everything about this scene i just

oh my god there’s this one scene in Slasher where this woman is angry about her pharmacy getting sold off to sarah (katie’s character) and she’s like, “you really think i’m just gonna let you and a bunch of homos steal everything from us?”

and sarah/katie gets really angry and is like, “okay, you need to leave now.”

and if that is not the most accurate foretelling of what happened at sdcc then idk what is lmao


My therapists like to use this word often. They use it when I talk about my mother, when I explained what happened when my first girlfriend died and most recently they use it as the aftermath of what happened that day, February 3rd, 2017.

I remember every minute of that day, everything from 11 AM forward. I was editing a scene, nothing out of the ordinary, just a scene about a character from our documentary that I had edited before but I wanted to try using her in a different way. I also bought tickets to see Slowdive and thought about asking Mike if he wanted to go with me. It was 11 AM and I thought Mike was in a meeting with my boss, something that happened very often at the time. Then my boss said good morning to me and asked me about Mike, I said I thought he was with him, so I texted Mike. I said, ‘dude where are you?’ but I didn’t get an answer. At 12 PM it seemed strange that he wasn’t here, he would always call in, even if he was gonna be 10 minutes late, but nothing. I started getting worried and so did my boss, we called him and left him voice messages. By 1 PM we called his dad, asking if he had heard from him but didn’t. I messaged his brother too, then suddenly I saw I had three missed calls from Mike. I called back but I didn’t get an answer. I left the office and took the train to Brooklyn, at that point we had called the police and his landlord. When I got there his friend was waiting. He told me the cops stopped by but they didn’t break the door because the landlord was on her way. I waited for her at this girl’s apartment with his friend. She offered us the usual, water and food. I couldn’t get my mind off what to expect. I didn’t even know if he was in his apartment.

The landlord showed up, she opened the door and Mike was in bed. I approached him and he flipped around annoyed, it seemed he wanted to sleep more. The neighbor who was with us called 911 and his friend called his parents. I spoke to him but he wouldn’t say anything back, I didn’t know what was going on or why he was acting that way. The ambulance showed up and they asked him about last night, if he had taken any drugs, Mike couldn’t speak but I said he doesn’t take drugs. They didn’t believe me and kept pointing a flashlight at his eyes. They asked me to help him dress up, he couldn’t move half of his body. I got closer to him and helped him put his sweater on, he finally recognized me and said ‘oh hey’. I kind of lost it when I was putting his shoes on, his neighbor had to help me because I was so scared. I grabbed his sweater, his wallet and ran downstairs to hop on the ambulance with him but suddenly his dad showed up and he went in instead. Mike’s friend and I got on his dad’s car and we followed. I had asked the paramedics to take him to Columbia Presbyterian but they didn’t listen to me, they took him to the nearest hospital instead. I didn’t eat at all that day and at this point it was 5 PM. We waited and waited to know what happened, the rest of his family arrived and soon after we learned he had a stroke and half of his body was paralyzed. They didn’t have the equipment he needed at the hospital we went to so he got transferred to an NYU hospital in Manhattan. When we got there they said the doctors were too busy, so he got transferred again to another NYU location in Red Hook. I was so mad. Finally we got there and he was taken to the ICU, they did a couple tests and we waited until 4 AM, then I went home.

The next couple of days were sort of a blur, I remember coming to work but I don’t remember what I was working on. Then after I would check in with his family to see if it was okay to visit him. I also read a lot about aphasia and strokes, i read about recovery, stroke survivors and so forth. I felt so anxious and frustrated, I was so scared that I reached out to my ex-girlfriend. I guess I needed support and she also knew him, so I told her what happened and she was supportive.

A week went by, my therapist kept asking me to do breathing exercises while I was still so anxious, anxious of his life, and if that life would continue, under what circumstances? I kept thinking of how he might never be able to use all his words, and that’s what he does, as a producer. I wondered if he would hate me for finding him, if his life would be something he would not want being this limited. Then suddenly, on February 13th 2017, after not hearing any news about his recovery, I reached out to his friend to see if he heard anything. He didn’t text me back, he called and he said ‘Mike’s gone’, I collapsed in the kitchen as I couldn’t believe how the fuck the world would go on without him. It is the most bizarre of thoughts, in the moment, shutting down life like that.

I called my ex-girlfriend and told her the news, she told me she was sorry and didn’t know what else to say, she said she’d text me the next day. I cried all night, I kept crying through the week. My ex-girlfriend stayed in my life about two days after he died, by the second day she told me she didn’t wanna be linked to her past and asked me to stop this bullshit. I was just so, deeply offended. I was also disappointed that this person I used to love so much to the point of wanting to spend my life with her forever could say something like this, but that’s what it was and perhaps if she wouldn’t’ve ever said anything like it I would still think of her the way I did before. It combined, Mike’s death and her real self, I grieved both but for a while I did not care about losing her. It happened later and it wasn’t her exactly, more the idea of her, who I thought she was.

I was stuck in a loop for a month of that day when I found him. For a while it just kept replaying, it replayed until it didn’t and I started grieving, realizing he was dead. Even now as I type this word, it doesn’t feel complete yet, and I’m not sure who I will be when it does. You hear the word ‘trauma’ as such a casual term, you picture someone scared or on edge, it is so much more than that, trauma has a world around it, I guess that’s why it’s hard to overcome it or learn how to cope with it.

I hope all of you have a good day.

- Grieving Young.

Supergirl No More

I was already tired of this show but this was the final straw. I was already going to be done because the character of Mon El was a misogynistic, selfish, and sexist character that I cannot believe they put in a relationship with Kara who is supposed to be this strong feminist hero. They focused on that relationship and made it seem like kara always needed him, instead of focusing on alex and Maggie which was a much more healthy and loving relationship where they supported each other through everything. They completely forgot about alex and Karas relationship which in season 1 was one of my favorite parts of the show. I don’t ship Kara and Lena but I could see how people could interpret their relationship that way especially how they play some of the scenes and the fact that those actors felt the need to make fun of people and belittle their opinions in that way was just disgusting and then make excuses for it with half hearted apologies. I’m not apart of the LGBTQ community but I consider myself an ally and I cannot support a show that treats people that I care about and who are already marginalized, like their feelings and opinions don’t matter. Nope I’m done Mon El was enough to make me quit the show but this just made my decision easier. I will watch clips of Maggie and alex and see where their relationship goes but other than that I can no longer support this show.

anonymous asked:

i don't know why i'm thinking this but the make out noorhell scene in 4x09 was so ooc for noora because she's literally not comfortable with psd like whenever she sees persons (straights and sadly gays too) making out she gets uncomfortable

everything past season 2 episode 2 is out of character for her but i literally know….. i feel like it’s an example of how william honestly just drained her to the point where she compromised every facet of herself. everything about her seemed artificial after that.

anonymous asked:

How did Clary know about the Mortal Mirror?

well, clary knows everything in the most convenient moments, doesn’t she? lmao
seriously, don’t ask me. like, not to be This Person but recently her scenes are making less and less sense

recently she didn’t know anything but suddenly she knew that her mother hid the mortal mirror and that she gave the location to elliot. even tho clary didn’t talk with him for probably months/years since he opened his own shop

idk maybe i’m just not paying much attention to clary so feel free to tell me where she gets that info from bc i’m just as confused as my dear anon


I saw Wonder Woman with my mom yesterday and during her big fight scene through the village I turned to my mom to see her reaction (I had already seen Wonder Woman once before) and I saw my mom was crying. Afterwards I asked her why and she told me about how as a child she would make sure to never miss the intro theme to the TV show Mash. There was one shot of a bunch of women in military uniforms sprinting and for her as a child that was everything. Women heroes, unsexualized, not for male consumption, just doing their jobs as bad asses. And she explained that Wonder Woman was just the same and she hadn’t realized how starved she’d been for it. She loved how Wonder Woman fought. She didn’t kick to show you her thigh or grab a man’s head in her crotch to spin him to the ground. She kicked in a way that brought her entire body weight down on someone, she kneed men through walls, and took machine gun fire. My mom said that every shot of Wonder Woman was filmed like she was bad ass. She wasn’t posed like she was pretty. She was posed like she was dangerous. And that made my mother cry.

I think the thing that really, really got me about the no man’s land scene in Wonder Woman?

Is that it didn’t gloss over the “WW1 was awful, just, so so terrible” thing. And, like the million grimdark movies we’ve already seen, it’s all grey and grimy and awful and human suffering everywhere you look, and like every grimdark movie we’ve ever seen people are saying “look we can’t change this this is just how it is there’s nothing we can do everything sucks that’s just how it is”

And then, because Diana is Diana, she stops, and says “NO. No, I can do something, or at least I must try. And none of you can stop me.”

And she goes up and over the bank and into no-man’s land, in the iconic costume for the first time, red and blue and gold against the grey, and flips that goddamn overused ‘grimdark world sucks everything is futile life is pain there is no hope’ trope right on it’s goddamn head.

I didn’t know how desperately I needed to see that somewhere, and seeing my absolutely beloved childhood icon do it…well, I’m still a little choked up about it, the next day.

anonymous asked:

do you have tips on comic compostions and angling/framing of scenes beacuse holy fudge what the actual hell your mob comic is An Expirience

hhhhhhhhhhhhhhhhhhhhOOOOOOOOOOOO BO Y AIGHT

I’m gonna take this ask as a chance to masterpost about this comic.

Since there wasn’t a set time limit for this comic, I went all ham for it, which means there’s a lot of thought about angles/framing n shit in this sumbitch. (keep in mind i’m still learning this craft myself as i go along so FEEL FREE TO IMPROVE WHEREVER)

I’ll go in depth about it but all of my tips can be summed up with : 

go for the emotion of the scene.

Everything I do, I do to try and heighten the feeling in a scene. Everything I’m about to describe were all choices to try and maximize the emotional impressions.


First off, everything in this comic (with the exception of panels 7-9 on page 4) is from Mob’s POV. Everything is built from there. keep in mind goin forward -

We start with Mob terrified of being spotted, of running into anyone. So I strained the perspective to make it feel too close for comfort, despite how far away his other limbs are. I also used the angle to emphasize the “spotlight”, pushing Mob into further discomfort, like he’s being watched anyways.

Mob fears he just murdered someone ? At his lowest moment in this comic? This is where the camera looks down on Mob the most.

Time for shock and awe that the man’s alive ! So Reigen is angled UP, building his Bigness in Mob’s eyes. Most subsequent shots repeat this, keeping us grounded in Mob’s perspective.

Here, Mob is literally on his knees asking for answers. So I pushed for an angle to make him seem really tiny. I wanted him to look as small as he feels.

In the next few pages, the angles basically level out (and I’ll talk more about why in other sections***) until

Mob has just touched back. This was a direct action on his part, so just as I’d built Reigen with that tilt up, it’s Mob’s turn to share that space.

Once Mob fears for the lives of the police, we shift back to high angles. Using a high angle to make a character seem small isn’t groundbreaking but it’s something to chew anyways.

This is less about the angle and more about how cramped everything is. Mob feels backed into a corner unless he can get Reigen to relent. So the tightness and how Reigen looms reflects this.

And here, I mirrored the very first panel. Once again we have a shot of Mob’s back, walking into the light of a streetlamp. But this angle is gentle in comparison, even if slightly off center. We can see where the light comes from so it ceases to feel less like an omnipotent threat and more mundane. Perhaps even hopeful.


I’m sorry to say I feel this is one of my weak points as a creator. I’d like to improve here the most. Most of my panels can be summed up with ‘slant = energized’, ‘straight = stable’. BUT. I did take a few liberties here and it’s good to point them out.

Broken glass to heighten the ouch on Mob’s part.

Salt man don’t give a fuck. he IS the panel. //adds to the energy of this moment

This break from the panels is meant to make Mob hitting Reigen a more immediate threat.

Same with Reigen reaching around it here. He’s still in danger of being shreddy shreddy at this point.

Sometimes a panel will bleed off, to give a more ‘open space’ feel. I like to use it in subtle “oh” moments. That’s the best I could describe it.

annnnnd nothin like a casual reminder on the edges of panels about what would happen should the police show up.

Staging/Body Language

Once Reigen shows up, he dominates the frame, even in shots where mob is closer to the audience. Again, this is all to emphasize how Big Reigen seems to a scared Mobbu.

Mob pushes himself to corners, Reigen’s given the bulk of the space. 

He stands taller than mob and makes the frame uneven.

Even his hand feels huge in comparison.

***That is, until Reigen has a better perception of what’s going on.

Then his actions and staging reflect this.

Reigen kneels down, trying to make himself smaller both to Mob, and in the frame.

The staging reflects Reigen’s attempts to get on even ground, literally and metaphorically.

Mob’s still pushing himself into corners, but now Reigen has actively surrendered some of the space.

Still just, trying to get some of Mob’s perspective.

And from this point onwards, Reigen and Mob share the space/frame more evenly. 

Even in shots where Reigen’s kinda large, he no longer seems so imposing.

Mob still looks up to him but we no longer have such dramatic shots tilting him up and having him hog the focus of the panel.

And we save the closest-closeup, both in staging and in how close our characters physically feel for last. Because bonding and shit.


Decided to make the use of color sort of uncomfortable. Hinted at in edges but not really a presence of their own. Hard to tell what the color of anything is because it’s all nonsense in ur peripherals.

Until we get to humans. But this color seems more invasive, and doesn’t really touch mob in a positive way.

Till we get to these splash of color, messy and kinda unorganized but it’s exactly what Mob needs to bring some order.

From here we get a muted color wash, there but still slightly dulled.

The first hint we get of the saturation to come is centered around the touch.

We slowly fade into full blown saturation once Mob reaches back.

Fanfic bonus

The name meanings of Jun and Tetsuo, since this is the street where they live and why not ahaha.

There’s a lot of bird imagery in ABoT so I

“Kid, it’s like lifting a feather.”

And even tho Reig gets a cool halo from the streetlights n shit

We all know who the real angel is

Other fun shit

Mob’s outfit is based on Sakurai’s outfit when he was orphaned as a child.

I literally put the streetlight directly behind the hand in this shot because I lack subtlety and love it.

There are 2 times where I cut out a bit of (frankly beautiful) wordage in order to show things better visually. Both times happen when Mob’s stopped paying attention.

First with Reigen’s words just becoming a flood of nonsense pretty sounds.

The second when Mob’s thinking about the possibility of his barrier being gone.

also here u guys can have some behind the scenes shenanigans


Idk if im a crackpot or what but This is the scene when Rhysand shows up to Feyre’s cell the night before the last trial where he reveals everything he’s been doing + how he wants amarantha to die, etc etc. And then look at what he says at the end of their convo –> from the first highlight to the last, esp the part: “you’d go tell Amarantha the truth about her whore. Perhaps she’d give you Tamlin for it.”

And I’m just floored Bc it’s currently 1:30am and I’m thinking what if rhys told Feyre all those secrets about himself so she can use them the next day??? Just in case shit went bad (which it did) w amarantha …..so feyre could turn him in and potentially save herself or even tamlin. liKE THIS SHATTERS MY HEART RHYS WAS GIVING HER AMMUNITION TO USE AGAINST HIM SO SHE COULD SAVE HERSELF IF SHE NEEDED TO LIKE HE WAS READY TO BE TORTURED/DIE/OTHER HORRIBLE STUFF IF FEYRE USED WHAT SHE KNEW AND STRUCK ANOTHER BARGAIN W AMARANTHA LIKE I AM TRASH WHY DOES HE DO STUFF LIKE THIS I CANT HANDLE IT

Ok so Steve’s totally not dead but can we talk about the scene where we got to find out what they were saying while Diana’s ears were ringing? When she said “whatever it is, I can do it” it hit me pretty hard. Because here was this woman, who would bet everything she had on the human race, and she was beat down and hurting and couldn’t even HEAR because of the huge blast that slammed her into the ground. She looked like she was going to pass out. And she had no idea what the man she loved was saying at the time, but she knew something was wrong and she just wanted to make it BETTER. She wanted to protect everyone and fix everything even if it destroyed her and that was the most heartbreakingly accurate depiction of a strong woman dealing with a lot and I love Diana Prince, okay?

I believe Spencer’s twin is coming.

In this post I want to give a list of reasons why Twincer is my prime suspect as AD. I know a lot of these ‘clues’ come from interviews, but they’re still really convincing for me at least. I’ve definitely missed some of the clues from within the show because they’re not as easy to spot - we need to know for sure if Twincer is happening, then we can dig further. (The fun won’t instantly stop once the finale airs.) But for now, enjoy these, and at the end, I give my theory as to the motive.

Please note: none of this is overly new. This is just the summation of everything we’ve been talking about on my blog for the past couple months. I wanted to put all the ideas into one post, rather than 31529 mini posts scattered here and there. I will be updating this as we find more. 

  1. The famous airport scene from 715.
    We all already think it’s weird that "Spencer" asked Ezra to not tell anyone he saw her there with Wren. What’s weirder, is the fact that Wren and “Spencer” were arguing. Amongst muffle, I heard Spencer say "stop calling me that" (let me know if you heard differently). Did Wren have a slip-of-the-tongue moment and call her Spencer rather than the twin’s real name?
  2. Dr. Cochran’s story is very telling.
    We all already know the ambiguous implication that Mary had more than two babies, because Dr. Cochran said he dealt with “two of Mary’s babies”. What’s more interesting is the second baby he dealt with. The first baby (Charlotte) he gave to Jessica. He said that the second baby that he delivered was placed in family county services. This could not have been Spencer, since Spencer was delivered to Veronica within 5 minutes of birth. So, who was that second baby that was placed in family services? I believe it was Spencer’s twin. Why? Dr Cochran referred to that second baby as “underweight but tenacious” - lo and behold, the next episode, Toby calls Spencer tenacious. This was the writers foreshadowing the similarities between this second baby, and Spencer. Twins. 
  3. We all know Hanna’s ‘dream’ in 701.
    It makes no sense that Hanna was able to dream ‘Spencer’ saying the name A.D. since Hanna was kidnapped before these initials were even revealed. Perhaps Hanna was visited by Twincer; the one holding her captive.
  4. A.D. needs to stand for something. 
    Spencer’s twin could literally have the initials A.D., since we know she would be Mary Drake’s child. Her first name would start with A and the D would stand for Drake. 
  5. Brendan and Ian both confessed to being confused by the identity of A.D.
    They needed the backstory to understand it. Is that because they had no idea who has the name “Alex Drake” (for example) ?
  6. Tyler said before 7B aired that “you’ve never met AD. You kind of have. You’ll know what I mean”.
    This can be interpreted in two ways: you’ve never met Twincer but since you know Spencer, you kind of know who AD is. Or. You’ve seen Twincer over the years, but thought it was Spencer. Either way, Tyler’s comment screams twin-theory to me. This could apply to any twin theory, but in this context, I’m using it for Spencer.
  7. Ian said (0:57) that “fans will be satisfied to a point. Right when it seems it’s gonna be really great, it might do a little [downwards hand motion]”….
    That cheeky smile on Ian’s face when he said “it seems it’s gonna be really great”… what could be greater than a liar being AD? Ian could be referring to the fact that they initially show us Troian under the hoodie, making us think Spencer is AD. Then, after commercial break, they will reveal it’s just her twin, hence the “it might do a little [downwards hand motion]”. We will be satisfied to a point, he said. It’ll start off amazing by thinking it’s Spencer, oh wait, it’s another twin.
  8. Ashley said (0:14) that she didn’t even know the A.D. reveal is possible.
    Because she did not expect a second pair of twins to come along?
  9. “It’s like there are two of you living in this house. You, and you’re evil twin, and we’re not sure who’s coming down to breakfast". 
    said Veronica to Spencer in 423. Foreshadowing at it’s finest.
  10. Spencer doesn’t remember this flashback.
    Was it her twin? And oh how coincidental, that the writers tell us a time Spencer doesn’t remember, in the same scene Veronica makes the above comment about Spencer’s “evil twin”.
  11. “Where are they?”
    said Mary as she entered the Hastings house (flashback from 717). Who is they? The twins? She proceeded to say that Spencer is the only good thing she’s ever made. Maybe Mary knows Spencer’s twin is evil, and is neglecting her. 
  12. “You look very much like your sister. Almost like twins”.
    said Mary to Spencer in 701. The writers wanted us to think that Mary was talking about Spencer and Melissa, since Mary was holding a picture of the half-sisters. But, were the writers, and therefore Mary, hinting towards Twincer? Is Mary being blackmailed/forced (by Peter?) to keep quiet on Twincer, and she had a slip-of-the-tongue moment here?
  13. Marlene is very aware of the Twincer theories.
    Back in 2014 she said that Troian sent her an online fan theory regarding Spencer having a twin who is A. Marlene was blown away by it and she thought it was a very well thought out plan with detailed evidence across the series. Watch from 1:35. Whilst you may be saying “there’s NO WAY Marlene spoilt her own show’s ending in an interview!!” - I feel like she had no idea the show would go on for 7 seasons, and once they got renewed, she panicked. “Shit, we need a new Uber A. Let’s go with that brilliant fan theory Troian sent me”. She probably regrets making this interview now. You can tell her passion for Twincer in this interview. She talks so damn highly of it.
  14. Marlene has said that the person who plays A.D. had known for a while.
    We know that Marlene told Troian the entire ending of the show years in advance. “Just like I had story time with Marlene, you all now get story time with Pretty Little Liars” said Troian.
  15. The girl in the coffin in the opening has the exact same black puffy shirt as Spencer.
  16. Why does it seem that A.D. is always going after the Hastings?
    Why shoot Spencer, out of all the liars? Why demand Aria to plant the audio device in the Hastings? Why not ruin the Marin household? The jealous twin wants her ungrateful sister dead, hence the shooting, and the jealous daughter is angry she never got adopted. Too much of the story is Hastings-oriented. 
  17. “They’re all some pretty. Good. Theories.”
    Was Janel’s response to being asked about the Spencer-twin theories. (22:20)
  18. And, I’ll just leave this here. Good one @prettylittlesessions​ !
  19. “Spencer’s” weird comments in 718.
    In 718 “Spencer” says to Toby “you know what its like to be the outsider. Removed from friends and family”. What made her say this? Nothing was said or done in 718 to prompt our Spencer to say this. 
  20. Keegan said there are no more Spoby kisses in 7B.
    “I can honestly say that there is not another Spoby kiss.” Yet - there was one in 718. Either Keegan lied, or that was Spencer’s twin. (10:15)
  21. “It’s somebody you have seen.”
    says Marlene in regards to who AD is. Was she talking about the Spoby kiss in 710, which Twincer referred to in 718 when she kissed Toby again? Marlene was very careful to avoid saying “it’s someone you KNOW”. We don't “know” Twincer. But, we have seen her.
  22. “That’s not the Spencer I know”
    said Toby in 718. Writers are foreshadowing.

Setting all this aside, I want to add my theory on the backstory and motive:

  • Twincer, who’s name is A_____ Drake, was born in Radley, as Dr. Cochran told us in 7A. 
  • Twincer was raised in Radley - not because she needed to be at a psychological hospital, but as a form of daycare, because Mary was deemed an unfit mother, and also she kept Twincer a secret from Peter… he already hated her (to the point of planning her murder, later on) enough for having one baby together, imagine Peter’s reaction to having twins.
  • There, Twincer met and bonded with her sister Charlotte. Charlotte became Twincer’s only friend. (Twincer might even be Bethany, since we already know of this bond between Bethany and Charlotte, and how Bethany was drawing Charles being taken away by a monster. But for this theory, let’s just forget Bethany for a second.)
  • When Mona came to Radley and started telling Charlotte about everything she did to her sister, Charlotte and Twincer wanted to play. They wanted a turn at harassing Spencer and her friends.
  • For Charlotte, as we know, it was the feeling of finally succeeding at something in life that made the game her drug. For Twincer, it was something far darker.
  • Harassing Aria, Hanna, Emily and Alison is all about driving a wedge between the girls. Twincer wants to break up the girls. Turn them against each other. Hopefully by throwing fire at the girls, they will break up, ultimately, to ruin Spencer’s life. Again, jealousy. Twincer’s plan is backfiring because it’s exactly A’s threats that makes Spencer say “we need each other more than ever” and “always stick together”. The writers keep making the point of SPENCER being the one to make the comments about “always” sticking together. Twincer cannot break Spencer and her bitches. This is fueling Twincer’s anger. Nothing is working.
  • That’s why AD/Twincer recently shot Spencer. “If I can’t break the girls up to ruin Spencer’s life, why not just become Spencer?” Twincer shot Spencer in an attempt to assume her identity and squeeze her way into the loving friendship group that she could never crack. “These girls are so loyal to each other… they don’t even break up after even my threats. Damn, I want to be a part of this. It’s my turn to live a happy life. You had your turn Spencer.”
  • Note: I do not believe that AD has been operating since season 1. Mona’s time as A is completely independent from Charlotte and Twincer’s story. Mona started the game, and now someone is ending it, and she wants to know who. Charlotte and Twincer are their own duo; their own A-team, which stemmed as a result of Mona coming to Radley. Charlotte revealed herself - next up in the A team is Twincer, who is carrying on the game she once played with her sister. 

GRIMM | 5.03

I’d never seen a Grimm before.