Elizabeth Cady Stanton, 1815-1902 (Social activist, abolitionist, author)

“What will we and our daughters suffer if these degraded black men are allowed to have the rights that would make them even worse than our Saxon fathers?” 

Anna Howard Shaw, 1847-1919 (Physician, Methodist minister, president of the National Woman Suffrage Association)

“You have put the ballot in the hands of your black men, thus making them political superiors of white women. Never before in the history of the world have men made former slaves the political masters of their former mistresses!”

Frances Willard, 1839-1898 (Feminist lecturer, founder of the National Council of Women, anti-child abuse activist)

“Alien illiterates rule our cities today; the saloon is their palace, and the toddy stick their scepter. The colored race multiplies like the locusts of Egypt.” 

Carrie Chapman Catt, 1859-1947 (Founder of the League of Women Voters)

“White supremacy will be strengthened, not weakened, by women’s suffrage.” 

Rebecca Ann Latimer Felton, 1835-1930 (First woman to serve in the Senate)

“I do not want to see a negro man walk to the polls and vote on who should handle my tax money, while I myself cannot vote at all…When there is not enough religion in the pulpit to organize a crusade against sin; nor justice in the court house to promptly punish crime; nor manhood enough in the nation to put a sheltering arm about innocence and virtue—-if it needs lynching to protect woman’s dearest possession from the ravening human beasts—-then I say lynch, a thousand times a week if necessary.” 

Excerpted from an article by Mallory Ortberg, The Toast

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Motoi Yamamoto - Floating Garden

Japanese artist Motoi Yamamoto is back with an amazing, new installation all made out of salt. Floating Garden resembles the ominous image of a tropical storm, similar to the satellite shot you’d see during a weather forecast. Using ordinary table salt, Yamamoto meticulously constructs his incredible works, this time spending more than 10 hours a day for over a week on the floor of The Mary Elizabeth Dee Shaw Gallery of Weber State University in Ogden, Utah.

The artist started working on the installation on February 24 and just completed it last night. The opening reception is tonight and it will remain on display until April 12. The salt, which was donated by The Morton Salt Company, will ultimately be dispersed into the Great Salt Lake.

For those unfamiliar with this artist, Yamamoto began working with salt in 1994 after his sister, just 24 at the time, died of brain cancer. In order to cope with her death, he began making art that reflected his grief. In Japan, salt is used as a part of rituals in some funeral ceremonies and also used to ward off evil spirits and welcome good ones.


“I think they’re going where she wants to go. His fundamental programming has been scrapped. Weyland [the man who built and programmed him] is dead and so now his programming is coming from God knows where. Is he being programmed by Elizabeth, or is it his own internal curiosity now that Weyland isn’t telling him what to do any more? He’s always been interested in Elizabeth, remember that: He’s watching her dreams when she’s sleeping in much the same way that he watches Lawrence of Arabia. He’s a strange robot that has a curious crush on a human being, and when Weyland is eliminated, I think he is genuinely interested in what she’s interested in. He reaches out partly for survival, but partly out of curiosity, and I think he’s sincere that he’ll take her wherever she wants to go.” - Damon Lindelof, Prometheus screenwriter (x)