greatest horror movie ever

sinisterintentions  asked:

Excited about the new IT movie?

“Excited” honestly seems like an understatement. 😄

It is probably my favorite Stephen King book (Revival is trying really hard to dethrone it in my mind, gotta be honest - but that’s a story for another time) and I can’t wait to finally - after like 20 years of delays and development hell - see that story adapted in a way that actually seems to do justice to the source material.

Tim Curry’s performance in the 1990 miniseries version of It is horror legend, don’t get me wrong; the problem is that literally everything else about that adaptation falls flat. The budgetary and stylistic constraints of the television miniseries format, the lazy story alterations, the surprisingly forgettable performances from a cast that’s really solid on paper; that take on It just doesn’t live up to King’s epic, which might be the greatest horror story ever told.

This take on the movie, on the other hand? I’ve seen all of the trailers and the preview of the infamous Georgie scene that The King himself introduced with an affectionate twinkle in his eyes before Annabelle: Creation (which, by the way, was an awesome movie) and from those glimpses of the movie alone, I already think the new It captures the feel of the book more than the entire miniseries. Some things aren’t book accurate, sure, but the vibe is on point; the small town of Derry feels alive, sinister - just as it should. And Pennywise? Wow. Finally seeing Bill Skarsgård’s take on her during the preview gave me chills. This portrayal is all its own, for sure, but it seems so far to every bit live up to the legacy Tim Curry established. In the parlance of our times: shit looks creepy AF.

tl;dr - Definitely excited. I’ve already got tickets for Friday!

SUSPIRIA: Once you’ve seen it, you will never again feel safe in the dark

Dario Argento’s Suspiria (1977) is about a naive ballet dancer (played by Jessica Harper) who travels to Germany to perfect her ballet studies at the most famous dance school. But she sees crazy shit there like maggots falling from the ceiling and murder victims crashing through windows, and she finally realizes that the place is a coven of wrinkly witches. To say that this is one of the greatest horror movies ever is to state the obvious. But it is. I love this film. Everyone loves Suspiria! It’s a colorful and visually stunning film – one of the most nightmarish horror movies ever made (like watching a nightmare), it’s beautifully shot and it has a terrific score by Goblin (they deserve a special mention). A true masterpiece of horror!

Suspiria
Release year: 1977
Country: Italy
Director: Dario Argento

Taglines:
– Do you know anything about witches?
– Once You’ve Seen It, You Will Never Again Feel Safe In The Dark
– The only thing more terrifying than the last five minutes of this film are the first 90!
– The Most Frightening Film You’ll Ever See!

Seriously: Hector in Paranormal Activity: The Marked Ones is one of the greatest horror movie protagonists ever. The highlight of an otherwise so-so film. He DOESN’T want to get involved in this supernatural stuff. He DOESN’T want to go to dark, scary places and “investigate.” But when the shit does go down, what does he do? Goes out and recruits gun-toting gang members and they actually become the first people in this franchise  to take the fight to the coven. It’s like they put a normal, smart guy in a film series filled with suburban idiots.
Favorite Movies of 2014*

*That I got the opportunity to see

Terribly late on posting this. 

20. Locke

Tom Hardy is an incredible actor and he has proved it before, but he reminds us of it in this movie. The entire movie is just him driving in a car talking to people on the phone. That’s how the story is unfolded. I don’t recommend watching the trailer before seeing it because it is kind of false advertising, but definitely give it a watch.

19. Calvary

 A really great movie abouta priest who has lived a good life and been a good person, but is punishedbecause of it. All of the cast, especially Brendan Gleeson, are fantastic.

18. Big Hero 6

Baymax is awesome and you can’t help, but want to hug him. I’m not a big fan of long action sequences and I get it is a Marvel universe movie, but I could have done with less.

17. How to Train Your Dragon 2

Not as good as the original, in my opinion, but still a really entertaining movie. A little more story and, like Big Hero 6, shorter action sequences would have made it much better for me personally, but I’m sure others liked those scenes.

16. Under the Skin

This is one of the strangest films I have ever seen. It is dark, twisted, weird, and absolutely beautiful to look at. If you are a cinephile, you will be obsessed with this movie.

15. The Trip to Italy

Steve Coogan and Rob Brydon are hilarious yet again in the follow-up to The Trip. Beautiful scenery, amazing looking food, and plenty of laughs.

14. 22 Jump Street 

How many times is a sequel on par with the original movie? Not very often, but 22 Jump Street definitely is. Jonah Hill and Channing Tatum together are comedy gold.

13. St. Vincent

You really can’t go wrong with Bill Murray in your cast. He is one of the greatest, if not the greatest, comedic actors out there and he delivered the laughs. Although it is a hilarious film, it is also heartwarming and brought me to tears at the end. Worth a watch.

12. Chef  

This was the feel-good movie of the year. It’s upbeat all the way through. The food looked amazing and the music was incredible. If Hugo was Martin Scorsese’s love letter to movies, this was John Favreau’s love letter to food and I couldn’t mean that in a more sincere and loving way. Absolutely wonderful.

11. Boyhood 

What an accomplishment this film is. Filming a story over 12 years with the same cast? Amazing.

10. Nightcrawler

 Great performance from Jake Gyllenhaal who played creepy so well. I think he channeled Donnie Darko a bit. 

9. Only Lovers Left Alive 

A fantastic vampire movie. There isn’t much of a plot and when the movie ended, I was like, “What did I just see?!” But I found that I couldn’t stop thinking about it. Just the other night, I was falling asleep and I woke back up because I was thinking about how cool this movie was. Wonderful cast as well. Tom Hiddleston, Tilda Swinton, John Hurt, and Mia Wasikowska were all amazing. If you want your faith restored in good vampire movies, check this one out.

8. The Grand Budapest Hotel

I thoroughly enjoyed this film. It’s very dark, but still has that Wes Anderson charm. I also think it is one of Wes Anderson’s most beautiful films. There are too many names to mention because everyone was great and it was a huge cast, but everyone left their mark on the film. This has become one of my favorite Wes Anderson films.

7. Into the Woods

I’ll admit that I have never seen this musical live, but I have seen the production that aired on PBS and I love it. When I heard that Disney was making it, I was pretty scared because it is quite dark. Kudos to Disney for allowing them to keep a lot of that darkness. All of the performances were wonderful, but special shout outs to Anna Kendrick, Meryl Streep (duh), Emily Blunt and Chris Pine. All of them were absolutely incredible.

6. The Babadook

We are lucky if we get one good horror movie a year. This year, it was The Babadook.  It also happens to be one of the greatest horror movies I have ever seen. I loved the story, the ending and, of course, the Babadook (even though he is an asshole). I wish this movie got a wider release, but still be sure to watch it. It will not disappoint.

5. The Lego Movie

Hands down, this is the best animated movie of the year. Another great, creative story and it is ridiculously funny. That fact that it wasn’t even nominated for an Oscar is a travesty as there was no competition and it should have won unanimously. I’ll never get over it.

4. Obvious Child

This movie handles a difficult topic to discuss in film perfectly. Everyone involved in the film did a fantastic job of breaking down the barriers and allowing a movie to truthfully portray a woman’s right to decide. My hope is that everyone, even people who are against abortion, will watch this movie. I don’t think it will change many minds, but I think it will help people look at this topic differently.

3. Whiplash

It is not very often that I can’t figure out how a movie is going to end. This film is the exception. Up until the last few minutes, I had no idea what was going to happen and my heart was pounding. Masterful acting from J.K. Simmons and Miles Teller was marvelous as well.

2. Birdman

I can genuinely say this is one of the most incredible movies I have seen in my entire life. It is filmed beautifully. I’ve never seen anything like it. The acting is superb. Everyone had to be on their game to make this movie work. Hats off to the editors of this film as well. This movie will be shown in film classes for as long as film is relevant and I am jealous of the people who will get to study it. I know there are a lot of people who are upset it beat Boyhood for Best Picture, but Birdman was the best.

1. Guardians of the Galaxy

Guardians of the Galaxy is everything I could ever ask for in a movie. It is funny and heart-warming, it has a great story and it has fantastic characters.  I’ve heard some people call this the Star Wars of this generation and I completely agree and also completely jealous that kids get to grow up with this movie and the future sequels. I cannot recommend this film enough. 

Sir Christopher Lee - obituary (The telegraph)

Actor of aristocratic bearing who was closely identified with the role of Saruman in The Lord of the Rings and Count Dracula

Sir Christopher Lee, the actor, who has died aged 93, defined the macabre for a generation of horror film enthusiasts with his chilling portrayals of Count Dracula; in a career that spanned more than half a century Lee played the sinister vampire no fewer than nine times in productions including Dracula (1958), Dracula: Prince of Darkness (1966) and The Satanic Rites of Dracula (1973).

With his saturnine glamour and striking physique — at a gaunt 6ft 4in he was a dominating physical presence with an aristocratic bearing, dark, penetrating eyes and a distinctive sepulchral voice — Lee was an ideal candidate to play the bloodsucking Count. “Dracula is a very attractive character,” he insisted, “he’s so heroic – erotic too. Women find him irresistible. We’d all like to be him.”

After almost 20 years of playing Dracula, Lee eventually tired of the role. He moved to the United States where he enjoyed a lucrative career in both films and made-for-television mini-series such as The Far Pavilions and Shaka Zulu. While in America Lee resisted all offers of parts in soap operas including Dallas and Dynasty.


“You find yourself appearing with 15 other guest stars,” he recalled, “and word gets round that you’re on the skids.” Instead he surprised his fans by accepting “voice roles” in various animated films, playing Uncle Drosselmeyer in Nutcracker Fantasy (1979) and King Haggard in The Last Unicorn (1980). More surprising still was his acceptance of the role of Prince Philip in the ill-fated television film Charles and Diana: A Royal Love Story (1982).

After decades in the film industry, Lee remained as eager as ever to take on new roles. In 1990 at the age of 71 (and having undergone open heart surgery) he appeared in 12 different films within 14 months. “I get restless and frustrated if I don’t work,” he insisted, “I like a continual challenge.” In his eighties he gained a new audience, bringing sulphurous intensity to the role of Saruman in Peter Jackson’s epic Lord of the Rings films.

Lee’s one regret, he maintained, was his decision not to become an opera singer. “I was born with the gift of a very good voice,” he said, “and I have been asked to sing in various concerts but I’m too old now.” Late in life, however, he was persuaded to lend his rich bass tones as a narrator to various heavy metal records including those of the symphonic power metal group Rhapsody of Fire. In 2010 he released an album of his own, Charlemagne: By the Sword and the Cross, followed two years later by Charlemagne: The Omens of Death.

Christopher Frank Carandini Lee was born on May 27 1922 in Belgravia, London, the son of Lieutenant-Colonel Geoffrey Trollope-Lee of the 60th King’s Royal Rifle Corps. Lee’s father had fought in both the Boer and Great Wars and had later married an Italian contessa, Estelle Maria Carandini, a descendant of the Borgias whose parents had founded the first Australian opera company. Among Lee’s stories of his early life he claimed that his father was descended from a band of gypsies in Hampshire and that his mother was descended from Charlemagne.

Christopher’s parents were divorced when he was four and his mother remarried. Lee grew up in his wealthy stepfather’s home, where he was waited on by a staff of five (a butler, two footmen, a chauffeur and a cook). He attended Wagner’s in Queensgate and Summerfields preparatory school, Oxford, and sat for a scholarship to Eton before being sent to the more affordable Wellington College where he distinguished himself as a classical scholar.

Fluent in Italian and French, in later life Lee added Spanish, German, Russian, Swedish, Danish and Greek to his repertoire. When his alcoholic stepfather was bankrupted in 1938 Christopher Lee was forced to leave school at 17 in order to find work. For the next 12 months he worked as a city messenger, licking stamps and making tea for a wage of £1 a week.

When the Second World War broke out, Lee joined the RAF and was promoted to flight lieutenant. He won six campaign medals, was mentioned in despatches and received decorations from Poland, Yugoslavia and Czechoslovakia. He also worked for British Intelligence. “Serving in the Armed Forces was the best thing that ever happened to me,” he insisted. “I did not know how other people lived.”

After the war, Lee served with the Central Registry of War Crimes, work that took him to several concentration camps including Dachau, but when he was finally demobbed at the age of 24, he remained undecided about which career he wanted to pursue. He toyed with the idea of becoming a ballet dancer, opera singer and diplomat before his cousin (at that time the Italian ambassador to the Court of St James) suggested he try acting.

Greatly against his mother’s wishes — (“Just think of all the appalling people you’ll meet!” she warned him) — Lee met the Italian head of Two Cities Films, part of the J Arthur Rank Organisation, signed a seven-year contract, and joined the Rank Company of Youth (otherwise known as the Rank Charm School) in 1946. He made his film debut with a bit part in Corridor of Mirrors (1948).

A succession of “walk on” parts ensued until, in 1951, he appeared in a speaking part as a swarthy Spanish sea captain in Captain Horatio Hornblower RN. It was one of Lee’s last films for Two Cities and when his contract ran out neither he nor the Rank Organisation were eager to renew it. Instead Lee accepted roles in a television series — made in Britain but shown first in America — Douglas Fairbanks Presents, appearing in some 40 half-hour productions.

After a series of military film roles in the mid-1950s, including a lieutenant in Innocents in Paris (1953), a submarine commander in The Cockleshell Heroes and a captain in That Lady (both 1955), Lee landed his first horror role for Hammer Films. He played the Creature in The Curse of Frankenstein (1957), a part which required him to be coated in artificial gangrene and which left him looking, in his opinion, “like a road accident”.

Described as “the first gothic horror film made by Hammer”, The Curse of Frankenstein was graphic in its depiction of large quantities of gore. The film was extremely popular and Lee, playing opposite the studio’s resident star Peter Cushing, was enormously successful as the monster. Realising that a film about Bram Stoker’s vampiric Transylvanian nobleman might prove equally successful, a Hammer executive, James Carreras, offered Lee the role of the Count in their next production, Dracula.

The film proved to be one of the seminal horror films of the 1950s. Lee looked the part (tall and thin, as in Stoker’s novel) and imbued the character with a dynamic, feral quality that had been lacking in earlier portrayals. With his bloody fangs and bright red eyes ablaze, Lee made a frighteningly believable vampire. In contrast with Bela Lugosi’s eerie, somnambulistic count of the 1930s, Lee spoke his lines with crisp assurance and tried to portray what he described as “the essence of nobility, ferocity and sadness”.


With Cushing cast this time as the vampire hunter, Dracula (retitled Horror of Dracula in America) was a box-office success for Hammer and horror aficionados at the time labelled it “the greatest horror movie ever made”. Lee also regarded the film as the best of the series of Dracula films which he made with Hammer. “It’s the only one I’ve done that’s any good,” he recalled. “It’s the only one that remotely resembles the book.”

With the success of his portrayal of the Count, Lee treated himself to a grey, second-hand Mercedes and became established as a horror star for the first time. He was swamped with offers of film roles and took leading parts in several films throughout the late 1950s.

In productions such as The Man Who Could Cheat Death, The Hound of the Baskervilles and The Mummy (all 1959), Lee played characters ranging from Sir Henry Baskerville to a 2,000-year-old corpse. He later claimed that the make-up for The Mummy was so uncomfortable that he swore never to submit to special effects again. The exceptions were the essential, red contact lenses for his appearances as Dracula. Lee found the lenses excruciatingly painful but, as he had worn them in the first film, continuity demanded that he wear them in all subsequent productions.

Lee continued to be in demand throughout the 1950s and 1960s, starring in more than 20 films in only six years. Although he accepted some unlikely projects (including The Terror of the Tongs and The Devil’s Daffodil, both in 1961), he was also able to make films in which he had a personal interest. Lee had long wanted to play the Chinese arch-villain Fu Manchu and in 1965 he was offered the title role in The Face of Fu Manchu. The film was so popular that a series of four more were filmed, including Brides of Fu Manchu (1966), The Blood of Fu Manchu (1968) and Vengeance of Fu Manchu (1968). After roles in horror films such as Doctor Terror’s House of Horrors and The Skull (both 1965), Lee returned to his earlier incarnation in Dracula: Prince of Darkness (1966).

He was less happy with the second film. He had become too expensive a star for the Hammer studios, and in a cost-cutting measure his scenes were kept to a minimum and remained devoid of dialogue. Lee was reduced to making a soft hissing noise which drew laughter from audiences when the film was screened. He enjoyed more success with the lead in Rasputin, The Mad Monk (1966). Although the film was badly flawed, Lee was convincing in the title role.

He returned again to the role of Dracula two years later in Dracula has Risen from the Grave, on the understanding that he would have well-scripted dialogue. The film made more money than any previous Hammer production and Lee was persuaded to appear in the 1970 project, Scars of Dracula. But he had by this time become disenchanted with the role. He feared that he was being typecast and that the quality of scriptwriting had deteriorated to an unacceptable level.


Nevertheless Hammer were eager to continue with Lee as their horror star and persuaded him to make two more Dracula films that year. After rapidly completing Taste the Blood of Dracula and The Magic Christian, Lee devoted himself to non-vampire roles for a period.

Later in 1970 he played Sherlock Holmes’s brother Mycroft in The Private Life of Sherlock Holmes (“so commandingly good,” reported The Sunday Telegraph, “that this must surely be the end of shabby Draculas for him”) and followed it with a tiny appearance as Artemidorus in Julius Caesar in 1971. After four more Dracula films, including a modern interpretation titled Dracula AD 1972 and The Satanic Rites of Dracula the year after, Lee was increasingly unhappy with the manner in which the character was being portrayed. “It’s ridiculous,” he complained, “you can’t have Dracula in a modern office block, it completely undermines the original idea.”

Taking another break from the Count, Lee appeared in one of his favourite films, The Wicker Man (1973), playing a Scots laird who practises human sacrifice in the 20th century. He then went on to play the evil one-eyed Comte de Rochefort in both The Three Musketeers (1973) and The Four Musketeers (1974) before appearing in his first Bond film as the assassin Scaramanga in The Man with the Golden Gun (also 1974). Lee was finally persuaded to make one more Dracula-style film in the 1970s, Dracula Père et Fils (1976), before giving up the role for good.

Despite his physical likeness to the Count, Lee’s affinity with his baleful character stopped there. Throughout his career he had a reputation for being a long-winded raconteur whose reminiscences tended to focus on himself. In 1976, when Lee left Britain for the US, the move prompted an acquaintance to joke that “the population of Los Angeles were dusting out their bomb shelters in anticipation of a barrage of anecdotes”.

According to another account, on one occasion an actress got off an aircraft looking ashen and exhausted. Questioned about her health by airport staff, she explained that she had been seated next to Lee and that he had not stopped talking about himself during the 10-hour flight.

Through the late 1970s, Lee continued to make films at a prodigious rate, appearing in 10 in two years. He accepted roles as diverse as Captain Rameses in the science fiction film Starship Invasions (1977) and that of the head gypsy in the Second World War drama The Passage (1979).

In the 1980s, Lee combined his film career with a return to television, appearing in mini-series including Charles and Diana: A Royal Love Story (1982) and The Far Pavilions (1984). In 1985 he suffered a heart attack, returned to London and underwent heart surgery. Instead of seeing this as a signal that he ought to retire, Lee was back at work within a year and had returned to the horror genre for the dreadful The Howling II (1986), subtitled Your Sister is a Werewolf in America.

Although Lee continued to work prolifically throughout his life, he never again enjoyed the same success as he had when playing Dracula. He made some fatuous comedies in the mid-1980s such as Rosebud Beach Hotel (1985) and Jocks (1986), and continued the trend into the 1990s with a starring role in the spoof horror film Gremlins II — The New Batch.

He starred in the title of role of Jinnah soon after the 50th anniversary of the founding of Pakistan in 1997, and was Count Dooku in Star Wars: Episode II — Attack of the Clones (2002). He returned to the same role in Star Wars: Episode III — Revenge of the Sith in 2005, and was the wizard Saruman in two of Peter Jackson’s Lord of the Rings films (2001-2002), in two of his Hobbit series (2012-14) and in various video games.

With Uma Thurman, Lee was scheduled to appear as a retired surgeon in The 11th, a feature film about the lead-up to the 9/11 terrorist attacks on America, which is due to be shot in Denmark this autumn.

Reflecting near the end of his life about the role of Dracula, Lee said: “There is a lot of misunderstanding about me in that role. It had never been played properly before that. With me it was all about the power of suggestion to make the unbelievable believable.”

He published two volumes of autobiography — Tall, Dark and Gruesome (1977) reissued as Lord of Misrule (1997) — and was appointed CBE in 2001. He was knighted in 2009 and made a fellow of Bafta in 2011.

Christopher Lee is survived by his Danish wife, Birgit (née Kroencke), a painter and Dior model known as Gitte, whom he married in 1961, and by their daughter Christina.

Sir Christopher Lee, born May 27 1922, died June 7 2015

anonymous asked:

Good scary movies in netflix

  • The Ward
  • Grave Encounters 1 & 2
  • V/H/S 1 & 2
  • The Bay
  • Rosemary’s Baby
  • The Awakening
  • Hellraiser (any of them)
  • The Possession
  • Contracted
  • Blair Witch Project
  • Silence of the Lambs (not really horror, but one of the greatest movies ever made)
  • House at the End of the Street
  • Insidious 2