film developers


She had become adept at putting unpleasant thoughts out of her mind these days. She had learned to say, “I won’t think of this or that bothersome thought now. I’ll think about it tomorrow.” Generally when tomorrow came, the thought either did not occur at all or it was so attenuated by the delay it was not very troublesome.

Timing Charts and Inbetweening Demo

Hey guys! So I recently finished up an inbetweening and timing charts demo and edited into an hour-ish video!
A handful of folks asked me things like how to utilize a timing chart in your work, how to in between to those charts, and basic (I say basic because there are other more advanced ways - but thats another time) to keep your drawings consistent! I also talk about smears!

The program I’m using is TVPaint, but any program can do really.

The character I’m using is created by Patrick Stannard! He’s a kickass animator!


I have worked on a couple of cancelled or delayed animated features, and I have to say that I am truly grateful to have finally worked on something that got a theatrical release. Getting onto a project at all requires so much luck and timing, and I consider myself lucky to have worked with such great people and talented artists on Emoji. Here are some of my favorite drawings I did for the show!


Sandra and the misty sea.
December, 2015.

Back when I first met Sandra, we made a little photoshoot near the Barceloneta beach. We had a beautiful view of the misty sea, a rather uncommon view of the sunny Barcelona. I shoot some portraits of her with my Mamiya M645 and she did the same with her Mamiya RB67. It was funny to compare the weight and characteristics of our sister cameras :)

When I developed and scanned the roll, I found that all the photos had a very strange dotted pattern all over them. I still don’t know if something went wrong in the development or if the rolls that I used were faulty (I bought a bunch of Rollei rolls at the same time and this pattern happened with all of them, even using different chemicals). At the time, I was so depressed with life and photography that I didn’t wanted to share or do anything with them.

Now, I’ve realized that in film photography, there may be mistakes like this, but it’s all part of the process, and I’ve learned to accept them in a different way, as a part of an experimental work. I don’t seek perfection, in fact, one thing that I love about film photography is that it’s not perfect. It’s a completelly manual process, and accidents can happen. And they can give you some unexpected results, ones more pleasant than others. That’s part of the magic of chemical photography.