east asian girl

shoutout to all my asian girls that don’t fit typical beauty expectations!! this is for all the girls that aren’t like the skinny, fair-skinned east asian girls in those aesthetic photoshoots. shoutout to south and southeast asian girls that are always forgotten in the western view of asia. this is for my desi girls, my indonesian girls, my malay and cambodian and vietnamese girls. this for the asian girls that have dark skin or a lot of facial hair or a unibrow or monolids or big boobs or no boobs!, or rolls/curves/stretch marks/cellulite!! i love u guys a lot and ur beautiful no matter what society tells u 💖💖💖

Anyways so here’s to all us eastern Asians that don’t look like THAT. You know what I’m talking about. I promise no one thinks you’re ugly cause of your eye shape. They’re nice whether you’re monolidded or double lidded or maybe even both. Don’t matter. You’re fckin cute. Most of us don’t have skin that’s super pale and flawless either. That’s alright. Tan all you want dude. Enjoy the goddamn sun. It doesn’t lessen your beauty. And listen. I used to hate my nose and my lips so much but you just gotta accept those guys as part of your face. Those dinky lil noses are fake half the time anyways. No one gives a crap whether your lips are thick or thin. Either way they look cute. So like stop avoiding going outside cause you’re scared to get darker. You don’t have to worry so much about putting foundation on the edges of your lips or whatever. You’re fucking hot

non Asians can reblog
“In a context in which 95 percent of adoptees are girls, it is important to address questions of how racialized desire might intersect with the construction of Asian female bodies. Cheung (2000), for example, argues that in American cultural history Asian women have been endowed with an “excess” of womanhood (alongside the full manhood denied Asian men). And in China/U.S. adoption, mothers Deena Houston and Jackie Kovich were not alone in conjuring the image of beautiful, enthralling Chinese girls. Adoption agencies consistently use photos of cute, dolled-up Asian girls in their advertising; some use phrases such as “From China with Love” to attract would-be parents. Some of those prospective parents said they had become enchanted with their friends’ or neighbors’ Chinese girls. Margaret Jennings said she saw a photo of a Chinese adopted girl in the paper and “knew I wanted to adopt from China right then.” Some expressed embarrassment at what they suspected hinted at “racist love”— embrace of the “acceptable model” of the racial minority (Chan 1972, quoted in Cheung 2000: 309). Just days after she had met her daughter, Barbara and I were discussing what seemed among some new adoptive mothers an obsession with dolling up their daughters, when Barbara stopped to say in a low tone, “I hate to ask this, but are all the children beautiful? It seems like they’re all beautiful.”
—  Sara Dorow, “Why China?: Identifying Histories of Transnational Adoption,” Asian American Studies Now (2010)  

Not to be That Person ™ but Hayley Kiyoko, queen of wlw, Savior of the Gays, new sapphic icon, is Not White. She’s a woman of color. She’s Japanese. She is an East-Asian woman. The sapphic girl who is doing so much for wlw everywhere isn’t white. She’s a woman of color. We are truly, truly blessed beyond belief. The struggles she speaks of are peppered with her experiences with white, Eurocentric standards of beauty in addition to gender and heteronormativity. Let’s remember that. 

shoutout to east asian girls who:
  • use skin-whitening makeup because they think they aren’t pale enough
  • use eyelid glue because they think their monolids are ugly
  • think their dark hair and dark eyes are plain and boring
  • get made fun of for being flat-chested
  • think they have to conform to western beauty standards in order to be considered beautiful (you don’t)
  • are self-conscious and get made fun of for being short
  • constantly get asked if they have an eating disorder just because they have a small body type
  • get pressured by family to succumb to traditional gender roles 
  • have to deal with creepy white guys fetishizing them because they think they’re submissive and timid and all sorts of other baseless stereotypes

((if somebody could make a post for boys that would be great. as a girl i only feel comfortable making a post about situations i know applies to girls))

@hoseokked replied to your post “i keep saying that i miss twitter but tbh everything i hear tells me i…”

Re: hyyh not even being gay I’m surprisedhow many people are crying queerbaiting–I don’t think it’s anywhere remotely close to what queerbaiting actually looks like and from what I’ve seen its mostly cishet folks doing the complaining, which is kind of squicky for me, and I feel like a Bad Queer for not being mad about the girls existing ¯\_(ツ)_/¯

okay this is about to get long bc i’ve been thinking about this a lot recently, so i apologize in advance XD

as a person who is both an irl lesbian and of the opinion that there is at least some palpable gay subtext in hyyh i still don’t…think it looks anything like queerbaiting. i feel like queerbaiting sort of requires the possibility that the relationship you’re talking about could be made textual in the first place? like, the primary difference between “queerbaiting” and “subtextual representation” is the political climate that surrounds the media we’re talking about. 

let’s take supernatural, for example – i was pretty involved with the fandom around the time seasons 8 & 9 were coming out. at that point i would say that MOST of the avid fans of that show (or at least a HUGE portion of them) were part of the fandom and pretty vocally in support of seeing dean be canonically bi even if destiel wasn’t going to be a thing. there were a lot of hints dropped in the 8th season wrt dean’s sexuality – some scenes with men filmed basically like romance scenes, really blatant use of monster/human relationships in the A plot of the episodes, sort of an overarching narrative of dean coming to terms with the parts of himself that he probably would’ve scoffed at in previous seasons (nerdiness, etc.) as well as the introduction of charlie. icr if she was the First canonically gay character in the show but she was certainly the most prominent & frequently reoccurring one at that point. the cw had other shows with gay characters at the time.

and then as the 9th season starts airing you get one of the show execs on twitter drunkenly talking about how bi dean was considered, but was definitely, definitely never going to be a thing.

obviously there were a lot of things going on behind the scenes that i wasn’t privy to, and the situation is a lot more complicated than the way i have the space & the time to portray it here, but. at the end of the day, the people in charge of running spn made the decision to imply that dean might be canonically queer in order to keep their fanbase interested while still holding the supposed approval of the masses and not delivering on any sort of representation – despite the implication that the social repercussions of delivering on the queer representation wouldn’t have scared off most of their viewership & in fact might have gotten them a lot of positive media attention (given the sort of news articles i remember being published at the time)

hyyh is…very different than that. korea is very different than that. i’m no expert in korean culture by a longshot but you don’t need to be to realize that sk hasn’t even really moved onto accepting the “lonely, sad gay” stereotype in media. gay rumors can end people’s fucking careers. in certain professions proof that you’re gay is basically a guarantee that you are Done with your job, like – sure, gay fic definitely exists but it’s certainly not the same as it is here!! the idea that bangtan were somehow promising queer representation with the Very Vague Implications in the hyyh series and are now breaking that promise by introducing women into the storyline is – absurd.  it’s incredibly western-centric. to be frank, it’s dumb as all hell.  

bangtan are popular and new, and while there are definitely some people in kpop who can get away with making statements in support of the lgbt+ community and still retain the respect of their peers and the public at large, bangtan are definitely not one of them. that is the way the industry works. it’s sad as fuck, but it’s true.

but even beyond that, like…those relationships aren’t even textually romantic. i mean, sure, there’s implication – but at the end of the day everyone has a different opinion about which one is the Most romantic and it’s? what?? fifteen minutes of video in total??? there’s only so much you can read into that – and a lot of the stuff that we do see and the conclusions that we come to are based on our own experiences & expectations. we’re gonna see a lot of what we want to see

and to be honest the whole thing where we just get upset over the mere Existence of girls in the vicinity of our Boys who are supposed to be Gay With Each Other is worryingly reminiscent of the thinly veiled misogyny of fandom circa fuckin superwholock era. like how many fuckin hoops are yall gonna jump through to come up with some reason why having women near bangtan is inherently bad?? when we haven’t even seen the whole story yet???

like i am just

/long, extended sigh

Damn y'all stay using East Asian girls in X READER TEXTS? In this economy!? What kind of fuckery? Y'all fetishize them that much? And they’re called x readers for a reason why you gone use a picture of someone as if they suppose to represent US???

Please someone fucking enlighten me.

today i went into a white people store !!!! i bought a PEPSI hehe it was so pretty !!! i didn’t know what the words said on the bottle but it looked pretty :o i don’t even like the flavor of white people food it’s too weird lol but i got it to take pictures of :p it’s so “cute!!!” hehe

this is what white girls who take pictures of asian food sound like to me

2

Before you say, Write your own! – let me tell you that we do. But this page is a resource for writers, so we thought writers might want to know what kinds of representation would make us more likely to get excited about your book. We don’t speak for everyone in our demographic, just ourselves, but we hope this post gives you some cool writing ideas.

Note: This is additional info writers can keep in mind when writing characters of those backgrounds. We believe it’s a good thing to ask the people you’re including what they’d like to see.

Actually hearing from misrepresented and underrepresented people and asking us what we’d like to see of ourselves is much better than unthinkingly tossing characters into tired tropes or reinforcing stereotypes that do us harm.

Colette (Black): More Black people doing shit! Going on adventures, riding dragons, being magical! More Black characters in prominent roles in fantasy + sci-fi and historical settings and not always and only as slavess. These stories are important, but they’re NOT our only stories. We were kings and queens too. Let us wear the fancy dresses for a change instead of the chains, damn it!

More Black girls being portrayed as lovely and treasured and worth protecting. More Black girls finding love. More Black girls in general who aren’t relegated to arc-less, cliche “Sassy best friends” and “strong black women.”

More positive, dynamic roles of Black men (fathers, brothers, boys…) More positive, dynamic family roles of Black families as a whole, families that are loving and supportive and there. More Black people from all socioeconomic classes. More Black characters that don’t rely on the stereotypes that the media is currently going full force to reinforce.

Yasmin (Arab, Turkish): More Arabs who aren’t token characters. I want to see Arabs normalised in literature. Arab teenagers in high school, Arab young adults behind on their taxes, Arab dads who cook amazing food, Arab moms who refuse to soften their tongue for others. Arabs who aren’t mystical fantasy creatures from another planet. Arabs in YAs and in dramas and nonfiction and comedies and children’s books. We are human just like everyone else, and I’d like to see that reflected in literature. Often we are boxed into very specific genres of literature and made to feel ostracised from the rest. Let’s see some change!

Alice (Black, biracial): I’m hoping for more Black and biracial (mixed with Black) leading characters in all genres, but mainly in SF/F who fall outside of the stereotypes. Characters I can relate to who love, cry and fight for their ideals and dreams. It would be great if their race would play an active role in their identities (I don’t mean plot-related). Some intersectionality with sexuality and disability is also sorely missed, without it becoming a tragedy or it being seen as a character flaw. More mixed race characters who aren’t mixed with some kind of monster, fictional race or different species. Dystopias about problems usually faced by poc having actual poc protags, without all the racial ambiguity which always gets whitewashed. 

Shira (Jewish): More Jewish characters who feel positively about their Judaism and don’t carry it around as a burden or embarrassment. While the latter is definitely a real part of our experience due to anti-Semitism and all we’ve been through as a people, the fact that it overrepresents us in fiction is also due to anti-Semitism, even internalized. (Basically, Jews who don’t hate Judaism!)

More brave, heroic characters who are openly Jewish instead of being inspired by the Jewish experience and created by Jews (like Superman) or played by Jews (Captain Kirk) but still not actually Jewish. I’m tired of always being Tolkien’s Dwarves; I’d like a chance to play Bard, Bilbo, or even Gandalf’s role in that kind of story.

Elaney (Mexican): While we’re discussing what sort of representation we’d like to see, I am using the word “latinista” and I want to quickly address that since you may have not seen it before: “-ista” is a genderless suffix denoting someone is from an area (“Nortista”, a northerner), or who practices a belief (“Calvinista”, a calvinist), or a professsion (you’ve heard ‘barista’).  I find it more intuitively pronounceable than “latinx” and also more friendly to Spanish, French, and Portugueze pronunciation (and thus more appropriate), personally, so I invite you to consider it as an alternative.  If you don’t like it, well, at least I showed you.

1. I want legal Latinista immigrants. The darker your skin is down here, the more likely you are to be assumed to be illegal by your peers, and I want media to dilute this assumption so many have of us.

2. I want Latinistas who are well educated, not just smart, and I mean formally educated, with college degrees, professional skillsets, and trained expertise.  Being in fields which do not require a formal degree is no less legitimate of a lifestyle than being in a field which requires a PhD, but I want you to consider when casting your Latinista character that We, as a people, are assumed to be little more than the drop-out and the janitor by our peers, and People Of Color in scientific fields are mistaken as assistant staff rather than the scientists that they are.  I want media to dilute this assumption.  

3. I want Latnistas who are not marketed as “Latin American” but as their actual country of origin, because “Latin America” is a conglomerate of individual entities with their own, distinct cultures and if you are, for example, Cuban, then Mexican characters may appeal to you but they don’t have the same relatability as fellow Cuban characters. Wouldn’t you be a little more interested, too, to pick up a book that’s about a character who lives where you do rather than about a character who lives somewhere in general?

4. I want rich or well-to-do Latinistas.  Looking back, I notice that several of the character concepts that have been bounced off of us with regards to Latinista characters incorporate poverty despite an astronomical and diligent work ethic. I don’t think this is on purpose but I do think that it is internalized because so often the stereotype of us is poor and uneducated in a vicious cycle (uneducated because we’re poor, poor because we’re uneducated) and I think that there should be more media to dilute this.  

Lastly, I personally do not want these tropes to be explored and subverted by people, I want them to be avoided entirely because I feel that normalizing positive representation rather than commenting on negative representation is far more beneficial and validating to the people these works are supposed to help and represent. We don’t need sympathy, we need empathy! 

Jess (Chinese, Taiwanese): Stories that don’t center around the identity of being Chinese-American. That doesn’t mean “erase any references to protag’s Chinese identity” but I’d definitely like stories that have us go on awesome adventures every now and then and don’t have the Chinese character being all “I AM CHINESE” from beginning to end.

Please round out the Chinese migrant parents instead of keeping them as strict and/or traditional. PLEASE. I could go into how my parents and the Chinese aunties and uncles here are so awesome, seriously, and we need more older Chinese migrant characters who are awesome and supportive and just people. Also! EAST ASIAN GIRLS WHO AREN’T SKINNY AND/OR PETITE. Please. PLEEEEEASE. And more stories about Taiwanese and Chinese folks who aren’t in bicoastal regions (the Midwest, the Plains, etc.) WE EXIST.

More Chinese-Americans who aren’t necessarily Christian. Maybe it’s because of the books I’ve wound up reading, but there seems to be this narrative of Chinese migrants joining churches and converting when they’re in the US. This doesn’t mean I want less Chinese-American Christians in fiction, mind: I’d also just like to see more Chinese families in the US who are Buddhist or who still keep up with the traditions they learned from their homelands, like me, without having it considered in the narrative as ~old fashioned~ or ~ancient~ or ~mystical~. Tangentially, when writing non-Christian Chinese families, I’d rather people keep the assumption of Communism being the underlying reason why far, far away. I have been asked in the past if Communism was why my family didn’t go to church, and needless to say, it’s really, really offensive. 

Stella (Korean): I’d love to see more Korean (and Asian-American) characters that don’t perpetuate the super-overachieving, stressed-out, only-cares-about-succeeding Asian stereotype. These Koreans exist (I would know; I went to school with quite a few of them) but they don’t represent all of us. I want to see more Korean characters solving mysteries, saving the world and having fun. More Koreans that aren’t pale, petite, and a size 2. Not all of us have perfect skin or straight black hair or monolids. And some of us love our short legs, round faces and small eyes!

And fewer stoic&strict Korean parents, please. So many of us grew up with loud, wacky, so-embarrassing-but-endearing parents!  

Recently, there’s been quite a few novels with Korean American female protags (particularly in the YA section) that deal with being in high school, dealing with strict parents, getting into college, and boys. Lots of boys! I think it’s awesome that there are more books with KA protags, and I’m so so so glad they’re out there. But I also recognize that those are definitely not the kind of books I would have read as a teenager, and it’s not the kind of book I want to read now. I want to see more Korean characters that are queer, trans, ace, bisexual. More Korean characters that are disabled or autistic or have mental illnesses. More Korean characters in fantasy, SFF, mystery! Heck, space operas and steampunk Westerns. I want it all! :DDDD

A lot of Korean-Americans struggle with their identity. It’s hard to balance things sometimes! But I’d love to see more stories that *aren’t* overtly about Korean-Americans dealing with their racial identity or sexual orientation, but stories about Koreans saving princesses and slaying trolls and commandeering spaceships. I want a plot that doesn’t center on Korean-American identity, but on a Korean-American character discovering themselves. White characters get to do it all the time; I want Korean characters to have a turn. 

And honestly, I just want to see more Asians in media, period. South Asians, Southeast Asians, Central Asians! Thai, Hmong, Tibetan, Filipino, Vietnamese characters. Indian characters! There’s so much diversity in Asia and among Asian diaspora. I want us to be more than just ~~mystical~~ characters with ancient wisdom and a generic Asian accent. We’ve got boundless oceans of stories within ourselves and our communities, and I can’t wait for them to be told.

I would also love to see more multiethnic Asian characters that are *not* half white. It seems to be the default mixed-race Asian character: East Asian and white. But so many of my friends have multiethnic backgrounds like Chinese/Persian, Thai/Chinese or Korean/Mexican. I have Korean friends who grew up in places like Brazil, Singapore and Russia. Did you know that the country with the largest population of Koreans (outside of Korea) is actually China? 

And while I’m at it, I’d love to see more well-translated works from Asia in the US. Like, how awesome would it be to have more science fiction, fantasy, and historical novels from Asia that are easily accessible in English? SUPER awesome!!

Kaye (Muslim): I am so hungry for Muslim representation, because there is so little of it. You can see one or two (YA) titles I currently think or have heard are good representation on the shelves - notably, Aisha Saeed’s Written in the Stars - on an AMA I did the other day for /r/YAwriters.

However, I’d just love to see stories where Muslim characters go on adventures like everyone else!

I’ve been saying recently that I’d LOVE to see a cozy mystery. Or a series of Muslim historical romances a la Georgette Heyer (there are a LOT of Muslim girls who love romances, and I’m just starting to get into the genre myself!). I’d love to see Muslim middle grade readers get girls who find secret passages, solve mysteries, tumble through the neighborhood with their dozen or so cousins.

I have a lot of cousins and thus I always have a soft spot for cousins. And siblings.

I’m looking forward to Scarlett Undercover by Jennifer Latham because Jen is writing Scarlett as a detective a la Veronica Mars. And she’s Somali-American. How cool is that?!

Let’s see some classic road trip YA with Muslims. Let’s see comedies with quirky characters - for instance, I know one or two tween Muslim girls who are driving their moms MAD by suddenly turning vegetarian and refusing to touch the celebratory biryani at family Eid parties, who join relevant societies at their schools and start preaching to their extended families about the benefits of going vegetarian and all the funny little interactions that are involved with that. Let’s have a story with some wise-cracking African American Muslim girls.

My cousin is a niqaabi who loves YA and hates that she doesn’t see herself in it. Let’s see some stories with teen niqaabis! Let’s explore the full, joyful spectrum of diversity in Islam. Let’s have stories where we talk about how one word in Bengali is totally different in another language, and one friend is hilariously horrified and the other friend doesn’t know what he/she said.

(True story.)

I want to see joy. I want to see happiness. Being a woman of color and a hijaabi often means facing so many daily, disheartening scenarios and prejudice and hatefulness. So many of the suggested tropes recently in the inbox focus on trying to force Muslim characters into beastly or haraam or just sad and stereotypical scenarios. I know that writers are better and have bigger imaginations than that.

You want angst? Push aside the cold, unkind, abusive Muslim parents trope. Let’s talk about the Muslim girls I know who have struggled with eating disorders. Let’s talk about Islamophobia and how that is a REAL, horrible experience that Muslim kids have to fear and combat every day. Let’s approach contemporary angst without the glasses of the Western gaze and assumptions about people of the Islamic faith on.

We can have Muslim novels that focus on growing pains like Sarah Dessen and Judy Blume (and speaking of that, my “auntie” who used to teach in a madrasah used to press Are You There, God? It’s Me, Margaret on the Muslim girls she knew because of how Margaret approached growing up and had concerns about her faith and her relationships, etc.)

Having Shia friends, I would like to see more stories that aren’t just assumed to be Sunni. How about stories about Su-Shi kids, too? (Sunni and Shia - the name always surprises me!) Let’s see some Muslim-Jewish friendships. Because they exist.

And of course, I always, always hunger for Muslim voices first. Because it’s so important to have these voices there, from the source, and some of the issues with answering here at WWC is how people seem to be approaching certain tropes that a Muslim writer could explore with the nuance and lived experience of their faith behind it.

tips for writing your (east) asian-american muse

i’m specifying east asian because these points are based on my experience as an east asian girl who grew up in north america 

  • your character doesn’t have to speak their mother tongue, especially if they are 2nd generation and plus asian americans. it’s very sad, but a lot of 2nd gen + asian americans do not speak their mother tongue.
  • for chinese characters; mandarin isn’t the only chinese dialect even though it is the one that is the most spoken. cantonese, teochew ( chiuchow), hokkien are also very commonly spoken chinese dialects in north america.
  • corporal punishment: if the parents are first-generation immigrants, they are most likely to use physical punishment to discipline their children since it is considered normal ( and legal ) in their home country. feather duster ( aah, the famous duster, esp, the one w/ the wooden handle ), a hanger and the belt are asian parents favourite. 
  • asian american children who grew up with abusive parents will most likely think that this is the norm, and that getting beat when you make a mistake/misbehave is normal.
  • communication with the parents can be difficult, especially in the case where the parents don’t speak english well, and the children do not speak the mother tongue well
  • week-end school. speaking from experience, chinese parents tend to send their children to ‘ chinese school’ on sundays so they can learn mandarin. doesn’t mean the children end up speaking mandarin later on ( like me lmao )
  • anti-blackness/colourism is very, very common in asia and it is the same way in overseas asian communities, so just because your character is asian, it doesn’t mean they can’t be racist/ say racist & colourist things ( even if they don’t mean to be racist
  • the same goes with ableism, and there’s the stigma against mental illnesses
  • fat shaming is very common as well
  • for asian parents, eastern medicine is the answer to everything
  • plastic covers on tv remote and plastic covers on couches at your parent’s house
  • you’re not a real south east/east asian if you don’t like durian ( i’m sorry, i don’t make the rules )
  • if your character is a second generation asian american, they’re most likely to still be living with their parents. asian parents take care of their children until they are financially dependent/stable, or until they are married. even then, they’ll probably be living with them. ( some families have up to 5 generations living under the same roof )
  • asian americans can speak languages other than english and their mother tongue ( shoooocking, i KNOW ) 

anonymous asked:

do you ever paint people of color?

Strangely, this question strikes a nerve for some reason, maybe it’s just because its really late at night or maybe I’m just having a bad day. So I apologize in advance if this comes off as a little rude, I don’t mean to be.

When it comes to my work, I draw from my head, completely from imagination mostly. I draw these subjects, these people that I imagine in my head and bring them to life along with the ideas, meanings and feelings that are associated with them. In this moment the last thing I am thinking about is the colour of their skin. 

The thing I want people to see and recognize at the very moment they see my work, and until that very last moment before they turn away, is emotion. I want my work to capture something as fleeting and indescribable in words like pain, love or loss. I want my work to resonate, to talk and to connect with people, and I try to achieve that by using various different art elements and techniques and merging them all together to create this overall idea and feeling (fingers crossed, I hope I am somewhat successful in achieving that). My work isn’t necessarily about who the subject matter is, their identity or the character, it’s about that emotion of the work as a whole, that introspective dialogue between work and viewer. Heck, sometimes even drawing animals can capture an expression I want to show better than with drawing people!

If anything, I draw upon my own roots of South-East Asian influences for the girls that I draw, with features that are often mixed, fantasy/surrealist anyway because it’s derived from my roots of Manga/Anime art as a kid.
If anything, I do paint people of colour, my own people, everyday really.

I would absolutely love to draw all types of people! I’m still learning how to do so in study sketches, from different parts of the world, of different skin colours – different people, full stop!