gallery tour

Hannah van Bart at Marianne Boesky Gallery

Despite her assertive pose, Dutch painter Hannah van Bart’s enigmatic young lady appears to literally blend into the background as a shape-shifting wall the color of her dress manifests over her chest. (At Marianne Boesky Gallery through Feb 4th.) Hannah van Bart, Untitled, oil on linen, 39 3/8 x 25 5/8 inches, 2016.

Angel Otero at Lehmann Maupin Gallery

Using skins of dried, peeled paint as a collage material, Angel Otero adheres color to his canvas in fleshy pinks and mustard yellows that recall deKooning’s sensuous Pink Angels tempered by a cooler palette. (At Lehmann Maupin on the Lower East Side through Dec 31st). Angel Otero, Come Sleep with Me: We Won’t Make Love, Love will Make Us, oil paint and fabric collaged on canvas, 96 x 72 x 2.5 inches, 2015.

Adrian Ghenie at Pace Gallery

‘Rest During The Flight Into Egypt’ broaches the subject of migration in Romanian artist Adrian Ghenie’s latest solo show at Pace Gallery in Chelsea. Here, two kids wait on a railroad track in front of a heaving, blood-red landscape wearing masks that disguise their faces but not the damage inflicted upon them. (On view through Feb 18th). Adrian Ghenie, Rest During the Flight Into Egypt, oil on canvas, 7’ 10 ½ inches x 9’ 6 ¼ inches x 2 inches, 2016.

Like the idea of having our galleries all to yourself? Join us for a before-hours tour tomorrow on Facebook at 9 am EST. Chief curator Scott Rothkopf will be discussing work on view in Human Interest: Portraits from the Whitney’s Collection.

Installation view of Human Interest: Portraits from the Whitney’s Collection (Whitney Museum of American Art, New York, April 27, 2016–February 12, 2017). Photograph by Ron Amstutz

David Shrigley at Doris C. Freedman Plaza

David Shrigley explores a new side of the banal with his monumental stone ‘Memorial,’ a tongue-in-cheek celebration of the short-lived usefulness of the shipping list. (Presented by the Public Art Fund at the entrance to Central Park at 60th Street and Fifth Ave, through Feb 12th). David Shrigley, installation view of ‘Memorial’ at Doris C. Freedman Plaza, Central Park, 60th Street and 5th Ave, Nov 2016.
When I have to lead back-to back-gallery tours.

My friends in other fields talk about things like “bathroom breaks” and “lunch time” and but museum people are different. We hop between unicycles with full bladders and sometimes duck into a broom closet (which is also probably someone’s office) to eat a granola bar in under 20 seconds.

Paulina Olowska at Metro Pictures Gallery

Polish painter Paulina Olowska’s series of female figures suggest strong personalities; this shadowy character is based on gardener Valerie Finnis, who confessed to having once put plants before people. (At Metro Pictures in Chelsea through Dec 22nd). Paulina Olowska, The Gardener after Valerie Finnis, oil and acrylic on canvas, 86 5/8 x 70 7/8, 2016.