Nouf Alhimiary (that’s her with the skeleton)  is the best new photographer in Saudi Arabia. Last year she had one of her pictures hanging at the National Gallery in London before she even reach her 20th birthday. She is also an amazing person all around and someone I am fortunate to know personally. 

She just launched a site for her portfolio so please give her clicks, give her links, give her money, give her love.


يأتيك يوم...

يأتيك يوم .. ترى الحياة بأجمل لون!
والناس بأجمل مظهرها .. وحتى الأماكن التي تكرهها، تحبها! ليس لجمالها! لكن عيناك ونفسك إذا سعِدت، ترى كلُ شيءٍ جميل!
ويأتي غدًا، وترى عكسَ هذا! نظرةٌ سوداء، لا تريد أن تقابل أحدًا.. تهرب إلى النوم، لا يستهويك أيَ شيء! تتصنع الإبتسامة.
هكذا ابنُ آدم، ضعيفٌ بالفطرة!
فألمتس للناس عذرًا ولا تغلق أفواههم إذا مروا بالأسود! وشاركهم بالمبهج.

Nouf Alhimiary, the best photographer in Saudi Arabia, is blowing up! After being featured at the National Gallery in London last year, she is now due to exhibit in Venice next week and was recently interviewed by Vice magazine. In spite of their thinly veiled Islamophobia (yes, I made a veil pun), Vice is on point in their recognition of Nouf’s talent.


VICE: Hey, Nouf. How come you were only allowed to display half of your exhibition?

Nouf Alhimiary:You know that thing where you take a picture of your outfit every day and post it on Instagram or Twitter? I thought it was interesting that a lot my Saudi friends do that when they’re out of the country, but can’t do it here because they have to wear the exact same thing every day: the abaya. I wanted to create a parody of that by photographing women wearing the same thing in different places. I wanted to call it What She Wore/ What She Wore Underneath. The plan was to take pictures of all these women in the abaya, take pictures of whatever they were wearing underneath, and then display both pictures together.

But you weren’t allowed to do that?

The curator for the Mostly Visible show told me I couldn’t do it because the government would have rejected it. In Saudi Arabia, the government has to look at every art project that’s going to be exhibited to decide whether or not it can be displayed. The curator told me that if I included pictures of women outside their houses not wearing the abaya, they wouldn’t display it.

So what did you do?

I settled for What She Wore, which I actually like because it makes you ask, “Why do all these women look like they’re wearing a uniform?” But even though I only displayed pictures of women in the abaya, a lot of people at the exhibition came up to me and asked, “Why are you trying to change women?”

Are you trying to change women?

I’m not really trying to change anything. I’m just asking for the option to either wear the abaya or not. I’m not asking for tradition to be diminished, I’m just asking to be able to make that choice for myself and not have other people do it for me.

Were you angry that your work was censored?

Being born in Saudi as a woman, I’m used to it. I wasn’t really outraged. I kind of saw it coming.

I imagine these photos have a different impact on people who aren’t from Saudi Arabia and don’t see a whole population of women dressed like this all the time.

To someone who’s not from Saudi, it looks strange because you’re not used to people looking very similar. If you’re from Saudi, you’re used to seeing women dressed in the same thing. But seeing these pictures together makes you think, You know what, maybe we’ve taken it too far. Saudi men have the option of wearing traditional outfits or jeans and a shirt, and women don’t have that choice.

A lot of the Western press is saying that Saudi Arabia is going through some kind of feminist revolution, what with the release of the recent anti-domestic-violence ad and the change in bicycling laws. What do you make of that?

When I heard about the cycling law, I thought it was ridiculous. I mean, come on, you can now ride a bike with a guardian? You might as well be driven in a car. The streets in Saudi are not made for cycling. It’s like the government is saying, “Look, we’re giving you something! Shut up, women!” No one wanted this. No one demanded the right to cycle.

Do your friends share your opinion?

Everyone jokes about it. Everyone thinks it’s really ridiculous. As a woman in Saudi, you’re always a minor, no matter how old you get. You always need a guardian watching over you. Even if you need surgery, a man has to give you permission. I also know a lot of people who want to travel outside of the country, but they can’t because their guardian won’t give them permission.

Do you think your photographs will help to change things at all?

The change is very slow and there are a lot of obstacles standing in its way. Young, educated women are trying, but most people are too brainwashed to think for themselves. But I do think art is the most useful tool when it comes to promoting feminism in Saudi Arabia, because you can speak about so much and still be vague.

How did you get into photography?

I started doing photography when my dad bought me a camera in middle school. In Saudi, you don’t really hear about photography that much. I used to look at pictures in magazines, but the people in the magazines we had didn’t look like the people around here.

What was different?

You wouldn’t see pictures of women in the abaya. Even in Arab magazines, the pictures you’d find were westernized. So I started taking photos of things around me and tried to make them look like the stuff I saw in magazines.

And now you’re exhibiting in Venice?

Yeah, I’m doing Venice with an arts initiative called Edge of Arabia right now. I’d love to exhibit more abroad; it’s given me an insight into what Saudi culture is like to other people. I think it’s interesting as a cultural experience.

Thanks, Nouf.