grime lords



i. perfect places, lorde; ii. 13, lany; iii. somebody you found, the japanese house; iv. strangers, halsey; v. chanel, frank ocean; vi. broken clocks, sza; vii. shadow, wild nothing; viii. what a pleasure, beach fossils; ix. genesis, grimes; x. let my baby stay, amandla stenberg; xi. the louvre, lorde; xii. relax, fyfe; xiii. lovetrap, soko +more


#TheSquint for @shipnation

Leaked lines from the next episode of TWD
  • Rick: So...what will it take to secure an alliance with you people?
  • Natania: Oceanside will fight for you...but only if you promise your son will marry one of my many daughters.
  • Rick: Wait...what the fuck?
  • Ezekiel: Rick, in case you haven't figured it out, we're all going back to medieval times. Just...look at my place for fuck's sake.
  • Rick: ...
  • Aaron: I swear to god, you people are taking this Game of Thrones roleplay too far.
  • --------------------------------------------------------------
  • Carl: I don't want to marry the Oceanside girl.
  • Enid: ...I don't want you to marry her. (pause) But you need their alliance. I hope it's a very beautiful alliance-
  • *Carl and Enid kiss*
  • *meanwhile on the other side of the camp*
  • Aaron: (looks up from his book) Eric.
  • Eric: Yeah bae?
  • Aaron: I can't explain it but I think Carl is making a big mistake. My Robb Stark senses just started tingling out of nowhere.

“Who’s the daddy?”

If you guys are looking for some badass female singers then check these ladies out

Florence and the Machine
Ellie Goulding
Hayley Kiyoko
Ryn Weaver
Zella Day
Lana Del Rey
Marina and the Diamonds
Melanie Martinez
Sky Ferreira


That moment you realize Dwight from “The Walking Dead” is Prince Zuko.

* Scarred face, burned by the Big Bad of the show 

* Hates the Big Bad dictator that’s ruining everyone’s lives

* Has a lover who is a member of the evil group

* Betrays the evil group to join the heroes  

* Morally conflicted dude who wants to regain his honor 

That being said, I wanna see some solo episodes where Prince Dwight-ko takes a field trip with Aang Grimes, Mich-tara, and Sokka Dixon.
Bleachers’ Jack Antonoff Is Your Favorite Pop Star’s Secret Weapon | Pitchfork
The most trusted voice in music.


How did your life as a songwriter begin?

I didn’t grab the opportunity. Fun had a hit; “We Are Young” took off [in 2012], and it happened very quickly because it was on the heels of a TV spot. The next day, every publisher called. This was right before the age of everyone moving to L.A. to be a pop songwriter. Right away, I was able to get into the bottom level of [writing] rooms, and I’m learning right away how people are doing things. Everyone wants hits. But we weren’t trying to make a hit with “We Are Young.” I don’t sit at home all day and write and produce songs. I do it because I love it. So it was weird at first, but now it’s gotten good. I’ve worked with Carly Rae Jepsen, Sara Bareilles, Tegan and Sara, Grimes, Taylor, Lorde—that’s what I want to do. I love working with women.

Why do you think you work so well with women?

I don’t know. All emotions aside, I write a full octave above where I sing. I think about Kate Bush and those registers when I’m writing, because I always imagine that vocals should be dancing on top of the track. There’s just a lot of melodic DNA that works better for women than men. And most of my favorite artists are women—outside of all the things I said about Bruce.

Also, my experiences with men and music have been in this really macho, intense, high-octane environment. I don’t want to categorize something that’s more specifically female, but I will say that, in my experience, the women that I’ve worked with have been more interested in talking about what’s gone wrong in our lives, quietly putting it to a piano, and then eventually making it into this big thing.

I only have sisters. I always want to hear women sing my songs. I just want to be around women. It’s not a sex thing—I’m heterosexual, but it’s not coming from any place like that. It’s just a comfort thing. And my studio presence isn’t bombastic, which is funny because some of the songs are. But I like to be calm. I guess I could go way deeper into certain conversations I’ve had with my analyst about not being a certain kind of man that other men think is enough of a man.

There is an archetype of the modern male producer/songwriter, like Dr. Luke, as an all-powerful figure.

It’s a position of power, but this is work where there is no power—songwriting is the most powerless, saddest, sit-there-and-pray-it’s-going-to-come-to-you experience, you fucking Little Mermaid-style poor unfortunate soul. You sit in a room for two years and make noise until it comes. You work on something for six months, and then you go to take a shower and in six minutes you have a better idea.

When I’m working with artists, there’s no power struggles, no “I got the fucking answer, I have these hits so I’m the shit.” I hate that, and I can’t be around it, because if I’m around it, it’s like someone coming into your house and taking a piss on the floor. I can’t write a song with someone who feels that way. This is my work. This is my very safe place.

How can you say there’s no power in writing songs with someone like Taylor Swift, who’s one of the biggest musicians around. There’s an enormous amount of power in that.

But there’s not. She just sits there in the same place you’re sitting, and we just talk about songs and Joni Mitchell. I mean, I won’t name names but I’ve met many other people in her position who I decided to not make music with because when we were sitting here, they were that person who wielded a lot of power. I felt there wouldn’t have been an opportunity for us to create. I have absolutely no disrespect for anyone else but, for me, making music is so private and personal. So if a popstar came in this room and was like, “Well, I’ve done this, this, and this, so I’m right,” then why are we here? I’ll just keep doodling in my journal.

How do you decide who to work with?

If I ever work with someone else, all that I think about is: Do you want to make the best album you’ve ever made in your life, or not? And if there’s even a hesitation, then go on your greatest hits tour.