forbidden desires

“Do I look like a desire demon? Do you want me to strip down and put on something filmy and sheer?”
Imshael - The Masked Empire

Imshael, as a Desire Demon, even if he doesn’t look like himself at all.
Consider it a random design for a male desire demon.

I don’t know if it counts as a nsfw piece, so if you want me to tag it or to add tw, just contact me!

Masterlist Fanfiction/Imagines

Author: 

Fandoms: Gotham - TWD - Star Wars Rogue One - Fantastic Beasts - Bloodline

Sorted by Fandom, Character and Theme.

 - Please let me know if any of the links don`t work - 

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Hold down the body

Hold down the body
with both hands, leaving

large red and purple stains
on the purest white skin
She comes to me to forget
but lately she has been

remembering, I am inside
her, wrapping around her bones
She doesn’t want me expelled
completely, the intensity

of my feelings crackles over
in waves of electrical current
Hold the body down
with lips and palms and legs

for forgetting is forever and
I don’t want her to forget me yet

Enneagram Portraits

PORTRAIT ONE

There is a sense in which these people were good little boys and girls who learned to behave properly. And because their natural desires were forbidden when young, they rarely ask now what they want from life. Instead, they focus on what they perceive to be the correct thing to do.

They will be familiar with feelings of guilt, for there is within them a strong inner critic. This critic rarely gives them a break. It often tells them what they could have done better, but rarely tells them what they have done well.

It is hard for Ones not to pass on this critical attitude to others, and they can become a rather judgmental presence. ‘Ought’ and 'should’ may well be significant words for a One. They have a clear sense of how things should be done, and tend to want others to do it in that way.

Anger is felt to be a bad emotion by these people, so they do not wish to express it. They do not react well to anger, either theirs or that of others. Within themselves, they work to keep it from view, hidden safely 'below stairs’.

When asked if they are angry, they will probably say no. If Ones do get angry, they feel bad afterwards, until able to rationalise it away.

Ones are concerned with how others perceive them. They are anxious to be seen to be doing the right thing and worry about this. There may also be lingering resentment about others not doing the right thing.

Homecoming and delight arrive for these people when their turbulent inner life and active outer life merge in a harmonising pool of self-acceptance. It is a place where no one condemns them. They feel entirely held by the water and know nothing but their own worth.

The energy and clarity of Ones makes them great reformers in their different walks of life. Their integrity and passion for truth make them truly inspiring. But to be free, they must leave behind guilt and shame, and learn to see the sweet perfection in all things - including themselves.

PORTRAIT TWO

These people are seen as life’s carers. They love to be in contact with others, to help others, and to some, they look like saints - busy saving everyone.

As their sense of self is found mainly in external value, Twos move outwards, towards people, with remarkable energy. They may find it harder to find value in themselves, however.

It is hard for Twos to face their own needs. They were perhaps their mum and dad’s little helper. They felt such help won them approval, and as adults, they both need and seek this approval still. They display a strong desire to be needed, and work to create dependence.

Because they have little sense of inner belonging, these people can become clingy in their need to belong in the world. In particular, they crave the approval of those they regard as important.

They are adept at flattery, knowing instinctively what people want to hear, and tend to merge with a strong leader. They are able to lead, but are much more comfortable as a power behind the throne.

Pride is an issue, as they impose their caring will on situations. They rescue people - but such rescue is not offered freely. Twos look for a sense of gratitude and dependence in the helped, and resentment is felt if this is not forthcoming. They can be angry and aggressive in such circumstances.

They tend not to seek mutual relationships but dependent ones. Like a cat, Twos can display both affection and extreme independence. They don’t seek the help of others - just their admiration.

Homecoming and merriment come to Twos when they give up the self-image of saviour and dare to approach their own needy selves. They fear there is nothing within, yet they will find so much - a strength and beauty they never believed possible.

The compassion and generosity of Twos will always draw in outsiders. Their challenge is to do this with humility and freedom - and without manipulation.

When they realise they can save no one but themselves, they can truly save the world.

PORTRAIT THREE

These people like to be active, and are often perceived as successful. They tend to be seen as effortless achievers in their chosen spheres and possess a competitive edge.

They also possess a deep fear of failure and put much energy into avoiding it. Threes are skilled at succeeding, but often at great cost to themselves.

There is a schism between their performing self and their real self. They are attracted by the heart, but to go there seems a journey too far - so they stay active and busy instead; it drowns the pain.

Their background may reveal someone who valued them only for their achievements. The ambition of another is absorbed by them and becomes their own - a false self they carry into adult life. It proves a joyless taskmaster, however.

Threes instinctively find the right image and effective means of self-presentation in order to further their ambitions. Friends can become little more than those who serve the Three’s self-image and may find themselves dropped if they no longer do this. These people have little sense of self-worth beyond that of achievement. They just wish to stay ahead of the rest. To this end, deceiving themselves, as well as others, can become a way of life.

Feelings are not welcome in this life-script, and no space is allowed for them. If feelings appear, they provoke great anger or sadness, and disable Threes quite seriously. There can be an inner crisis when activity stops.

Homecoming and hope come to Threes when they discover their world doesn’t collapse if they are truthful to themselves and others; when they find that, they can fail and still be loved.

Adaptable, energetic, practical, they can lead and inspire in remarkable ways. But they must realise the pursuit of success is not the same as the pursuit of wholeness. Then they can soar like a caged eagle set free.

PORTRAIT FOUR

These people live with a sense of both beauty and abandonment. There is within them the sense that something-is missing from life. It is important they feel special as an adult, for they did not feel special when young. Certainly, they do not wish to be ordinary, and struggle with the common things of life.

There is often a sense of style in the way Fours do things. They tend to be creative people, whether laying a table or choosing clothes.

Beneath the surface is a melancholic sense of tragedy. Their feelings are up and down, and Fours remain acutely aware of any perceived rejection or sense of being misunderstood. Any hint of abandonment brings deep pain.

Yet, in a strange manner, they invite it. They may talk of a desire for a deep relationship, but tend to push it away if it comes too close. They are frequently negative to what is close, and positive towards the unobtainable and far away.

Their envy of others grows from an inability to love themselves and what they have. Everything within reach is unsatisfying. They feel the present is not quite real, but the future may be, in some golden and loved way.

In the face of their swirling inner emotions, these people can become controlling. Unable to control their inner environment, they desperately try to impose order beyond.

Fours as they connect with their beautiful origins. They can then begin to relate to people, not through sadness but through a sense of their own worth.

Their challenge is to live in the present, to leave behind their grandiose mourning. If only they can do so, they will bring style, awareness and deep creativity to everything they touch.

PORTRAIT FIVE

These people drift towards the corner, wishing to hide themselves. They tend to be quiet loners and unemotional.

They are inclined to pause before they speak, and choose their words carefully when they do. They know what they think, but find it hard to state what they feel.

They may stockpile knowledge of some sort, for fear of inner emptiness, and in order to help them in the world. Knowledge is their weapon in a world perceived by them to be hostile. If they can know more than others around them, they may just be OK.

These people tend to be observers, trying to understand the world before taking part. Some Fives never get round to taking part, however, lacking both the energy and social skills to connect with others.

They are stingy with the time they offer relationships. Life is compartmentalised to keep the contradictions at bay; every commitment has a box, and every box a time limit.

Fives may be experts in particular areas of knowledge, large or small, but they are frightened. In a heated situation, their first step is always back, and they fear spontaneous confrontation.

They struggle to be present to anything, delaying emotional response until after the event, when they are alone. Fearful Fives greatly value self-control and seek predictability, wishing to know what will happen and when.

They gain strength from solitude - but need be aware of when solitude becomes isolation.

Homecoming and engagement come to Fives when they submit to instinctive action, and say 'Yes’ to the emotional flow of the world around them. Perhaps they became adults too early. It is time for them to play again.

Challenged to step beyond their own small constructs, Fives can step happily onto the public stage and bring gifts of understanding, focus, clarity and wit.

PORTRAIT SIX

These people are much concerned with issues of trust, security and authority. The big question for them is: what or who will bring me security?

They have mixed feelings about authority. In one sense, they gave up trusting it a long time ago. Yet neither do they trust themselves. They look elsewhere for identity, and their desperate search for someone or something to trust does not always result in good choices.

They have powerful imaginations, with a tendency towards a paranoid version of reality. They constantly scour the horizon for danger in order to be prepared. Sixes either plunge recklessly at what they fear, or run away.

These people are very aware of rules, of norms, and have no desire to be regarded as deviant. They tend to be loyal to the institutions they are part of, and submissive followers if a leader is found.

They may be little bigots in their own quiet way, overly sure of their opinions; and they tend to create baddies and heroes in their relationships. They are instinctive supporters of the underdog, perceiving themselves in that role.

Dominated by their head, internal debates can go round and round inside a Six, paralysing their decision-making. These are fearful people - and, fearful of making a bad decision, they can end up making no decision at all.

Homecoming and wholeness come to Sixes when a trust in themselves replaces an apprehensive conformity to authority. Instead of valuing the values of others, they grow to value their own. They must find their own voice, for it is a good voice. Rooted in their own inner strength, they will reveal the humorous, engaging, confident, loyal and assured people they are.

PORTRAIT SEVEN

These people are always looking to the future. They are instinctive planners, working to keep options open and escape routes clear, with a deep fear of being bored. With plots, maps and back-up plans, their life-script is one of uneasy activity, like that of a colourful but restless butterfly. They seek out social contact - but remain individualists in all settings.

Sevens often smile - but the smile does not always reach their eyes, which may reveal fear. Their defence mechanism is often a mind-circus of thinking, associated ideas populating their brains like monkeys swinging through trees. They love their mind - and often confuse it with genuine emotion.

These people often bring optimism to situations. Under stress, however, they can lose their natural optimism and acquire instead a critical and carping attitude towards others. There is negativity close to the charming surface of Sevens.

Sevens are head rather than heart people. Genuine emotion can be hard for them - either to recognise or participate in. They plan to avoid such things, with a natural inclination to keep things light and on the surface.

But a persistent feeling of alienation can leave these sociable souls wondering whether they are loved in this world - for true connection always seems denied them.

To compensate, they seek a variety of experience, greedy always for the new. Pain and sadness are what they most fiercely reject; they will do anything in their power to avoid these.

Sevens know how to get to places - but not always what to do when they have arrived. They prefer a feast of many adventures to the deep experience of just one.

Homecoming and peace come for Sevens when they allow themselves to be touched by the sheer depth of existence. They become aware that to run towards pleasure is not necessarily to run away from pain. They learn to live in the honest moment, with level-headed calm.

They will always possess a butterfly quality, colourfully touching many things. But at their best this becomes a joyous dance, a celebration of goodness and beauty, while also accepting that existence brings pain.

PORTRAIT EIGHT

These people take pride in their power and strength, and if they are not in charge, they will take on the one who is. Life is warfare, so it is best to hit hard and hit first. They believe that everyone needs testing, and that truth comes out in a fight.

The talk style of Eights is to make others hear and understand what they want to say, and can be more a monologue than dialogue. Natural leaders, these people enjoy using their strength.

In their better moments, they use their vibrancy and daring on behalf of the weak. In their less good moments, they use it to build their own kingdom. They have a great lust for life with all its tastes and experiences. Consequently, they can feel constrained by society’s rules.

They live by confrontation, and when there is none, they may need to create it. They seek to pull down all those who have power. They might call this 'the pursuit of justice’, but it may equally be about vengeance or getting even.

Beneath the surface of the Eight, though perhaps strongly denied, is guilt and self-blame. They despise weakness in others, just as they cannot face it in themselves. Eights seek to control people rather than relate to them.

Homecoming and healing come for Eights when they discover their own innocence, and grow to seek truth in engagement rather than battle. Then, the great force of Eights can be used on behalf of others.

Compassion replaces domination as the guiding principle. Friendship rather than competition fills their great heart. Seeing the harmony in the world, their strength becomes the beautiful power of gentleness.

PORTRAIT NINE

These people feel happiest amid peace and unity. Conflict is the last thing they wish to face. Nines tend to present a calm demeanour, and may be considered easy-going by some people. But beneath the surface is a stubborn streak, and they will do nothing they do not wish to.

Nines are the queens and kings of self-forgetfulness, sacrificing their own identity in order to accommodate the attitudes of those around. Sensing they were beyond the reach of goodness, they fell asleep to themselves long ago.

They turn now from real wishes to small comforts and substitutes for love. They can inhabit the lives of others just as enjoyably as they can inhabit their own.

These people fear conflict. They prefer to say 'yes’ even if they mean 'no’ - if it means they do not have to grasp the nettle. As leaders, they are at their best when there are no decisions to be taken. There is a tendency towards the unfocused use of time, and they can be easily diverted by the non-essential.

With little sense of their own self-worth, like a dry sponge in water, they absorb praise or attention. Some Nines develop an elaborate and posturing self-importance as a bolster to poor self-esteem.

Anger is Nine’s primary issue, but is repressed, and usually expressed in passive ways - through catty remarks, a depressed or surly attitude or just plain laziness and sloth. Just occasionally, the anger may come to the surface and explode terribly.

They are attracted to the familiar and the old, and fear the learning of new tricks.

Homecoming and happiness come to Nines when they wake up to their own value, their own deep goodness. They leave the lethargic pit of self-abasement and take their authentic, individual place in the world. They become the strong reconcilers and mediators they were born to be. Like no other number, Nines can hold the world in their big arms - arms of deep and knowing love.

Wild, a song about forbidden love and the desire for it.

Last night I dreamt that

Last night I dreamt
that I was someone else:
the one who lays
beside you at night

and hears you softly sleep
while watching
the rise and
the fall
of your resting chest

Last night I dreamt
that I slid into you from behind
as you slept and when you woke
my hand squeezed your throat
to stop your gasps

and as we found ecstasy
together
you whispered my name
and looked into my eyes
then fell back into your

soft sleep
inside my arms
while I stayed
hard inside you
And when I awoke

alone I knew that
dream was my dream
and also will always be
someone else’s reality

Forbidden Desires

Note: @blackangel20001 requested an imagine where the reader catches Peter cheating on her and for these sentences to be worked into it:  “I hate you….” “ If you think I’m just going to ignore what you did to me, you’re wrong.” and “Did you know? Did you all know?” A happy ending was also requested so enjoy a mixture of heartache and fluff! <3

Words: 1203

Warnings: None.

Originally posted by lovershub

It was a sight that you had never wanted to see, one that until this moment had been nothing more than a nightmare that would invade your sleep, and no matter how painful it is you find yourself unable to tear your eyes away. The love of your life, the boy who had stolen your heart, was currently showing affection to the person you thought was your best friend….Tinkerbell.Neither of them seem to notice that you are stood there, their lips continuing to smash up against each other’s, and with each agonising minute that passes you by as you watch the scene unfold you feel an anger you have never felt before beginning to bubble up inside of you.

I hate you….”

Your words are quiet, a complete contrast to the anger and upset you are feeling, but they are still heard by the two people who had once been so very important to you. Instantly they break away from the close proximity they had both been in and their heads snap around to face you.

“[y/n] this…”

“Don’t. Don’t you even dare try and use that line on me Peter.”

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9

Allow me to introduce myself. Lucifer Morningstar. 

“I have no power over people’s sins. I actually get a bad rap for that. I have the ability to draw out people’s forbidden desires. The more simple the human, the easier it is. The more complex, the more challenging and exciting really. But no, the actual sins, the the sins are on you people.” 

8

“I have the ability to draw out people’s forbidden desires. The more simple the human, the easier it is. The more complex, the more challenging and exciting, really.” - Lucifer | 1.01

JET BLACK HAIR is splayed across the crisp white pillows, a hand laid over his bare stomach, rising && falling with every breath he takes. harry, for once in his life, is sated, completely relaxed as he lays in his greatest enemy’s bed. he never thought that he’d be here, so completely compliant, but he wonders why he kept himself from these simple pleasures so long.

the moments of whispered ‘oh god’ && ‘oh yes’ seem like a mere dream now, && harry can hardly think for himself at the moment. the sticky residue is long gone, cleared away by a cleaning charm so he can remain comfortable. he never imagined that he could be enjoying this, laid out in sheets with the highest thread-count possible && the softest mattress in existence beneath them. he’s almost to sleep, but he doesn’t dare shut his eyes, afraid that voldemort would hit him awake if he dozes off too soon. he still doesn’t know what the dark wizard would && wouldn’t do.

( @thedarklordofslytherin liked. )