Conceived following a meeting between Patton and guitarist Duane Denison, Tomahawk is probably the closest thing resembling a straight-up rock band in Patton’s canon.

And that says a lot, seeing as Tomahawk’s third LP, Anonymous, was largely based on Indigenous Native American song-structures. And that’s just Tomahawk. They evolved from a sludgy, dirty beast on their self-titled 2001 debut to a fully-fledged, pop-laden Nick Cave mutant hit machine with 2013’s Oddfellows, their fourth and, as of present, latest outing, also introducing Patton’s long time collaborator Trevor Dunn into the band.

In 2013, Tomahawk rocked up to Reading and Leeds festivals and played an incredible version of Captain Midnight. It was glorious. We want to see it again.


Tomahawk - Point and Click


Mike Patton could have retired after Bungle and Faith No More split and still have a musical legacy that would live on for decades—however in reality those two acts, while highly influential, are just the tip of the proverbial iceberg.

In 1998, Patton formed the experimental noise act Fantômas with former Mr. Bungle bassist Trevor Dunn, Buzz Osborne of The Melvins and Dave Lombardo from Slayer; a few years later he joined Tomahawk, a very alternative rock band founded by Duane Denison of the Jesus Lizard, Kevin Rutmanis of The Melvins and John Stanier of Helmet; and, collaborated with house music and hip hop trailblazers Dan the Automator and Kid Koala in Lovage, who released the still-groundbreaking “Music To Make Love To Your Old Lady” in 2001. Patton also supplied the musical score to the short film “A Perfect Place” and ‘Place beyond the pines’.

In addition to all these ongoing—and seemingly disparate projects—Patton has also worked with a diverse roster of some of the most groundbreaking musicians in the world, releasing full-length records via collaborations like Maldoror (with Merzbow), Kaada/Patton, General Patton vs. The X-ecutioners and Fantômas/Melvins Big Band and working with John Zorn, The Dillinger Escape Plan, Björk, Subtle, Rahzel, Amon Tobin, Team Sleep, Massive Attack, Fennesz, Zu, Norah Jones, Tanya Tagaq, the Qemists and Kool Keith, to cite a very small cross-section.

He notoriously has maintained a continuous touring cycle playing in front of crowds of all sizes with his various acts and collaborations in all corners of the world. Oh, and instead of, say, catching up on his sleep, he runs record label Ipecac Recordings alongside manager Greg Werckman, which has gone on to release most of Patton’s own recordings in addition to releases by The Melvins, Isis, Josh Homme and many others, and has developed a loyal following.