ghost in the shell*

Whitewashing: An American tradition. Hollywood shapes how we are seen and *not* seen. But we don’t have to give them our money and views. Ghost in the Shell and Death Note are more missed opportunities to showcase Asian-American talent. Let’s not watch them.

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hollywoodreporter.com
'Ghost in the Shell': 4 Japanese Actresses Dissect the Movie and Its Whitewashing Twist
THR invited the women to join a no-holds-barred conversation about cultural authenticity and why Japanese nationals fail to understand the race controversy: "People in Japan worship white people."

How did the movie compare with your expectations?

Traci Kato-Kiriyama: It was stunning visually, but emotionally it didn’t draw me in.

Keiko Agena: It was harder to watch than I thought it was gonna be. To get emotionally invested, you have to really care that she needs to find out who she is. But when she finally meets her mom, my gut felt so weird in that moment.

Kato-Kiriyama: That scene was devastating on all levels. It got me because of the emotion of the mother [veteran Japanese actress Kaori Momoi]. She’s really wonderful. That scene should have been beautiful, but Major had nothing in her eyes. Acting-wise, what a missed moment.

Atsuko Okatsuka: I wasn’t aware they were gonna explain the whitewashing. I thought it was just going to be an action film, no explanation, just go with the fact that it’s a future Japan with this robot cop. And then to be like, “Oh shit, I used to be a Japanese woman!” (Laughter) That was against my expectations.

How did you feel when that twist was revealed?

Agena: That was hard, y’all. Hard and awkward.

Ai Yoshihara: Major’s backstory is white people trying to justify the casting.

Okatsuka: And they f—ed up in the process because now it looks even worse. The text at the beginning of the movie explained that Hanka Robotics is making a being that’s the best of human and the best of robotics. For some reason, the best stuff they make happens to be white. Michael Pitt used to be Hideo.

Agena: That was the other cringe-worthy moment, when they called each other by their Japanese names. We’re looking at these beautiful white bodies saying these Japanese names, and it hurt my heart a little bit.

Kato-Kiriyama: It was supposed to be so touching and intimate, and it felt gross. And kind of laugh-worthy at the same time.

Okatsuka: I would have preferred them just using American names. “You used to be Bob.”

can i just say something?

when I was a kid, I told my mom that I wanted to be an actress when I grew up. You know what she told me?

She said, “sure, but you’re going to have to do it in China. America won’t hire you if you’re Asian.”

And that was it for that dream. 

Of course, that was just a phase - one of many, one I would’ve gotten over anyway. But what she said stuck to me. You’re going to have to act in China, because America doesn’t hire Asians.

And if there’s anything I learned over these years, it’s that she was right. Asian-Americans don’t get to see ourselves on screen. We don’t get to read about our deeds. And we get pissed. We complain, we shout, and people dismiss us because, oh, “the Japanese are okay with Ghost in the Shell”, and “I’ve heard that mainland Chinese are perfectly fine with Iron Fist.” Well, great for them. This isn’t about them.

This is about us. Asian-Americans. Asian-Canadians. Asian-Australians. Asian hyphen something. And the Asians in Asia don’t understand - because they can’t. They’re surrounded by media portrayals of them. They never have to fight for representation because it’s always there. They have no idea what it’s like to live in a country that sees you as other, and then to have to go back to your home country, to have your parents tell you “this is you, this is your culture, your heritage” and you look upon the faces of your family and you see nothing of yourself in them. 

Asian-Americans are not the same as Asians who live in Asia. We live in a different culture. Our values, our beliefs, the experiences that shape our lives are separate. 

We want to see ourselves in western media because it’s what we grew up with. It’s what surrounds us. Sure, we can watch K-dramas and anime and Chinese/Taiwanese/Japanese/whatever dramas, and a lot of us do, but it’s still not us

We shouldn’t have to go watch Asian dramas just to see a part of us represented. We shouldn’t have to move to Asia just to be hired. 

We deserve to represent, and be represented, as ourselves.

don’t touch cyberpunk if you don’t get it.

don’t act like you’re on some holy crusade when you make a video game with neon and rain and the look of cyberpunk but then throw in stuff like how women’s rights and basic income are the backbone of a dystopia

don’t make a movie with scarlett johansson playing a poor send-up to motoko kusanagi and then lack the spine to even mention the socio-political points of why the character prefers a caucasian chassis in the first place (spoiler alert: it makes incredibly unkind point about western women). especially don’t call it feminist when the themes and narrative are stripped away in favor of a generic revenge tale. don’t retell akira and put it within and about the culture that dropped those nukes in the first place. the teenage edgelord connoisseurs can just go watch these anime and film in the first place

don’t copyright the word ‘cyberpunk’ no matter how noble your intentions are. you have no real way of guaranteeing that your successors at your place of work will share your sentiments.

don’t tell another faux-deep story that cosplays badly as Blade Runner about a hacker or a detective or an android and his manpain 

don’t give me more cool-looking stuff that either lacks the teeth to get political or has the fundamental politics of the genre contorted and perverted so that spoiled Gen X dudes never have to challenge themselves or their way of life. 

just…don’t, okay?