Oh, look!!! It’s an old meme that I made a long time ago and then forgot about it!!! I found it today while I was backing up some old files on my computer and decided it was time to post it. ~~~~Enjoy~~~~
So you know those shows that are in a very professional setting, and everyone’s dressed accordingly? Like, they’re always wearing suits, dresses, high heels, etc. But every now and then, you get an episode where they’re just relaxing - cardigans, college sweatshirts, pajamas - now that is some Good Shit™ right there
i don’t understand why tv writers think that weird relationship struggles is interesting to watch. one of the most fufilling het romances on tv i ever watched was Peter and Elizabeth Burke in White Collar because they were just so adorably domestic and cute and there wasn’t any weirdo love triangle thing going on.
I think I’m going to start doing these now, because there are so many shows that I love to the moon and back, and I feel as if not many people know about them? Or maybe know the names, but haven’t actually sat down to give the shows a try.
As said, I’ll probably end up doing more in the future, but we’re starting with White Collar, here we go.
Brief Summary: The show focuses on a con man named Neal Caffrey, and FBI agent Peter Burke. Prior to the show, Peter has been chasing Neal for years, and finally he has kept him in prison for a few years. In the pilot, Neal breaks out of prison, and when Peter finds him, Neal manages to talk his way to getting an anklet rather than being put back in prison. (This, because he helps out with a case, and Peter realizes that he could be useful for several more in the future, seeing as he is so extremely talented, we find out as the show continues.) This is how the show gets started, and just about every episode is the two of them working on a different case, with several subplots that reaches for several episodes.
While I do believe that this show could have a better representation, both when it comes to racial diversity and lgbt+ characters, it doesn’t completely fail as many other, and way more famous shows seem to. Not to mention the fact that I can’t necessarily recall a single time that a character of color, or lgbt+ character has gotten seriously injured, much less killed. This show treats its characters very well.
Other, smaller reasons to watch:
The main character is hilarious, and portrayed by gay actor Matt Bomer.
In the beginning, Peter is simply annoyed by Neal’s presence (entertainingly so) but as the show continues, they build a very strong and touching friendship.
Black, Lesbian, FBI agent Diana Berrigan is a complete and total
badass - and stays alive throughout the entire series (Imagine that!)
Willie Garson. That’s it. (And beyond Willie being hilarious by himself, his character is well thought out and not only funny but smart in a way that makes him go way beyond the stereotypical ‘comical sidekick’.)
Peter and Elizabeth’s marriage is beautiful, as well as the friendship that she forms with Neal and Mozzie (Willie Garson) Elizabeth is just a really great character.
Diahann Carroll is amazing, and has a recurring character, all the way from the pilot to the series finale.
In conclusion, the entire show is just extremely well done and planned out. The series finale is absolutely mindblowing and so, so clever. This show doesn’t get nearly enough credit.
hi sam. ^^ for fundraiser fic, i'm requesting that neal caffrey and peter burke meet steve. mostly for neal and steve discussing art and other cuteness.
FBI Agent Peter Burke seemed like a nice guy, and he wasn’t barking at Clint over jurisdiction, so Clint was inclined to be friendly.
“Look,” Burke said, clearly working on being patient, “You know we don’t need the Avengers on this, right? It’s uh. More…detective work than your…usual MO.”
Clint nodded. “Have you tried telling Captain America that?” he asked, gesturing to where Steve and Burke’s partner, a guy in a sharp suit named Caffrey, were chatting excitedly in front of an empty painting frame at the Met.
“I wouldn’t dare tell Captain America anything,” Burke admitted.
“Not when he’s like this, anyhow,” Clint said. “Just…let him tag along, you never know when you might need an art-loving sensitive kind of guy to punch someone through a wall.”
“I have always wanted to see that,” Burke admitted.
“So you met Picasso?” Neal asked, in a voice that was nearly a squeak.
“Yeah, while I was overseas. Nice guy, massive egomaniac. Damn, but I hate to see one of his go missing,” Steve said, looking up at the empty frame. “Think we’ll get it back?”
“Oh, sure,” Neal waved a hand dismissively. “I recognize this guy’s technique, I’m pretty sure I have the address somewhere of the storage unit he probably stashed it in. You like Picasso’s work?“
“Well, sorta. I like Magritte more.”
Neal made a soft noise. “Did you meet him?”
“Nah. But he’s got a quality, you know?”
Neal nodded. “Have you ever seen his photos?”
“Photos? No,” Steve said.
“Yeah, the Met’s got a bunch of his gelatin prints around here somewhere.” Neal grabbed Steve by the arm and dragged him to where his boss, Burke, was talking with Clint. “Peter, Steve and I have some really important investigation to do. He’s on the case with us, right?”
Clint looked amused. Burke looked like a dad considering letting his kid have a friend sleep over.
“Keep out of trouble,” Burke ordered.
“Come on, before he changes his mind,” Neal whispered, and led Steve off. “You’ll love the photos. Then we can steal back the painting and you can punch the thief if he tries to stop us.”
“I do like punching art thieves,” Steve agreed amiably.