Today we celebrate Rafael Barba and since he’s the character I’ve drawn most, I decided to post my latest collection. As you can see there are not only Barba’s in it, but also some “Raúl’s”. That’s because I made 4 of these collages for a big tweet and had to squeeze the Raúl’s in the SVU part. 😄
The 4th part contains all my drawings of his non-Barba roles and if you’re interested in it, I can post that later.
First of all, it’s worth mentioning that House MD was inspired by ACD stories therefore it wouldn’t be odd for Mofftiss to take inspiration from the series. Also, it’s the only modern Sherlock series except for their own.
Gregory House - Sherlock Holmes, James Wilson - John Watson, Amber (aka Wilson’s dead gf) - Mary (aka Watson’s dead wife).
Ok let’s start with S4E15 ‘’House’s head’’
Summary: House has a short disjointed vision and presumes that “somebody’s going to die”. Back at Princeton-Plainsboro Teaching Hospital, House is diagnosed with a concussion and post-traumatic retrograde amnesia. Chase performs a medical hypnosis on House to stimulate his memory. While the team investigates several pathologies to fit the bus driver’s condition, House overdoses on his Vicodin and starts to hallucinate.
In a renewed attempt to retrieve his memory, House has his team reenact the bus crash. House overdoses on physostigmine, a medication against Alzheimer’s disease, and his mind flashes back to the bus scene before the accident. “The answer” reminds House that since he values reason above everything else, there must be one for her presence in his mind. She keeps asking House what her necklace is made from, until House realizes that it’s made of amber. “The answer” transforms into Amber Volakis, and when Wilson and Cuddy manage to resuscitate House from his overdose-induced cardiac arrest, House immediately informs Wilson that Amber’s life is in danger as he now remembers the crash.
This one is going to be pretty messy because this episode parallels HLV, TAB, and T6T. The most important thing is that Sherlock/House overdoses to solve a case in his mind, turns out it has to do with James’/John’s wife.
In an attempt to remember exactly what he saw that caused his initial concern and help definitively diagnosis her (Amber), House decides to undergo deep brain stimulation with Wilson’s urging. The crash caused such extensive anatomical and physiological trauma to Amber that she ended up suffering acute renal failure. This damage to her kidneys made them unable to adequately filter out the amantadine, causing her to overdose, and thus causing all her unexplained symptoms. Wilson suggests dialysis as a treatment, however House tells him during the memory of the moments leading up to the bus crash that when unfiltered, amantadine binds to proteins in the kidneys, and therefore dialysis is unable to clear it from the blood, and ultimately there is no treatment for Amber. House and Wilson begin to cry, and House goes into a seizure while still connected to the Deep Brain Stimulation equipment. The seizure causes the equipment to shift, thus causing House’s brain to bleed, leading to him falling into a coma. An unconscious House has a vision of Amber who persuades him not to give up on life and die, telling him that he “can’t always get what he wants”.
Wilson returns home and finds the note Amber left him in their bedroom saying she went to pick up House and would return home soon, causing him to breakdown in tears.
“Dying Changes Everything”
House then enters Wilson’s office and offers an apology in a final attempt to make him stay. Wilson tells House that he does not blame him for Amber’s death, as much as he wanted to, and tried hard to. However, when House starts to assume that everything is fine, Wilson tells House that Amber was never the real reason why he was leaving. Wilson says that he has realized that House is rude and malicious to everybody he knows, including him, and throughout their entire friendship, he’s been enabling his behavior. Wilson claims that as long as the two remain friends, he will always continue this negative atmosphere. He then begins to say that he should have been on the bus that crashed, but then pauses and says that House should have been on it alone. “We’re not friends any more, House; I’m not sure we ever were,” Wilson says as he leaves his office and leaves House in the room alone.
(cont. Wilson: I don’t blame you. I wanted to-)
“Under My Skin”
Summary: […] House must solve this daunting puzzle, even while going to extreme measures to rid himself of his continuing hallucinations of Amber.
House confides in Wilson about his problem, and they create a list of potential diagnoses, ranging from MS to schizophrenia. While House tests for and eliminates diagnosis after diagnosis, Wilson consults on House’s case, serving as a monitor to make sure House does nothing that goes beyond “House-radical” to “House-out-of-his-head-radical”. Meanwhile, House eliminates all possible diagnoses but severe mental illness and Vicodin addiction—both prognoses bleak, as House would be unable to practice medicine if taking anti-psychotics, or if in continuous pain after detox. In desperation, House gives himself insulin shock as an alternative to anti-psych drugs or ECT. After recovering from the insulin-induced coma, House finds himself free of his hallucination and eagerly returns to the diagnosis of his patient. Returning to the case, House finds Penelope’s boyfriend’s devotion suspicious, and believing it to be guilt-induced, tells his team to test him for gonorrhea. The test returns positive, but it becomes evident that the boyfriend was shocked by this, and that Penelope had been cheating on him, not the other way around. As House realizes that he reached the correct conclusion by accident rather than through accurate observation, he once again starts to have hallucinations of Amber.This leaves House’s Vicodin addiction as the final diagnosis for his hallucinations. Rather than go to a clinic or check into the hospital under a pseudonym, House reveals his situation to Cuddy and asks her to personally help him. Cuddy spends the night at House’s home, destroying any caches of Vicodin and monitoring him as he detoxes, with Amber eventually disappearing. The episode ends with House and Cuddy kissing passionately and disrobing.
“Both Sides Now”
I’d rec reading the summary, i know it’s long but it’ll make you realise how similar to TLD the ep is. And if i’d have to rec you one episode of house to watch from this list, it’d be this one.
House wakes up at his apartment after spending the night with Cuddy. He discovers that she has left her lipstick on his bathroom counter, as well as on his cheek. House pockets the lipstick, and goes to work in a cheerful mood and a remarkable lack of pain.
Meanwhile, Cuddy tells House that their relationship must be that of employer and employee. House tells Wilson that he kicked his drug habit and had sex with Cuddy; Wilson advises that he talk to her, advice which House ignores. Instead he begins a campaign to annoy and provoke her, an attempt to break through her composure. In a final attempt to provoke Cuddy into examining her true feelings for him, House announces to everyone in the main lobby of the hospital that he had sexual relations with Cuddy. Cuddy responds by confronting him in a hallway, and then firing him after he suggests that they move in together. Cuddy storms off but before House can do anything else. House then goes to talk to Cuddy in her office, and asks her if she could possibly be overreacting to the previous night. She finally admits that maybe she is, since he’s “said plenty of lousy things to [her] before.” House seems confused, as he assumed that she was overreacting to her and House having sex and what it could mean to their employer-employee relationship.
But he realizes that Cuddy’s reactions all day have been consistent, and in fact it is his own memory of the situation that is faulty. He turns his attention to the lipstick Cuddy let at his apartment, which he has been playing with all day, and is troubled that Cuddy’s coffee cup shows no lipstick smears; his memory of the prior evening included smears of lipstick on his face from kissing Cuddy, so he expects her lipstick is the sort that smears. He asks Cuddy whether she has another type of lipstick, one with a “sealing agent”, that might explain the discrepancy between his memory of the smeared kiss and the reality that now confronts him of the unsmeared coffee cup. House then has a flashback to the night (from the episode “Under My Skin”) before when he thought he told Cuddy that he needed her help with his addiction. He suddenly sees the reality of what has happened: he never told Cuddy he was having hallucinations that night. His final words of the evening were: “you can go suckle the little bastard child if that makes you feel good about yourself.” Upset by this remark, she left the office and went home, never accompanying him to his apartment.House snaps back to reality and tries to explain to Cuddy that that’s not what actually happened, saying “I told you I needed you, and you helped me.” He reaches into his pocket to remove the lipstick, but, to his shock, he discovers that it is actually a bottle of Oxycodone which states ‘not to exceed’. He drops the bottle on the floor and gingerly backs away from it. Cuddy, now realizing House is not joking, rushes to him and asks if he is okay. He doesn’t respond, but then has another flashback, and realizes what happened. The whole previous night was a complete hallucination, beginning from him telling Cuddy that he needed her to help him detox and her accompanying him home. His memory of Cuddy staying by his side at his apartment was not real, and, in fact, he spent the night popping pills by himself. Hallucinations of Amber and Kutner then appear and tell House that while the story he invented about himself is nice, it’s not true. House finally looks at Cuddy and is able to fearfully tell her that he is not okay.
House awakens in the Mayfield Psychiatric Hospital after suffering through the painful effects of Vicodin withdrawal.
Dr. Nolan tells House he cannot possibly treat someone so uncooperative. As Nolan leaves, however, House softly calls him back and says, “I need help.” He begins therapy with Nolan and House says, “I want to get better.”
House apologizes to Steve, and as he wheels him away, Steve breaks his silence and gives the silent Annie the music box he was holding. For the first time, she speaks to say 'thank you’. Lydia arrives and House takes her in to see the group watching her sister-in-law playing “Bach’s Cello Suite No. 1” on the cello.
Ah, I’ve forgotten to add this. It’s from the beginning of season six. House finds out that Lisa didn’t break up with her bf. = Sherlock didn’t ‘’break up’’ with the woman. Parallels the 221B scene in TLD.
(House: they didnt break up. Wilson: and youre ok with that? House: it is what it is)
Imagine a powerful wizard conjuring an illusion of Robin's past spouse who died so she could escape Plegia, and although she can't remember him clearly she's very shook in the midst of battle so Frederick saves and consoles her ♡
Has anybody you know of ever used a scythe in battle? Not as in a farm tool, but rather one specifically designed as a weapon.
“Er… no, not a traditional scythe, at least. Traditional scythes are large and unwieldy, specifically designed for trimming grass or reaping wheat rather than combat. War scythes are another matter altogether. Though they look more like spears or bill-guisarme than the farming tools they originated from, war scythes are rather esoteric polearms. They are primarily used by infantrymen, and serve to provide an extra edge against cavalry. They are useful for stabbing and slashing, and the mere sight of them can sent fear into the hearts of unprepared enemies.”
“In my experience with war, a few spearmen I served alongside during the Crusades used them. They were sadistic men – with more brigand in them than knight – who enjoyed killing the horses from beneath fleeing foes and watching their helpless victims beg for their lives. Heavens only know what happened to those curs, but the end of the war saw the development and popularisation of Beast Killers. My guess is that they used their wartime salaries to go ‘professional’.”
“I suppose that’s simply how war works, though: those who find a more effective way to kill go on to propagate their methods. I, for one, prefer not to use those ghastly lances.”