experimental piano

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Here’s a wee visual I made. Music by @rachaellavelle - Woman and Man.
Piano: Rachael Lavelle
Violin: Neil Joseph Doyle

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#visual #experimental #film #video #piano #violin

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“Silent Truths”
by NuRecluse
Full video on my YouTube channel
go watch it, it’s magickal.
https://youtu.be/7PBSK13kxGY
#lofi #lofihiphop #hiphop #beats #triphop #instrumental #experimental #jazzy #funky #oldschool #nujazz #piano #vintage #classic #oldschool #8mmvintagecamera #bluebird

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999 BPM

The problem with the people in my music class at school is that they have very closed minds- everything has to be in a specific key, every chord must have a name or else it doesn’t exist, if theory says that it sounds bad, it sounds bad. 

Quite a boring way to look at music, I think.

One of them told me I wasn’t allowed to write a song in 999 bpm. So I wrote a song in 999 bpm. Does this count as black midi?

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It’s only sort of nine-knived, not really.

Breadhanded’s Top 5 of 2014

3. Grouper - Ruins

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There’s something to be said about the character that lo-fi recording techniques add to a particular song. With new effects and programs that make everything sound cleaner than ever before available to anyone, scaling back has become a more valued commodity in today’s musical landscape. It serves as a reminder that music is made by real human beings every day, in fascinating and beautiful ways.

Recorded in a small town in Portugal in 2011, Grouper's Ruins is one of 2014’s shining examples of lo-fi recording prowess. “Lighthouse”, featured here, is driven by the interplay between a shape-shifting piano melody and Liz Harris’ gentle vocals. In the background, the listener can hear the sounds of frogs croaking. As “Lighthouse” reaches its conclusion, the vocals have faded away, as has the piano; we’re left with the sound of life living, blissfully unaware of their own recording. If there’s a message we can learn from Ruins, it’s that life can find a way in even the darkest shadows. 

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On this day in music history: July 1, 1997 - “OK Computer”, the third studio album by Radiohead is released. Produced by Radiohead and Nigel Godrich, it is recorded at Canned Applause in Didcot, Oxfordshire, UK, and St. Catherine’s Court in Bath, UK. Following their highly acclaimed sophomore release “The Bends”, the band shifts musical directions yet again, producing a much more experimental, layered piano based sound than their first two albums. Initially, Radiohead’s US record label Capitol has low expectations for the albums commercial potential as it strays far from the bands trademark “Britpop” rock sound. The album is launched in the US with an unusual promotional campaign. 1,000 cassette review copies are sent to the press and music industry tastemakers with the tape permanently glued inside the player. It receives universal acclaim upon its release, frequently drawing comparisons to Pink Floyd’s classic “The Dark Side Of The Moon”, though the band themselves disagree with the assessment. “Computer” becomes Radiohead’s best selling album worldwide, spinning off three singles including “Paranoid Android” (#3 UK) and “Karma Police” (#8 UK, #14 US Modern Rock). The album is nominated for three Grammy Awards in 1998 including Album Of The Year. They win for Best Alternative Music Performance. “OK Computer” hits number one on the UK album chart, peaking at its chart debut of number twenty one on the Billboard Top 200, and is certified 2x Platinum in the US by the RIAA.

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Su Tissue - 2nd Movement

Solo experimental piano music from the former singer of Suburban Lawns

We Have a Map of the Piano
Múm
We Have a Map of the Piano

Please don’t flow so fast
You little mountain hum
I’ll take a bottle down to you

Please don’t flow this fast
You hold a little hum
I’ll bottle sounds of me for you

Please don’t flow so fast
You little mountain din
I’ll bottle piano sounds from you

Please don’t flow so fast
You little mountain noise
I’ll close my eyes and bite your tongue