Muse, tell me the deeds of golden Aphrodite the Cyprian, who stirs up sweet passion in the gods and subdues the tribes of mortal men and birds that fly in air and all the many creatures that the dry land rears, and all that the sea: all these love the deeds of rich-crowned Cytherea.
Yet there are three hearts that she cannot bend nor yet ensnare. First is the daughter of Zeus who holds the aegis, bright-eyed Athena; for she has no pleasure in the deeds of golden Aphrodite, but delights in wars and in the work of Ares, in strifes and battles and in preparing famous crafts. She first taught earthly craftsmen to make chariots of war and cars variously wrought with bronze, and she, too, teaches tender maidens in the house and puts knowledge of goodly arts in each one’s mind. Nor does laughter-loving Aphrodite ever tame in love Artemis, the huntress with shafts of gold; for she loves archery and the slaying of wild beasts in the mountains, the lyre also and dancing and thrilling cries and shady woods and the cities of upright men. Nor yet does the pure maiden Hestia love Aphrodite’s works. She was the first-born child of wily Cronos and youngest too, by will of Zeus who holds the aegis, —a queenly maid whom both Poseidon and Apollo sought to wed. But she was wholly unwilling, nay, stubbornly refused; and touching the head of father Zeus who holds the aegis, she, that fair goddess, swear a great oath which has in truth been fulfilled, that she would be a maiden all her days. So Zeus the Father gave her an high honor instead of marriage, and she has her place in the midst of the house and has the richest portion. In all the temples of the gods she has a share of honor, and among all mortal men she is chief of the goddesses.
Of these three Aphrodite cannot bend or ensnare the hearts. But of all others there is nothing among the blessed gods or among mortal men that has escaped Aphrodite.
Homeric Hymn to Aphrodite 1-35 (trans. Hugh G. Evelyn-White)
Untitled painting (c. 1920–1933) by JPF channeled through artist/medium Ethel le Rossignol depicting “the Sphere of the Spirit.” This is one of a series of forty-four of le Rossignol’s received “A Goodly Company” communications.
“This sequence of designs is shown to open the eyes of all men to the glorious world of spiritual power which lies about them.”
Now on display at
The Horse Hospital Colonnade, Bloomsbury London WC1N 1JD