ep of this week was so good and full of love

A Guide to The Adventure Zone metaplot

So recently, I re-listened to the entirety of TAZ in prep for the ending and took notes; as we head into the finale next week, I wanted to share them! This is a comprehensive look at every plot thread, bit of foreshadowing, and yet-unresolved ideas as we head into endgame. This involves heavy spoilers through the most recent episode (66) and assumes you have already listened or read the content before.

The full is under the cut!

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So let’s talk about Sasha’s climactic scene

And why the Attack on Titan anime adaptation once again proves itself to be incredible. 

Sasha reading her bow and telling the kid to keep going is an amazing moment in the manga already–Isa deserves all the credit here. In the og flashback, Sasha refuses to abandon her principles just because outsiders are in trouble, she refuses to help them; a perhaps egocentric, but also human point of view-we tend to prioritize us and those closest to us over strangers. Then, in the current time, Sasha tells the kid to run bc she’ll certainly find kind and helpful people ahead; and stays herself behind to fight; she fights knowing that proper victory cannot be achieved, to save a random stranger; a kid, further emphasising that Sasha herself has grown into a great person and abandoned that egocentric child she once was.

It’s great stuff, but the animated execution of it made me realize just how good it actually is.

In the yumikuri flashback the S1 version of counterattack mankind starts…its positive a track expressing a sense of optimism and peace, it suits the “ordinary moments” she thinks about. Then, we cut back to present time. A newer arrangement of the track, led by faint strings with hints of an organ in the background–there’s a distant but growing intensity in there. 

As Sasha talks to the kid, most of it is shot from the kid’s perspective, so we get to look up to Sasha–she’s seen as the grown up here, perfectly fitting the above characterization. In the meantime, the music grows ever stronger-the organ is very present, and drums are added too. The buildup to the sequence is thus heavily emphasized. Also, listen carefully to Kobayshi Yuu (who’s performance here I loved). There’s definitely exasperation in her voice–they’ve been running for some time and are chased by a titan, not to mention that she’s afraid. Yet, you can still find a lot of tenderness in there–the kid is supposed to feel safe and secure, despite everything going on, and it just makes you love Sasha even more.

Let’s get to the real meat

I LOOOOVE this scene. Sasha spinning on her feet to stop and get into position looks really cool…but its’ the following take that I adore the most

The spin kills her entire momentum…she stands still and ready, and the camera lingers on her. But the kid didn’t do any spin, kid’s still going, not slowing down. Sasha however wants kid to keep going, seems to use her spin as a way to propel kid forward. And the moment her arm is separated from kid, the camera moves on as well–doing so, Sasha’s staying-behind-to-fight is visually translated and further emphasized without the viewer consciously realizing it. I have a hard time describing it, but there’s an incredibly powerful sense of organic dynamism in there that just sells the scene. It’s excellent visual storytelling, not only of the situation, but also of Sasha’s character–she’s strong and altruistic now, and she’ll fight against all odds to save the kid in need. Yuu’s performance here is perfect as well–there’s now definitive desperation to be heard, alongside remaining hints of kindness but also a certain intensity. Sasha is afraid–she has no equipment to protect herself, she has no weapons to eliminate the threat, but in spite of that, she still sends the kid away, she still stays behind, she still stands in the way of the titan. 

And THAT shows just how brave she is–Sasha overcomes her weaknesses, she fights against all odds, she dedicates her heart–and that is what the anime manages to portray so masterfully here.

And of course, that is what the best shot of the episode does.

We get an incredibly gorgeous wide shot…starting off once again from below, keeping both the titan and Sasha in frame, reminding us of the threat ahead of her, but in one amazing panning zoom, we fly all the way to a closeup filled with nothing but fierceness. The visual alone is amazing in its own regard, but the sound is what truly rounds it up. Counterattack Mankind A reaches its climax, going all out on instruments, cue-ing the all-so-familiar melody in an immensely epic arrangement worthy of the scene it accompanies. Kobayashi Yuu 100% sells it too–her first “now-go” is still a bit feeble and unsure as mentioned above, the 2nd “run” already stronger but there are still hints of fear….and then, with the musical cue behind, after getting a full frontal close-up–the all out “get runnin’!”, filled with nothing but raw energy and determination–Sasha’s abandoned all fear and is in all out character-climax-badass mode. Her shout echoes through the woods, the kid is literally hit by a shockwave and finally starts running (sidenote–her eyes were dark and lifeless throughout the ep, but only after that do they lighten up, adding once more weight to Sasha’s moment). And of course, Sasha’s accent arc comes to full circle in the same frame as well, as she yells the command out in her native dialect she’s tried to hide for so long. Pretty much everything that could’ve come full circle did–in terms of writing, performance, sound and visuals.

It’s an amazing sequence deserving of ludicrous praise for the creative staff–they’ve proven once more that Attack on Titan is a work of art. The manga is already without a doubt amazing–most of the points above stem from it after all-but the anime is so ridiculously good at presenting I sometimes can’t believe it with my own two eyes.

In case you couldn’t tell, I fucking loved this sequence and I’m gonna yell about Sasha all week long. 

I Know

Okay so here we go, after some encouragement from the lovely @alltoowheeler I decided to post my first ever ST fic!

I really wanted to see Mike and El properly talking about their year apart and I was too impatient to wait for better fics so I decided to try it out lol!

(also threw some  #dadhopper in there too, after that scene of him interrupting the two in ep 9 I really want to see more of that)

It had been five days since the gate had been closed for good. The sunny and crisp November afternoon had been spent by finishing fixing and cleaning up the cabin; Steve hobbling on a ladder replacing the windows and not falling once (whether or not El had anything to do with it remains unsure), the kids being tasked to sweep the floors and Hopper constantly needing to tell them to get back to work as they got distracted every five seconds, and Jonathan and Nancy bringing over snacks for everyone. It was now starting to get late, the golden light of the early evening was shining through the cracks of the closed blinds (“We only have to keep them shut just for a little while now, kid.”) as people started to head out the door to go back home.

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Homecoming - A Jonerys Oneshot

Hey guys, here is a new little Fic of mine. Set after 7x06. I already wrote one where they’re having sex for the first time. You can find it here. But after the last ep I was inspired again. So here’s another one. Hope you enjoy :-)

Genre: Drama / Romance . Rated: E. Chapter: 1/1. Also on: fanfiction.net

The night was starting to ascend over Dragonstone and Daenerys stood at the window in the Chamber of the Painted Table and watched her dragons. They had anchored yesterday after a long week on sea of which Jon had slept most of the time. But to her relief he had looked better with every day. He was recovering in his old room right now Daenerys was hopeful that he would be completely healed in no time. She was alone in the chamber, Tyrion was back in Kings Landing planning their upcoming meeting with Cersei, making her fretful mind her only companion.

Within a few weeks her whole world had been turned upside down. It happened to her before, but this time was different, even more momentous. She had lost one of her children and it’s loss left a non -fillable void inside her heart. But she meant what she had said to Jon. As much as it hurt, she had now been able to see the white walkers for herself and knew why Jon had been so persistent about the threat they represented.

Jon Snow was the reason her world became so unlike the one she knew. Not just because he was the messenger who told her about the dangerous creatures that walked towards the kingdom she longed to rule over, but also because he, himself, changed it. Simply by entering it.

They’d just been acquaintances for a short time but she already couldn’t fathom how her life would look if he wasn’t in it anymore. She got a glimpse of that, when she had thought his life had been claimed by the icy waters that swallowed him. And she didn’t like the feeling at all. It has hit her then with full force, how much she really cared about him. Much more than what would be appropriate for an acquaintance or an ally. All this week’s in Westeros she had been so engrossed with her fight against Cersei and her demand towards him to bend the knee, that she hadn’t noticed that she and Jon had already got past that. They formed a bond way stronger than any bent knee would be.

It scared her how much her heart wanted him. She hadn’t felt anything like it in forever and even then it were the feelings of a young girl not that of a grown woman. In the years since Khal Drogo she had made so many life-experiences they had shaped her, hardened her in a way, so that she hadn’t known if she was still capable to love someone romantically.

But now she knew.

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very long post about podcasts because someone sent me an ask about podcasts and I love podcasts and you can't do read mores on mobile sorry.

Hello I just wrote this incredibly long post about all the podcasts I listen to and would therefore recommend. Before you ask, I work alone so that’s how I have so much time for this many podcasts, plus audiobooks and music listening and everything.

Comedy Shows I Listen To Every Week

Comedy Bang Bang - always good, always funny, and if you have howl or stitcher premium the month of tour shows they did last year is really the best thing the medium of podcasts has ever produced, I really love it.

Hollywood Handbook - the best podcast. notoriously ‘hard to get into’ because it apparently takes people a little to adjust to the mindset these guys are in, and it requires you to be a little bit of a podcast person and also to have listened to this show for 100 eps to get certain things but it’s really incredible if it’s your thing.
Their latest episode where they designed cards is maybe one of the most accessible episodes they’ve done in a while and if you’ve ever listened to Spontaneanation the episode they did with Paul F Tompkins a couple of weeks ago had me absolutely crying laughing.

With Special Guest Lauren Lapkus - Lauren Lapkus is the funniest person on the planet, undoubtedly. This show varies pretty wildly depending on the guest because it’s so conceptual but it’s never ever bad. Also please watch the web series The Earliest Show she did with Ben Schwartz because while the show is really good, the hour of outtakes is one of my favourite videos ever.

My Brother, My Brother And Me - you already know what it is. Good show, fun time.

Spontaneanation - Paul F. Tompkins really is a gift and this show is very very good, it’s fun and silly and good natured which is a nice change of pace from a lot of the world. The recent episode with Lauren Lapkus and Tatiana Maslaney is really really good on both sides.

Comedy Shows I Listen To Sometimes

Hard Nation - this is a really good political
satire that almost always becomes very absurd. I’ve stopped listening to it as much in the last few months as politics news has sort of outstripped the pace of a weekly satire which is insane, but the show is still great every episode.

Never Not Funny - pretty easygoing chat show that I’ll listen to depending on the guest, it’s always good even if it’s someone I don’t know.

improv4humans - Matt Besser is one of the worst human beings alive and I really wish literally anyone else would start a show with this exact format but for now it’s all I’ve got. Any of the Wild Horses eps are incredible if you want a recommendation.

The Adventure Zone - you already know what it is, it’s those brothers playing dungeons and dragons. I’m lightyears behind but I listen to this sometimes and I’m slowly catching up.

Victrola - Improv combined with tight editing in a similar vein to Superego.

Pappy’s Flatshare Slamdown - a british panel show in podcast format, very good.

Handsome Rambler - Hannibal Buress’ podcast, great if you’re a fan and pretty infrequent so it’s easy to keep up with.

The Todd Glass Show - Todd Glass is an incredibly odd man and his show really reflects that. There’s a live band and lots of code words. The recent ep with Paul F Tompkins is an all timer, please listen to it if nothing else.

The Smartest Man In The World - I have no idea what this show is. As I understand it it’s just Greg Proops talking to a crowd about whatever’s on his mind and sometimes they bring him books to read out of? Very strange but Greg Proops is so incredibly good at just talking that it’s a great listen.

The Comedian’s Comedian - Stuart Goldsmith interviews comedians about making comedy. Really illuminating if it’s someone you love. Bizzare if it’s someone you don’t like cause they’ll explain their incredibly involved process for coming up with shit and boring jokes.

Politics Podcasts I Listen To Most Days

Is It On? - Buzzfeed Australia’s politics podcast. Really good light wrap up of the week in federal politics mixed with interviews with politicians that are a lot more personal and engaging than a lot of political interviews.

AM - ABC Radio National’s daily morning show. It’s only half an hour so it’s a really easy way to stay in the loop on the way to work or something.

The World Today - same thing but about world news and longer if you’re really interested.

The Daily - The New Yorker’s daily podcast. Great way to keep up with whatever the fuck Trump is doing today without having to go scrying through half baked twitter takes every morning.

Podcasts That Most Closely Fit Into The Genre Of ‘Podcast’

Song Exploder - breaking down songs note by note with the writers, incredibly well produced and a pleasure to listen to.

Reply All - really interesting show about the internet and all the evils it contains. Their episode Very Quickly To The Drill is the most interesting story about locksmiths you’ll ever hear.

Heavyweight - Jonathan Goldstein helps people make peace with their past. This is one of the best podcasts I heard last year and I really cannot wait for a second season.

Black List Table Reads - full quasi-radio plays of unproduced film scripts from The Black List. An incredible show that I wish were more popular.

99% Invisible - great stories about architecture and design.

Invisibilia - similar but about your emotions and brain

Gunsmoke - oldtimeradio.com presents the original 1950s cowboy radio serial Gunsmoke! and thank god!

Radiolab - it’s podcasts baby!

This American Life - baby, it’s podcasts!

Shows That Are Finished Series

Wiretap - Incredible show that I can’t believe I never heard of before. Hard to explain but it feels kind of like if Seinfeld was a radio show and happened mostly via phone calls.

Reality Show Show - the Hollywood Handbook guys’ previous show. A lot more accessible and incredibly listenable for what you’d think would be a pretty time specific show about reality tv.

Dead Authors Podcast - Paul F. Tompkins as HG Wells interviews comedians in character as famous dead authors. Surprisingly well researched and incredibly funny.

Wild Horses: The Perspective - I am absolutely begging for more episodes of this show from Lauren Lapkus’ improv group because it is so so good.

U Talkin’ U2 To Me? - please listen to this show, even if you don’t like U2. In face especially if you don’t. Adam Scott and Scott Aukerman try to review U2’s discography but very quickly devolve into some of the most absurd podcasting ever.

Superego - tightly edited improv with music and everything. Incredibly strange in a good way and it takes a little to adjust to the tone but it’s a great show.

Mystery Show - still gutted this never got a second series. Detective show in the vein of Serial about incredibly benign mysteries like how tall Jake Gyllenhaal is.

Rum, Rebels And Ratbags - great Australian history podcast from David Hunt who wrote the very good Australian history books Girt and True Girt.

Not Available On Stitcher But Very Good

Dead Pilots Society - like The Black List Table Reads but for unproduced comedy show pilots. Hilarious, well produced and an interesting look at how getting a tv show made works.

Night People On WMFU - this show’s finished, but it was a late night call in show on some american radio station. Perfect oddball show for driving at night or falling asleep to.

Please reply to this post and tell me more podcasts you think I’d like, or even ones I wouldn’t but you do - who cares.
If you reply to this post and tell me to listen to Cum Town I will block you.

Son Week is an official event held every year from 5/7 to 5/10 in Japan, during which merchandise is sold and fans celebrate their love for the Son Family characters through different forms of expression. After recently learning that there hasn’t been an organized Tumblr event in previous years, I’ve decided to host it as well as extend it to a full week, with 3 added days: ChiChi Day (a reversal of ChiChi’s 11/5 birthday, as suggested by @redasuki), HanVi Day (Gohan x Videl) and Bardine Day (Bardock x Gine).

I’ve included three prompts for each date. You can choose one or the other, or a combination of two or three of them, and you may interpret the themes however you want! They can be presented in whichever form you prefer including but not limited to: fanfiction, fanart, moodboards, comic strips/doujinshi, AMVs, videos, vines, screenshots, headcanons, au edits, character analysis, gifs, etc.

Keep in mind, these prompts are meant to inspire you, not to inhibit your creativity, so if you want to/ already have created Son Family content using your own ideas, I’d still be more than happy to share what you’ve made!


GoChi Day 5.7-  Anniversary/Honesty/Long-Distance

Gohan Day 5.8-  Animals/Laughter/Hope

Goku Day 5.9-  Sacrifice/Motivation/Excitement

Goten Day 5.10-  Adventure/Music/Friendship


ChiChi Day 5.11-  Dance/Courage/Happiness

HanVi Day 5.12-  Fireworks/Cosplay/Chemistry

Bardine Day 5.13-  Battle/A Second Chance/Desire    


-Uncle Raditz

-Horror au

-The 80s

-Getting lost/stuck somewhere

*** These can be used for any of the days and characters/ships, either as a replacement or in addition to the other prompts.

For additional fun, I will be streaming a movie or a number of episodes each day on rabbi.it. You don’t need an account to sign in; you just need to sign in as a guest. I will be posting a link on this blog 30 minutes prior to streaming the video, which will be shown at 5 p.m. EST all through Son week (time subject to change if you guys prefer another time- let me know!)

Movie/Episode Selections:

5.7-  “Wedding Filler” episodes (149-153)

5.8-  Bojack Unbound

5.9-  The World’s Strongest

5.10-  Broly, Second Coming

5.11-  “Anonymous Proposal” (ep. 137)

5.12-  Battle of the Gods

5.13-  Bardock, the Father of Goku


  1. Please be respectful. No hatred towards the participants, Son family members, and other ships and supporting/main characters.
  2. NSFW is accepted, but must be tagged as such.
  3. Tag your work within the first 5 tags as #sonfamilyweek or #son family week, so that I can track and reblog it to this page. You may submit in the submission box or send a link via message. If you wish to remain anonymous, please let me know. You may also send me a link from a site that is not Tumblr.  
  4. Be positive! This is not a competition or measure of your talent, so please PLEASE don’t feel like your work is not good enough to submit. Every contribution is welcome!
  5. You don’t need to do make something for every day, though it is encouraged (the more the merrier!)! You can create more than one thing per day, if you’d like!
  6. Have fun and please reblog to spread the word!

***Feel free to drop me an inbox or message for further questions.

Also a BIG thank you to @rickseriastar for the lovely banner! And @maiikawriter for giving me feedback.

Drunj!Der Yells About Outlander

Thoughts on Ep. 307

So this was an episode that happened. It’s kind of tough to get excited about an episode that’s sole purpose is basically to set up the next one. There were definitely some parts that I really liked *cough Claire cough* and some things that I side-eyed so hard. *cough Jamie cough*

I get that the point of this episode is to show just how much more work they need to do if they’re going to be able to rebuild their life together. And it *is* making me excited for next week to see shit actually go down. But based off of how underwhelmed I was with last week, I feel like I really need to lower my expectations for next week, haha.

This week’s episode served its purpose, though, sooo…

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Some things from Story and Song Part 2
  • Travis’s voice crack when he asks Griffin if the voidfish are okay! The ruffboi is also a kindboi. 
  • Full disclosure: I fucking love Travis’s “Girl from Ipanema plays in all elevators all the time” goof because it always reminds me of when Griffin did the shittiest/best cover of it AS MOTHER FUCKING UPSY back in the Crystal Kingdom.
  •  "Hey… Lizard.“ Magnus’ fucking wonderfully shitty comeback to Carey made me choke 
  •  Travis’s roleplaying during the training scenes with the bear was absolutely incredible. Everyone was on fire this week, natch, but this was incredible and basically thank Travis for Travis. 
  • Speaking of incredible roleplaying, it would be remiss of me not to mention Taako’s interactions with both Kravitz and Joaquin, which both had incredible weight and perfect characterization simultaneously. Even though they obviously share the same wit, Taako and Justin are probably the least similar player/character duo personality-wise out of the THB* and it blows my mind how good Justin is at making Taako so incredibly complex while also always making sure he stays true to the character. (Also, bless Justin and Griffin for giving us Taakitz kiss scenes despite the fact that it must be real weird to talk about smooching your bro) 

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Modern Conveniences

So the idea for this came from one of @freifraufischer‘s herd of anons, and then @sometimesangryblackwoman gave some prodding to get it written. Anyway, post-ep in which Henry sends the other Regina a care package of things from the modern world, and makes the mistake of soliciting suggestions.

A couple weeks after sending the Evil Queen off to a fresh start and a chance at some happiness, Henry writes her a note. It’s mostly to tell her they’re all okay, that they’ve survived the latest peril which has so marked his adolescence. She’d want to know, he thinks. He tacks on a post-script about his grades, fully aware that she won’t be pleased about that, but hey, there was an epic battle going on and a few nights where he was out late saving the world instead of studying algebra. Surely she can forgive him that.

It’s a one-way form of communication, but it’s the least of what he owes her. Every once in a while, he pens another note, telling her about the situation with Violet and how the horses are doing and everything he thinks she might want to know. It’s not enough, but it’s what he can do.

He’s taken little Neal to the park to give Snow and David some time to themselves and is thinking of what to say to his other other mom when he hears what the mothers in the park are saying. Princess Aurora is laughing about one of the first times she used the internet for shopping. “I couldn’t believe it. You just tell it what you want and it arrives! Better than magic, if you ask me.”

“It still comes with a price!” Ashley says, and the women all laugh.

It gives Henry an idea.

The family is having Thanksgiving at the Mills house. It’s the one holiday they all really embraced after the curse was broken—Mom loves to cook, Snow loves to decorate, and Emma loves to eat, so it’s perfect for their quirky little family. The night before, Henry informed them all that he could use his abilities to send things, modern conveniences she might miss, to the other Regina, so if they had any suggestions he was certainly open to them.

The table was stunned for a minute, but soon they were coming up with all kinds of ideas. Before long it devolved into a conversation of the old days in the Enchanted Forest, and sometimes about the things they missed during the year when Henry and Emma were in New York. But on Thanksgiving itself, Emma calls him aside. “Hey, kid, you haven’t made up your magical care package yet, have you?” she asks.

He shakes his head. “No, I wanted to see if there were any more ideas.”

“Right. So this might be a little embarrassing, but trust me, it’s necessary.”

She hands him a slip of paper and walks away. On the note are two items.

Tampons. Chocolate.

For half a minute Henry wants the earth to swallow him.

He shoves the embarrassment as far back as he can and tries to be sensible. Emma’s right, probably—okay, definitely, since he has no idea what this is like and she does. But ugh, he wishes the pen would let other people write down their seriously personal suggestions instead of him having to do this.

Half an hour later, Snow calls him away from football with the guys to the dining room, where she’s putting the finishing touches on the table. “Wow, Grandma,” he says, “it looks great.”

“You think so?” Snow replies. “I keep thinking the flowers are too tall, but I guess not everyone’s as short as me. You’re not even as short as me anymore.”

He grins by way of apology. “So what do you need help with?”

“Oh, I was actually going to give you another idea for the other Regina. I don’t want to embarrass you, but…”

The words aren’t even out of her mouth yet and Emma’s note may literally be burning a hole in his pocket. Why isn’t there ever a sinkhole when he really needs one?

He stammers his thanks and hopes he isn’t blushing.

Dinner is great, even if he can’t quite look a couple of the women in the eye. He stuffs himself on mock-apple pie (Mom’s idea of a joke), and when Mom gets up to wash the dishes, he follows her to help. The others try to protest that she shouldn’t be cleaning up when she did most of the cooking, but she waves them off, knowing she likes things done a certain way.

Henry knows her system, though, so he can help. The others clear the table and let mother and son get to work. As she washes and he dries the china, she says, “There’s something very important you need to add to your list for… the other me.”

Ugh,” he says. “I know, Mom. Emma and Snow both talked to me about this, okay? I know. Chocolate and… the other thing.”

Mom looks at him with this expression, torn between laughter and incredulity. “The other thing? Come on, Henry, the word won’t hurt you.”

The ground beneath him betrays him yet again, refusing to open and put him out of his misery. “Chocolate and tampons,” he mumbles.

With a soapy hand, Mom pats his cheek. “That wasn’t so hard, was it?”

Seriously, he’s going to crawl into a cabinet and live the rest of his life in there as a hermit.

“Have you got a piece of paper?” she asks.


“Good. I want you to write this down.”

“Mom, Emma already gave me a note with this, so it’s not like I’m going to forget.”

“No, I want you to write down the actual brand. These things are not to be left to chance.”

Mortified, he obeys.


In that other place, Regina is between encounters with the angry young king—she’ll bring him around yet, she knows—when she gets a box from her son. It’s thoughtful and kind and makes her heart so full she thinks it must burst. But in the bottom there’s another box, wrapped in brown paper. Henry has scrawled a note on it. They said you needed this.

She laughs so hard when she opens it that she literally falls out of her chair.

My poor little prince, she thinks. You must have wished the earth would swallow you whole.

Darren Criss & Brother Chuck Talk New, 'Unapologetically Fun' Alt-Pop Project, Computer Games

Darren Criss was always destined to make a career out of music. He studied the violin from age 5 well into his teenage years, picking up other instruments along the way, while also pursuing a love for musical theater. But he credits his own musical endeavors to the environment in which he grew up – particularly his older brother, Chuck, who brought other musical interests to the table especially when they were in high school.

“Music has always been the backbone of our relationship and our household,” Darren tells Billboard. “We both had a voracious appetite for music, but I think high school is when we started playing together and being to communicate on a level that changed everything. I think the kind of music we played is probably loud garage rock, because we were just playing in the basement.”

Once they graduated, though, the Criss brothers decided to take their own paths. Darren independently released a solo EP, Human, in July 2010, just months before debuting in his breakthrough role as dreamy choir head Blaine Anderson on Fox’s hit musical dramedy Glee, while Chuck found a home in New York City and became a founding member of indie-rock fivesome Freelance Whales.

With Glee seeing its end in 2015 and Freelance Whales’ most recent album hailing from 2012, both Criss brothers were itching to do something new musically – so they thought, why not relive the days of the brotherly collaborations? And come March 8, 2017, behold, the Criss alt-pop project Computer Games.

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HVFF Chicago 2017 Wrap Up

What an amazing weekend! First, I got to spend it with my dear friend @triciaolicity​. She generously let me stay at her house, which gave us ample more time to talk about Arrow and our lives as wives & mothers. We are two Irish ladies who love to sit around a kitchen table and share stories. She is such a blessing in my life. I love you!

Second, HVFF Chicago was AWESOME. Seriously great. I tweeted out as much information as I could, but I do have a few more details that cannot fit in a 144 character limit.

This was my third convention, not including SDCC. I realize there are so many of you who would love to go, but may never get the chance to for a variety of reasons. So, all the goodies I picked up at the convention I will be giving away.  It’s just my small way of trying to bring HVFF to you. The giveaways will start the week before 5x20 airs. I’ll give away something each week (5x20-5x23). I thought it’d be a fun way to wrap up the season together.

Back to HVFF though. Let’s dig in!

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Victuuri Fic Rec List

I love long fics (>10,000 word count) and have a bad habit of needing to organize and list my favorites. Even though Yuri on Ice is new, the fanworks are growing fast (Amazing! Wow!) Here are some completed worksI have enjoyed. 

WIPs I am following can be found here.

UPDATED: Jun 11, 2017

For this list “au” is a completely different universe and “au - canon divergent” is an au where one or both are still competitive figure skaters.
***really really enjoyed, with a brief description as to why it is a fav.
†Just added this update

I. Completed works (Summaries under the cut - there are so many!!!)

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In Defense of GOT S7

I am the last person in the world who should be writing this post. I’ve never been one to wax poetic about GOT as a whole show. For years I had a love-hate relationship with it. I’ve enjoyed it as much as I’ve criticized it, every year finding myself going, WHY AM I STILL WATCHING THIS SHOW. This sideblog name really does say it all. I was Here For The Starks. Everything else I merely tolerated. Last year was probably the only season since Season 1 that I enjoyed wholeheartedly and that’s mostly due to three episodes. 

So, this was not the post I planned to write post-finale. I started several posts on other things, left unfinished. But somehow, this was the post that I was compelled to finish. Go figure.

Below, I explore the role of the audience reaction, how assumptions can be used to mislead, and a limited Stark POV can be a narrative strategy. From there, I consider the season’s expectations, flaws, and possible intentions by breaking down one example of the season’s structural writing.

Full disclosure: I discuss my own personal reactions in this, and as a Starks fan that sees Jonsa and Undercover!Jon, I am biased. But far before any of those things, I was a Whedonverse fangirl fascinated by the potential in solid structural writing across a season of television. Over a decade later, it’s still one of my very favorite things to analyze. What results is a weird combination of both a personal and analytical look at this season. Yeah, I don’t know either.


I’ve sat on my GOT finale thoughts for a good week now. When I reflected on it, I discovered it was mostly because my honest reaction was more in response to other fans than anything constructive about the narrative itself. My years in and out of fandoms make me hyperaware of the black hole that is commenting on other fans’ reactions. I try my best to avoid it.

I’m especially hesitant about my reactions to this show, knowing how fast the deck can be flipped, leaving you cold clocked in the dirt. The minute I’m laughing my head off about one thing, I leave myself wide open for the show to blindside me. As a general rule, I’ve always thought that the second you are sure of anything in GOT/asoiaf, you better watch out. Unexpected has always been the name of the game. 

But as GOT Season 7 progressed and more things sharpened into clear view for me, I found it more and more difficult to discuss each ep without including the nebulousness that is this audience reaction factor.

Particularly since 704, I’ve felt that our reactions are a necessary part of the season. It began as just a lowkey feeling but grew with every episode. More and more, I felt like I was purposely being mislead and like a stubborn mule, I dug my heels in to look closer. What I saw was a season laying traps for its audience in the form of missing scenes, unreliable narrator techniques, and misleading dialogue, to use our fears and worries and assumptions about these characters, especially House Stark, against us.

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Winter 2017 Anime watchlist

Lmao this was supposed to go up last week but it takes me forever to write these things up orz.

Anyway, we’re 1/3 of the way into this barren Winter season, and thus my watchlist has shrunk significantly. I think I’m currently watching what, 10 shows? vs 23-ish last season? Anyway we’ve had a couple neat surprises this season, but it’s mostly the sequels that are keeping everything interesting. Also there’s quality hatewatch material which I hadn’t had in a while.

Because I fucked up, this time I’m going from best to worst rather than the usual opposite

Top Priority

Showa Genroku Rakugo Shinju: Futatabi Sukeroku-hen

To no one’s surprise, Rakugo maintains it’s tightly written character drama in top form. The direction is still unusually creative and masterful, especially considering this is a DEEN anime, production team deserves every kudo. If season one was a tragedy, season 2 is gearing up for a story of salvation. Every week I go in completely prepared to suffer and am repeatedly surprised by how happy I feel at the end of each episode.  Scenes like Yakumo consoling a sleeping Konatsu with her father’s rakugo or his performing an old play in Sukeroku’s style for Yotaro are as heart-wrenching as they’re heartwarming. S1 was a strong contender for anime of the year 2016 (and for me it was a toss up between that and YOI) and season 2 seems ready to pick on that and go for a second run.

Originally posted by cutefujoshiyaoi


Ao no Exorcist: Kyoto saga

Honestly this one had my full devotion guaranteed when they decided to commit to those thick af Kansai accents. I am also very pleased with the budget this is getting, it looks reeeaaally nice. Kato’s designs have translated to animation greatly (not that this was a surprise since they did that pretty well on the first series too). The plot seems to be moving rather fast so I wonder if they won’t suffer to fill in the full cour (although this arc is quite long) but for the time being I’m excited to get the Kyoto otaku in me continually catered to.

Originally posted by vongrell

Yowamushi Pedal: Next Generation

I was a Little dubious about how well they’d manage the transition of Makishima’s departure, and while killing him off was rather abrupt to the point I’d even say the guy was fridged for the sake of Onoda’s development, they did a rather good job in setting Teshima as the new role model for the 1st years (who is also very dreamy). I also laughed my ass off with how gigantic they made Ashikiba who is a rather delightful addition to the cast. Kudos to you show, you’ve got me excited in a new season even without my favorite character.

Originally posted by yowa-pedal

Little Witch Academia

It’s hard to find something to say about this show other than it’s energetic, lively and fun to a fault and that Sucy is still Best Girl. It’s very easy to tell how passionate the folks at TRIGGER are about this project and I’m glad they didn’t give up and continued to work on it even if it was poorly received by Japanese audiences. The show reminds me a bit of The Worst Witch, which I used to love in my early teens so there’s also that.

Originally posted by senor-sama

Kuzu no Honkai

This is such a fascinatingly disturbing show to watch. Like watching a trainwreck I guess, except that it’s not a trainwreck in the sense of Hand Shakers, but in you’re just watching all these horrible people destroy each other and self-destruct emotionally and it’s really interesting. I’m particularly invested in Hanabi’s internal struggle and self-deprecation. Could complete dispose of Moca (whose choice of nickname makes my skin crawl) but otherwise I’m constantly at the edge of my seat waiting for the next developments. I also continue to be rather fond of the vagina imagery in the ending, and I appreciate that there’s actually a show that treats female sexuality in a layered, human way, for purposes beyond otaku titillation.

Originally posted by sugoihentai

All Out!! 

This show continues to grow on me with its unique approach to team dynamics. The fact that rugby teams are so big gives us an interesting opportunity of seeing many characters take the spotlight at different times, and this show’s cast continues to be funny and extremely likable to the point that even if Gion has had to sit out most of the games, and even if there isn’t as much focus on Sekizan as I’d like, they’re still engaging and fun. There have also been genuinely emotional peaks, notoriously when that one guy quite the team and it crushed Sekizan’s heart. Also kudos for how even in-show Sekizan’s amazing hair is considered cray-cray

Originally posted by dailyanimefans


Honestly this second cour just keeps getting better? I don’t know how they did it but they managed to make me not care about whether we’ll ever get some semblance of plot or explanations, I could watch the Beethoven, Mozart, Schubert, Chopin and Liszt doing nonsense stuff show all year round. Whoever wrote the Fish!Schubert episode should get an Oscar and a Nobel Prize

Originally posted by mimimochi

Here we make a drastic leap between things I’m loving and things I’m just eh-watching

ACCA 13-ku Kansatsu-ka

Aaaahhh what should I do about you, show. Ep 1 was okay, ep 2 was great, ep 3 was kind of nothing. There’s obviously way more than meets the eye in this allegedly peaceful country and once that starts to unfold the show will start gaining momentum, hopefully, but as it is I think it suffers greatly from how inscrutable the main character is. I have no idea of Jean’s motivations beyond his love of cigarettes (and I feel they’re overdoing it, unless they plan to make the tabacco thing a  crucial part of the plot later on, they’re hammering the whole ‘tobacco is rare and this guy is weird for smoking’ thing way too hard) so we’re at this weird position of not really knowing where we’re going. I’m intrigued enough to keep watching, but I certainly hope we get some form of interesting developments sooner rather than later.

Originally posted by wakata

Gundam Iron-Blooded Orphans

The writing continues to be notoriously better while the story gets more and more tragic and I still don’t know how to feel about it. Seeing bad guys cheating their way to victory always upsets me a lot, and seeing people die meaninglessly only adds insult to injury. I’m in too deep to drop it at this point, but I honestly can’t forgive how they didn’t even give us that final revenge moment against the Kujan kid. Also every time Atra brings up her dream life of being part of a polyamorous marriage with Mikazuki creeps me the fuck out because obviously Mikazuki doesn’t have the emotional maturity to engage in any such relationship

Originally posted by captainstarlord


I’m very uncertain about what to do with this show. First episode was promising, with murky direction, but interesting setting. Episode two was mostly unimpressive, the final twist was rather predictable and the moral outcome wasn’t particularly satisfying. And then episode three put me to sleep. My first impression was that the dyamics between Heizo and his thief-turned-snitch subordinate would be the core of the show, but the latter seems to have been mostly sidelined in favor of focusing on the coolness of Heizo. Which isn’t a problem per say, but the execution just isn’t working and they’re completely wasting the Edo setting, with the cases turning out quite generic. I don’t know, ep 4 is already out so I guess I’ll check that out and decide from there (watched episode 4 already, fell asleep again which I guess is as good a sign as any that this isn’t working for me,but I’m too lazy to move it to the bottom. Dropped)

Originally posted by oboreta-ningyo


Hand Shakers

Why is this pile of steaming garbage over the mediocre (and gross) show? Well, this one’s gross too, but exceedingly terrible is always better for ironic entertainment than plain boring stuff. At least Hand Shakers keeps me engrossed with its terribleness. Honest to good, even if I hardly remember what the previous episode was about, I’m always looking forward to the next one, I enjoy the terribleness too much.

Also, this is a little insignificant, but this is the first time I see any reference to the Japanese immigrants in Brazil (th, which was kind of a big thing back in the 1930s, in any anime I’ve ever watched, and since I had to look up into that for my thesis, it felt kinda nice to see it and understand why Brazil of all countries.

Super Lovers 2

This is so boring. Even when they try to address the issues I had with the previous season (mainly questioning the nature of Haru and Ren’s relationship), they always do it half-assedly. No drama, no tension, no resolution and certainly no semblance of any plot progression and it’s becoming increasingly tedious. The introduction of the new host guy could add at least some drama to the plot, but I’m not holding my breath. The dog continues to be cute

Originally posted by plisetskiz

I dropped Marginal #4 since episode 2 and I can’t quite remember what it was about other than there was a long sequence of one of the guys desperately looking for his “lucky undies” and I’m too old for this level of juvenile “lol undies” humor. Turns out “not putting me to sleep” wasn’t that strong an asset after all.

Anyway really dead season but the scarce good stuff is really quite good, and the truly terrible stuff is so terrible it’s hilarious so overall the season doesn’t feel as terrible as it could. 

Absolutely Speechless Thoughts about 407

So like, aside from the Octavia stuff, this episode was cooking on all cylinders for me, and god, did it land some gut punches.

I’m gonna get the Octavia stuff out of the way first because…yeah.  I’ll buy what they’re selling (she’s hit rock bottom and longing for something– anything– to make her feel again) but I’m not happy about it.  Her conversation with Murderous Elf Prince was well acted but really heavy handed, and the shift from suicidal to Ready to Bone was a little bit abrupt.  But I’ve struggled with her arc this season and if this means she’s turning over a new leaf and we get some forward progress…sure, okay.  Also, this show’s insistence on what makes a murderer and what doesn’t is shaky at best and I wish they’d stop using that phrasing because it bugs.

The Science Island stuff really worked though, from Clarke’s lovely reunion with Abby to Emori’s delightfully in-character twist at the end.  I am INCREDIBLY CONFUSED how the mansion survived the first death wave not just intact, but pristine but I guess I can chalk that up to some Becca Invention of Future-Plot-Related Convenience because the initial scenes of Murphy cooking and Clarke taking a goddamn break with a well deserved shower and almost nap were on fire.  I wish we could have had Raven in there, giving Murphy increasingly unhelpful hints as he cooks just like he did for her in the flight simulator, but I do like that she was also taking a goddamn nap because literally everyone on this show deserves a nap and a cuddle.

The very convenient red shirt breaking in was puzzling, but it paved the way for Emori to steal the fucking show, so as my darling Moses in Attack the Block would say: allow it.  She really tore shit up, first with that brutal fight and then with her spitting out her whole horrible history and what I really liked about it was contrasting it to Clarke, who has darkness but in a very different way.  I have a lot of feelings about how Emori honed in on how Clarke was clearly loved and cherished as a child, because that is a fundamental to her characterization in a lot of ways.  It sets her apart from other characters, like Murphy and Bellamy and Raven, and it’s a sort of invisible privilege that she doesn’t always recognize.  (Privilege isn’t quite the right word there, because “being loved by your parents” should be a baseline human experience, but it isn’t and it’s a sort of emotional advantage that Clarke has that other characters don’t).  And having Murphy be totally fucking into Emori’s ruthlessness was a delightful surprise that still felt earned and in character.

Anyway, the red shirt solution was clearly an appealing option for Clarke, but I really, really liked that Abby was still all “this is fucking terrible of us.”  I appreciated the wisdom that Abby is bringing to the table there, because Clarke is just like “oh thank god this guy is worthless we can kill him nbd” and Abby’s like “…yeah, but we’re still killing him.”  (Or if he lives, they’re still torturing him.)  It’s an organic difference of opinion built around age and experience and I just love how it’s playing out.  It’s also highlighting how Clarke is unable to see the trees because of the forest, and that indicates some interesting moments for her in the future when they inevitably turn into Mount Weather: Bone Marrow Boogaloo.

Sidenote: real glad Zach McGowan was able to pick up a paycheck for this episode.  Good to see you boo, and I hope next ep we get Roan like, poking at fancy tech stuff in curiosity while Raven impatiently slaps his hand away.  I also totally forgot that Miller was on the island so when Clarke said Roan was unloading the fuel “with the others” I had this great mental image of him and Luna doing it by themselves, because they’re both ripped but he’s crossfit and she’s yoga and man now I want to write a fic with them as dueling personal fitness trainers.

The Arkadia scenes worked well for me too, although the “every other character who isn’t contracted for this ep is magically elsewhere” dialogue felt a little clumsy because how fucking big is Arkadia then?  But whatever, it gave Harper her own storyline that was heartbreaking and human, and well done, show.

But what I really want to talk about is Beard Dad and Bellamy having it out over a radio.  First of all, I’m really glad both Ian and Bob got some solid material for their highlight reels because they both acted the shit out of those scenes with just radios to play towards.  But everything was gut wrenching and in character, because Kane was parenting the shit out of everyone and nobody was having it, not even his Favorite Son Slash Trainee Dad.  

People have already said it already, but thank all that is holy for a Bellamy story that did not revolve around the massacre, but who he is as a person.  And who he is as a person is someone who will save the person in front of him every goddamn time, no matter the risk.  But lately, he’s been fading because he keeps trying to protect people and no matter what, they’re leaving him or dying and he’s utterly powerless against the oncoming radiation.  Bellamy telling those men that he wasn’t coming was agonizing to watch, and it reminded me of Bellamy finding Atom in the woods– he’s helpless and all he can do is listen to them die.  He can’t even give them mercy like Clarke did for Atom.  It’s a stark moment, and we feel every last bit of despair that Bellamy has been fighting for weeks.  

And man, poor Kane.  He was dadding Bellamy as best he could, but Kane has put his season one self so firmly in the past he forgot that not everyone has.  Bellamy bringing up Kane’s role in his mother’s death complicates their relationship in a really challenging way, because so much of who Bellamy is now is because he lost her.  He’s been carrying that guilt and anger around on his own for years, and you could tell it hurt him just a little to unload it on Kane, as deserved as it might be.  (It’s also a very on-brand moment for the Blake Siblings, and let’s have a moment of reflection to thank the new writers who managed to nail this in one fucking episode).  I am really interested to see where Bellamy is next episode, because “not wanting to be saved” is a really bleak place for him, but it’s also a place he’s been headed for this whole season and I cannot wait to see that arc come to fruition.

Next week: Bellamy and Jasper go on a very depressing looking road trip, and Jaha goes Full Cult!

True Q - 6.06

Oh, Q, you rake, you scalawag. You’re so mischievous that you’ve snuck into one of these mostly-unis episodes like the scoundrel you are. Also I believe this episode title, much like Return of the King, contains a spoiler within the title. But we’ll get there.

“Don’t even try to out cheekbone me, girl. I’ll eat you for lunch.” —Bev

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X-Files Fic: Emet

This is a post-episode for “Kaddish,” for @txf-fic-chicks‘ post-ep challenge.

The air inside the oncology clinic is stale, antiseptic, a hospital smell even though it’s not technically a hospital.  Though it’s not a smell that’s ever bothered her before, this time, Scully begins to feel nauseous just walking through the front door.  Not a good sign, wanting to vomit before the treatment has even started, before she’s even consented to be treated at all… but after Allentown, after Scanlon’s “treatments,” she’s a acquired a whole new selection of experiences to associate with the smell of a hospital.

She gives her name at the front desk and takes a seat in the waiting room, trying hard not to look around at the other patients, all in various stages of treatment.  Some look perfectly healthy, some are a bit pale, many are sporting scarves and soft, knit hats, and a few are living ghosts, thin and listless, staring lifelessly at the taupe carpet.

Scully wonders, if she decides to go through with the treatment, whether she’ll lose her hair… then mentally chastises herself for her vanity.  She should be using this time to make a decision, one she should have made long before her appointment, not worrying whether or not she’ll need to invest in scarves and wigs.

It’s not like her to arrive at an appointment like this not having made up her mind already.  Dr. Zuckerman had outlined her treatment plan on Monday and had told her to go home and think about it for a few days, and to come back on Friday.  She had been ready with an answer right then and there, but Zuckerman had pleaded with her to discuss it with her family first.

She hasn’t.  She had never planned to.  This is her choice to make, and hers alone.  And until a day ago, she had been firm in her decision: even with aggressive chemo and radiation her prognosis is exceedingly poor, and she doesn’t see the sense in spending what little time is left curled over the toilet vomiting, or lying exhausted in bed.  Until yesterday, Scully had been prepared to tell Dr. Zuckerman to give her a good, strong prescription for the headaches, and to send her on her way.

But then had come the case in Brooklyn.

A year ago, Scully would have scoffed outright at the very idea of the golem, at the suggestion that earth and clay could be shaped into a man, animated and given life- after a fashion- with a few Hebrew characters written on its hand.  And she still isn’t sold on the idea, not literally… but in a figurative sense, the notion is all too real to her.

Isaac Luria, Mulder claims, had been brought back to life by the love of his fiancee, Arial Weiss.  But absent his soul, it had been a pale imitation of life, one where he had known nothing but a thirst for vengeance, stumbling mindlessly from one victim to the next.

For Mulder, Scully knows, it will be the other way around.  She will die, and he will be left behind, empty and broken, feeling nothing but hate, caring about nothing but exacting revenge, taking out the men responsible for what has been done to her, one by one, until there is only himself left.

And then, she fears, he will finish the job,

She doesn’t think she’s being overdramatic.  Her mother and Melissa have told her the full story of what a wreck Mulder had been when she’d been taken, and when she’d been returned comatose.  She’s seen herself, these past weeks, how he’s looked at her with guilt-stricken horror every time she’s had a nosebleed.  In the hospital hallway, in Allentown, he’d kissed her forehead, right over the spot where the tumor is lurking, his lips lingering a fraction too long, as though he’d thought that maybe, somehow, he could siphon the cancer out of her and take it into himself.

She knows he would.  He wouldn’t eve stop to think about it.

Kenneth Ungar, the scholar from the Judaic Archives, had explained that the golem was animated by inscribing three Hebrew characters onto it: Aleph, Mem, and Tav, spelling out “emet,” the Hebrew word for “truth.”  The golem could only be killed by erasing the first character, the Aleph, changing the word to “met,” meaning “death.”

Scully is Mulder’s truth.  She is the Aleph being gradually erased from his life, and when she is gone, she will leave behind only death.

She reflects, again and again, on his words to her in the hallway: “The truth will save you, Scully.  I think it’ll save us both.”  She knows he’s right.  And she knows she cannot give in without a fight, no matter how painful and difficult the battle may be.

“Ms. Scully?”  The receptionist calls Scully’s name, jerking her out of her reverie.  She follows a nurse back to the office, where Dr. Zuckerman is waiting.  He smiles as she enters and takes a seat across from him.

“So, Dana,” he says, “have you had some time to think about how you’d like to proceed?”  Scully takes a deep breath.

“Yes,” she says firmly.  “I’d like to go ahead with the treatment.”

Drunj!Der Yells About Outlander

Thoughts on Ep. 306


Like I feel like I’ve been waiting for this episode since the end of season one. I didn’t get sucked into the show because of the adventures du jour. I got sucked in because of the relationship between Jamie and Claire. Their intimacy. The intimacy they had even before the wedding. Yes, shenanigans need to happen around them or it’d just be a bunch of fluff, but watching how they go through the shenanigans *together* was kind of the whole point for me.

And the beginning of this season was obviously supposed to make the reunion feel earned, but with the lack of story on Claire’s side, it really kind of felt like a chore to slog through it at times.

But! This episode really was a great reminder of why I’ve stuck with the show with one glaring exception which I’m still salty about but not at all surprised by, and I *really* hope that they’re not going to treat it as a one and done.

Like in season one no matter what else was going on in the episodes, time was spent on building Jamie and Claire’s relationship before they got together and then time was spent figuring out what kind of couple they were going to be. *pretends the search doesn’t exist* Season two started with them dealing with Jamie’s rape, which it should have, but then when they came back together it was for like *a minute* before they basically then just started fighting over “saving” Frank. And then they lost Faith but the show skipped over them coming back together after that. Like suddenly they were just all ok and happy again, but literally for only one scene before going off to war. The investment in their relationship was put on the back burner and I think the show suffered because of it.

So now they’re *finally* back together and I *really* hope that this episode is just the jumping off point for showing them rebuilding their life together. Yes, I’m very much aware that they can’t spend every episode in a room together in various stages of undress. I’m not asking for that. I’m just hoping that the show goes back to the way they did things in season one. Where yes, stuff is happening and shenanigans ensue, but their relationship is still regularly given the attention it needs.

Anywho, that got longer than I meant it to… Sorry… Rambling nonsense and pterodactyl screeches are under the cut.

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ibarelyleavehome  asked:

Strip away my conscience was definitely the sexiest number they've ever done, like wow was that great. What I really love is just how ready Rebecca is to be evil but it shows she can't ("strip away my Jew-guilt" and a Harry Potter reference? I get that he gets the reference but like it's so nerdy). Nathaniel was also great here too, he's so into her it's great to see, especially after all that pining he did in the last ep (sorry this was so long). Anyway so what are your thoughts on it?

dear, sweet megan you don’t ever have to apologize for sending me long messages about this show – and especially not about this ship.

my thoughts you ask? buckle up!

  • it’s so much more effective at being a seduction song than let’s have intercourse, though both songs make me equally starry-eyed. 
  • and, speaking of let’s have intercourse, can we talk about how nathaniel ‘i’m so removed, i had sex with someone else this morning’ plimption sings a soft, acoustic-guitar-heavy number while rebecca ‘i never cared for the chase’ bunch gets a bold and brassy song that is drenched in sexiness? i love love love how the story has inverted what these two initially said they’d want out of the relationship.
  • onto the actual number - who else chuckled at how, like, baffled nathaniel was at the dancers suddenly creeping out of his walls?
  • “my whole life, i’ve wanted to be bad” makes me emotional about rebecca. i mean, her whole life she’s been searching for all different kinds of personas to mimic, so i’m sure a part of her has always wanted to be bad. but which part? i think the desire was probably a reaction to parental stuff and people always calling her crazy. like, if there’s some actual part of her that’s bad, then that could somehow make the way people treat her make more sense? you know what i’m saying? did i take this single line in a song so obviously not about rebecca’s childhood trauma and turn it into that? YOU BET I DID
  • “so sad. so pathetic, weak, and sad” - not nearly as deep as my previous comment, but this makes me laugh. i really like it for some reason.
  • whew boy, the way rebecca looks nathaniel up and down when she sings “a certain beau”
  • “THAT’S YOU” “yeah, i got that” - more hilarious than it has any right to be
  • when she’s upside down, he’s totally transfixed on her and the way he automatically leans in whenever she’s close gives me heart palpitations tbh
  • the dancers drop rebecca in nathaniel’s lap and at first he’s like “oof” but then his expression quickly morphs into kind of an “oooh” and sdklvadnaflbskdg KILL ME
  • just…the entire time she’s on his lap and he is transfixed by the boobs. right there with you, buddy.
  • “stop hitting yourself” THAT SHOULDN’T BE AS FUNNY AS IT IS
  • and speaking of physical bits that both make me feel kind of bad for nathaniel and want to cackle in his face - THE THROWING OF THE SHOES WHILE THEY’RE INSULTING HINM IN SONG IS! SO! GOOD!
  • IN
  • U
  • EN
  • (no further comment)
  • gotta love how ceg never romanticizes women’s clothing…or, like, women’s appearance when it doesn’t need to be romanticized. the thong bits aren’t my favorite part of the song, but they’re so real and so important.
  • obviously i love nathaniel’s ‘i get it!’ face when rebecca makes a hp reference, but also?? i would kill a man to see his face when she full-on straddles him.
  • let’s talk about “somehow you don’t have that sucky thing called emotions” REBECCA!! JUST LAST EPISODE YOU CALLED HIM OUT ON DEVELOPING TWINKLY HEART SPARKLY FEELINGS FOR YOU! so either she doesn’t actually believe that his interest in her is grounded in real emotion. or she’s decided to revert into some willful ignorance to get what she wants. either way, i’m not ready for the paaaaaiiiin of rebecca insisting that nathaniel is an ‘amoral sociopath’ while he’s there trying to show her how much he cares with baskets of soothing bath salts and artisanal pears (jk i’m ready for the angst. bring it, i’ll cry for weeks idc)
  • again, same @ nathaniel when rebecca’s stripping off the last of her clothes. he is shocked and aroused and i love the things he can do with his face.