futuristic airport

‘Miko No Inori’ - Mariko Mori (1996)

“Miko No Inori, which translates as the Shaman-Girl’s Prayer, is set in a digitally transformed version of Osaka’s international airport, which seems to be at once a vaulted temple and a sleek, futuristic space. As in many of her videos, Mori appears as a cyborg—a fantasy woman, half-machine, half-human—in this instance, dressed in a white, iridescent costume that complements her reflective ice blue eyes. She cradles and caresses a glass sphere while a haunting pop song plays. The figure recalls a fortune-teller with her proverbial crystal ball, but she also invites other interpretations that coexist uneasily: she can be seen as a bodhisattva—a spiritual guide who forgoes nirvana out of compassion for those who suffer—but she also resembles a model promoting a new product, gazing directly at the audience with her glass orb seductively in hand.”