Joss Whedon may have given Black Widow and Maria Hill decent roles in The Avengers, but the movie still failed the Bechdel Test, all while making time for crowds of male footsoldiers and sidekicks. As for Age of Ultron, some fans are already concerned that Scarlet Witch is destined to become yet another of Whedon’s troubled-but-dangerous waifs, a staple of all his creative endeavors to date.
Instead of praising Whedon for the millionth time, it may be a better idea to focus on women in the industry, such as comic book creators Kelly Sue DeConnick and Gail Simone, or the female showrunners of Marvel’s Agent Carter and A.K.A. Jessica Jones. If fans continue to hold up Joss Whedon as the voice of authority for feminism and diversity in superhero entertainment, then we’re not setting a very high standard for ourselves.

It can be really frustrating working on the comics sometimes.

There’s a large, vocal audience declaring how much they want to see more diversity in comics and more LGBTQ characters. I was one of them, even. And it’s why I made The Pride.

However, when an indie project comes out with just that, a lot of this audience don’t actually buy the product they’d been calling out for: because it’s not from Marvel or DC.

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Fact is though, if an audience doesn’t prove a desire and market for such a product, they won’t be willing to take a risk on creating one of their own. 

Obviously, I’m small press. I self-publish. I pay to get the comics made out of my own pocket. At the moment, there’s still around £5000 to pay artists for work and get the rest of the series printed when it comes to it. This isn’t even taking into account the cost of postage etc…it’s hard work, and takes up a lot of my time and money.

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But it’s a labor of love, so I keep working at it. I wouldn’t change that for the world. But I do wish that I was able to pay the artists faster and could afford printing easier.

The Pride has 841 Likes on Facebook. If all of them bought just one copy of The Pride digital issues (at just £1.50), any issue, that would raise a massive chunk needed towards paying off the remaining artists! It would literally fund itself. I wouldn’t make any money myself, but I don’t care about that. This project is as much about building my profile and name as a writer than it is about getting rich…I will never get rich off The Pride, but I love doing it.

Likes are all well and good, honestly they are great and a massive help in their own right, but it doesn’t help me actually make the comics. And it’s frustrating to see this market, this audience, saying they want a product and then just…not.

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Just felt like sharing that is all. In case anyone is considering making comics of their own. Obviously, I don’t want to scare anyone off: you wanna make comics, make comics. But be prepared for hard times and struggles, but if you work hard it could well all be worth it in the end.

And of course, if you do want to buy The Pride, you can do so here.