Status Update: Still Alive

Tempted to make some kind of Portal reference now because of the title…

Been pretty unproductive lately, aside from screaming about dumb comics on Twitter and posting about seiyuu here. Sorry about that - I was busy with family stuff this past weekend, and couldn’t really get back into the rhythm of things.

I will see if I can get something done this week though, because data miners have confirmed that the next event on the WW SIF server is the ChikaYou Score Match, from 4/01 - 4/11 (UTC). Since I’m planning to T1 for that, I’m obviously not gonna get anything done once the event starts. I’ll be too busy screaming at the shitty new MMR system that’ll be implemented for this event - not that it really affects me since my teams are weak af and I never do well in song score rankings, but still.

Also, people are also predicting that dodging is finally gonna be nixed on ENSIF (since you can no longer dodge without penalty on JPSIF), so I’m probably gonna get my ass kicked even more than usual. I’ll just keep telling myself that my lack of strong cards is worth saving up for my dream Rin card…it totally is…yup…I have nearly 1700 love gems at this point, and if I don’t get at least a Rin UR during her birthday scout, I’m going to flip some shit. _(:3 」∠)_

The data miners have also found that the 1st year promo URs will be arriving in April, by the way, in case any of y’all haven’t been playing SIF lately. Be sure to log in for 7 days to get that Hanayo (Promo) UR that we’ve all been waiting for!

To iu koto de And with that, my closing remarks…

Yujacha’s “Get at least one of these things done this week or else I’ll smack myself upside the head for laziness” to-do list:

  • “Aqours in Seoul” interview TL. Please. It’s been so long.
  • Finish bulk of TL for the “Aqours in Seoul” GOdocu video so that I can focus on timing/typesetting after the ChikaYou event.
  • Answer 1 ask. Maybe more, if I feel really productive.
  • TL Onmyeon’s KanaMari comic and try not to cry at its angst
  • Possibly ask Pito, yuyu, and KANARIN as well for their comics, JFC why do I keep trying to give myself more work?
  • Do some stalking detective work on Suwawa and Rikyako for a possible future post about certain habits of theirs.

I was going to take some pictures of the new Mrs. Mayor entering her car with her fancy new uniform on, but..
..Since she’s got some more (real) vacation days to spend and she’s going to switch into pregnancy clothes again soon, I decided to just make her pose with the outfit.

The moray eel (in the fish tank): (“what’s with all the noise..?! Quit it! Oh—! Oh, umm.. Make sure you capture my good side!!”)

I will forever want justice for every female character who was demonized by fandom because their canon ties to a male character was deemed a threat to a popular slash pairing. 


Crippling insecurities and carelessness get the better of us all, even Kings

I bet Sangwoo actually really wants Bum to model that bra for him (◔◡◔✿)

(p.s pretend Sangwoo isnt crazy here obvi i don’t support them being together (✿´ ꒳ ` )) 

This is Shigeru Mizuki

He was born March 8 1922 and passed away November 30 2015 at age 93.

Mizuki-san was a manga-ka and historian, most famous for his Kitaro manga, Which he started publishing in 1960.

I could give a textbook account of him and everything he’s done and his influence on Japanese culture and revival of the interest in Yokai in Japan as a whole, but I just want to point out some very small things about him;

The first is, unlike a lot of Manga-ka of the 60s, Mizuki did not learn to draw Manga from Tezuka’s school…. or any school at all. He was one of those weird ‘natural talents’ you always hear about but actual examples of are hard to find. Mizuki was one such person. He just inately knew how to draw. And as a result, despite influences from other manga at the time, his characters generally don’t resemble what we think of when we think of ‘60s manga’

Not to mention that, despite his preferred art style, he was diverse in what he could do with how he drew, easily going from his more cartoony drawings to a more realistic style, sometimes doing both at once.

Mizuki-san was drafted into the Japanese Imperial Army during WWII, and during the war contracted malaria and lost his left arm during an explosion.

He was left-handed.

However, despite disease, losing his drawing-hand, being the only surviving member of his unit and literally being ‘ordered to die’ by his superiors, Mizuki survived the war and taught himself to draw with his right hand and just kept going.

His manga that he’s famous for were all done after he lost his dominant arm.

All his manga have a personal autobiographical touch to them. Whether it’s “Showa” which is literally a historical account of what Japan was like from the 20s to the 80s, to Kitaro, which is about the stories of Yokai told to him by his elderly neighbour, all his manga have something personal about them.

He is a cultural icon in Japan for keeping traditional ghost stories and creatures alive in the modern consciousness, as well as his contributions to Japanese history regarding WWII. He traveled the world, gathering ghost stories and traditional folklore from other countries as well.

He’s been awarded a string of awards I’m not even gonna attempt to list, although personally I feel most noteworthy is the ‘Personal of Cultural Merit’ award in 2010 and the ‘Order of the Rising Sun’ Award.

But again, that is his importance historically and culturally, whereas I find his personal struggles regarding the loss of his arm and just relearning how to draw something more personal to know as an artist.

With this in mind, He is also noteworthy for never really following the idea that most manga-ka of the time had that ‘you only need 3 hours sleep a night’ or to keep working without rest. Mizuki never really followed that belief. He got a full night’s sleep every night, and fully believed in actually LIVING life, and not just spending your entire life behind a desk, drawing.

He later joked offhandedly that at age 90 he was still around whereas everyone else of the same time period making manga had long since died.

I feel this is incredibly important to remember. Tezuka believed in working non-stop and barely sleeping. And he is undoubtedly the most important contributor to what we think of as manga today. But Mizuki-san, who is just as important to Japanese culture, believed in sleeping well, living life, and being happy. And he was ALSO important, created amazing work, and is recognized as a master.

You don’t need to work yourself to death to be an artist.

Mizuki-san had a list of ‘7 rules to happiness’, which I honestly feel is worth remembering. It may be things we’ve heard before, but this coming from a man, who went through active war, lost limbs, nearly died,retaught himself how to draw because he wasn’t able to give up, made an impact on Japanese culture, believed in living life, refused to overwork himself and lived to the age of 93, it feels like you can trust his advice. because he’s someone who’s seen some serious shit, but he was happy, and he’d learned how to be happy. And from what I’ve heard remained happy and content until he died of natural causes.

Number 1

‘Don’t try to win – Success is not the measure of life. Just do what you enjoy. Be happy.’

Number 2

‘Follow your curiosity – Do what you feel drawn towards, almost like a compulsion. What you would do without money or reward.’

Number 3

‘Pursue what you enjoy – Don’t worry if other people find you foolish. Look at all the people in the world who are eccentric—they are so happy! Follow your own path.’

Number 4

‘Believe in the power of love – Doing what you love, being with people you love. Nothing is more important.’

Number 5

‘Talent and income are unrelated – Money is not the reward of talent and hard work. Self-satisfaction is the goal. Your efforts are worthy if you do what you love.’

Number 6

‘Take it easy – Of course you need to work, but don’t overdo it! Without rest, you’ll burn yourself out.’

Number 7

‘Believe in what you cannot see – The things that mean the most are things you cannot hold in your hand.’

Do you ever realize what a strange combination of things Ryan Haywood is?

Theater nerd that knows the name of broadway songs and musicals
Reads classic books and poetry and regularly recites passages on his streams
Technical genius that hardwires machines, builds computers, and trouble shoots equipment in the office
Plays video games for a living
Knows a random array of scientific facts
Evil/murderous tendencies and likes to be scary
Complete sweetheart and lovely husband and father
He was a fucking male model

I don’t know about you guys but I just love Ryan Haywood


Fire Emblem Line Sticker Icons

Icons are free to use, credit is not necessary (but appreciated)

When you don’t win the award for best animation, despite bringing stunning, new techniques to the grounds of anime though a playful, consistent artstyle.