remember when we were teenagers and the first Twilight movie came out, and we were all supposed to have crushes on Robert Pattinson, and now it’s a decade later, and Kristen Stewart is gay, and we’re all gay for her.
Cannes 2017: The 10 Best Movies of This Year’s Festival
We dug through high-profile competition
titles, sidebars and special screenings to unearth the very best that
this year’s overwhelming festival had to offer.
You know you’re experiencing a strong year at the Cannes
Film Festival when everyone has a different favorite movie. For some
critics and journalists, the best was saved for the end, with Lynne
Ramsay’s post-modern detective story “You Were Never Really Here”
standing out in the competition; for others, the competition peaked
early with Andrey Zyvagintsev’s kidnapping drama “Loveless.”
In other words, Cannes is a lot of things to a lot of people, and each
member of the IndieWire team attending the festival this year
experienced the program in different ways. The following list is by no
means an exhaustive account of the program’s highlights, but rather a
breakdown of our very favorite films from 10 days of packed screening
schedules, the ones that will unquestionably stick with us long after
the 70th edition of Cannes has been relegated to the history books.
Filmmakers Josh and Benny Safdie’s gritty, rambunctious heist movie
transforms into an “After Hours”-like black comedy set over the course
of an unruly New York night. Robert Pattinson delivers a career-best
performance as the fierce, driven brother of a mentally disabled man
(Benny Safdie, in a risky but ultimately effective supporting role) who
winds up incarcerated as a result of their crimes.
As the Pattinson
character careens from one daring attempt to correct their situation to
the next, the movie continues to reinvent itself, the tone opening up to
new possibilities along the way. This is a familiar routine for the
Safdies, whose “Heaven Knows What” and “Daddy Longlegs” put them at the
forefront of New York independent filmmaking, but “Good Time” represents
the best consolidation of their technique to date — a blend of gritty
realism and fantasy in which emotional circumstances lead to gripping
suspense and disarming comedy in equal measures.
Already gearing up to
make another bigger movie — “Uncut Gems,” which is produced by Martin
Scorsese and set to star Jonah Hill — the Safdies are on the right track
to solidify their reputation as some of the best American directors
working today. —EK
Gala Croisette French Magazine May 26 and May 28 issues with Robert Pattinson at Cannes 2017
Robert Pattinson is shedding his movie star looks for Cannes drama Good Time. /“I do every movie to try to get into Cannes”/
Gala: In Good Time, you are playing a bank robber and it’s hard to find anything sympathtic about him. Are you the kind of actor that brings your character home?
RP: With this one, kind of, but mainly because I was just shooting for like 16,17 hours and it’s almost impossible to not bring it home, because you are just constantly in it. And the whole point was to put everything on the screen and it kind of helps with the character when you are sort of living in isolation.
Gala: With that movie, you have taken a lot of risks as an actor. Its it important to you when you choose a film?
RP: Yeah, I don’t know. I just want to find projects I am really obssessed with. I like finding. I am not from the film industry, I didn’t really grow up in it, so I would go off to directors who I think people don’t really know how good they are yet. I love the discovery, more than trying to be in the big movie that is coming out or going off and trying to be with the most famous director in the world.
Gala: Can you talk how special it is for you to be in Cannes?
RP: I have always loved Cannes. As I started acting, I went in 2009 and I just had the best trip ever. I went to se Inglorious Bastards here and you have a premiere on a speedboat and stuff, it’s crazy! It’s a very proud festival and it take itself really seriously and to get in competition, it’s very special. So I do every movie to try to get into Cannes.
Gala: Do you still feel uncomfortable with your heart throb image?
RP: I am always way more surprised than everybody that I am considered a heart throb. That kind of reaction really blows my mind. I mean, it’s only because of Twilight. Before Twilight, I never got the good looking parts, ever. I was gangly and whatever, but then you do one movie and people are like “you are so beautiful”… So stupid, I can’t believe I just talked about that.” (laughs)
Le Club By Albane: Robert Pattinson makes himself at Home
It’s become something of a ritual. Whenever he comes to the Corisette, Robert Pattinson always spends at least one evening at the club by Albane. In 2012, the first time he visited Albane, the former Twilight star was in a relationship with Kristen Stewart. Their appearance there made the news worldwide. The day before yesterday. the British actor was on the rooftop of the JW Mariott Cannes for the evening hosted for Good Time (in which he plays the part of a fearsome gangster) organized by Dior on the Terrasse By Albane. Tonight, Albane receives Roman Polanski for the after party of his new film, Based on a True Story, adapted from the novel by Delphine de Vigan.
Blood Brothers You know the Coen Brother? The Wachoskis? Here are the Safdies- Joshua and Ben. They are also American. Revealed at Cannes in 2008, this is their first participation in the official competition after ten years spent building a world- in the independent film mode - of nice guys, bad guy and anti-heroes on the edges of society, revolving around Queens, where they grew up. This approach positions them as the natural heirs to the Scorsese of Mean Streets or James Gray from his Little Odessa period, without for the moment reaching the level of their predecessors who are unrivalled presenters of fatality. Good Time relates the daily life of a bank robber who, when not running away from the cops, needs to look after his mentally disabled little brother. Ben Safdie plays this role alongside a badass, electric although very engaging Robert Pattinson. Yet Good Time does seem rather fragile for the big competition. It would probably be more at home at the next Deauville festival.