i made another sleepytime mix for the night owls. chock full of jamz meant to make u chillax. or, at the very least, vibe out. full tracklist below. and don’t forget: if u like it, repost + share it, loves :)
1. brand new, ‘jesus christ’ 2. citizen cope, 'let the drummer kick’ 3. tv on the radio, 'will do (xxxchange dancehall mix) 4. the weeknd, 'house of balloons/glass table girls’ 5. daft punk, 'the game of love’ 6. purity ring, 'begin again (crnkn edit)’ 7. creep ft. nina sky, 'you (jimmy edgar remix)’ 8. lindstrøm & christabelle, 'music in my mind’ 9. action bronson, 'big league chew’ 10. childish gambino, 'sober’ 11. woolfy vs projections, 'ask’ 12. puff daddy ft. mase, 'can’t nobody hold us down’ 13. chris malinchak, 'so into you’ 14. yacht, 'i’m in love with a ripper’ 15. donna summer, 'love to love you baby’ 16. lcd soundsystem, 'dance yrself clean’ 17. drew bolduc, 'got a feeling’ 18. the game ft. 50 cent, 'hate it or love it’ 19. topo & roby, 'under the ice (rayko replicant edit)’ 20. fat joe ft. nelly, 'get it poppin’ 21. al green, 'call me’
At the age of 10, West moved with his mother to Nanjing, China, where she was teaching at Nanjing University as part of an exchange program. According to his mother, West was the only foreigner in his class, but settled in well and quickly picked up the language, although he has since forgotten most of it. When asked about his grades in high school, West replied, “I got A’s and B’s. And I’m not even frontin’.”
West demonstrated an affinity for the arts at an early age; he began writing poetry when he was five years old. His mother recalled that she first took notice of West’s passion for drawing and music when he was in the third grade. Growing up in Chicago, West became deeply involved in its hip hop scene. He started rapping in the third grade and began making musical compositions in the seventh grade, eventually selling them to other artists. At age thirteen, West wrote a rap song called “Green Eggs and Ham” and began to persuade his mother to pay $25 an hour for time in a recording studio. It was a small, crude basement studio where a microphone hung from the ceiling by a wire clothes hanger. Although this wasn’t what West’s mother wanted, she nonetheless supported him. West crossed paths with producer/DJ No I.D., with whom he quickly formed a close friendship. No I.D. soon became West’s mentor, and it was from him that West learned how to sample and program beats after he received his first sampler at age 15.”
After graduating from high school, West received a scholarship to attend Chicago’s American Academy of Art in 1997 and began taking painting classes, but shortly after transferred to Chicago State University to study English. He soon realized that his busy class schedule was detrimental to his musical work, and at 20 he dropped out of college to pursue his musical dreams. This action greatly displeased his mother, who was also a professor at the university. She later commented, “It was drummed into my head that college is the ticket to a good life… but some career goals don’t require college. For Kanye to make an album called College Dropout it was more about having the guts to embrace who you are, rather than following the path society has carved out for you.”
West’s musical career has been defined by frequent stylistic shifts and different musical approaches. Asked about his early musical inspirations, he named artists such as A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna.Other music figures West has invoked as inspirations include Puff Daddy, David Bowie,Miles Davis and Gil-Scott Heron.West was formatively mentored by Chicago producer No I.D., who introduced him to hip hop production in the early 1990s, allowing a teenage West to sit in on recording sessions.Early in his career, West pioneered a style of production dubbed “chipmunk soul” which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation.His first major release featuring his trademark soulful vocal sampling style was “This Can’t Be Life”, a track from Jay-Z’s The Dynasty: Roc La Familia. West has noted Wu-Tang Clan producer RZA as an influence on his style.
West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, West meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming. The album saw West diverge from the then-dominant gangster persona in hip hop in favor of more diverse, topical lyrical subjectsincluding higher education, materialism, self-consciousness, minimum-wage labor, institutional prejudice, family, sexuality, and his personal struggles in the music industry.For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. Blending West’s primary soulful hip hop production with Brion’s elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs,amid a myriad of foreign and vintage instrumentsCritic Robert Christgau wrote that “there’s never been hip-hop so complex and subtle musically.” With his third album, Graduation (2007), West moved away from the soulful sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced style,drawing on European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house.West retracted much of the live instrumentation that characterized his previous album and replaced it with distorted, gothic synthesizers, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin. In comparison to previous albums, Graduation is more introspective, exploring West’s own fame and personal issues.”