Good News/Bad News: The Last 2D Animators at Disney are Doing Projection Mapping for Walt Disney World
The Good News: Legendary Disney animators Mark Henn (Tiana, Jasmine, etc.), Eric Goldberg (Genie, Phil, etc.), and Randy Haycock (adult Simba , young Hercules, etc.), are animating characters from Aladdin, The Little Mermaid, Moana, Big Hero 6, Zootopia, etc. USING THE CLASSIC, HAND-DRAWN METHOD for an upcoming Walt Disney World show, Happily Ever After, scheduled to debut May 12.
Besides the usual fireworks and pyrotechnics,
Happily Ever After
will feature the now de rigueur projection mapping on Cinderella’s Castle – only it will be done in glorious hand-drawn animation! What a wonderful way to keep kids aware of this now pretty-much-extinct Disney tradition!
The Bad News: Disney is wasting these legends on temporary theme park shows, when they could be using them to train a brand new generation of animators in the fine art of hand-drawn animation! Traditions like this MUST be passed down from one generation to the next, or else the intricacies and subtleties of the art form will be lost. Textbooks and video tutorials can only capture a fraction of the knowledge that these ‘old Masters’ have to share. It would be a shame if this knowledge died with them.
GIFs: Tiana animated by Mark Henn, Ursula animated by Eric Goldberg, Aladdin + Jafar animated by Randy Haycock
hello my sweet sweet ship…it’s been a while :D..don’t worry I haven’t forgotten about these two (three ?)
you might be familiar with these scenes..yes…it’s from Steven Universe’s episode “Last out of beach city”…all I could think about this episode,well besides the fact that Pearl has finally got a new love interest (?), is I’m imagining that Edd was Pearl and the Mystery Girl was Kevin…they’re somewhat fit for the character XDD…I love this episode…I’ll try to draw them in other scenes if I got the time
(i don’t own any of these character..I’m just a mere fan both of these show and this ship)
So I’ve been overwhelmed by the black panther comicon appearance and I’ve been dwelling on how revolutionary the black panther movie is going to be, what it’s going to mean to countless people when this movie comes out and how long we still have to go, So I decided to put this short photoset together to illustrate exactly how big of a deal it is and how it is bigger than one person.
it’s so bittersweet because when I was younger (especially growing up where I did, a black kid in Finland) I really wished I had more access to imagery and media that reflected who I was because it would have made my life radically different for the better and I wouldn’t be at 26 (STILL) doing damage control but on the flipside, I’m so in awe of all of the beautiful talent in 2016 that younger black kids are able to see and be inspired by.
I think I was like 4 years old when I conciously picked up race and color via watching Disney’s “Aladdin” and I noticed how Jafar, the evil royal guards etc the villains were more ethnic looking or a shade darker than the “good” characters.
it’s insidious because you’re seeing something but at age 4, you don’t have the comprehension skill or knowledge to break it down and see it for what it is (Colorism, Societal bias against black people which is rooted in centuries of white supremacist doctrine, society associates things that are dark/darker colors with evil, danger, ugliness, dirt etc) and reject it.
so you pick it up and see it on a surface level and you think to yourself “well darker must mean ugly, criminal and less human”…then what happens when you look at yourself in the mirror and find out that you are black?
and guess what? if a 4 year old black kid can pick that up and internalize that about him/her/themselves….then a white kid can sponge up the same language and imagery that dehumanizes black people too (subconciously/conciously)…what happens when when these people grow up? become teachers, doctors, law enforcement etc? what kind of impact is that going to have?
I’m going off on a tangent and that’s just one personal example but society does that on a global grand scale and it is largely unchecked.
but honestly though,look at the photoset and think about how many talented people out there that we love and respect….who would NOT have achieved the things they did if it wasn’t for another person before them inspiring them to reach their goals and acting as trail blazers when it seemed as though it was impossible….then think about the flipside and how many people, with all the potential in the world, never lived to become great because they were met with more images dehumanizing them than ones uplifting them…this is why the fight for HONEST representation is important and it continues.
1. Racist AF: the Asian character in both “Pitch Perfect” movies is literally a human joke with no real dialogue, just “weirdo” surreal one-liners. The Latina character in the 2nd movie is the same, and the jokes involve how little her life is worth because she’s Latina. And Banks directed that one!
3. Homophobic: the black character’s lesbianism is literally joked about in the first movie and treated with a “hush hush wink wink” vibe from the other girls throughout both. The “Bellas” all treat it as something embarrassing and it’s only treated as normal the one time in each movie that the character shares an anecdote about herself.
To be clear:
1. I’m not saying that Spielberg shouldn’t make more movies with women leads, far from it!
2. I AM saying that it’s peak white feminism when you read through Spielberg’s Wiki or IMDB filmography, see The Color Purple, and not know that movie STARRED OPRAH WINFREY AND WHOOPI GOLDBERG.
3. I am ALSO saying that “Pitch Perfect 2″ directed by Banks was one of the most offensive movies I’ve watched in years (yeah I know there are worst movies, I don’t seek out shit), especially the “throwaway life / who cares if I die” joke line on the Latina character.
Elizabeth Banks - work on your own shit, hire women of color as writers, and watch The Color Purple for f*cks sake
It scares me when people say I’m sweet because I’m not. I’m bitter enough to burst, half-sick with rage on my good days. I wish someone hated him the way I did, so that I could stop, so that I could get rid of this fury that rots & blooms inside of me. This is a terrible way to think: if you really loved me you’d want him dead. I’m so tired of boys saying I’ll kill him because they never follow through. It’s just a loud thing to say before they try to touch me and then I’m left with him in my head: laughing, rolling his eyes.
— Nicola Maye Goldberg, from “Dream Protocol II,” WHAT KIND OF TROUBLE?