Using skins of dried, peeled paint as a collage material, Angel Otero adheres color to his canvas in fleshy pinks and mustard yellows that recall deKooning’s sensuous Pink Angels tempered by a cooler palette. (At Lehmann Maupin on the Lower East Side through Dec 31st).
Angel Otero, Come Sleep with Me: We Won’t Make Love, Love will Make Us, oil paint and fabric collaged on canvas, 96 x 72 x 2.5 inches, 2015.
After living in Sydney, San Francisco, London and Luxembourg, Kathryn Smith and Ike Udechuku moved to Brussels and created Ampersand House, a home-gallery where public and private meld together. The neoclassical house (where they really live) is located in the vibrant Saint Gilles district, and the interiors are in constantly changing as containers of art and design, vintage and contemporary furniture, objects and prototypes. Almost everything is on sale and used by the owners in everyday life as well as by visitors and collectors who can experience these design pieces in situ. Often, they invite gallerists and artists who present artworks and rare and unique furniture in their home. Kathryn and Ike still works in law and finance, but they now mostly operate as design advisors: they supports clients in purchasing art and design pieces and help them to create their own eclectic style.
Source: Ampersand House- Elle Decor Italia. Ph Mark Seelen
Despite her assertive pose, Dutch painter Hannah van Bart’s enigmatic young lady appears to literally blend into the background as a shape-shifting wall the color of her dress manifests over her chest. (At Marianne Boesky Gallery through Feb 4th.)
Hannah van Bart, Untitled, oil on linen, 39 3/8 x 25 5/8 inches, 2016.
David Shrigley explores a new side of the banal with his monumental stone ‘Memorial,’ a tongue-in-cheek celebration of the short-lived usefulness of the shipping list. (Presented by the Public Art Fund at the entrance to Central Park at 60th Street and Fifth Ave, through Feb 12th).
David Shrigley, installation view of ‘Memorial’ at Doris C. Freedman Plaza, Central Park, 60th Street and 5th Ave, Nov 2016.
‘Rest During The Flight Into Egypt’ broaches the subject of migration in Romanian artist Adrian Ghenie’s latest solo show at Pace Gallery in Chelsea. Here, two kids wait on a railroad track in front of a heaving, blood-red landscape wearing masks that disguise their faces but not the damage inflicted upon them. (On view through Feb 18th).
Adrian Ghenie, Rest During the Flight Into Egypt, oil on canvas, 7’ 10 ½ inches x 9’ 6 ¼ inches x 2 inches, 2016.
Polish painter Paulina Olowska’s series of female figures suggest strong personalities; this shadowy character is based on gardener Valerie Finnis, who confessed to having once put plants before people. (At Metro Pictures in Chelsea through Dec 22nd).
Paulina Olowska, The Gardener after Valerie Finnis, oil and acrylic on canvas, 86 5/8 x 70 7/8, 2016.