You know, I’ll readily admit that so far, the Marvel Cinematic Universe as a whole has had consistently better film output than the current DC Extended Universe.
But on the other hand:
DC didn’t make Superman secretly a member of the Klan during a surge of racist and xenophobic rhetoric and politics in the US
DC also didn’t make their Jewish characters like Harley Quinn or Batwoman into pseudo-Nazis while the US is under a blatantly anti-Semitic political administration
DC also didn’t ask comic shop employees to wear T-shirts with pseudo-Nazi logos or to cover their store logos with pseudo-Nazi symbols
DC also, in my knowledge, never blamed slumping sales on being too diverse in their lineup
Which isn’t to say they haven’t had their share of tone-deaf and flat-out insulting gaffes, but when New 52 didn’t do as well as they expected I know they didn’t blame it on having a Green Lantern and a Batman who were Muslim
Marvel Studios has yet to release a solo superhero film starring a woman (Elektra is a Fox film). DC’s had two female-led cinematic releases (three if you consider Evey to be the main character of V for Vendetta), those being Supergirl and Catwoman. And yes, Supergirl and Catwoman were terrible, but at least they exist. An attempt was made
The current DC Extended Universe will also give us Wonder Woman before the MCU gives us Captain Marvel
If the current planned lineup for the DC Extended Universe holds, then their first five solo film leads will probably be two white men (Man of Steel’s Henry Cavill and presumably whoever plays Captain Marvel in Shazam!), a Jewish woman (Wonder Woman, Gal Gadot), a Native Hawaiian man (Aquaman, Jason Momoa), and a black man (Cyborg, Ray Fisher). The first solo film in the MCU with a lead who isn’t a white man will be Black Panther, their thirteenth solo film.
While Marvel was making Captain America and Magneto into HYDRA agents, DC made Snagglepuss into a gay Southern Gothic playwright because why not
While DC has its own fair share of fuckery, bad decisions, pointless, flow-wrecking crossovers, and other such garbage, at least they haven’t blown so many dog whistles at the alt-right in the past year that it’s very hard to consider it tone-deafness or coincidence at this point
So in conclusion, as we currently stand, DC’s on Marvel’s left.
[Executive Producer Robert] Carlock revealed that the Hamilton star was cast as Kimmy’s love interest in the third season in a part that was written for him. “It was very much from the point of view, ‘Daveed likes the show and would like to do it, and well that would be a fun person to put Ellie with,‘” said Carlock while discussing this season’s impressive list of guest stars. “And so there’s a little romantic arc that she has with him. He’s obviously amazing.”
Though we’ve already seen Daveed Diggs on both ABC’s black-ish and Netflix’s Unbreakable Kimmy Schmidt since he left Broadway’s Hamilton last year, the first project he filmed after leaving was actually Wonder, the adaptation of R.J. Palacio’s best-selling book.
And, just like with his dual roles in Hamilton, which Diggs scored without an audition (he was in a freestyle rap group with Hamilton director Tommy Kail and a little nobody named Lin-Manuel Miranda), Diggs also got the part of Wonder in a slightly unconventional way. “There was no time for me to tape or audition or anything — they needed to cast the thing!” he recalls. So, on a bright, sunny day in the summer of 2016, during his last week on Broadway, Diggs took a Skype call with Wonder director Stephen Chbosky from the roof of the Richard Rodgers theater.
“We had this great conversation, and they decided they would cast me,” Diggs explains. “I had read the screenplay, and it was great. It was so sweet but it wasn’t saccharine at all. It felt so good: The way the kids were written was so good, so honest. I was excited to be around it.”
What happened next was a whirlwind: He finished Hamilton on a Friday, took an early morning train to Washington, D.C. to co-host the Youth Speaks National Poetry Slam on Saturday, then hopped on a 5 a.m. flight to Vancouver to start shooting Wonder alongside such illustrious costars as Julia Roberts and Owen Wilson. “Then I’m on set the next with Jacob Tremblay, who’s like, Laurence Olivier in a 12-year-old’s body,” he laughs. “It’s crazy!”
“I really wanted to see a strong, playful and complicated lesbian Latina elder on screen,” says the film’s writer and director, Adelina Anthony.
“Our queer elders are rarely on screen, and less so if they are of color. But I come from a culture that practices respecting one’s elders. So, in a small way, this film pays homage to the queer elders in our lives. And once I knew I was going to put a Latina lesbian elder and her female fiancée at the center of the story, I decided to imagine them in a senior residence home because in the U.S. it’s where many of our seniors end up living the last years of their lives.”