Hyper Realistic Paintings by Eloy Morales

Realist painters and their works are some of the most compelling creations to explore. The Spanish artist Eloy Morales entices with oil on canvas and charcoal on paper portraiture that has viewers adjusting their eyes.

In an artists statement Morales says it’s important for ones work to convey the point of view of its creator. Get fixated here.

A skilled hyperrealist painter, Eloy Morales creates large-scale portraits that play with the expressiveness of the human face. Often using himself as a subject, his mural-scale paintings immerse his viewers in the hairs and wrinkles of his subjects. With each face towering over the viewer, the details becomes much more apparent than what we see in our day-to-day interactions with others. Morales often uses the face as a sort of canvas, as well. For many of his self-portraits, he lathers himself in paint to create an interplay of textures. In other pieces, he covers his sitters’ visages with props like googly eyes and butterflies. If you find Morales’s skills impressive, he frequently teaches painting workshops in Madrid, where he is based.

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Eloy Morales was born in 1973 in Madrid, Spain. The majority of his works are large-scale hyperrealist portraits (often self-portraits) rendered in oil on canvas and pencil on paper. On the subject of his work, the artist states: “I try to adhere to the line where reality coexists in natural form with my inner world. I believe in the immense power of the images and their infinite possibilities.”

Often using himself as a subject, Madrid-based painter Eloy Morales paints large-scale, expressive portraits that hone in on the uniqueness of the human face. Morales often depicts his subjects covered in paint and other props as a way to add interesting textures as well as emotional content. The artist has a solo show coming up this week at Jonathan LeVine Gallery in New York titled “About Head.” Opening May 16, the exhibition will present new, mural-scale portraits that put the human head front-and-center, inviting the viewers to get lost in Morales’ meticulously-painted details.

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