driving driving far away

Run Away Baby Ch. 1 (Steve Rogers x reader)

Hey darlings! I hope your day is going well. It’s Monday, and well, I’m having trouble getting through it. I have so much stuff that I need to get down, so please forgive me if I don’t keep up with the fic schedule I posted yesterday. I will get back on track with it when all my work calms down. It’s extremely hectic with AP tests coming up.. I’m going to try my best though. Enjoy the first official chapter of “Run Away Baby” and I love you all. xoxo

Description: Pregnant with Steve Rogers’ child, your husband, you’re a happily married couple. He moved you to the countryside, trying to keep you away from as much harm as possible. Isolated, and by yourself most of the time, you always worried about him when he went away. But, marriage couldn’t have been better for the two of you for the three years since you had taken his last name. But, one night, when Steve’s out on a mission, you get a call from Nick Fury telling you to get as far away from your house as possible.

Warnings: Cursing



The sound of your phone vibrating against the coffee table brought you from your sleep. You groaned, blindly reaching for it. Your fingertips were met with the smooth glass, and you tilted the screen towards you to see who was calling. Your vision was a little blurry; you were still groggy, but the name on your phone was as clear as day. It was Nick Fury. 

“Shit.” You sat up as quickly as you could despite the extra weight on your belly. You knew it must be urgent because there were over ten missed calls from him. You had a sinking feeling in your stomach. What if something happened to Steve? You redialed his number, pressing the phone to your ear. It seemed like the dial tone went on forever, but he finally picked up. “Nick, what happening?” 

“F/N, get yourself out of that house. Drive, and drive as far away as possible. You need to leave. Now.” His voice was instructive and stern. 

“Wait, why? Tell me what’s going on!” You were starting to panic, and your breaths were becoming more labored. “Don’t tell me something happened to Steve…” The sudden realization of what might have occurred seemed to stop your heart as tears came to your eyes. 

“F/N, I need you to listen to me. You need to gather up your things and get the hell out of there.” He paused, trying to find a way to break the news to you. “Steve… he’s not the man you think he is. He’s with H.Y.D.R.A.” A dead silence came through the line, neither of you saying anything. 

“What?” You couldn’t believe the words that just came out of his mouth. You suddenly felt like you couldn’t breathe. 

“Get out of your house, get in your car, and go to the address that I just sent you. It’s a safe house in New Jersey that not even the team knows about. Steve is a double agent, and you need to leave before he hurts you. Do you understand?” He was trying to be as gentle as he could, given the circumstances. You were completely quiet on the other line. “F/N, I need you to do this. Please. I don’t want you or the baby getting hurt. Just listen to me and I’ll explain when you get there.” 

“O-okay..” You were choking on sobs. This didn’t feel real, but it was. 

“You need to move quick, he’s already on his way to you. Call me when you get in the car.” He hung up the line, and you took a moment to realize what just happened. It all seemed to hit you at once, and you frantically got up, grabbing the few essentials that were needed for you and the baby. Not only were your hot tears obstructing your vision, but your child wasn’t cooperating and seemed to kick every five seconds. 

“Come on, kid. You need to work with me here.” You sighed, looking down at your belly. Your keys were sitting on the table, and you swiped them off the counter, and grabbed your bag off the floor. You decided you might as well keep the lights on, trying to make him think you were still at home. You swung open the front door, and closed it behind you. Your hands were shaking as you fumbled with putting the key into the lock. As you heard the click of the lock, you heard footsteps coming up your porch steps. 

“And where might you be going?” The more than familiar voice sent chills down your spine. You felt him staring daggers into your back as you turned to face him. 

“Stay the fuck away from me.” Your words seethed through your teeth as your tears began to sting your eyes. Steve no longer looked like the happy man you thought you knew. He had an evil smirk on his face as he leaned against the railing, his hands shoved in the pockets of his suit. It wasn’t his dashing Captain America uniform you had grown to love. It was black with the H.Y.D.R.A. symbol across his chest instead of his silver star. “You’re not the man I married..” You took a step away from him, you back pressing up against the door. 

“You’re right, I’m not. I never was because that was all just one, big, fucking act to smuggle myself into S.H.I.E.L.D. You were just there to ensure it, along with the child.” He looked you up and down, giving you a disgusted look. 

“That was what I was? Just to fortify your alibi?” You face was hot and red. “I didn’t mean anything to you?” You furrowed your eyebrows together, looking up at him in confused hatred. 

“I was never in love with you.” He took his weight off of the railing and began to walk towards you. “You didn’t mean a thing to me, and the baby sure as hell doesn’t either.” He shook his head, the loving looks he used to give you were now a distant memory, and the only thing you saw in his eyes were pure evil. 

“No!” You tried to run away, but you were heavily pregnant; you were seven months along. He grabbed your wrist roughly, bringing you to your knees. You sobbed, the pain coursing up your arm. 

“You’re not going anywhere.” He looked down at you, his face expressionless. 

“You don’t have to do this, Steve. Please.” Your eyes searched for at least a piece of the man you used to know, but there was nothing left. 

“Honey, you’re just collateral damage.”

Ahhhh, I hoped you liked it! I’ll try and have the next chapter of “Secret of These Hands” or a one shot tonight for you guys! I have a request in my arsenal that I haven’t been able to get to, but I really want to write it. Have a wonderful rest of your day! xoxo



@usernamesarebitches @purplekitten30 @only-little-glances @red-writer13 @justmasblack @abbyg723 @barely-emily @ekinsyikin @queenvulca @ok-ladies-lets-get-in-formation @smadrat @dont-rain-on-my-fandom @opaque-daydream @red-bandana-girl @spiderlingy @cakeisforchumps @noir-agneau @borntodieabitch @ladywitheclecticheart @steggy4ever @itsemmyb @xkaciesearlex @natasha-rxmanova @allyp1023 @hollycornish @brauni2001 @fashion-masquerade @angelicaxmichelle @finleythetalkingdog @mcfuccfairy @fandomlover2001 @elegantnightmareshiro @buckysplumfondler @arabellaaurorabarnes @imgettingmarriedtobuckybarnes @badassbaker @life-is-fuucked @elwenia @addictionmarvel

My grammar is On let’s dive into theories

Keep reading

If you think Taylor Swift sings only about her exes, then you don’t get Taylor Swift

We took a deep dive into Swift’s albums to track her evolution on these other themes:

Theme: Life lessons

Album: “Taylor Swift” (2006)

As the story goes, aspiring teenage singer-songwriter Taylor Swift knocked on doors around Music Row, dropping off demo CDs. Her parents eventually saw enough promise to move from Wyomissing, Pa., to Nashville, where Swift became the youngest songwriter ever signed to Sony/ATV Music Publishing at age 14.

Shortly after, Swift landed a record deal with Big Machine. As she was suddenly thrown into an adult world, her songwriting was still very much from a high-schooler’s perspective.

“I don’t know what I want, so don’t ask me,” she sings on “A Place In This World” (Swift, Robert Ellis Orrall, Angelo Petraglia). “ 'Cause I’m still trying to figure it out.”

Her lyrics veer from extreme confidence to self-doubt: “I’ll be strong, I’ll be wrong, oh, but life goes on — I’m just a girl trying to find a place in this world.” She also assures her listeners: “I’m not the only one who feels the way I do.”

This direct connection to her fans — many young girls indeed felt similar to Swift — would catapult her to superstardom. She also captured the insecurities of her teenage fanbase with the darkly sad “Tied Together With a Smile” (Swift, Liz Rose), about a friend who seemed like she had the perfect life yet struggled with bulimia.

“You don’t tell anyone that you might not be the golden one,” Swift sings. “You’re tied together with a smile, but you’re coming undone.”

Album: “Fearless” (2008)

Swift’s solo-written “Change,” an anthem about not giving up, was chosen as a 2008 Summer Olympics theme song, but “Fifteen” was the standout track from the Grammys’ album of the year, convincing critics that Swift was a true force. (Rolling Stone dubbed her a “songwriting savant.”)

In the song, also a solo write, Swift takes on the role of the older and wiser teen: She knows what it was like walking through the school hallways, terrified to make eye contact with anyone but also hoping to be noticed by the cute senior. She tells the cautionary tale of her best friend, Abigail, who “gave everything she had to a boy who changed his mind — and we both cried.”

Ultimately, Swift wanted listeners to know it was okay to feel overwhelmed by high school. “I’ve found time can heal most anything, and you just might find who you’re supposed to be,” she sings. “I didn’t know who I was supposed to be at 15.”

Album: "Speak Now” (2010)

Swift wrote this entire album herself. While the quiet “Innocent” got many headlines — it chided Kanye West for interrupting her acceptance speech at the 2009 MTV Music Video Awards — one overlooked song was “Never Grow Up,” a melancholy guitar acoustic tucked between Swift’s forays into rock and pure pop. In the track, 20-year-old Swift grapples with the fear and loss that arrives during the early years of adulthood.

Swift addresses her words to a newborn baby. “Take pictures in your mind of your childhood room, memorize what it sounded like when your dad gets home,” she sings, adding, “I just realized everything I have is someday gonna be gone.”

Swift makes a similar wish to keep an iron grip on memories in “Long Live,” a triumphant love letter to her band and Nashville team, who started as underdogs and conquered the music world. “If you have children someday, when they point to the pictures, please tell them my name,” she sings. “We will be remembered.”

Album: “1989” (2014)

“Welcome to New York” (Swift, Ryan Tedder) kicked off Swift’s official pop era — the album’s opening track was bursting with glee at all the excitement the Big Apple had to offer: “Welcome to New York — it’s been waiting for you!” Swift had only just recently purchased a $20 million penthouse in Tribeca, so she earned some mockery when she was then named New York City’s “global welcome ambassador.”

But the pop star didn’t care as she reveled in the freedom of the city. “Everybody here was someone else before,” Swift sings. “And you can want who you want, boys and boys and girls and girls.”

Theme: Friendship

Album: “Taylor Swift” (2006)

As obsessed as Swift would eventually become with her powerful “squad,” a BFF group made up of models, singers and actresses, she frequently talked about how she was bullied and ostracized in middle school. On “The Outside,” which she wrote by herself as a teenager, you can feel her pain: “How can I ever try to be better? Nobody ever lets me in. I can still see you, this ain’t the best view, on the outside looking in.”

The music video for the buoyant “I’m Only Me When I’m With You” (Swift, Robert Ellis Orrall, Angelo Petraglia) shows Swift goofing around with her bandmates and best friend, Abigail. Although the lyrics allude to romantic soulmates (“I don’t try to hide my tears, my secrets or my deepest fears, through it all nobody gets me like you do”), Swift’s fans have adopted it as an ode to friendship.

Album: “Fearless” (2008)

A similar phenomenon occurs on “Breathe,” co-written with singer-songwriter Colbie Caillat. Listeners could easily assume it’s about a boyfriend (“You’re the only thing I know like the back of my hand, and I can’t breathe without you, but I have to”), but Swift confirmed it’s actually about the end of a close friendship.

Swift continued to reflect on the hurt of her middle school days in “The Best Day,” a tribute to her close relationship with her mother. Writing solo, she reflects: “I’m 13 now and don’t know how my friends could be so mean. I come home crying and you hold me tight and grab the keys,” she sings. “And we drive and drive until we find a town far enough away, and we talk and window shop till I’ve forgotten all their names.”

Album: “Red” (2012)

Swift’s most famous — and happiest — friendship song arrived in the form of “22” (Swift, Max Martin, Shellback), an upbeat track that basks in a carefree existence, dancing and making fun of exes and eating breakfast at midnight after a night out: “We’re happy, free, confused and lonely at the same time, it’s miserable and magical, oh yeah!”

The song’s hidden clue on the album liner notes is “ASHLEY DIANNA CLAIRE SELENA,” also known as her close pals Ashley Avignone, Dianna Agron, Claire Kislinger and Selena Gomez. Swift explained she wanted to write with the attitude of “we are in our 20s and we don’t know anything and it’s awesome.”

Album: “1989” (2014)

Although “New Romantics” (Swift, Max Martin, Shellback) is hidden as a “bonus track” on “1989,” it’s a fan favorite, and Rolling Stone recently ranked it as the second-best Swift song. It has “22” vibes with an ‘80s sonic spin, celebrating the heartache and joy of being young: “Heartbreak is the national anthem, we sing it proudly, we are too busy dancing to get knocked off our feet.”

Theme: Fame

Album: “Red” (2012)

By her fourth album, Swift was officially an international celebrity. She also started to collaborate with Swedish maestros Max Martin and Shellback, who helped shape her new pop sound.

But “The Lucky One,” which she wrote by herself, was a bit of a return to form. Like a country song, it tells a story — a starlet accomplishes her dream and then realizes that the perks (“big black cars and Riviera views”) might not outweigh the dark side of fame (“your secrets end up splashed on the news front page.”)

“They tell you that you’re lucky, but you’re so confused, 'cause you don’t feel pretty, you just feel used,” Swift sings. Many guessed that Joni Mitchell was her inspiration. Swift wouldn’t spill, and only admitted in an interview that the song “expresses my greatest fear of having this not end up being fun anymore.”

Album: “1989” (2014)

Swift’s stardom skyrocketed again as her pop songs took on mass appeal. “Blank Space” (Swift, Max Martin, Shellback) is a parody of the tabloid media’s characterization of Swift: A needy serial dater with a long list of ex-lovers who can tell you she’s insane. And someone who, when she gets dumped, “goes to her evil lair and writes songs about it for revenge,” as Swift once put it. Swift started writing the lyrics as a joke, and then realized the character was actually fascinating — as the song goes, “a nightmare dressed like a daydream.”

Martin and Shellback also co-wrote “Shake It Off,” one of Swift’s top-selling singles, an earworm that hits back at her critics who she says are “gonna hate, hate, hate, hate, hate.” In a YouTube interview, Swift said she wanted to write a “joyful” song about the criticism she gets on a daily basis — otherwise she would just burn with resentment forever.

“I Know Places” (Swift, Ryan Tedder) takes a more despondent view of a lifestyle in which privacy simply isn’t an option. Swift has repeatedly talked about the difficulties of starting a new relationship while the world watches and mocks her, and this track is a wistful tune about hiding out: “They are the hunters, we are the foxes, and we run — baby, I know places we won’t be found.”

Theme: Revenge

Album: “Speak Now” (2010)

Swift first displayed her thirst for vengeance against exes on songs such as “Picture to Burn” (Swift, Liz Rose) on her first album and “Better Than Revenge,” about a romantic rival, which she wrote for “Speak Now.” But on that third album, her motivation also went beyond boyfriends with “Mean,” a single that she wrote by herself and that earned her two Grammy awards, including one for best country song. The song’s rumored gen­esis was a critical blog post by music writer Bob Lefsetz, who roasted Swift’s cringeworthy duet with Stevie Nicks at the 2010 Grammys.

In return, Swift painted her critic as an eventual bitter, washed-up loser, “drunk and grumbling on about how I can’t sing.” Swift concludes, “All you are is mean — and a liar and pathetic and alone in life.”

Album: “1989” (2014)

Swift’s most infamous revenge track is “Bad Blood” (Swift, Max Martin, Shellback). Once she revealed that the tune was about a fellow female pop star that tried to “sabotage” an arena tour, the Internet quickly figured out that it was Katy Perry, who hired several backup dancers away from Swift’s Red Tour.

Although it might seem like a benign slight, Swift’s lyrics are rough: “Did you have to hit me where I’m weak, baby, I couldn’t breathe, and rub it in so deep? Salt in the wound like you’re laughing right at me.” Things only escalated when Swift recruited her famous friends for the song’s fiery music video, which shows her vanquishing an enemy. In summer 2017, Perry fired back with a track of her own, “Swish Swish,” although it received more mockery than anything.

Album: “Reputation” (2017)

After her longest break without releasing new music, Swift dropped “Look What You Made Me Do” in August. She and collaborator Jack Antonoff shared writing credits with Fred Fairbrass, Richard Fairbrass and Rob Manzoli, the trio behind “I’m Too Sexy,” because Swift and Antonoff interpolated the 1990s hit.

The dance-pop track declares that the “old Taylor” is “dead.” Still, she leans heavily on her tried-and-true revenge theme, clearly aimed at her nemeses Kanye West and Kim Kardashian West, with whom she has been feuding for years. “The world moves on, another day, another drama, drama,” Swift chants. “But not for me, not for me — all I think about is karma.”

When you are depressed

Requested by @torn-and-frayed 


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Sam is quick to catch on when you are having a “dark day.” He knows you prefer to stay in bed but that you see your depression as a weakness so you won’t. He lets you get up and go about your day without saying a word even though he knows you are feeling like crap. He won’t tell you to get back in bed when he knows you have had enough and are on the verge of tears instead he will fake feeling ill or being really tired and retreat to your room himself knowing that you will be in to check on him shortly. When you get back to your shared room he will simply have found your favorite movie on Netflix and ask you to join him knowing that being close to him and letting the movie take your minds off your troubles for a while.

You never thank him but you will snuggle up to him and give him a long tender kiss when the movie is over and to Sam that is always thanks enough.  


Depression is one thing Cas cannot heal  and he hates it. He hates having to watch you suffer and retreat into yourself. He tries his best to cheer you up by bringing you all the things you love wheter it be your favorite snack, your favorite beer (directly from the brewery in the country where it is made), your favorite flower (picked on a field in the land it originates from) or your food home cooked meal by himself (with a little coaching from Dean the first few times).

Even though Cas attempts does take some of the pain away the darkness in your mind never completely disappears until Cas accepts his defeat and lays down in bed next to you closing his arms and wings around you because maybe he cannot heal your pain but he can definitely share it with you.  


Dean is no stranger to struggling with the darkness in his own mind so he gets it when everything suddenly gets too much for you. He never thinks less of you as a hunter or a woman for crying against him as he pulls you into a tight embrace.

He always knows when your mind is spiraling down but he will never mention your pain or your tears in front of the others. He will rather make up and excuse for the two of you to leave the bunker whether it be him needing your help on a supply run or a fake case he needs you to check out with him he will always get you out of the door without the angel or his brother knowing the real reason why.

Dean will drive while you stare out of the window letting your hand play with the wind as the world pass by. He will drive and drive as if he thinks if he gets far enough away he will be able to outrun the darkness in your mind. When he finally stops the stars will be out and he will lay down with you on the hood of the impala silently reminding you no matter how dark or big the world gets he will always be right there next to you. Loving you through whatever might come or whatever tricks your mind will play on you. His presence is more comforting than he will ever know.