handtap

Here are the photos I promised! :)

I was going to write something but after the experience I just really have no words. Like I mentioned on my last post on the video clip, it’s just something you have to experience for yourself. 

But I am very thankful to getting to experience this sacred and spiritual tradition handed down to us from our ancestors. There are really no words to describe this experience and I give my humble thanks to Lane, our ancestors, and the diwata.

muchymozzarella  asked:

Weren't the pintados Visayan? So I'd think tattooing would be common among Visayans. And supposedly Bohol was one of the tribes that had pintados. Maybe for lack of reference they can look at records of pintados styles and try to work their way back from there on a Bohol-specific historical thread.

The Pintados, or “The Painted Ones”, were the Bisayans yes and was the term the Spaniards first called the people they met and saw around the Bisayas because they were all tattooed (unlike say the Tagalogs they eventually encountered who had none). For those in Bikol peninsula, the Spaniards mentioned how they looked just like the Bisayans as they shared similar tattoos and they shared a cultural affinity with the Bisayans (from tattooing, warrior culture, etc.) and they shared both cultural influences from Tagalogs and other southern Luzon groups and the Bisayans.

Like I said, motifs, terms, and the way of tattooing through handtapped or poking were pretty much shared throughout different groups (though with local interpretations and variations). Motifs found in the Bisayas are found among the Cordillera groups like the Kalinga, Ifugao, and Bontoc as well as among the Austronesian groups in Oceania and Polynesia such as Hawai’ians (the leading traditional Hawai’ian tattoo practitioner, Keone Nunes, has talked about the similarities and shared motifs and even visited Apo Whang Od and discussed the shared tattooing culture stretching across the Pacific where Austronesians brilliantly navigated, that is an Austronesian practice), Samoans, and also the indigenous groups of Taiwan (not the Han Chinese who arrived and colonized there and are mainly seen and representative of Taiwanese) who are also part of the Austronesian family. It is possibly found in other Austronesian groups in Indonesia and Malaysia and probably could be found in the remaining ethnic groups that still practice tattooing though I don’t know too much about the tattooing traditions in those regions of maritime Southeast Asia besides the ones in Borneo (where according to Bisayan folklore and mythology their ancestors come from).

As I mentioned before, either on this blog or my personal blog if you follow me there, motifs were mainly geometric shapes and designs based on nature. The scales of pythons, crocodiles, lizards, which are all spiritual and divine animals and are associated with the ancestors and spirits. Birds which are seen as messengers of the ancestors and deities, omens, and represented in many of the creation myths in the Philippines. Ferns which represent the agricultural lifestyle, fertility, and of harvest. The rivers which represent life and death and the very foundation of society as many groups are based around a river or other water source and are often named after it (Tagalog - people of the river, Akean - people of Akean River, Kapampangan - people of the river bank, Ilokano - people of the bay, Tausug - people of the sea currents, etc.). Rivers were also believed to be the pathway to the ancestors and the afterlife and are part of mythology and cosmology of the upstream, which represents birth and life, and the downstream, which represents death and the afterlife and of returning to the sea which is what brought us to the islands. 

If you want to look at motifs that may have been tattooed, look at traditional woven motifs. Motifs found in weaving were often the same as what was tattooed as tattooing was pretty much our form of permanent clothing on our skin. Ilokanos for example can look at their weaving motifs as these are possibly what was used in their tattooing prior to colonization as they are recorded by the Spaniards to have practiced it and saw them tattooed.

6

Oh man, this past weekend has been amazing and filled with spirit. So Saturday night I received my batok from Lane Wilcken during his workshop on Pilipinx traditional tattoo’s in NYC. I was asked by the woman who ran the event, Andrea, if I wanted to volunteer to get tattooed during the workshop. I told her I didn’t mind and the next day or the following day after Lane actually messaged me on Facebook asking me the same thing. I felt honored that he personally asked me and that he wanted to tattoo me saying he felt through the spirits that he should contact me for this. Of course I said yes and I was looking forward to it.

Something amazing happened before the actual workshop however. The night before before Lane messaged me I was actually at work. During my break I saw a centipede come toward me by my locker and away from my coworker who happened to be passing by. I thought nothing of it at the time and brushed it aside as after I got my stuff it just disappeared. 

Then the day prior to the workshop I was in my bathroom getting something when I randomly saw a centipede which I have never seen before in my house except maybe once several years ago. I was so scared because it again came straight at me then just stopped just starting right at me before I left the room. It wouldn’t be until much later during the workshop the following day when Lane was talking about certain animals who acted omens and were ancestral spirits did I realize the significance of it. Now I realize it was a message from the ancestors or an ancestral spirit giving me their blessings like they knew.

It’s those little things that most of the time we don’t pay attention to in our busy everyday lives that we tend to tune out the spirits trying to get in contact with us and we just have to open our eyes, minds, and ears to them.

So prior to the tattoo session we gave our offerings to the spirits and ancestors. I offered some suman and Lane put them in his offering bowl he always uses during his rituals and prayers to the ancestors with rice and an egg. He put this on the altar which he always faces west and left it there for the spirits and ancestors. The workshop lasted for several hours mainly discussing our tattoo’s, a few myths, his stories,etc. We then had to cut it off short because it was nearing 7 and he wanted to have some time to work on me.

He instructed me how the offering ritual was going to be as he said his chants to the ancestors and the spirits of Turtle Island as these are their lands not ours, and letting them know I will be tattooed. He then gave me the offering bowl which I went to the altar and silently said my prayers and thanks to the ancestors, spirits, and diwata before placing them on the altar.

Soon after the tattooing session began and I received my first traditionally handtapped batok. This one actually is really special as while Lane was holding my arm and was coming up with a mental picture in his head from the spirits on what to give me he asked me to tell him a little more about reconstructing our indigenous belief systems. I told him that I was Pagan and that besides myself there are a few others who are reviving our indigenous beliefs and practices by looking at old Spanish documents and dictionaries and bringing them back to the modern day. He nodded then after awhile he told me that for my batok he felt that he should honor and represent that in my batok.

He told me he would be doing some crocodile teeth and within the crocodile teeth he would put the weaving patterns as a symbol of me weaving together our indigenous beliefs and practices as a living modern spiritual and religious practice. He then put on the python scales with the dots on them symbolizing the eyes of the ancestors.

It was interested as after he drew the initial line around my arm, he started to draw the triangles. At first it was I believe it was 7. He said no that’s not it so he wiped off the red outlines and drew again. He then got 11. He was like what and was confused as he tried to get 10. We asked why and he said he was trying to get an even number or multiple of 5 as it represents good wealth and fortune. So he tried a third time to try and get 8 and once again it was 9. He was like well ok then, I guess you are just meant to have an odd number then I’m not going to argue with the ancestors on this one since you keep getting it odd. So he left it an 9 not wanting to argue with the spirits (which I find ironic anyway as my luck number is 3 and in multiples of 3). As he was going along in the tattoo he eventually realized why it had to be an odd number for me as where the spirits were guiding him to put the python scales and the dots he realized if the triangles were an even number there would be one ancestor with a missing eye. So there are 9 crocodile teeth and 8 python scales which has a dot in each scale. This corresponds to 8 different eyes watching over me. 

The experience of getting handtapped was just amazing. It really was a spiritual experience and I could feel it the moment Lane put my suman offerings in the offering bowl and altar and as soon as he chanted his prayers to mark the beginning of the workshop.

When he was holding my arm and receiving the image in his head of what he would tattoo from the spirits I could feel his energy as I received it on my left arm, which is both the receiving hand and also the maternal side according to Lane. 

Just today I finally got a chance to burn and bury the baby wipes and the gloves used during the session that has my blood on them along with the food offerings of my suman, the rice, egg, and an orange. He told me that it was disrespectful to throw away anything that had your blood and essence as a spirit can take it and use it against you. We were to either bury. burn, or throw the offerings out to sea. As I don’t have access to the water at the moment I decided to bury everything and burn the wipes and gloves right next to my cherry tree that we planted in our backyard from a branch of the other cherry tree at the side of our house. 

One thing that this experience has taught me is that the spirits and ancestors are always with you, regardless if you notice them or not. They are always there watching over you and are there to protect and guide you and I pay my respects to them everyday.

Here is a video clip someone took of my tattoo session during Lane Wilcken’s Pilipinx tattoo workshop this past Saturday. The session lasted about 1 1/5 to almost 2 hours and yes getting handtapped hurts much less than the machine. There were a few times where I had to close my eyes and breathe but most of the time it was rather painless to the point I was falling asleep.

The sound of the handtapping in the video does not do it justice. The echoes in the room were very weird and eerie as it was quiet and it was night so there was no city noise outside. Everyone could hear it, like there was the echo and then there was another echo in the room that was just, weird that I can’t even describe. Someone, I forget who said that it was alien like lol. But ya the echoes and just the sound of the handtapping was enough to put you into a trance like state.

The experience was very enlightening and spiritual and I could feel the spirits and ancestors around us and Lane and Kristen’s (the girl who volunteered to stretch and experienced how to do it for the first time) spirit as they worked on me. There are really no words to describe this experience and it is definitely something one should experience for themselves to understand. It is not just a work of art, it’s not something we choose, it’s something spiritual, cultural, and sacred and the entire process from the ritual and offerings to the ancestors to the tattoo session to burning, burying, or throwing the offerings from the ritual and your blood that was spilled out to sea is a part of that and I am grateful to have experienced it.