for richer

8

bob newby + being an amazing father figure to will

anonymous asked:

wait i thought cleopatra seduced antony at cilicia not humiliated him?????? did hollywood lie

hahaha fuck

i love this story

so 

first you have to know that antony and cleopatra had known each other at this point for like…. shit almost 15 years? and had had a correspondence on and off throughout that time. they’d known each other through her exile, through his campaigns, through her first child, through his (failed) interim consulship. it’s conjectural to say they were on good terms but… i don’t know why they wouldn’t be. 

so when antony found out that cleopatra had funded cassius and brutus during the civil war? he was like, what the fuck. what theFUCK! (yells out window) OCTAVIAN DID YOU HEAR THIS! WHAT THE FUCK!  

so antony issues a summons: cleopatra is to come to him so she can Explain Her Self. to this cleopatra replies: what the fuck did you just say to me? 

(and you might be like, wait, why is that an issue? and i’ll tell you why, it’s because cleopatra, despite essentially being a (very tenuous) client king to rome at this point, vulnerable to invasion and just barely out of the woods re her connection with caesar, was a macedonian through and through: from language to looks to, you guessed it, ego. and she was fucking. insulted. HOW DARE HE! she probably yelled to charmian. I AM BLOOD! OF! PTOLEMY! NOBODY SUMMONS ME! charmian: i understand that your majesty can you please eat your dinner now)  

antony summons her twice more. finally cleopatra, personification of the upside down smile emoji, says, okay! i’ll come. see you soon!! (: 

now. cleopatra knew two things: 

One: that she was richer than antony, and antony wouldn’t be able to afford a reciprocal feast if she went all out, which would be hugely embarrassing for him

and Two: that a lot of people liked to say antony was a dumb hoe, impressed only by material goods and lavishness, and that he didn’t like when people said this.

so naturally cleopatra proceeds to sail up the river to tarsus in an huge fuck-off ship, plus her entire waitstaff, 12 dining tables, a feast that was lavish beyond belief, entertainment, probably some peacocks or whatever, all decked out in pearls and jewels.

antony: wtf! why are you being so mean rn!
cleopatra: mocking baby voice: why are you being so mean rn??? (normal voice) FUCK you 

antony didn’t ask her why she had supported cassius ever again. and that was the beginning of the most famous love affair in history  

Random thoughts Slytherins have

• Is it acceptable to say gucci and fam in the same sentence?

• I’m gonna be the most aesthetic

• actually, fuck that

• I just want to go home

fuck fuck fuck fuck fuck fuck fuck fuck

• I’m just gonna pretend that didn’t happen

• ew look at that person over there… breathing like a bitch

• I’m too tired for this

• I’m gonna shove a cactus up your ass

• Google that shit

• Is it possible to get high off crispy onions?

• fuck this

• Maybe if I say ‘fuck me’ more often when I do something wrong, someone will say ‘I’m trying’

• Why are people so stupid sometimes?

• I’m back bitches, missed me?

• how come no one ever misses me

• you’re all gonna be sorry when I’m richer than you

• CHECK IT OUT THIS CHILD ACTUALLY LIKES ME

• I hate hugs

• If I don’t get a hug in the next two minutes I’m literally going to start crying

• wHy Am I cRyInG

• fuck this, fuck you, fuck that, fuck me

• Your rules don’t apply to me

shit shit shit shit shit shit shit shit

• I like being alone

• I hate being alone

• If you tell me what to do one more time I swear I will slap a bitch

• Well fuck me up and call me Florida

It Takes A Long Time To Get Over Yourself


Oh, man. This letter has taken me an embarrassingly long time to write. Probably because I haven’t written anything but e-mails and Tweets for 12 years.

If the last year has taught me anything, it’s this: it takes a long time to get over yourself.

Last March, after 7 years on the road, I decided to take a break. I was excited about this. I’d imagined myself watching tv all day, being a “chill person”, eating doughnuts because I didn’t have to wear latex catsuits anymore. The reality was not quite the joy ride I’d been expecting.

I’ve been an artist for over a decade but up until this year, I hadn’t realised how much my sense of self had been defined by my role as an artist. I’d never thought of “Marina and the Diamonds” as a persona or a construct, and I didn’t think the stage-me was very different to the sofa-me. MATD was an exciting vehicle that helped me express ideas and thoughts to people. But just as people construct online personas, artist construct visual ones, and over time, the lines between art and reality can drift apart. 

I can’t remember when I first became conscious of it but I started to feel like there were two parts of me, artist self and private self, and there was nothing in between to link the two anymore. I was one or the other, and neither part of my personality could be present in the same environment. Perhaps because I’d spent most of the past 8 years devoted to being an artist and this hadn’t presented many opportunities for other parts of my personality to grow. When one part of a personality dominates, other parts shrink and life can take on an unreal, two-dimensional quality. I felt confused as to why I no longer felt like I fit into the world I’d built. I don’t think my feelings are exceptional (particularly in entertainment) but I wonder if you are someone who has experienced this in a different context.

I’ve always been interested in identity. In my twenties, I felt frustrated by how regularly my identity seemed to shift and change until I began to consider the idea that a fixed self may not exist. I explored this in “Electra Heart” by deconstructing aspects of female identity in a portrayal of female archetypes. However, the past year has made me re-examine this idea. Not being able to equate my identity to a job, project or visible entity has created a lot of discomfort and uncertainty in me. Which has been a surprise, as I thought I felt secure in myself. How can I be so sure of who I am if I am so susceptible to change? A lot of what contributes to our idea of identity is down to pure chance - ethnicity, social class, upbringing, religion, job, relationships - who are we without those influences?

Everything in western culture feels so geared towards self-definition, but I wonder if having a looser idea of yourself could make life richer. The past year hasn’t been full of rainbows - I feel like my brain has been brutally rewired - but letting go of a perceived idea of myself has resulted in a new kind of personal freedom. My image is no longer a main source of identity, nor are previous signifiers like clothing (more on this in a future post), designer brands + other things I subconsciously used to define myself.

Lasting change rarely happens over night. This past year has been painful and slow. But I’m in a more genuine space than I was a year ago and I would never want to go back to that stunted way of being again. In fact, the only solace I had in this period was being able to read the books and blogs of other people experiencing significant life transitions, so I hope this might be of help to anyone who is going through a similar stage.

Truth is, I’m not planning ahead much right now. I am indeed going through my “what should I do with the rest of my life” phase that most people go through at 21. Which is… cool. But I’m grateful to have the opportunity to explore different interests, and starting marinabook is a part of that. I’m starting a Psychology course soon, which I am SO excited about, and I’m ready for a brand new chapter. I hope you’ll be a part of it.

Some people have been asking about new music and I’m always flattered to be asked. I know one year is like an aeon in digital time! The honest answer is I don’t know when that will be, but the connection I have with music has always flowered from an honest connection with myself, and I trust my instincts. Whenever I get back on stage again, I would love to feel like I am the sum of my parts, not the sum of a persona or an image. That’s the goal. A lot of reality with a little bit of fantasy. So, marinabook is a way for us to stay connected while I work that out.

I miss you all!

Ask a question or share thoughts here.

Love from,
Marina

Further Reading

Brilliant explanation of personas here. 5 minute read.

Podcast on how our views about the Self affect our views on death.  By “Philosophy Bites”.  15 minutes.

Illustration by Lan Truong

9

GUYS GUYS GUYSS!! NEW ARTICLE!!!!!!!!!!

Life is like a hurricane here in… modern-day America. But in Duckburg, it’s a veritable storm of fun, adventure, and d-d-d-danger for fans awaiting Disney XD’s summer revival of DuckTales, the beloved ‘80s cartoon about Donald Duck’s nephews and their wild excursions with great-uncle Scrooge McDuck (voiced by Doctor Who’s David Tennant).Premiering in August, the series has been carefully crafted as a familiar reboot albeit with contemporary comedy updates to the Disney Afternoon original. “One of the things we always loved about the old show was that it was this family of adventurers, but the emphasis in every episode had always been on the adventure and plotline,” says co-producer Francisco Angones. “The basic conceit of growing our show was that this is a big blended family of adventurers, so it should feel like a combination of Indiana Jones and a blended Arrested Development-style family sitcom where every character has a different relationship to one another.”The revival sticks to its adventure-of-the-week DNA, but with a hint of season-long serialization — one big mystery of the first season involves a decade-old family secret about why Scrooge and Donald stopped spelunking together — as well as sharpened characterization for nephews Huey, Dewey, and Louie (Danny Pudi, Ben Schwartz, and Bobby Moynihan). “Since everyone always says ‘Huey, Dewey, and Louie’ in that exact order, we decided to make that the birth order, and by defining that, we were able to assign traits that fit,” says executive producer Matt Youngberg. “So, Huey’s the oldest, a little more responsible, a little bit brainy. Dewey wants to stand out, and wants to break out of being labeled as just one of a set of three. And Louie is happy being the youngest child — he can slip under the radar.”Joining the pack (though decidedly not the Quack Pack), expect significantly more screen time for little Webby (Kate Micucci), Scrooge’s niece-by-affection, whom Youngberg says has “a stronger and more unique voice than she ever had before.” Angones adds, “We almost never say ‘the nephews’ or ‘the boys’ — she’s a crucial part of the adventuring team, and they really are this big, weird family. If Huey has Scrooge’s brains, Dewey has Scrooge’s guts, and Louie has Scrooge’s love of treasure, Webby has Scrooge’s heart.”The population of Duckburg doesn’t stop there. Not even close. In addition to previously announced treats like Beck Bennett’s Launchpad McQuack and Lin-Manuel Miranda’s Gizmoduck, the city is thriving with new and familiar characters — so let’s cannonball into some exclusives.

Donald Duck (Tony Anselmo)
Expect to see a lot more of this world-class walking temper tantrum in the new reboot, which bumps Donald Duck up to main cast status. “He’s been a single parent obsessively taking care of the boys, and he’s a little bit overprotective and doesn’t want to take a lot of risks, whereas so much of Scrooge’s success is based on the fact that he’s willing to take risks,” says Angones. “In our world, about 10 years ago, Scrooge and Donald used to go on these big, crazy, rip-roaring adventures, and then they stopped talking to each other, to the point where when we start our show, Huey, Dewey, and Louie don’t even know that the richest duck in the world and this legendary explorer is their great uncle.” By the end of the first episode, Donald reluctantly moves his whole family in with Scrooge, but maintains some degree of his own independence — by keeping his houseboat in the pool. 

Gladstone Gander (Paul F. Tompkins)
Few things can unite Scrooge and Donald like a shared nemesis, and we find that in Gladstone Gander, a dandy old character who always irked Donald and now gets under Scrooge’s feathers, too. Angones says, “The great thing about Gladstone is that since Donald is fundamentally unlucky, Gladstone is supernaturally lucky, and so Scrooge and Donald can both agree that they hate Gladstone because he does nothing and gets everything.” (Also worth hating: Gladstone’s father’s name is Goosetave. GOOSETAVE.)

Gyro Gearloose (Jim Rash)
You’ll notice Scrooge’s in-house mad scientist has gotten a fairly hipster makeover, but neither his wild inventions nor vocal exclamations (by Community’s Jim Rash) are any less manic. While his intern Fenton (Lin-Manuel Miranda) moonlights as local superhero Gizmoduck, presumable fan-favorite Gyro Gearloose keeps the spirit of DuckTales’ crazy super-science alive.

Goldie O’Gilt (Allison Janney)
Returning as Scrooge’s longtime paramour is Goldie O’Gilt, a fellow adventurer who has a curious relationship with old McDuck. “In our adaptation, Scrooge is more of an adventure junkie than a gold addict, so we kept saying, ‘Well, if Scrooge is like Batman, then Goldie should be like Catwoman,’” says Angones. “She’s equally adventurous, every bit Scrooge’s equal, and he hates and loves that. They have this amazingly contentious relationship that’s been going on ages and ages, spanning back to the Gold Rush days.” Plus, the producers say it was David Tennant who geeked out the most about Janney joining the cast: “He heard us play a line she had recorded and he said, ‘That’s C.J. Cregg!‘”Ma Beagle (Margo Martindale) and the Beagle Boys (Eric Bauza)
The perennially annoying villains are back in full force to block Scrooge’s adventures, with beloved character actress Margo Martindale on hand to voice the maniacal matriarch of the family of genuinely idiotic criminals. Big fans will note that they actually look like dogs this time. Relatively

Flintheart Glomgold (Keith Ferguson)
One of Scrooge’s wealthy equals in Duckburg is Scottish showman Flintheart Glomgold, whom Youngberg describes as “this kind of go-go ‘80s billionaire who made all his money from branding and getting his face on every storefront.” Angones says, “Glomgold is bigger, faster, and cheaper. An in-joke we had for him was that originally in the comics, he was South African, and then they made him Scottish in [the original] DuckTales, so we really leaned into that and decided that when Glomgold saw that Scrooge was a Scottish billionaire, he decided to be the cheap knock-off. More Scottish and even richer.

”Mark Beaks (Josh Brener)
The Silicon Valley actor adds fresh blood to the echelon of wealthy ducks that dominate the city. “We had a bunch of old money billionaires — Scrooge is the oldest money, this billionaire of the industrial revolution, and we have Glomgold — so we included somebody who’s representative of today’s billionaires, which is the tech industry billionaire,” says Youngberg. “Mark Beaks doesn’t care as much about money as he cares about status and being buzzworthy and how many followers he has.” Angones adds, “Josh Brener was so incredibly on all the time, selling and pitching. He’s a character who’s so broad and over the top, you love to be annoyed by him.

DuckTales premieres on Disney XD this August.


http://ew.com/tv/2017/06/08/ducktales-exclusive-characters-cast/

How to learn a new language FAST!

Hi guys! Recently people have been asking me how come I am fluent in so many languages. And although I find this compliment to be very flattering, I do feel the urge to share my best tips with you guys. So I speak around 6 languages, but I am completely fluent in English, Croatian and Italian which always seem to interest people the most. Learning a new language does take time, but hopefully with these tips, you will be able to do it a lot faster!

1. START OUT BY LEARNING A LANGUAGE CLOSE TO YOUR OWN

For instance, if you are from Spanish speaking area, you might want to start off by learning Portuguese or Italian since all those languages have a similar sound and sentence structure. This way learning process might go a bit faster.

2. BE CONSISTENT

For best results, try leaving out at least 10 minutes or so every day to do something in that language. It can be something as simple as listening a song, even listening someone speak. Just be consistent and I promise you, you will find yourself understanding the language algorithm in no time.

3. LISTEN TO OTHER PEOPLE SPEAK

It literally doesn’t matter if you understand or have no idea what the heck are they talking about. When I first started learning Italian, I just spent hours watching one Italian movie after the other and God knows I didn’t understand a thing, but I begin to understand the way they formed the sentences and noticed the way they repeated same words but in different context. This is a very important tip because every language has that part that can not be translated, nor explained, only understood by Italian speakers. So just find youtubers, movies or podcasts in language you want to learn and take our dictionary with you and listen.

4. LEARN A FEW WORDS EVERY DAY

It’s not that hard, really. There are also app to help you (such as Duolingo). Pick a few words and think of a way to make a sentence out of that word. Then try turning that word in an adverb and then try using that in a sentence. For instance, if you were to learn English and your word of choice was ‘beautiful’ use it first as an adjective: “This apple is beautiful.” Then use it as an adverb: “She drew his portrait beautifully.” This way you will learn a few words that go together and be closer to understanding the language structure. Also, start simple. start off by learning the most common and the simplest everyday sentences.

5. SPEAK

It doesn’t matter if you’re bad or lacking words, just speak. It is important to use what you’ve learned and practice it. Find someone to speak with. Internet is a huge place and you will find someone to speak with you. Even better if you find a native speaker (who knows, maybe they come to your town as a tourist?) since they will probably be willing to correct your mistakes and you will learn something from them.

6. WRITE

This goes with the previous one. If you don’t have anyone to speak with, then write. You will practice your vocabulary and challenge yourself to learn the words that are missing to form a good sentence.

7. DO NOT FOCUS ON GRAMMAR

Grammar will come, focus on vocabulary first. Grammar will come as you begin understanding the language itself. So it takes time, but listen to songs, watch movies and try reading books in that language.

8. HAVE FUN

Enjoy yourself. Learning a new language is such a noble thing to do. You will have your mind so much more open and you will be richer for another experience.

Also, if you need help with anything, I will be more than glad to help you. My askbox is always open. 

Good luck.

7

“Untranslatable Emotions”

Tim Lomas from the University of East London started the “Positive Lexicography Project” which aims to capture many flavours of good feelings found across the world in the hope we might start to incorporate them into our everyday lives. He believes these words will offer us a richer and more nuanced understanding of ourselves. The first results of this project were published in the Journal of Positive Psychology last year.

Shockingly, it would appear that billionaire Twitter CEO Jack Dorsey is actually a sentient garbage bag and possibly a fascist sympathizer



If you’ve been wondering why Twitter pointedly does nothing while failed human beings spew hatred, organize violent Nazi rallies, and harass and terrorize innocent people, consider: it absolutely has an algorithm to identify Nazi accounts (and uses it to filter them out for legal reasons in countries like, say, Germany), but more accounts means more ad revenue, and when those accounts are extremely controversial or provocative, the increased media attention and “user engagement” further boosts Twitter’s value as an advertising platform.

Jack - the CEO and co-founder of Twitter - knows there are fascists on Twitter, already has a proven means of identifying and squelching or isolating those fascists essentially with the press of a button, and derives financial gain from the fact that he does not use this mechanism.

Jack Dorsey has consciously chosen to continue allowing harassers, abusers, fascists of every stripe, and out-and-out Nazis to use Twitter because they are making him richer, and his website is regularly banning users who confront those failed human beings for exactly the same reason.

Fuck Jack Dorsey and fuck Twitter.