ep:prophecy

Using prophecies in fantasy without making eyes roll

Good ol’ stand-bys, ubiquitous fantasy tropes, are difficult to avoid. And sometimes we don’t want to avoid them. Goddammit, sometimes you just need a good, solid prophecy to write the story your want to write. 

“It’s not my fault all these other people before me have written prophecies, too!” you say. 

And you’d be right. Unfortunately, they did. So us modern-day writers have to live with the it. So what do you do when you want or need to use a well-worn trope? 

Know the trope. Make it your own. 

Know that, no matter what you do, some readers will still hate it.

But you can’t make everyone happy, right? So let’s get started.

How-to guidelines from our predecessors

Prophecies in fiction have been used countless times. But there are reasons why we continue to use them. And while you don’t want to completely copy how it has been done before, we can all learn something from the basic form of real and fictional prophecies. 

1. Prophecies are often vague and general

The language and phrasing used in prophecies, because of its important and symbolic nature, tends to go for sounding mystic and grand over sensible and utilitarian. This language achieves its poetic goal, but as a price, the meaning can be allusive, vague, or even seem contradictory. 

A man named Jerry will kill a man in a fight on the corner of 3rd and Main on the fifth of January, 3820. 

On the dawn of winter in a forest of gray, when one life dims, another remains.

One of these actually gives you some useful information. The other could mean a vast array of different things at any point in time, but technically applies to the same situation. One of them (though poorly) reads more like something you’d find in a piece of fiction. 

2. Prophecies are often misinterpreted

There’s likely to be disagreement on the meaning of any yet-to-be-fulfilled prophecy. If it’s well-known, then common folk might take it to mean one thing, while the wealthy another. The well-educated might take it to mean one or two (or three or a thousand) things, while the uneducated take it to mean another. If there are two prominent schools of thought, then people might passionately disagree about the meaning. It’s possible that none of these interpretations are true. 

‘Tis the nature of vague and metaphorical language.

The culture of your world will influence how people treat the prophecy. Conversely, the prophecy and its interpretation might have a huge impact on the culture, government, or religion of your world. 

3. Prophecies are given in context

In the example above about the murder in winter, with no context that “prophecy” means basically nothing. Part of what creates nuances in interpretation of prophecies is variations in the understanding of the prophecy’s context. 

Upon the rebirth of the emperor, the dark messenger will be slain; the eagle will conquer the land.

In this sample, very little is made clear when there’s no context. We have no reason to care, let alone believe, what these words are trying to convey. But say that our myths tell the story of a vanished young emperor who would someday reappear to take his throne, that the messengers of evil are immortal, and that the eagle is symbolic of peace…

It all starts to make a bit of sense, doesn’t it? Any alteration in context, however, could vastly change the meaning. 

Prophecies don’t stand alone. They only work within their context. They aren’t created in a vacuum and they are not understood in a vacuum. Creating the vibrant world that surrounds your prophecy will go a long way to making it interesting and important.

4. Prophecies require a prophet

Why do people believe the prophecy? Why don’t they? When implementing a prophecy into your world, you need to pay attention to how people receive its message and ensure that that belief has a sensible backing. 

A prophecy came from the mouth (or pen) of a prophet. If the people of your world totally buy into the words of this prophecy, then there needs to be a reason. What made this prophet reliable? 

What not to do: There was this old woman and everything she said was totally batty…all except this one thing. This one thing will definitely be absolutely true, so help me, God.

Like any aspect of culture, the “why” factor is important. Why do people believe the prophecy? Why has it survived so many years? Or perhaps people don’t believe the prophecy…so why is that? 

Consider Nostradamus. He’s a pretty infamous prophet, even though only some of what he said every seemed true (and almost entirely in retrospect). For the most part, when you mention him, people will kind of laugh it off. It’s mostly a joke. However…his words might also be true! But it’s best not to put all your money on it. 

How are the words of your prophet generally received? How will this affect how your Important Prophecy™ is viewed and understood by the people?

“This Important Prophecy™ is believed because my story needs it to be believed,” is not a good reason. So make sure it runs deeper than that.

Pitfalls to avoid

1. Using a prophecy as a matter of course

Your prophecy should have a very integral part in your story and world. Using a pointless prophecy or using one just because you think, since you’re writing fantasy, you probably should, are one-way tickets to eye-rolls. 

Like any trope, if you’re sticking it artlessly into your story, then you doing the trope and yourself a disservice. Every element you choose to include in your story should drive it forward, should deepen your conflict or characters. No inclusion should be made flippantly. Be sure that if you’re including a prophecy, you use it to its full potential.

2. Making it too simple or mundane

If you’re doing it right, then your prophecy will be super important to your story. And if it’s super important, you’re going to want it to be super interesting. If a dull, run-of-the-mill Chosen One prophecy is, unironically, what your story hinges on, then you’re likely going to get some eye-rolls and, worse, readers who put down your book.

3. Going for too much

On the other end of the spectrum, prophecies that are convoluted or require the ten-page backstory to put into context are likely going to take too much attention away from your actual story. Prophecies tend to focus on one (general) event. It can cover a few facets of this one event, but if you try to outline too much you risk detracting from the here-and-now or getting too far in over your (or your character’s) head. 

Things to consider

  • Is the fulfillment of the prophecy a mystery even to your reader? Or does the story give the answer, leaving the path to the fulfillment to be the mystery?
  • Is your prophecy immutable? Is it Destiny and it will come true no matter what anyone does?
  • Is the prophecy self-fulfilling? How do the characters’ knowledge of the prophecy affect events? How might their ignorance of it? 
  • How does the fulfillment differ or align with the expectations held by the characters?
  • Did the prophet speak of their own freewill, with true foreknowledge, or were they a vessel for a deity, or some supernatural being?
  • How was the prophecy passed down to the present? Was it done so flawlessly, or might there have been translation, oral, or interpretation errors that happened along the way?
  • How widely accepted, or known, is the prophecy among the common people? 
  • How common are prophecies in general? Does this one stand out in some way? If so, how and why?
  • Does the prophecy give away an outcome, or does it simply set up a situation?
  • How detailed is your prophecy and how have those seemingly specific details been misinterpreted?
  • How certain is anyone that they understand the prophecy? 
  • If the prophecy proves to be false, how does that element find resolution within the structure of the narrative? (i.e. if you placed great importance on the prophecy with the intention of pulling the rug out from under your reader, how are you going to resolve the situation to keep them from feeling cheated?)

What do you think about the use of prophecies in fiction? What are some of your favorites or least favorites?

Happy writing!

They swore they’d be together forever - they’d take on the world ( universe ) together. But Person A is the chosen one. They’re the one prophesied to save the world. Person B isn’t. And while they were together as children, Person A left when they were barely a teenager to start training. And B? They started training too. Each grew, on two different paths.

B became a leader of their oppressed community, protecting their people and navigating them through the world and its harsh conditions alone.

A grew and trained and after years apart from B, they return, and fulfill their destiny, swooping in to destroy the great evil and save their friends.

They expect B to be happy. They did it. And B is. At least, about the thing being gone. Because after it? After the battle when A goes to talk to them? B doesn’t acknowledge their existence. B pretends A is nothing more than a stranger. And it hurts. Somehow more than any of the obstacles A faced before.

There will come a day when people of all races, colors, and creeds will put aside their differences. They will come together in love, joining hands in unification, to heal the Earth and all Her children. They will move over the Earth like a great Whirling Rainbow, bringing peace, understanding and healing everywhere they go. Many creatures thought to be extinct or mythical will resurface at this time; the great trees that perished will return almost overnight. All living things will flourish, drawing sustenance from the breast of our Mother, the Earth.
—  the Rainbow-prophecy

Today I’m starting the sequel to “The Illustrated Hávamál,” “The Illustrated Voluspa.” In The Voluspa, Odin calls on an “Volva” or wise-woman, bidding her to rise from the grave and foretell a great prophecy.

I will be posting a new image every week day, until I’m done. I hope you will follow along and enjoy.

Looking for more blogs to follow, since my dash has been dead for a while now.. Like/reblog if you post about any of the following and let’s build a community!

-astrology
-numerology
-divination
-lucid dreaming
-astral projection
-energy magic/healing
-naturopathy
-decolonization
-anti-racism
-science
-anthropology
-past lives
-visionary art
-geography
-globalization
-world history & politics
-shamanism
-psychedelics (and modern drug/addictions research)
-veganism
-social justice
-intersectionality
-nature, climate change, etc.

..If this actually gets notes then feel free to go through & stalk all the lovely like-minded people
Balance to the Force

What does “destroy the Sith and bring balance to the Force” even mean? The Jedi felt that the Dark Side was a corruption of the purity of the Force and, therefore, destroying the Sith would be what brought “balance to the Force.” Were they right? I’m not so sure. Balance implies proportion. Unless the existence of the Dark Side was throwing something out of proportion, I don’t see how eradicating it would balance anything. Moreover, if the power of the Dark Side is available to everyone, destroying the Sith isn’t going to do much of anything. Other people can fall with or without them. Further, if destroying the Sith meant balance to the Force, why would the prophecy say “and bring balance to the Force,” as if there were two tasks that were to be accomplished not one task that lead to the natural result of a balance? Let’s ruminate on that.

Keep reading

If prophecies don’t necessarily come true, why does everyone assume (fans & canon characters) that Harry needs to be the one to kill Voldemort? Yes, Tom made the first part of the prophecy come true, à la self-fulfilling prophecy, but it does not have to follow that the second part become true or needs to be fulfilled. Just because Voldemort won’t let Harry be, does not mean Harry should be the one to defeat him. You don’t send children to imprison rapist paedophiles on grounds of them being a target!

But if I am right and you are right
Chasm is another word for impasse
2017 might as spell LOSS in capitals
I’m just waiting till August to end it all
That’s my pact as a matter of fact
The sound you’ll hear will echo
When one’s book of heart is shut
All the ghouls form a choir
The nights will be longer than they are