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"Where television is fantastic and is way ahead of film, is it doesn’t feel the need to polarize women so much. I experienced it in playing Anne Boleyn as well. Male writers, and I say this with all love and respect, often want to make a woman either the angel or the whore, make her the witch or put her on the pedestal. When people ask me about Margaery, I say they’re not mutually exclusive. You don’t have to be practical and politcally savy and not be a good person. You can be a good human being and just be shrewd."

2

"I never had an imaginary friend, just imaginary circumstances. I was so into the Indiana Jones movies and I would constantly reenact circumstances. I broke my left arm three times, two of which were me trying to be Indiana Jones. The first time, I tied sheets together and tried to climb the side of my house after I saw Raiders of the Lost Ark. The second time, I was riding a horse and trying to gallop as fast as I could, like Indiana Jones, and got thrown from the horse. The third time I was bit older and it didn’t have anything to do with trying to be Indiana Jones" — Pedro Pascal interviewed by Sarah Paulson for Interview

2

"People don’t like her because it’s the making of her, right now. When she, sometime soon in the future, becomes this person that she’s been kind of building up to, for the past three seasons, now four, then people will really begin to root for her. I think even the audience doesn’t realize she’s such a dark horse. If she acted badass and tried to kill everyone there, she would be dead by now! She’s so intelligent, and I can’t stress that enough. Courtesy is a lady’s armor. She’s using her courtesy to deceive people, and she’s using her former self as a facade, and it works so much to her advantage, because people still think she’s this naive, vulnerable, little girl, and she’s really not. She knows exactly what she’s doing. She knows what game she’s playing! And no one else does. And she’s learned from the best — Cersei, Margaery, Tyrion, Littlefinger, even Joffrey. She’s learned so much from these people, and they don’t even realize it. They’re unwittingly feeding her to become this great kind of manipulator. King’s Landing can either make or break a person, and in Sansa’s case, it’s making her."