Just imagine if BTS went to the BBMAs and went to the red carpet, and this interviewer just goes up to Jungkook and asks him “who are you wearing?” And JK doesn’t understand because he isn’t /wearing/ anyone, so he just responds with “pardon?” With his wide Jungshook eyes.
first off: i’m not a lawyer. this is all accurate to my knowledge but i’m not formally educated or trained in most of this, i just work around it and pick some stuff up
look i’m currently suffocating under crushing debt so i was like ‘hey i’ll see if there are any magazines taking submissions’ cause i may or may not get chosen but at least its something i’d be doing anyway and timelines and genre restrictions never hurt a girl
i ended up on this page (upwork) looking for “ghostwriters” and it’s laughable to downright insulting.
such as: “Hello,
I produce [REDACTED].
So if you are looking for a recurring job as a freelance writer you came
to the right place!
Here is what I need: Someone who can be a good researcher.
Don’t plagiarize. All books are run through plagscan and copyscape. They
need to be 100 percent original.
Timeliness - The faster you produce these (with quality) the more jobs
you will get.
This job will be recurring if you do a good job.
I will pay a maximum of $10 per 1000 words.
Lastly, by accepting this job, I will own all the rights to the book.
This includes characters, places etc. I own all the rights.
there were SO MANY OF THESE. look. i work in intellectual property for my day job. so here’s the thing: if you, a creative, does a “work for hire” agreement, like the one above, that means anything you produce under this agreement does not belong to you. you have effectively “sold” your intellectual property aka the story and all is defining characteristics - people, places, plot.
WORK FOR HIRE AGREEMENTS ARE NOT BAD! i see a lot of pushback against them on tumblr which is baffling to me because in the real world they’re how many creatives make money - by selling their creativity. with tv shows, for example, their characters and plots and what not do not belong to the creator of the show. they belong to the network of the show because they paid for them. writers of episodes don’t own the creative content of those episodes - the network does. because the writers are “work for hire” aka they’re getting paid specifically for their creative content.
work for hire agreements are usually the most advantageous when the payer is hiring the creator for the execution of a project rather than the creation of it. for example: hiring a writer to create a story out of a detailed outline, or an artist to draw something under strict specifications. the more creativity aka intellectual property the creator must generate and ultimately sell the rights too, the higher the pay should be for the work. (should. i’ve seen instances where pay is less but something else is gained - like different rights or credits - and that’s equally as acceptable as long as it’s what the creator wants. the creator should gain something equal to the value of what they are selling. obviously)
so the idea that $10 per 1000 words of pure original content is in any way shape or form acceptable is absolutely ridiculous. most literary magazines, which pay way more, get some form of publication rights but you the author retain all ownership rights. they’re not paying you for your intellectual property, only their right to display it without you suing them for infringingon your rights as a creator and owner of original content.
know your worth. know your value. i don’t know how many of these ridiculous ads actually get takers, but please do not answer any of them.
your ideas and writing and talent are worth more than pennies
so i made this post and saw that a lot of people were having similar blog issues. REBLOG THIS and follow me IF you are a larrie sticking around until the end.. we need to stick together. i will be following!!!!! I NEED U AND U NEED ME WE NEED EACH OTHER… let’s find each other
When Ushijima Wakatoshi, a highly ranked Demon Hunter
and early graduate of Shiratorizawa Magic Academy, returns to his alma
mater tasked with the mission of finding a demon hidden within the
student population, he expects it to be a simple job. Go in, locate the
demon, turn it over to the coven council to be disposed of, and add
another successful mission to his ledger.
However, the prime
suspect, a young man named Tendou Satori, although odd, doesn’t seem to
fit the profile. And after Tendou and his friends welcome Ushijima into
their group with ease and warmth, he finds himself second-guessing
everything he knows about demons and humans alike.