girls with bicycles

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“Through contemporary eyes, the static shots and urban milieus of Black Girl seem to solidify Sembène’s filmmaking as an aesthetic neighbor to the emotionally-walloping neorealism of the Italian De Sica. Black Girl may not evoke the immediate adoration of something as universally beloved as De Sica’s Bicycle Thieves, although the latter film’s deft interweaving of personal-is-political social commentary with the rueful, everyday messiness of the lives of the marginalized working class began a storytelling tradition that is gloriously carried on by Sembène. Black Girl has all the skillful stylistic simplicity of your typical piece of neorealism but also packs a sharper bite and it’s electrifying to watch Sembène craft a twisty drama with the piano-chord tautness of a thriller that is nonetheless coated in such a rare and wryly intimate form of humanity.”

Read more: OUSMANE SEMBÈNE’S BLACK GIRL IS ONE OF THE YEAR’S MOST IMPORTANT CINEMATIC EVENTS by Matthew Eng

Fashion shoot During A Strike Of Metro in Paris, Friday, October 28, 1966, the metro is on strike, causing major traffic jams in the streets of Paris. Two Swedish Models Barbara and Guje, riding bicycles on the Champs Elysee. Photo by Philippe Le Tellier (Paris Match magazine)