fictional news

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The San Fernando Valley in film 

Back To The Future (1985) - 535 N. Victory Blvd, Burbank 

The Karate Kid (1984) - 19223 Saticoy St. Reseda 

American Beauty (1999) - 20105 Saticoy St. Winnetka “Mr. Smiley’s” 

The Bad News Bears (1976) - 10500 Mason Ave. Chatsworth

Boogie Nights (1997) - 12036 Ventura Blvd. Studio City

Pulp Fiction (1994) - 20933 Roscoe Blvd. Canoga Park

Superbad (2007) - 1700 Victory Blvd. Glendale

Clueless (1995) - 5600 Vineland Avenue, North Hollywood

This is the new album cover from Brand New and the album is entitled Science Fiction.

The cover is art is by Swedish photographer Thobias Faldt.

Still can’t find a good quality rip (this was written before the official release and the band were sending out the cryptic CDs). Honestly, don’t listen to the crappy Facebook live streams going around. If you’ve waited 8 years then your ears deserve better than that.

So damn excited


Update - Album is now fully up on the Procrastinate website, go buy it. If you’ve already preordered the vinyl you will get a free download.
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Quentin Tarantino’s dizzying, violent, and virtuosic Reservoir Dogs is coming to New York this month for a special 25th anniversary screening at Tribeca 2017, followed by a reunion with Tarantino and the cast. See this revelatory debut on Tarantino’s personal 35mm print. Tickets are now available!

(Source: tribecafilm.com)

Introducing hetalia-revival-network!

Hello! Welcome to hetalia-revival network, a blog dedicated to promoting content creators and providing them with the feedback they need

Most of you, especially if you’ve been in this fandom for awhile may have seen a decline in the works created. Fanfiction, art, and many other forms of participation are being created less and less, and those who do try to create often don’t get the feedback they deserve.

That’s the problem we’re trying to combat by creating a community to share, promote, and give feedback to the creators of our fandom.

If you’re interested in becoming an official creator for the network please check our Tumblr page on how to do so! (link not included because it causes the post to not become searchable, sorry for the inconvenience).


Even if you aren’t a creator please reblog this post to spread the word! Thank you!

Image: Henry Holt and Company; Hodder & Stoughton; Hamish Hamilton; Penguin Random House; Random House; Atlantic Monthly Press

The Man Booker Prize rolled out its 2017 shortlist on Wednesday, delivering a list of six nominees showcasing a hefty dose of literary heavyweights and a pair of newcomers. Of the six novels on the list, just one will go on to win this year’s prestigious literary prize at gala ceremony next month in London.

Man Booker Prize Shortlist Features George Saunders, Mohsin Hamid And Ali Smith

The best horror writer of the 20th century you’ve probably never heard of was a British woman who looked like a benign but mildly dotty Hogwarts teacher. But do not miss the occult mischief behind those 1980s mom-glasses; in a fairly standard Angela Carter story, Harry Potter would be mauled to death by a werewolf before a pan-species initiation of Hermione’s pubescent sexual power. She made things weird like that, which is why she was great.
— 

Hemlock Grove author Brian McGreevy delivers a tribute to feminist horror writer Angela Carter over on Vulture.

More book news here.

Why We Need Stories about Dark Things

One of the things I get tired of from time to time is the perspective that if something shows evil behavior then that means the story, song, game, whatever, is inherently bad. But there is a difference between illustrating evil behavior and promoting it.

Not all appearances of bad behavior invite bad behavior.

While one purpose of storytelling is to entertain, another purpose is to teach or educate–a purpose that in today’s world, most people seem to have forgotten.

A long time ago, there used to be all sorts of horrific stories told. Open Grimms’ fairy tales, and you’ll see that Cinderella really isn’t that Disney-friendly. But often some of those older stories were meant to teach a lesson or scare children into behaving (that latter point is one I personally don’t condone). Horrific things happen in the Bible (and the Book of Mormon). We can often learn from these accounts, but some of them are simply a record of what happened (if you believe in that), whether you like the content or not. It is what it is. Conspiring incest, rape, slaughter, and even cannibalism can be found in scripture stories. In today’s world, most people have been conditioned to believe that stories are only meant to entertain. Or entertain and uplift.

Those two things are valid. But what I get tired of, though, is the perspective that all stories should be full of puppies and rainbows (yeah, that’s an exaggeration, but you know what I mean), and that’s what we should be writing, and if a story is dark, it’s “bad” or lesser or … something.

The World Needs Stories about Dark Things

It’s important we write about what I call “the big and heavies”–rape, addiction, suicide, massacre, societal brainwashing, etc. And when I say “we,” I don’t mean specifically that you or I HAVE to; I mean “we” as in us, writers and creatives everywhere. The world needs creatives who delve into the big and heavies, and here’s why:

1. Stories provide a safe means to explore and discuss dark things

The big and heavies are vital to discuss for a healthy society. We shouldn’t be turning a blind eye to dark deeds. We should be turning the right eye to them. Literature offers a safe way to explore and discuss these issues. It offers some distance (because it’s usually a work of fiction) while simultaneously having the ability to offer closeness–empathy.

Also, fiction provides a type of lens to view these behaviors through. Speculative fiction might have a more exaggerated or symbolic lens, such as the fashion industry of Panem in The Hunger Games, or the discussion of pure bloods in Harry Potter. A lens lets us view the issues in a way that may emphasize certain points or give us a new perspective on them, and again, the distance can provide a bit of a “safe” buffer for readers. We aren’t talking about racism; we’re talking about magical blood–and we can have a whole discussion on it that correlates with issues seen in racism, and no one needs to feel uncomfortable because this is about wizarding blood. Even realistic fiction provides a perspective, though less exaggerated, to see these issues through.

2. Powerful, emotional ramification drives home a point or idea or lesson.

Unlike reading text books or the news, fiction writing often works off making the audience feel something. It appeals to emotional experience, even more than intellectual experience. It is one of the only mediums where we can put on the skin and thoughts of another person.

In parts of society, we try hard to divorce intellect and emotion, but powerful emotional experiences are often what cement ideas and lessons into our minds. Back in the day, fathers used to take their children out to their property line and beat them so that the child would never forget where the property line was. We’ve seen similar conditioning with training wild animals. Both are crude examples, of course, but the emotional experience drove home the lesson. While negative emotions are powerful, this same thing can happen with strong positive emotions. We remember powerful feelings of happiness and of love, and if there are any lessons or insights associated with those, we recall those too.

In fiction, emotional experiences can drive home powerful lessons. And they stick with the audience.

Strong emotional experiences in fiction amplify the conceptual ramifications of dark deeds, and cements into the reader the weight of such behavior, in a way that pure intellect cannot. Once we “experience” an issue, we care more about it. Fiction is a vehicle that allows us to develop and fine-tune our empathetic skills, so we can better understand and relate to those who’ve dealt with such issues.

3. Explore, cognitively, the causes, consequences, and facets of the big and heavies

In the real world, we live our own lives in our own perspectives, and that’s it. In literature, you can include several perspectives of those involved with an issue. You can often see the issue’s causes, consequences, and facets to a degree you may not in your own life. You can see far-reaching effects in a matter of hundreds of pages, rather than decades or hundreds of years. This opens up new ideas, new perspectives on the topic, which leads to more discussion.

4. To provide hope and uplift, in spite of darkness. To overcome.

I sometimes see this weird idea that an uplifting story needs to not cross some invisible line too far into the dark. In some ways, that couldn’t be further from the truth. As a Harry Potter fan, I’ve had friends come up to me and talk about how they’re disappointed that the stories got darker and darker. Maybe I’m weird (okay, there’s no “maybe” about it), but I like that. I like stories getting dark. I like when they get darker and darker. I like my evil, evil. I want the Voldemort who tries to possess Harry to get Dumbledore to kill him. I want the Voldemort who tortured animals as a small child and who murdered others to split his soul into seven pieces. The world is often an evil place. And how much more powerful is it to overcome the bowels of the most wicked, than it is to overcome a guy who shoplifted? I like my evil, evil. Not because I want to be part of the dark, but because I like seeing people overcome it.

A story that includes dark materials can be just as uplifting, if not more uplifting (because of the contrast) than a story that doesn’t. The idea that a story can’t be dark and inspiring is just unfounded.

Every Christmas season, I become a fan of The Trans-Siberian Orchestra all over again. If you’ve never heard of them, you may still recognize some of their most iconic Christmas songs, some of which have gone viral on synchronized Christmas light videos.

What many people might not realize is that each of their Christmas albums actual tells, and comes with, a written story. If you see the Trans-Siberian Orchestra live, they will read the story to you bits at a time, interspersed with music. But not all their stories are about happy sleigh rides, warm fires, Christmas hams, and decorated trees. There are parents who abandoned their disabled children, babies born addicted to crack, love that has been lost. But the stories and albums are uplifting, not because the creators avoided dark subject matter, but because they illustrated the power of overcoming–overcoming difficult times and personal mistakes. It’s hard to make it through one of their performances with a dry eye through the whole thing.

5. To render reality–others’ reality or your own

But some stories aren’t necessarily meant to be about overcoming the dark or inspiring an audience. Some stories are just about reality. Human nature. The natural man. Experiences that people actually go through. Some stories are simply meant to render, often for reasons 1-3. It’s a statement. It’s meant to create social awareness, empathy. Maybe it’s meant to start a discussion. Those stories need to exist too.

Closing Thoughts

Keep in mind that many audiences only see stories strictly as mediums for entertainment and, on a subconscious level, a reinforcement of a positive, maybe even sugary, feelings and ideas. Those audiences may (on a subconscious level) refuse anything that is otherwise, and consider any mention of the dark and heavies as something that shouldn’t be there. That is their right.

And in some cases, they are correct. Some stories do not need and should not have dark content. It doesn’t serve the purpose of the story, it messes up the tone of the story, and it can ruin what was already working. You wouldn’t, for example, put in a serious plot line in The Office about Pam being legitimately raped. It doesn’t fit.

And with all that said, you shouldn’t feel forced to write content you feel very uncomfortable writing. Your work should reflect the writerly you.

Next week, I’ll talk about how to write about dark things without promoting them.