florence friday

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Initial L: The Coronation of the Virgin in a 1337 copy of the Divine Comedy with miniatures by the Master of the Dominican Effigies and text and illuminations by Francesco di Ser Nardo da Barberino. Archivio Storico Civico e Biblioteca Trivulziana - Comune di Milano, all rights reserved

The beautiful Italian hand on the detail begins, “Here begins the third cantica of the comedy of Dante Alaghiere…”

Farewell to Florence FridayFlorence at the Dawn of the Renaissance closes February 10 and crosses the border into Canada with a slight name change.

hi hello yes does anyone think i would like medici: masters of florence?

Giving thanks on Florence Friday. Big exhibitions like Florence at the Dawn of the Renaissance are only possible because museums are willing to lend their treasures. The British Library has generously shared their Carmina regia manuscript, illuminated by Pacino di Bonaguida.

This particular page is unusual both for the grand scale of Christ, and for the creative weaving of text throughout the image.

The British Library. © The British Library Board (Royal Ms. 6 E IX, fol. 4v)

More on the British Library’s blog devoted to medieval manuscripts.

PS: You can page through the entire book online.

Manuscript illuminators really knew how to pack action into a single letter. In the upper-case T on this page, a bishop accompanied by three tonsured monks sprinkles holy water on an altar, which is topped with a gold cross and housed within a tiny open chapel. A songbird looks on approvingly from the margin.

Initial T: The Dedication of a Church, about 1342/1348–1360, Pacino di Bonaguida. Beinecke Rare Book and Manuscript Library, Yale University. At the Getty Center in Florence at the Dawn of the Renaissance

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Another page from the Laudario of Sant'Agnese for Florence Friday: Pentecost, 1340, Master of the Dominican Effigies. The J. Paul Getty Museum. On view in Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350.

What is a laudario? As shopkeepers, traders, and artisans became increasingly involved in civic life in early 1300s Florence, they began to assemble into lay confraternities that performed charitable works and gathered to pray and sing hymns of praise, or laude. A compilation of these hymns is known as a laudario. The book that included this page was commissioned by one of the oldest confraternities in Florence, the Compagnia di Sant’Agnese.