Dora Kontha makes the familiar worthy of a tribute. She frames icy weather or glinting water so that it looks boundless, more than a spread of pretty blue. Analog photography, her medium of choice, makes these everyday sights as intimate as memory itself.
“You’ve been hanging around here trying to make yourself invisible behind this fragile little fuck-up routine but you can’t. You’re anything but invisible. You’re big. You’re kind of a great mess. It’s like a candle burning at both ends, but it’s beautiful. No amount of booze or weed or attitude is going to hide that.”
Birdman: Or (The Unexpected Virtue of Ignorance) (2014) dir. Alejandro González Iñárritu