

ISTP

- thinks that the class is dumb

- points out logical flaws

- ends up playing video games with INTP

ISTJ

- neatly taking notes

- gets annoyed when someone raises their hand

- never talks during class at all

ENFP

- laughs a lot to ESTP’s jokes

- easily distracted 

- talks to others a lot

ENFJ

- tries to help people who don’t understand the material

- takes notes correctly

- answers questions about why they would need the info in real life

INFP

- really quiet during class, unless sitting with friends

- laughs at everyone’s jokes and makes up their own, but doesn’t say them out loud

- notes are semi-finished

INFJ

- talking to people next to them

- glances around room to see if they could spot crush

- lets people copy off of their notes

ESFP

- also making jokes out loud

- teacher gets mildly annoyed at them

- doodling a little

ESFJ

- perfect teacher impression

- secretly talks to other people

- sometimes on their phone, texting friends to find out about what they feel about the lesson

ISFP

- doodling

- notes are written in the form of doodles

- laughs internally at people’s humor

ISFJ

- quietly taking notes

- gets confused about subject but can’t raise their hand and ask for help

- asks friends for help after classes

Love spell scenario

-Akuma that’s opposite of Dark Cupid
-Makes victims fall in love with first person they see
-Oh dear god, mdme bustier and gorilla make a cute couple, kind of random
-Marinette gets hit with the dust/spell before she can transform
-Quickly covers her eyes and Chat takes her to safety
-Ladybug is MIA, so all can do for now is drive the Akuma into hiding
-that means everyone is still under its effects
-Marinette is home. Akuma targets Chat, so she tells him to hideout in her room while he figures out a next course of action
-MARINETTE YOU DIDN’T THINK THIS THROUGH
-Has to wear a blindfold, but honestly as this point, is too frustrated to do much besides pout and tell Chat he’s not the person she wants to fall for
-he laughs good naturedly, but is still worried because without ladybug he can’t do anything
-Marinette playfully shoves him, clumsily letting the blindfold slip
-they both scream, expecting her to fall head over heels for him
-turns out the love spell can’t make you fall in love with someone you’re already in love with
-CUE confusion and internal and external screaming

Barn Mates - One Year On

Barn Mates was first aired exactly a year ago today… and what a monumental episode it was for both Lapis and Peridot!

For those of us who were already shipping Lapidot, it was a dream come true – and for some of those who weren’t, it opened their eyes to a whole new (and now completely canonically viable) ship.

I’ve written about this episode a few times in the past, but it feels fitting to look back on it again today; for day one of Lapidot Anniversary Week!

So, without further ado…

The episode opens with Peridot wistfully speaking into her tape recorder about sharing her new home with Lapis.  Only a couple of episodes prior to this point, Peridot had made the decision to stay at the barn by herself whilst the other Crystal Gems returned to the temple. The fact that she now so enthusiastically wants to share her home with Lapis (as opposed to going back with the other Gems or staying by herself in the barn) just shows that she already has some level of admiration for Lapis.

Peridot says:

“Why don’t we watch the sun come up and figure out what we’re going to do with all this time, eh Lazuli?”

Watching the sun rise with someone is an old romantic tradition/cliché, so the fact that Peridot specifically mentions wanting to do this with Lapis certainly speaks some volumes.   And it also transpires…

…that this line was foreshadowing a scene that came later in the show – in Room For Ruby, not only are they watching the sun rise together (just as Peridot wanted to do), they’ve actually been sat together all night stargazing prior to this point, which is another activity that has obvious romantic connotations.

After Peridot has finished speaking into the tape recorder in Barn Mates, Lapis expresses her desire to live in the barn all on her own. Steven suggests that the barn be split down the middle, with each of the two Gems having their own “side”, which leads to a very interesting shot of the pair of them:

Notice how they’re effectively framing a picture that’s behind them.   This picture is of the barn’s previous owners – Greg’s aunt and uncle, who Greg described back in Space Race as follows:

“My aunt and uncle had a great love for aviation, and each other.  They cherished the years they spent together, and they held on to every belonging they ever owned.”

It’s interesting, then, that a picture of a happy couple has been placed directly in-between Lapis and Peridot in this shot.  This becomes something of a trend as the show progresses, with the picture being placed in-shot with Peridot and Lapis on occasion in a fair few other episodes, such as these:

This could well be foreshadowing a romantic relationship between Lapis and Peridot.  The fact that Greg mentions “aviation” is also something interesting to think about, considering that Lapis can fly and Peridot was the pilot of the Hand Ship back in Jailbreak.

Lapis isn’t keen on the idea of splitting the barn, telling Steven that Peridot is the problem:

“I can’t stand the thought of looking at her everyday!”

This statement is now somewhat ironic because, in the episodes since Barn Mates, Lapis almost always has her eyes on Peridot – and gives her some extremely suggestive looks, too!

Peridot and Steven both try to assure Lapis that Peridot has changed, but she doesn’t want to hear it. Steven thinks it’s “sweet” that Peridot wants Lapis to see how much she’s changed since their last encounter, and he helps her to make an apology card which has a very interesting picture drawn on the front of it:

Steven may well have the intent of getting Peridot and Lapis to be friends, but he’s drawn them looking like an actual couple here; they’re even holding hands.

Eventually, after some persuasion from Steven, Lapis joins them – and a beaming Peridot hands over the card.  This still fails to win-over an unimpressed Lapis, much to Peridot’s disdain.

“It took me over an hour to compose [the message in the card], and I was the most sincere as per Steven’s instructions!”

The fact that Peridot put so much time into her apology message gives us an indication of how highly Peridot thinks of Lapis – and how much she wants to make her feel better. She then spends some time deliberating what she could give to Lapis as a gift (upon Steven’s suggestion), and they come up with an idea…

“H-2-Oh my GOSH!” … “It’s a gift for you!  You know, ‘cause water’s your thing.”

Peridot’s mannerisms and tone of voice here are very flirtatious.  However, given Lapis’ previous traumatic experience of being trapped on the bottom of the ocean, this is another idea that falls completely flat.

And what does Peridot do?

“A pool?!  What a cloddy idea!  Of course she wouldn’t like that!”

She actually blames herself for the mistake.  This is very uncharacteristic of Peridot, who normally has a very lofty opinion of herself and her intellectual capacity – which, again, shows how highly she must think of Lapis.  She even uses the word “cloddy” to describe her own idea; with “clod” being an insult that she usually only ever levels at other people when she’s at her most angry.

She then decides to make a very grand gesture…

…and offers her most prized possession – the tape recorder – to Lapis as a gift.

She’s very flirtatious in doing so here, as well.  With a wink and a smile, she tells Lapis:

“See, the ribbon is even blue.  I got yo’ number!”

Peridot has offended all of the other Gems at some point in the past, but she’s never been seen to perform as grand a gesture as this one in order to win them over. 

Peridot is, in a lot of ways, incredibly materialistic - she has been shown on more than one occasion to hold her very few possessions really closely to her.  By Peridot’s standards, handing the tape recorder over is essentially the biggest thing she could do for someone, which is a very clear indication of her feelings towards Lapis.

This gesture is completely lost on Lapis, however, who proceeds to crush the tape recorder in her hand.

Usually in these situations, Peridot would be distraught that one of her possessions had been destroyed (see, for example, Peridot on her knees begging Amethyst not to throw away her beloved tablet in Too Short To Ride).  However, this time, she actually seems to be upset by the fact that she’s managed to upset Lapis once again, exclaiming:

“What, were you trapped in a tape recorder too?!”

Peridot is exasperated by this point, and gives a very heartfelt speech which, I believe, really gets to the root of one of the key reasons why a relationship between Lapis and Peridot just makes perfect sense:

“Look, I get it, you know?  You’re confused!  You can never go back to Homeworld.  This place doesn’t exactly feel like home yet.  You’re alone, no one could possibly know what that feels like!  Oh wait, I do!  We’re the same, except…  you don’t have to be alone.”

She and Lapis are going through the exact same thing at basically the same time; namely, being stranded on earth with no way of returning to Homeworld.  There’s literally no-one else who they could bond with over this, except for each other – it’s a common ground that they share with each other and only each other.  It’s logical and sensible storytelling, therefore, to have these two characters stick together and share the experience with each other.  It puts them on equal ground, gives them both an acute understanding of each other, and enables them to both support one another as they adjust to life on earth.

At this point in Barn Mates, however, Lapis still isn’t having any of it.  Peridot, clearly at her wits end, asks what Lapis wants from her.  Lapis angrily tells Peridot that she wants her to leave… and that’s exactly what Peridot does.  She wants Lapis to be happy so much that she’s even willing to give up her home so that Lapis can live there instead.

As she walks away, Steven reprimands Lapis for treating Peridot so badly.  As he’s talking, Lapis folds her arms and shifts on the spot, her gaze meeting the crushed tape recorder on the floor.  Everything about her body language in this scene exudes guilt.  

Peridot comes screaming back towards them moments later, however – being pursued by a Roaming Eye that she’s convinced is after her.    

The trio flee from the ship, but eventually come face-to-face with it, which causes Peridot to cower behind Steven in fear.

However…

…Lapis steps forward, and glances back at a wide-eyed Peridot.

This scene is very important because it’s the first time we ever get to see that Lapis does actually care about Peridot, despite the pair of them getting off to a very turbulent start.  She steps up to defend the helpless Peridot from the Roaming Eye, and makes sure to specifically ask Peridot if she’s ok after the threat has been neutralised – proving that she didn’t only have Steven’s interests at heart when she took out the Roaming Eye.

What happens next needs no introduction…

Originally posted by geekylaugifs

Peridot has still, to this day, never looked at anyone else with such love.  The way that her hands are clasped to her chest makes it the typical “cartoon character looking at their love interest” pose.  That smile on her face is literally the biggest one that she’s ever given.  And Lapis’ deep blush, that she actually turns her head away from Peridot in an attempt to hide, is also a reaction from her that’s unique to this scene – and very much implies that the apparent feeling of attraction is mutual.  There appears to be some symbolism behind the sun coming out as Peridot smiles, too.  This could well be an indication that Lapis is warming up to Peridot and seeing her in a new light.  It also has a somewhat poetic quality to it, with the storm clouds (both literal and metaphorical) dissipating at this very moment.  

Originally posted by giffing-amethyst

Steven picks up on what’s going on, giggling to himself as he looks at Lapis.  It’s also very interesting that Peridot’s loving look is still lingering even after the camera angle has changed – this is no fleeting “micro expression”, it’s a very prolonged and deliberate look…

…which was the first of very, very many that the pair of them have since gone on to give each other (the above images being a small handful of examples).

All in all, Barn Mates was the start of a very beautiful relationship between these two Gems, which has well and truly endured throughout the past twelve months – and has gotten ever stronger with each episode that they’ve appeared in together.

So... Solas and Zathrian

I’m replaying Origins because it’s been a while, and I got to the part with the Dalish, and I’ve been noticing the similarities between Solas and Zathrian. Yes, they are both bald elven mages who lived a long time. But no, go deeper than that.

Zathrian talks about the pain he carries, how he’s lived for so long that pain has become ingrained in him, and he’s not certain he’s even capable of letting it go anymore.

And there’s a conversation between Solas and Cole to similar effect:

  • Cole: You are quiet, Solas. I don’t hear your hurt as much. Your song is softer, subtler, not silent but still.
  • Solas: How small the pain of one man seems when weighed against the endless depths of memory, of feeling, of existence.

And that’s just really interesting to me, personally. And then I’m watching the cutscene between Zathrian and The Lady and I notice something else.

You know that scene in Inquisition where Solas leads you to Skyhold and he always has the same staff no matter what you have him equipped with?

And I’ve always thought that was strange. Why would the devs to that? Like, “We need him to have this staff in this scene. No, we’re not going to tell you why. Just do it.”

GUYS! IT’S ZATHRIANS FUCKING STAFF!

tiny detail that i love: while emma is trying to defend herself after her “jeg elsker homser! de er søte” nonsense the camera/isak is not focusing on her at all. isak is focusing on even because that’s who he is listening to and the lesson he’s starting to learn.

of course even is simply shutting emma down and we can take their conversation at face value, but the specific camera focus emphasizes that isak is valuing even’s point over emma’s. sometimes we see that isak has learned something based on his reaction or comments after the fact, but here we are watching the process and learning along with isak via the subtle camera direction. so good.

Those perceptions that functioning in purity culture as an asexual girl is somehow easier are all complete nonsense.  

Sure, you may not have to bury yourself in shame for every sexual thought, but you’re still taught to see yourself as a commodity that you have no choice in giving away.  It might alleviate some of the pressure in the moment–give you an external excuse to avoid having sex right now–but it’s all about “saving it for your future husband.”  It’s training young girls to hinge their choices and their bodily autonomy off of a man they haven’t even met yet.  Everything comes back to the Imaginary Future Husband and his rights over you.  We were literally told how we’d be betraying him by kissing someone else, or having sexual thoughts about anyone but him.  You think there was any exception for those of us betraying him by not having interest in him at all?

Don’t want that husband?  Don’t want to have sex on your wedding night?  Too bad, that’s what you’re here for.  Bonus points on the relgious spin on the “soulmate” idea, where if you feel like this you’re resisting the Perfect Man god already has picked out for you–how dare you refuse his gift!  How ungrateful!

Purity culture is never about girls not ever having sex; it’s about men’s obsession with the idea of having a girl who has no sexual experiences but them.  It’s about putting control of women’s sexuality in the hands of men they haven’t even met yet.  It’s about keeping food unspoiled so you can eat it later.

A woman who always remains disinterested in sex isn’t seen as “keeping herself pure” forever–she’s seen as a piece of meat at the grocery store that no one buys and it just goes rotten and gets wasted.

TST is so goddamn blue: a meta

TST is just all kinds of weird. Everything feels off, and even the first third, which is supposed to be light-hearted and funny, is unsettling in many ways (for instance, why was John, a doctor, driving the car when his wife, Mary, was going into labor instead of having Sherlock drive? We know Sherlock can drive very well from THoBV, so wtf? And why would Sherlock ever say that Mary is better than John when it clearly hurt John that he’d say that? And what was the narrative point of the dog being there, apart from the fact that Sherlock likes dogs? Anyway, I digress.)

One theory that I’ve seen going around is that Sherlock is narrating this episode, and therefore, we’re dealing with an unreliable narrator. If Sherlock is in fact telling this story to his therapist, Ella, at the end of the episode, and is lying about some parts of his story, then what is he lying about? Well, one option is that he’s lying about how Mary died in order to protect someone. But he’s Sherlock… who would he bother protecting?

“It’s always you, John Watson.” Of course. It probably has to do with John. With saving and protecting John, as is Sherlock’s MO.

One theory by @the-7-percent-solution that I’m extremely fond of at the moment is that John killed Mary, and Sherlock is lying to his therapist in order to protect John (just like Watson may have lied in the original ACD story Charles Augustus Milverton to protect Holmes after Holmes presumably killed Milverton, which is what Mofftiss believe happened), and to give John an alias. Which would mean that quite a lot of the episode is either a fabrication, or changed slightly in order to make the story more convincing.

And, since I noticed that there is a LOT of blue in this episode, I decided to go through and examine the most blue-lit and blue-colored scenes, and see if I anything popped out at me. Something did. It might be nothing, but I’m gonna roll with it and see where it goes.

This is the scene where Sherlock discovers the A.G.R.A. memory stick in the Thatcher bust, and fights with Ajay. Everything in this scene is blue, or lit up with blue: the pool, the pool lights, the waves painted on the walls (real subtle with the Water Thing there, Mark), the police lights. It’s overwhelmingly blue. Which means that, if blue coloring or lighting means that Sherlock is lying (and I will explain why I think that might be the case in just a second) then Ajay’s story about why he’s actually hunting down Mary - or even the way/reason that Sherlock discovers the memory stick - might be either a lie, or a half-lie on Sherlock’s part (assuming he’s telling Ella all this after it’s happened.)

These screenshots are taken from the montage of Rosamund Mary’s escape trip. Again, there is quite a bit of blue, especially in the transitions and maps. And the dice. Again, just like the scene where Sherlock finds the A.G.R.A. memory stick, this part of the narrative has been twisted or is unreliable. We’re not seeing the full truth here. Maybe Rosamund Mary had a much more sinister reason to leave London than just escaping another assassin. (I’m not sure this part holds up as well as some of the other blue-colored scenes, but still. I thought it was very interesting how they stuck with this one-color scheme across so many scenes in this episode.)

This is the scene where Rosie begins crying, and John texts the girl from the bus stop. Again, everything in this scene is pretty damn blue; at least it stood out as being strangely blue to me. I mean, c’mon, even the bathroom tiling and towels are blue:

So maybe that means that this scene isn’t entirely true, either. The unreliable narrator - Sherlock, possibly - has embellished or left out something critical to understanding (in context) this scene. I’m not entirely sure what to make of this one, but maybe someone can help me out with figuring out how/why this scene might possibly have been a lie or a half-lie.

So I think this one is pretty self-explanatory. This whole scene is so strange and off, as many people who are much better at this whole meta thing than I am have already pointed out (I.E., John, an army doctor, not doing anything other than talk to his dying wife when he could clearly do so much more to help save her… jfc?)

Maybe Rosamund Mary didn’t really die in this sccene. Maybe, after finding out something about Mary’s past or present while confronting her about the A.G.R.A. memory stick or Morocco (again, assuming that both those scenes weren’t shown to the audience exactly how they happened) John killed her, and Sherlock’s protecting John by not telling the story how it really happened. Or maybe it’s something else… but there is an incredible amount of blue in this scene, which very clearly connects it (for me) to the previous scenes I’ve mentioned.

After Rosamund Mary’s death scene, the camera pans up and we get this shot:

A blue shark. And since sharks have repeatedly been associated with villains already on this show, that’s pretty damn suggestive. The shark is still swimming - it hasn’t stopped, and therefore it hasn’t died.

After the blue shark, we immediately get this shot a box (coffin? Ashes?) burning with blue flames:

Again, this is sticking to a common color scheme present in many other scenes that could easily have been changed or fabricated to hide a much more sinister side of Rosamund Mary, and a very different version of that aquarium scene. So maybe Rosamund Mary isn’t actually dead, or the how/why of her death is a lie, or, or, or…

And that brings me to why I think that blue might be important.  In one of the last scenes in the episode, we see that Sherlock is in therapy, and trying to figure out what to “do about John.”

Strangely, the therapist, Ella, has an office that’s painted blue: walls, ceiling, everything. (It is also shaped similarly to the tube in the aquarium, and lit in a very similar way to the room where Rosamund Mary died, but I’m not entirely sure that has any significance?) Oftentimes, when pressured to make something up or lie about something, people will look to what’s around them to help them come up with material for their lies. So if Sherlock is recounting this story from his memory, isn’t it possible that his surrounding are leaking into how he sees those memories, especially the ones that aren’t coming from his memory because they’re partially or fully falsehoods?

And then the episode ends on this shot:

More blue, with Sherlock framed in front of water, on his way to “save John Watson.” Real subtle, Mark.


((If anyone recognizes a reference to one of their metas in this post, please, please, please tell me and I’ll tag you and give credit! I really don’t want to seem like I’m stealing anyone’s theories, I just got excited by all the metas I was seeing and decided to make one, too!))

For years we’ve been joking about Sam always being in the middle of the never ending Dean/Cas tension and probably getting so sick and tired of his brother and their best friend still not finally TALKING ABOUT THEIR SHIT AND JUST GETTING TOGETHER ALREADY. 

But now we can add Mary to the mix, because by now she’s spent quite some time around Dean and Cas as well, and she has a pair of functioning eyes, so surely Sam and her have bonded (aka COMPLAINED, because wtf?!) over it at this point. 

So one morning over breakfast when it’s just her and Dean, Mary -on a mission to at last make this suffering end before someone accidentally gets killed by a stray arrow magically formed out of too much sexual tension or some shit- will go

“Knock knock.”

And, Dean, curious, humoring his mom, rolls his eyes but goes “Alright… who’s there?”

“Mary.”

And yeah, that sounds legit, so Dean humors her again. “Mary who?”

“OH for the love of all things holy please MARRY Cas already because none of us can take it any longer goddamnit!”

ALRIGHT PEOPLE

SO

I rewatched Winter Soldier last night (because literally what else am I supposed to do the night before I see Civil War)

And it was still great. Obviously. But you know what the best scene is?

None of the awesome action scenes. None of the Stucky fanfic fuel. None of the scenes with Falcon (somehow? Falcon’s so freaking awesome, I can’t believe I just said that he’s not the best part of a thing he’s in).

No.

The best scene is this one:

Remember this? Basically, Cap just told everyone over the intercom about Hydra infiltrating Shield, and how, if you’re not Hydra, trust no one, and fight back if you can. 

In the speech, Cap acknowledges that “If I stand alone” (that is, if no one wants to step up, because, fun fact, guns are really scary), then so be it.

And then Hydra’s resident Mr. McMuscle Man Brock Rumlow up there walks up to this lowly Launch Technician (Cameron Klein is his name, played by Aaron Himelstein) and orders him to launch Project Insight (aka Hydra’s evil plans).

Five minutes ago, Cameron had one job, and it was to press a few keys and launch this thing. Sure, he’d heard about Cap becoming a fugitive, and that was weird (and sounded kinda sketchy), but hey, he works for the good guys, right?

But now the game has changed. Launching this thing is a bad idea. 

Cameron pauses as Rumlow demands him to start it up. And Cameron refuses.

Rumlow pulls out a gun and points it straight at Cameron’s head. And Cameron panics; heck, he’s practically holding back tears already. But he still says no. “Captain’s orders,” he explains.

You know why this is the best scene in the movie? Because Cameron reminds me of someone. Someone that people watching the movie are already pretty familiar with.

Cameron is the guy who may not have the muscle or the skills to be a soldier or a spy, but he wanted to help make the world a better place, so he did what he could. He got a job at Shield, he followed the orders of people he thought he could trust, and when he realized the truth, he stood his ground and did the right thing. He hasn’t gone through any training, he has no powers or skills or suits of armor. He didn’t even know Sharon Carter was armed and would be able to get him out of harm’s way. He thought he was about to die. But he wasn’t going to stand by and let evil triumph.

And that’s despite the fact that Cap had EXPLICITLY given him permission to do so. That’s what he meant by “If I stand alone.” Cap was saying that if there’s a gun pointed to your head, it’s not cowardly to give up. That’s okay. It doesn’t make you a bad person. If a grenade gets tossed your way, you’re allowed to run away.

But Cameron chose to jump on top of the grenade instead.

I’ve heard people say “Steve Rogers is a hero with or without the serum,” and other people say that’s kind of a cheesy thing to say, but if you want proof of that statement, Cameron is it. In a 90-second or so scene, this movie perfectly emulated what it means to be a hero even if you have a desk job. Even if you don’t look like you take steroids. Even if nothing eventful has ever happened to you until one moment when everything in your life changes, YOU CAN STILL BE A HERO.

I don’t care if that sounds cheesy or hokey. This scene is incredible. Cameron Klein is incredible - so incredible, in fact, that he got a cameo in Age of Ultron on Fury’s Helicarrier.

Yeah, someone (I’m guessing Sharon) was so freaking impressed at his bravery that they recommended him to serve on Fury’s staff (and, after Winter Soldier, the amount of people Fury trusted could probably be counted on one hand). And he’s in charge of the evacuation - which was LITERALLY THE REASON Fury shows up at all. Not military backup, not surveillance. Evacuation of civilians. And Fury gave Cameron that responsibility.

Because that  guy up there may be the face of a nerd, or a gofer, or a desk clerk.

But it’s also the face of a person who won’t back down. Even when his world is being turned upside down, even when his life is on the line, this is the face of a man who will always do the right thing.

This is the face of a hero.

Now, Marvel’s Damage Control is an upcoming TV show about the normal folks. The ones without powers who always seem to be in the background but may have a lot more depth than they let on.

And I’m gonna try not to be too upset if I don’t see this guy’s name in the cast list, but man I’m hoping I do, because Cameron Klein is a hero.

foxpaws10  asked:

Heeeeyyy, if you're still taking prompts how about "what do you want from me" for andreil with a shit ton of angst? ... And some fluff if possible ??? 😆 xx

one angsty andreil, just for you, my lovely friend! a little lighter on the fluff than i was aiming for, but what can ya do. also on AO3.

send me prompts :)


Andrew opens his eyes to the pitch black of their dorm room, unable to move, barely able to breathe. His back is to the wall, his hands are clenched in the sheets, and he is struggling not to bite through his bottom lip. Images of demons past play behind his eyes, so he does his best not to blink. Andrew jumps when Neil makes a small noise in his sleep, and he feels like the walls are closing in on him.

He climbs over Neil, careful not to touch him, and silently makes his way toward the door. He thinks he hears Neil call after him, but Andrew knows he will give him some space. At least for a little while. Andrew leaves the room, fully aware that this is just a feeble attempt at outrunning his own mind.

Neil’s weight beside him is now familiar and can even be a comfort, sometimes. But on the occasions when Andrew’s senses are on overdrive and the smallest movement feels like an avalanche, an earthquake, a fucking planetary realignment, Neil knows better than to take Andrew’s abandonment personally.

Neil’s hoodie is thrown on the back of his desk chair, so Andrew makes his way over to dig out the pack of cigarettes from the pocket. He thinks he could light it with just the fire on the edge of his tongue, but he grabs a lighter from the drawer just in case.

He opens the window with so much force that the glass vibrates harshly for several seconds. Andrew is unconcerned. He watches with disinterest as a small crack forms at the bottom of the windowsill. Whatever. It’s still functional.

He climbs onto his desk and pulls his knees up to his chest, leaning back against the wall before lighting his cigarette and taking a long, slow drag. Andrew wonders if maybe the smoke will clear out the tar in his lungs, if he’ll be able to breathe again. Probably not.

Time passes, and Andrew doesn’t notice. An hour, maybe two. His breath fogs up the window. He stares outside as the sun slowly illuminates the parking lot below. The Maserati begins to take shape, and he has the sudden urge to drive until he can’t anymore. Maybe through the mountains, maybe off a cliff. Who knows.

He must be spending too much time around Neil.

Andrew distracts himself by recalling the highest points of elevation in the United States from a geography book he read in high school. He isn’t even halfway through the list when he hears the bedroom door open. He doesn’t look, but the sound of the door closing lets him know that it’s just Neil. He never lets the door click back into place; he turns the knob and shuts the door, releasing it only when the door is fully closed and will make no noise. Andrew isn’t sure whose sake he does this for. Maybe Kevin’s, maybe his own.

He keeps his gaze trained on the parking lot until he feels Neil approach him. He slowly flicks off the ashes from his cigarette into the small pile he has made on top of Kevin’s history book. Ancient Rome or something equally as useless. Andrew doesn’t care enough to look. He turns his head to see that Neil has stopped a few feet away, running shoes in one hand and a hoodie in the other. He doesn’t say anything, but he extends the hand holding the hoodie, the same one that was on the chair. Andrew looks back to the window and takes note of the layer of frost on the outside. It’s probably a bit above freezing. Funny. Andrew hadn’t noticed.

He reaches out and takes the hoodie. Stares at Neil. Prepares to pry open his jaw and force out a reply to whatever Neil is about to say.

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Among The Beasts: Freedom

Reader x Kol Mikaelson

(NOT MY GIF)

synopsis: Klaus’ attempts to live up to his promise to you lead him to dark paths, but, in the end, he manages to lift the curse up, waking you up. 

A/N: I don’t know if I made it clear, but the Mikaelsons are quite fond to the reader. She is friends with all of them, but has a deeper conection with Kol. :)

Word Count: 2525

Part 1 - Part 2


“This is funny”, Klaus thought, a while later, as he stood in front of his mother’s lifeless body, holding her heart on his right hand. It was indeed amusing, because all of Esther’s worries revolved around what he would become if he possessed his Hybrid powers. What kind of evil the blond would turn out to be. Yet, she did not considered the fact she was the one to blame. She made him. She sentenced a poor boy to a painful childhood just to hide her mistake.

A bitter chuckle left his lips. Yes, killing her was an act of mercy, for the witch deserved way more than a quick death.

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All The Small Things 2

Whenever Tom shows up just to see Star, he’s always dressed formally and in a suit.

((This is especially noticeable in Mr Candle Cares, because it’s clear the only reason he changed into his suit WAS just to see Star))

Although upon visiting Marco, he’s perfectly fine wearing his normal garb.

Might not seem like much, but i think you can assume that he wants Star to think highly of him and continue to see him in a good light by dressing well.

He does think highly of Star’s opinion of him, so it kinda makes sense he wants to continue to seem impressive.

He might have not dressed up to visit Marco because at this point Marco and him are more of acquaintances and he has no need to impress Marco (Who he knows isn’t a big fan of him right now).

But maybe it’s also possible Tom is much more comfortable being his normal self around Marco that he feels no need to try to be someone he’s not simply to make Marco tolerate like him.

Maybe in more future episodes Tom and Marco will express more comfort towards each other, they already state they still hang out and clearly have grown to enjoy the other’s presence enough to do so on a regular basis:

I hope we get to see them hang out and grow closer in future episodes, watching these two enjoy one another’s presence and be able to be open with each other is just refreshing to watch.

Black Rose

Group: BTS

Pairing: JUNGKOOK X READER

Excerpt:  “I don’t know if I can give the girl with a crush on me a job here? Sleeping with other employees is banned, apparently.”

Genre: fluff, tattoo au

Length: 1.7k

A/N: lord have mercy on guk with tats

 

Originally posted by jayfatuasian


The tattoo shop was lighter than expected, as you stepped in feeling sorely out of place. The sound of your heels on the floor made everyone else pause in their conversations, to study you. In your baggy jumper and tight black jeans, skin void of any tattoos; no unusual piercings on your lips or nose, you were almost too normal to be there.

“I’m here to apply for the opening of receptionist,” the guy sitting at the reception put down the large sketchpad that had been concealing his face but not his dirty blonde hair and pale forehead.

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ajcook1fan  asked:

..) She doesn't do social media, so how would she know people want an apology or a updated statement? Honestly hasn't society as whole changed in the last 2 years nevermind 10. Why not focus energy on people who actively are anti trans or make public comments who hurt the community (Micheal Che, Leslie Jones). If someone likes someone why actively try and point out the wrong in that person esp from their past??

Because honestly, Kate McKinnon helped me get the courage to come out and seeing something like this page demolish her for something like a sketch done (poor sketch now, but was a bgss hit) hurts me. I understand people are sensitive and triggered so a warning tag I get but to actively repost and hate comments? I just don’t get the point. She has done nothing recent to suggest and knowing what she has done and what being gay means to her I know with all my heart the skit wasn’t done for target.

sorry for the long messages - I don’t want to start anything with one that was a legit question for you on your reasoning. I say If you don’t like Kate just don’t reblog her? No need to reblog comments/posts and write negative things with no recent backings.

It looks like we might be missing a part here but I think I understand what you are saying and we have gotten a lot of messages on the same vein but yours is the most put together so I am going to respond to what I do have.

First these are the posts this person is referring to if anyone wanted to check. The exact thing you are talking about seems to be this: 

“Reminder also that Kate Mckinnon is transphobic. Lily Tomlin however seems to not be transphobic (though if anyone has any evidence to the contrary please feel free to add it)”

Which I added to a post talking about Kate Mckinnon and Lily Tomlin and how they are both lesbians who played Miss Frizzle the Magic Schoolbus character. 

So let’s dive in. Right out of the gate let us address your first point saying that she doesn’t have social media so how would she know people want an apology. 

She should know what she did was wrong. Without people telling her, as a person with critical thinking and someone who keeps very involved in politics she should have come to the conclusion on her own that what she did was wrong. But let’s say that she didn’t only because of ignorance, not because of malicious intent but because she truly did not know that her sketch was transphobic- then this is how we tell her. 

If she doesn’t know yet then she probably isn’t going to learn from quiet reflection, she probably needs someone to tell her and since it seems like the people in her life haven’t yet I am not holding up much hope that they will. So her fans do, social media does. 

And maybe if we spread the information enough then it will get to someone who can tell her and she can apologize and do better next time. That is the best case scenario, and that is what I am personally aiming for.

Now your next point- why not focus on something bigger. This is an argument used against any complaint brought up by marginalized groups until we reach the complaints that involve us being massacred. But what is missed is that those “little” complaints are the steps that come before a massacre, the little “jokes” about transgender people that no one calls out so everyone assumes is okay. 

And these jokes for a lot of people don’t make any conscious change though they subconsciously let the person know that transgender peoples lives are something to be joked about. But for a select few these jokes reinforce already held belief. For those terrible people that you sited- jokes are what let them know it was okay to have those terrible beliefs and what gave them the courage to be public about them. So jokes are important. 

Now the “why point out something wrong with someone I like” argument. I am not saying you can’t like them. But if you can’t handle objective facts about your hero then you are putting them on too high of a pedestal. 

Kate Mckinnon is a human being and she has made mistakes, and when I make mistakes I want people to point them out so I can fix them. I hope she wants the same thing, but even if she doesn’t ignoring the mistakes is not helping anyone. 

It isn’t helping her fans because it brings them into this false belief that she is perfect which only further separates her from them. It doesn’t help Kate Mckinnon, who is kept in the dark about this problem and may never fix it and may hurt people unknowingly. 

Again as you said it is completely possible that she actually didn’t know her sketch is hurtful, and just personally if something I had done was hurtful and I wasn’t aware I would want people to tell me so that I didn’t continue hurting people. 

And in regards to her being your hero to come out, that is fantastic and I am proud you got that strength and I am glad Kate Mckinnon could help you with that, but because she helped you doesn’t mean she can’t harm others. 

Consider this- a transgender women like you who also looks up to Kate Mckinnon. Imagine how it would feel for her to be watching old sketches and to come across one that painted her and people like her as predatory and just boys trying to be girls. Can you empathize with how horrible that experience would be? 

So maybe me posting that wasn’t for you, I have no interest in your beliefs about Kate Mckinnon, it was for that transgender woman. So that either she wouldn’t have to go through that moment, or so that after she went through that moment she would know that other people in the world saw that what Kate Mckinnon did was wrong, and so that person knows she isn’t alone. 

And in regards to “hate comments” maybe it is time for you to think about the fact that if me pointing out something that Kate Mckinnon did is hateful, what does that make her actions? Because my addition was mild. 

It was a statement of fact followed up with a positive affirmation about another lesbian actress. I think it is possible that you are just upset at what a hero of yours did and you want to forget it ever happened. And I have been there, I have been there this week actually, so I feel I may understand what you are going through. But I am sorry you can’t stay mad at the world for turning against someone you love forever. And at some point you are going to have to recognize that it was the one that you love who is actually at fault. 

And lastly I reblog her because she is a part of queer history. She is making queer history right now with her actions, and we need to decide if this is what we want the next generation to see as something we allowed. 

As someone who has studied queer history extensively I have worked against a lot of forces that wanted to erase the parts of history they don’t like. And I have learned that a lie of omission is still a lie. Silence is a choice, and it is not one I am going to be making anytime soon. 

Thank you for sending in your concerns I hope I addressed all of them.