I worked on making this set a bit more refined, and a bit more creative. Whilst the designs out there are superb, I wanted to push for more body shape differences then simply swapping the colours. Hopefully this will flesh out a more realistic Pokémon world a bit more.
I have attached the text to the pictures and made them a bit more scientific, as people kept deleting the flavour text, but it’s also attached below. Please don’t delete it :)
The Common Dragonite is the most
plentiful and registered breed found to date. It is categorised by an equal
balance of wingspan, limb size and tail size, being adapted for life both on
the land and at sea for extended periods of time. It is also an incredible
flyer, known to rise to great heights in order to circumnavigate the globe in a
relatively short amount of time.
In its common form, which can be
found in lakes, rivers and other large bodies of water, Dragonite is a light
orange colour, with teal membranes to its wings and yellowish antennae (which
it uses to sense prey and also to perform electrical attacks). Dragonite
reaches full maturity at 55 months if trained correctly, with wild specimens
varying between 55 to 65 months. A creature with extreme intellect and power,
it is not easily trained and is marked as a pseudo-legendary class Pokémon.
BLUE EASTERN DRAGONITE
The Eastern Blue Dragonite is
found primarily in lakes and rivers and is noted for having very high special
attack and special defence capabilities. Though smaller than their common
counterparts, they are longer, more lithe and are considered the most elegant
of the various breeds. They are not capable flyers, preferring to glide with
their smaller wingspan, but are inclined to use them to surge out of bodies of
water to catch prey.
These Dragonite are the calmest and most serene of their
species, boasting higher intelligence than the Common Dragonite. Along with
their small wingspan and blueish colouring, they are easily spotted by their
white frilled antennae that adorn the neck, leading people to mistake them for
the juvenile Dragonairs that often accompany them in their pods. Being that they often live in warmer
climates, they seem slightly more resilient to ice attacks (a primary weakness
of dragons) as their blood is naturally warmer overall.
The Crested Dragonite, sometimes
called the Flame Crested Dragonite, is one of the most exotic breeds of this Pokémon.
Its vibrant colours set it apart from other Dragonite, along with several other
As a cliff-dweller by nature, the
Crested Dragonite has a much larger wingspan to body ratio than other
Dragonite, capable of gliding for days at a time if required. Its feet are less
webbed and have longer talons that allow it to pluck prey from the water. This
also affords it more grip on its mountainous home. The crest fills with blood when
the Pokémon is angered and shows off the same exotic colours that adorn the wing
Crested Dragonite are often
faster than common Dragonite, as their naturally larger wings allow for them to
reach heights and speeds few other winged species can match. Their downfall,
however, is when they are grounded, being lighter and more fragile than their
The Muddy Dragonite is known for
being the most aggressive of the Dragonite breeds. Far stronger and tougher
than its ocean-dwelling brethren, the Muddy Dragonite boasts exceptional defence
and attack, which it sacrifices speed for.
As these creatures are often
found with the ability ‘Multiscale’, (a highly sought after trait in the Dragonite
species) it is no surprise that their tough, armoured hide separates them from
the other breeds. Their wings are small and unsuited for long distance flights,
preferring, as with other small-winged Dragonite, the use of quick bursts of
speed in their swampy homes. Dwelling in murky and often shallow waters inland,
the Muddy Dragonite can also be found lazing out in the afternoon sun, heating
its body temperature up before it returns to the water.
This breed is often used as parental stock in order to
pass on the Multiscale gene onto its offspring, weeding out the aggressive
tendencies as the process goes along.
‘Shiny’ Dragonite (and its
evolutionary line) are rare, but are becoming increasingly more common, as are
most ‘Shiny’ Pokémon. This pigment change, whilst adored by the training
public, is in fact a genetic disorder resulting from inbreeding. All too often,
trainers will ‘farm’ Pokémon eggs in order to create stronger and more
specialised animals, sometimes resulting in a ‘Shiny’ side effect.
The disorder, which can affect
any Pokémon subjected to harsh inbreeding, can be categorised in a faint sheen
on the skin (that can result in them being shunned from their social groups and
parents and simply not surviving in the wild due to lack of camouflage in
weaker animals) and a drastic skin colour change. Whilst considered desirable,
most ‘Shiny’ Pokémon are often frail and sickly, few living as long as their
uncorrupted counterparts. Pokémon breeders are advised by the government to
halt this process, but with such a high demand for glamourous Pokémon, it is
unlikely to stop any time soon.
GREAT OCEAN DRAGONITE
The Great Ocean Dragonite is exceptionally
rare, typically spending most of their lives in the deeper areas of the ocean.
rather sluggish and poorly equipped for combat on land, the Ocean Dragonite
boasts remarkable defences and HP stats, with a thick hide that only the strongest
attacks can penetrate. In comparison to the Common Dragonite, the Ocean
Dragonite is far more suited to life in water. Its arms and legs are more
fin-like, and primarily used for steering its massive body through the water.
Its wings are too small for it to fly with, considering its weight, so they are
commonly used for underwater battles, where quick bursts of speed are required.
A large mouth also allows for it to swallow entire schools of Goldeen, Magikarp
and other fish-like Pokémon in a single gulp.
Seeing a fully grown Great Ocean
Dragonite is a rare privilege. The largest known recording was at a Kanto
lighthouse in 1998, where it was estimated to have been at least 30 meters
EDIT - added in a size chart because quite a few people were asking for one :)
The Fly II – I’ve written extensively about The Fly II for some reason, which you can check out right here. To make it brief I’ll just say that Cronenberg’s 1986 remake of The Fly is just about perfect in my mind and one of my ten favorite horror films and while the sequel isn’t as good, it’s a fun ride and much better than one might expect.
Ginger Snaps: Unleashed– Almost as amazing as the previously mentioned original, the sequel follows Emily Perkins as Brigitte Fitzgerald, Ginger’s sister, as she deals with the physical and mental toll that the events of the first film have taken on her. Just as impactful and raw in terms of pure emotions, this is a rare horror sequel that can hold its own with the best of them.
Braindead – Peter Jackson’s third feature and final outright splatter is arguably the goriest film ever made. On top of the insane over-the-top gore gags and gross out moments, it’s a wacky comedy, a dark familial drama, and a quirky romance. It’s an unforgettable film from on film’s greatest modern filmmakers. The film is more commonly known in America as Dead Alive.
The Prowler – Similar to The Burning in that is doesn’t really break new ground in the vast landscape of 80s teen slasher movies, but the film features some top notch makeup effects from the master Tom Savini. Not much more to say other than if you’re looking for a good slasher movie, The Prowler will satisfy.
The Stepfather – It’s soooooo good. Joseph Ruben, the director of Breaking Away and The Good Son, film from1987’s The Stepfather is such a fantastic work. Lost star Terry O'Quinn play’s the new stepfather to a young woman, who unbeknownst to the rest of the world, murdered his previous family and plans to continue his murderous cycle of entering and destroying families. O'Quinn’s performance is impeccable as the titular psychopath. The film was followed by two lackluster sequels and an awful remake in 2009.
Motel Hell– A pseudo parody of the horror films of the time when it was released in 1980, Motel Hell is a real cult classic. The unusual horror-comedy was ahead of its time in many ways and includes of the most bizarre images put to screen. The film’s killers, Vincent and Ida Smith, are an odd pair of farmers who capture innocent men and women and plant them in their garden, where they are fed until they are ready to be harvested and eaten. The sound of the heads sticking out of the ground will be embedded in your mind for a long time.
Humanoids From the Deep – Executive produced by the B-movie king himself, Roger Corman, 1980’s Humanoids From the Deep is an exploitive schlockfest about sea faring monsters with an urge to mate with attractive young human females. It sounds like it could be pretty offensive and it probably is, but the film is so much fun for that reason. Directed by Barbara Peeters, one of the few notable female filmmakers in the realm of 70s and 80s exploitation horrors, the film is the best of 50s B-monster movies mixed with the trashiness of the low budget 70s grunge horror.
A Tale of Two Sisters – A 2003 South Korean horror film from director Kim Jee-woon (director of I Saw the Devil) continues to prove that some of the scariest films come out of Asia. The film centers on a pair of sisters struggling with increasingly terrifying events surrounding them and their maniacal stepmother. The film is very creepy and unpredictable (unless you saw the crappy American remake, The Uninvited, in 2009)
The Hunger – A beautiful and haunting film from 1983 directed by Tony Scott and starring the great David Bowie and the now legendary Catherine Deneuve as a married couple of vampires living in New York. Susan Sarandon plays a doctor that Bowie needs help from when he begins to rapidly age, which leads to a chain of events that reveal that Deneuve has been hiding something deadly and Sarandon becomes entangled with this secret in some unexpected ways.
Alligator – This 1980 monster film directed by Cujo director Lewis Teague is fun satire of monster movie clichés that pokes a little fun at them, but at the same time uses them to great effect. With great effects work and an entertaining performance from Robert Forster, Alligator a real treat. The film also has the balls to kill children, something not normally seen in horror films like these.
Street Trash– Not a film for everyone, Street Trash is just as trashy as the title and poster would imply. Hobos melt in toilets and a severed penis is thrown around like a football in slow motion in James Muro’s 1987 cult classic. Appropriately disgusting while poking fun at homeless behaviors and all sorts of gross oddities on top of the super cheap production, Street Trash is a film that will turn off most, but it’s a corny good time.
Shutter – This 2004 Thai horror film by Banjong Pisanthanakun and Parkpoom Wongpoomis a twisty ghost mystery and is utterly horrifying. A photographer begins seeing strange shadows in his pictures and can’t escape en entity that is out to get him due to a mistake from his past. The film plays with your emotions as it becomes unclear who is the villain in the story, but it is always scary.
Trauma – Dario Argento, the Alfred Hitchcock of Italy and the master of giallo, delivered this creepy film in 1993 with his daughter Asia Argento starring. A killer stalks the streets and is decapitating staff members of a local hospital and Asia plays a women suffering from anorexia who is caught in the middle of it all and begins losing loved ones. The decapitations are graphic and the film shows the heads living on for a few seconds after the fact, which is an insanely creepy image. The film was one of the director’s last good films before the quality began to slip in the late 90s.
The Curse of the Werewolf – Surprisingly one of the only, if not the only, major werewolf works made by Hammer Films in their heyday. Directed by Terence Fisher and starring Oliver Reed as the cursed man, the film is a dark one that throws everything you know about the rules of werewolves out the window. After a lengthy setup where Reed’s character is the product of the rape of his mother by a tortured vagrant and the boy suffers from some unusual habits growing up, he grows into a seemingly normal man. One night he undergoes his full transformation and begins to kill. Bleak and high in emotions, The Curse of the Werewolf is on of Hammer’s best.
The Ghost of Frankenstein – Universal’s third Frankenstein film from 1942 isn’t nearly as talked about as the original two classics, but Island of Lost Souls director Erle C. Kenton delivered an exceptional film with Lon Chaney Jr. as the monster, Bela Lugosi as Ygor, and Cedric Hardwicke as Dr. Ludwig Frankenstein. Set years after the Bride of Frankenstein, the film see’s Frankenstein’s son return to his father’s home and finds that he blamed for the supposed cure of the Monster. The film was the last truly great serious take on the Frankenstein story for sometime and was also used heavily has a source of parody just as much as the first two in Mel Brooks’ Young Frankenstein (which shares the same general plot).
Afflicted – A Cronenbergian found footage film about two video bloggers traveling Europe. In France, one of them goes back to their room with a beautiful woman, but he is found alone and bleeding in bed when his friend busts in. In Italy he seems very ill and his symptoms becomes more and more extreme until he shows signs of superhuman abilities. When his hunger and aversion to sunlight become too much, it becomes very apparent what he is becoming. The film is able to pull off things using the found footage motif that do not seem possible to pull off in camera and on such a tight budget. The film is dramatic, exciting, scary, and one of 2014’s best. Read my full review here.
The Den – A creepy found footage film shot mostly on the desktop of a young grad student performing a social experiment on an Omegle-like website. While chatting with the usual online crowd she comes across what looks like a very real murder. She is slowly tormented with more and more frequency by unknown forces and seems to think that someone is out to get her and her loved ones. Creepy, memorable, and inventive, The Den is worth a look and a standout in an overcrowded subgenre.
Would You Rather– We’ve all played the game would you rather and in 2012’s film inspired by the game, things are taken to the next level and beyond. Starring Pitch Perfect’s Brittany Snow as a player in a sick game and horror movie icon Jeffrey Combs as the game master, Would You Rather sees a group of unsuspecting victims who wind up in a deadly version of the game. Increasingly brutal, set almost entirely in one room, and a film that successfully makes you ask “what would I do?”, Would You Rather is a surprisingly good little film. Combs is also wonderfully hammy.
Frontier(s)– The 2007 French horror film by Xavier Gens is almost on the level as Inside when it comes to horrific violence. A group of friends feels riots in Paris only to encounter a cannibalistic family, who proceeds to torture and torment the frightened group. Essentially a more violent French take on The Texas Chainsaw Massacre with some extra twists, Frontier(s) is one of the most extreme horror films of the 2000s.
Them – The 2006 French-Romanian horror film directed by David Moreau and Xavier Palud isn’t the graphically violent French horror film that I’ve mentioned while doing this project, but it might be the most terrifying. The plot it simple as it revolves around a couple be stalked and chased by hooded kids in and around their new home. Suspenseful and unrelenting, Them is truly thrilling.
"We were alone on the road driving faster/So far from home we were chasing disaster/Hard on the gas 'till the car caught on fire/We had to laugh as the smoke billowed higher" (Dreams and Disasters)
"I fought all through the night/Oh,oh,but I made it alive/The sun's starting to rise/Oh,oh,these are beautiful times" (Beautiful Times)
"Shout out to the friends back home/Shout out to the hearts you've known/You gave them nothing but the best,yeah/And you can tell them your story" (Gold)
"To ten million fireflies/I'm weird 'cause I hate goodbyes/I got misty eyes as they said farewell" (Fireflies)
"When the sun goes down and the lights burn out/Then it's time for you to shine/Brighter than a shooting star/So shine no matter where you are" (Shooting Star)
"Your spirit is sweet,so pull off your sheet/And give me a ghost of a smile/Show me your teeth,'cause you're a teddy beneath/So just grin and bear it awhile" (Plant Life)
"Tell me again was it love at first sight/When I walked by and you caught my eye/Didn't you know love could shine this bright?/Well smile because you're the deer in the headlights" (Deer In The Headlights)
"So if you're gonna go and leave me in a lonely grave/I won't let it show until you've finally flown away" (Take it All Away)
"And remember to laugh 'cause you're living in a crazy world/Where you'll never guess what could happen next/Give the outer limits my regards as you float to fly away" (Alligator Sky-No Rap Version)
"I ain't too sure what I believe in/But I believe in what I see/And when I close my eyes/I see my whole life ahead of me" (Verge)
"Switch on the sky and the stars glow for you/Go see the world 'cause it's all so brand new/Don't close your eyes 'cause your future's ready to shine/It's just a matter of time,before we learn how to fly" (When Can I See You Again?)
"I am floating away/Lost in a silent ballet/I'm dreaming you're out in the blue and I am right beside you" (On The Wing)
She settled just a few months before Bucky enlisted, and to be honest, no one was more surprised that Steve. But they got used to it–he bought falconing gauntlets to protect his arms from her talons and she learned to keep her wings folded inside.
Their range has changed over the years, grown from the very short one of their childhood to a bit better than average after the serum.
(When Bucky fell, Salvae searched and searched and ignored the pain of the separation until she couldn’t any longer. Their range has been abnormally large ever since.)
She’s a bitter daemon, and not particularly nice, which often confuses people who know Steve. Being polite and having patience don’t come naturally to her, and she’s far from inclined to learn. But she’s just as inclined to getting into fights as he is, and just as incapable of giving in, and just as loyal.