editorial turner

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Cancionero Completo de José Alfredo Jiménez, Editorial Turner

“Porque le puso letra a nuestras emociones, porque músico nuestro fracaso, porque supo vengarnos de los malos amores, por Chavela Vargas, por Lola Beltrán, por Vicente Fernández; porque encarnó el alma de México (lindo y querido) como nadie en este siglo, porque quiso ver, y de qué manera, ‘puritito pueblo’, porque nos sigue enseñando a querer como tú nos has querido; por Vámonos, por El último trago, por Que te vaya bonito, por el caballo blanco de San Emiliano, porque está más vivo que tantos vivos, porque consuela, porque acompaña, porque redime, por sus clases de llanto, porque no hubo, porque no hay, porque no habrá quien lo calle, porque lo cantó mi padre, porque lo canto yo, porque (ojala) lo canten mis hijos, y los tuyos y los hijos de mis hijos, por ganarle un paso al olvido, por hermosear nuestro idioma, por el tequila con sangrita, por el mariachi, por el Tenampa, por el desgarro, por su elegancia, por su tristeza, por su alegría, porque canta como nunca, porque gana batallas, como el Cid, después de muerto, por su altísimo ejemplo. Porque sigue siendo el rey.” -Joaquín Sabina

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actors Emily Blunt, Judi Dench, James McAvoySally HawkinsKeira Knightley, Luke Evans, Carmen Ejogo, Annabelle Wallis, Dev Patel, Imogen Poots, David Ojelowo, Jamie Dornan, Gugu Mbatha - Raw, Kenneth Branagh, Richard Madden, Lily James, Sophie Turner, Sam Claflin, Natalie Dormer, Juliet Rylance, Mark Rylance, Jack Huston, Ruth Wilson, Dominic West, Sienna Miller, Matthew Goode by Jason Bell

(1) Gucci Première (2) Abu Jani Sandeep Khosla
(3) [her] Oscar de la Renta [him] Ralph Lauren Purple Label
(4) [from left] Michael Kors, Brioni, Tom Ford, Turnbull&Asser, Tom Ford, Giorgio Armani (5) [him] Huntsman, [her] Saint Laurent
(6) [Branagh] Tom Ford [Madden] Gieves & Hawkes [James] Dior
(7) Chanel haute couture
(8) [her] Saint Laurent, coat New&Lingwood [him] Ede & Ravenscrof
(9) [from left] Canali, Alexander McQueen, Chanel haute couture, Brooks Brothers, Hilfiger Collection, Brioni, Valentino, Calvin Klein Collection

“The Woman Within.” Sophie Turner in Dolce & Gabbana photographed by Dima Hohlov for The Edit magazine, April 2016.

By: Kristen Welch, Manager of Editorial, Turner Classic Movies

Tonight kicks off the first night of programming in TCM’s Trailblazing Women: Behind the Movies, Ahead of Their Time spotlight that looks at women’s contributions to the film industry from its very beginnings through to modern times. It is a subject that is near and dear to my heart, because the history of women in film is a fascinating one that is so rarely looked at or highlighted, especially when it comes to early directors’ work. In film school, I learned about many great directors but I never heard or even watched the films of Alice Guy-Blaché or Frances Marion or Dorothy Arzner until I went to Grad School. To be fair, there were quite a few more modern women directors that I was aware of growing up—Amy Heckerling, Sofia Coppola and Kathryn Bigelow spring to mind—but there was an entire rich history of women’s contributions to film that I simply didn’t know about because I’d never encountered or stumbled upon them in my early studies. And it is for this reason that I am so excited and proud that we are doing this initiative, and specifically why I wanted write a post about our first night of programming.

This evening, you’ll be able to see the work of a few women who were truly pioneers in the field. At a time when film was new, and no one really knew what the medium would become, women were able to find a place not just working on the films but holding leadership positions as well (for more on this, I urge you to read Cari Beauchamp’s article at http://trailblazingwomen.tcm.com/about/, she is also co-host for this evening of films).

Alice Guy-Blaché was one of those women, and we’ll be airing 6 of her films (5 shorts and a feature) tonight starting at 8pm. Blaché was not just one of the first female directors, but one of the first directors period. Her films were coming out alongside the more well known and, today, more frequently taught movies of the Lumière brothers and D.W. Griffith. Her lifetime output of films is often estimated in the 1000s (yes, you read that right, no typo here), but the majority of them have been lost due to neglect, and Blaché herself has faded into obscurity. Yet, I encourage you to tune in tonight to watch these early films because, like her contemporaries, Blaché is truly playing with film technique and testing the boundaries to see what will work, because at the time there were no established rules.

I know that silent film is not for everyone, but to watch these films is to see how movies, as we know them today, came to be. And beyond being the first female director, we need to remember Blaché as the movie pioneer that she was—on par with Griffith, Méliès, DeMille and other directors we learn about today. I especially encourage you to tune in for her 1896 film La Fée aux choux, not only her first film but also the first film directed by a woman. I have never had a chance to watch the film, but you can be sure I’ll be sitting one my couch ready to watch it tonight, and I hope you’ll join me!