draft 14 for

I keep getting a feeling that dan and phil are up to something yet at the same time… they’re not doing anything at all and just sat at their laptops together on the sofa watching us all freak out over them not doing anything even though we think they are. then laughing over it

Yall get me?

medieval/ancient based plots i desperately need.

tw: abuse, rape mention, triggering topics in general.

  • muse a is the prince of (country) and muse b is the princess of (another allied country). muse b spent quite a bit of time in muse a’s kingdom during the war and the young couple began a picturesque romance. when muse b went back to her country they kept in touch with letters, writing to one another constantly since they were unable to see each other. unexpectedly muse b stops writing back to muse a. a few months later muse a and his family are invited to a grand wedding (in anther country), the king has found himself a new bride. upon arriving muse a finds out that the kings new bride is muse b. muse b’s father had arranged the marriage in exchange for an alliance, not caring that his daughter begged him not to go through with it. only after the wedding do muse b and muse a get a moment alone so muse b can explain what’s taken place.
    • possible addition: muse b’s new husband could be abusive or just a cruel king in general, maybe a significant age difference as well. 
  • muse a was a slave girl, most likely a love child of a brothel worker and a local traveler. around the age of 12-13 she was sold into slavery and used by men of status on a daily basis, never really knowing anything different. after a hefty number of years she’s on her own. (either she escaped, or they got tired of her - maybe have someone new, or someone in the palace who felt bad for her helped her escape, etc) she wanders the streets, sleeping when she can and where she can until she travels out of the city, only making it a mile or two before she collapses (exhaustion, hunger, thirst, etc) and muse b is traveling back to his home and comes across her. he brings her back to his home where she sleeps for quite a bit of time, finally waking up and unsure of where she is. muse b explains that he owns the land and found her on his way back from the city and wanted to help, muse b asks her if she has any place to go or where she’s from and she doesn’t have an answer. muse b starts to slowly understand where this girl came from, maybe she tells him in bits and pieces, maybe he sees bruises or scars… etc. long story short muse b takes care of muse a, letting her stay there, maybe letting her sleep in his bed, feeding her, and muse a starts to form an attachment to muse b since he’s the only person who’s ever really shown her kindness. 
    • this could remain platonic or spark into something more ‘love story’-ish.
  • based on the movie troy. muse a falls for the queen of another king, muse b. she’s beautiful, intelligent, she challenges him and she’s everything he’s ever wanted in a partner. muse b is married to an abusive & hateful man who she cannot fathom spending the rest of her life with. muse a proposes that muse b come back with him to his country and muse b agrees. muse a smuggles her back to his country and when muse b’s husband finds out he is furious. muse a wants to do everything to keep muse b with him but now muse b’s husband is threatening to start a war. muse b thinks it would be best to return home to save everyone the trouble of fighting in a war over her, but muse a doesn’t intend to let it happen.
  • muse a is a handmaiden for the queen/princess of (whatever country), and muse b is the king. muse b has always been fond of muse a, admiring her from afar. muse b is driven by pure lust one night and the two end up sharing a night together in his chambers. this happens time and time again until muse a believes she’s pregnant. muse b knows what could happen if anyone found out, so he tells her to keep it a secret, and so muse a agrees, knowing she doesn’t have much of a choice and she doesn’t want her child to be known as a bastard. muse a has the baby, telling everyone the father was a traveling merchant. muse b has his kingly duties, most likely has a queen and of course a country to rule but he cares for muse a and his child but all they have are secret and private moments together and that’ all they will ever have. 
    • just cute lil family moments where he sneaks off to see them and gets to see his kid and then be with her and just break my heart.
10

Noora // You lose

so on friday night, after realizing that ep 35 wouldn’t come out until at least next tuesday, i was feeling very frustrated. which led me to create fake screenshots of ep 35 because ??? anyway i was about to post them when my brain finally turned itself on. “are you SURE this is good idea ? are you SURE you want to post them NOW of all times ?” it asked me. “ur gonna die if u post them u dumbass” it said, which scared me very much

so i decided to show them to @kahasan and @eldaryavibez first and judge their reactions. they freaked out, which freaked me out and i realized that my brain was right

and that’s the story of how i created fake screenshots out of pure frustration, chickened out and never posted them, giving a heart attack to both @kahasan and @eldaryavibez  in the process

anonymous asked:

Do you have any time travelling prompts? Thank you <3

Themed Prompts: Time Travel

1. You discover a time travel machine in your basement.
2. You can travel to the future but not the past.
3. You can travel in time but you can never return to your present.
4. You change your own past.
5. You keep creating new alternative timelines.
6. You are stuck in an alternative timeline.
7. You’re tasked with drafting the rules of time travel.
8. You decide to stay in the past.
9. You meet your past self.
10. You meet your future self and find out you’ve married your nemesis.
11. You get stuck reliving one day over and over.
12. You meet two different versions of the future you… and you like neither.
13. You travel to the future in order to help draft current laws.
14. You fall in love with someone from a different timeline.
15. You travel to your past to make sure you don’t destroy the world.

I feel the need to critically respond to this comment, because wow.

Alright. I don’t even care if they’re trolling or not, this is important. Let’s discuss this comment, because when people say stuff like ^^THIS^^ on that post, (and not many people do, you special snowflake), they have clearly missed the entire point.

I’m not going to explain what the post is. Just click here to see it.

Okay, so, I agree, that IS my way of writing a book, not everyone else’s. The purpose of the post was to show people who write books (and make art, in general), that they are not alone. That if they think the process is tedious and feels like it’s way harder and takes way longer than it should – that it’s like that for everyone who chooses this line of work. It is NOT easy in any way, shape or form (it can be extremely fun and rewarding though, and that’s part of the purpose of creating art, in my eyes. It should fulfill the artist in some way).

Next, what you see in that post is only a couple drafts of the book. I think…three printed drafts. I wrote fourteen drafts of Embassy. 14-3=11. I did 11 drafts on the computer, several of which were completed by beta readers, who also worked strictly on the computer. But I ALWAYS do a couple drafts by hand because it let’s me slow down and truly visualize what I’m doing, and it’s always for the largest edits I’ll do for any book I write. On top of the effectiveness of hand-edits, holding that fat stack of paper and showing it off to people and letting them physically see all the edits you’ve done at a moment’s notice is rewarding in itself. I give speeches at high schools, and I do book signings at Barnes & Noble, and I always bring a paper-edited draft with me, BECAUSE PEOPLE LOVE SEEING THAT SHIT IN PERSON. It makes the process real to them. It’s easy to just do it all on the computer, but when you have that manuscript in your hands and you can SEE the work you put into it, suddenly people realize that, yes, writing a book is not easy.

I did the same thing for the sequel, and I did the same thing for the third book in the series. I’ve been writing for 13 years, and in the last four years alone, I’ve spent nearly 3,000 hours PER YEAR (more time than I sleep) writing and editing books. And guess what? I’m going to do the same thing for every single book I ever write, because, like you said, that’s how *I* write my books.

I made the “Writing a book is so easy” post because it’s relatable to the thousands of other people who have ever written a book/made art/compose music/etc etc. It’s inspiring. It’s motivating. It’s challenging. Look through the comments and tags on reblogs and you’ll see how people have said how excited they are to reach this stage of the writing process, how they can’t wait to hold their books in their hands, how they themselves have gone through this process and thought maybe they were doing it wrong. Others have said it gave them way more respect for artists. Others have straight-up said “Nope. Nope. Nope.” And then others miss the entire point and feel the need to say unnecessary shit, such as what you said, and in one fell swoop, belittle all the time and effort hundreds-of-thousands of artists around the entire planet put into their creations.

You think I don’t know other people have their own ways of writing and editing? You think I don’t edit on the computer? You think your comment matters? It doesn’t, because you made a downright stupid attack on something totally and completely obvious.

The purpose of “Writing a book is so easy” is to give artists everywhere something to relate to, and to give non-artists everywhere a behind-the-scenes look at what part of the process looks like and more appreciation for the work we do. That’s it. That’s the purpose.

To inspire, motivate, and celebrate ARTISTS.

2

anonymous asked:

Just a question: we've seen you answer how the Zutara relationship would've worked for both Zuko and Katara. So how, in your opinion, would that relationship have affected the world? Since Katara would've married Zuko at some point, she would've become wife of the Fire Lord, as well as the first member of Fire Nation royalty to be of another nationality, let alone a different bender. I've never seen ANYTHING relating this aspect of their relationship, so I was curious what you thought.

Hello my dearest anon! Disquieted here! 

Thank you SO much for this question; it’s one of the very best we’ve gotten! I’ll try my best to do it justice. Be warned though, I’ve written something similar to an essay as reply, so read ahead at your own peril! 🙈 Dalz will be answering your ask separately later on as well giving you her own pov on the matter. 

Also, please keep in mind that I always pretend LoK never happened, that these are merely personal ramblings and should not be taken to heart, and that there are some things we must discuss before getting to the center of your question. So, without further ado….! 

Part I: War is war.

I’ve never doubted that the reconstruction of a nation, (let alone the entire world!), wouldn’t come with opposition and various difficulties for all parties involved.

Keep reading

lil-seeds  asked:

yo yo yo dysfunctional entp here. i've been in a weird, non-creative, funk for the past week or so, i believe largely due to some very well ignored and internalized negative feelings. what is the best way for me (or any Ne user really) to get back into the idea-generating, novelty, creative swing? (im a writer working on a second novel so the whole 'tired of a single project' thing isnt helping either) thanks hot hot hottie

(Gif: Claudia, Warehouse 13. ENTP.)

Uh, well first there’s this: i believe largely due to some very well ignored and internalized negative feelings.

Have you dealt with those yet? Because as a Fe, until you get them out of your head and into the world, you cannot move on and the intense internalization of something that NEEDS made public (Fe) is going to cramp your muse. So, expel those feelings. Share them with someone you trust. Shout them into the void. Express them. You will feel better.

As for getting your Ne-dom mojo back – it’s simple.

Ne needs external stimulation to work. It does not exist in a void. Your Ne bounces off objects, ideas, and stories in the external world. This is why you watch a television show – you get ideas. Better ideas than they used. Or you read a book – and you get more ideas. Or you listen to a song – and you get ideas. Or you talk to someone and… you get the idea, right?

Being in a non-creative funk for a Ne-dom means your creativity tank is drained. Why? Not enough external stimulation. Not enough new stuff to bounce off of. Not enough exposure to things related and unrelated to your current writing project. You need new material going in your head. Start reading someone else’s novels. Start up a television show you’ve never seen before on the side. Read someone who is FULL OF IDEAS, who makes YOU full of ideas, someone EXCITED about their ideas.

Here’s some personal writing advice from a fellow Ne-dom, who quite often experiences temporary creative slumps (since I pretty much work on a novel and/or writing project anywhere from 1 to 8 hours daily, about 10 months out of the year… yeah, I don’t “do” hobbies and I don’t “do” idle time… and it kind of sucks).

If you hit a creative slump, you have two choices:

- Take it back to where your creativity was flowing, and take the plot in a new direction (write a different ending to that scene, or cause something unexpected to happen that you did not see coming)

- Change the setting of the scene (it’s quite possible the setting is boring you; whenever that happens, I go, “What will my reader NOT expect? Okay, the last interrogation scene took place inside a dim cell in the Tower of London. What if THIS TIME Henry VII decides to interrogate someone above the Tower’s lion pit, and dangle him over the side?”)

Here is something vital to remember, as a Ne-dom: you figure it out too far in advance, you’ll get bored with your own ideas.

Every time I have lain out an entire book from start to finish, and drawn up lists of what happens in what chapter, the creative spark dies. I have now started keeping an abstract concept in my mind (this is vaguely where it’s headed / what the climax will be, and what I should introduce next) and then leaving myself questions when I stop writing for the day, to trigger ideas for the next day.

So instead of writing: Heledd meets Alfred on the road and they discuss X, I ask, What does Heledd see that makes her suspicious? How should I introduce doubt into Meg’s mind? What should happen with the ring I introduced in the last chapter? How can I make the big reveal more dramatic?

Leave lots and lots of room for improvisation, too. When I sat down to write the other night, I knew I had to take my heroine through her fears up a road lined with her enemies – people who months before had tried to hang her. So, I knew I had to deal with PTSD trauma. What I did NOT know is that superstition would surround a myth of faerie lights to accuse her brother of murder (the murder, I had planned) and that other people would turn up in support of her, and sing an old Welsh tale to calm her down. But that was nice.

Ne’s delight in the unexpected, in allowing ideas to flourish and spring forth with just enough forewarning to lace together into the rest of the story; you must leave room in your novels for this to happen.

(Gif: Jo March, Little Women. ENFP. My soul sister.)

I’ll be honest here, in the hope it’ll inspire you. I started in on a sequel right after finishing my last book. I was excited about it, I wrote about 20 thousand words, and then I had to stop and do some line editing on the original novel. When I went back to my sequel, my creative spark had DIED. I was distraught; where had all my excitement, enthusiasm, and ideas gone?? So I put that draft in a folder, and tried another. It went on for about 15 thousand words just fine, and then it DIED. More distress. More staring at a blank page. More clueless pondering. More angst. So I delved into it from yet ANOTHER angle. I changed all the POV’s. I tied it back into London in addition to Wales. I invented an entirely new subplot. I wrote about 20 thousand words.

And it DIED. I lost the spark.

I spent one day utterly frustrated, near tears, anxious that maybe I’ll never be able to write another book (low Si paranoia :P) … and I opened up my original draft, the one with 20 thousand words, and skim read the first four chapters… and then sat down and carried the story forward. I’ve kept bits and pieces from each draft, and a lot of that writing can go in this book; but my forward momentum is back. The original idea WAS INDEED the best, or at least, the one my Ne is most passionate about – but it had to explore other options first, before it could settle down to tell THIS story.

Okay, the last bit of advice – you can take it or leave it.

Many high Ne’s benefit from working on multiple projects at once. You should consider, yes, working on your book; and writing a short story or a fan fiction on the side in a totally different genre, to keep your mind active.

I, however, have never been able to do this without losing focus – so I am a “one project at a time” kind of girl, to the extent where if I have an amazing idea for a different book or character in the middle of working on THIS one, I write it down on a slip of paper, stick it in a jar, and forbid my mind from thinking about it further, in order to remain focused.

Finally, write yourself a quick deadline. Given the amount of time you have to spend on this novel, and what else you have to do which might detract from it, and how fast you can write, figure out a rough estimate of how long it will take you to write this book. I spent two years on the last one and it literally almost killed me and drove my family insane (though, technically, since it went through about 14 drafts / rewrites / completely changed focus 4 times, and started out as a novel covering 20 years, went to a novel covering a decade, and wound up being a novel covering 6 months… I was working on more than one novel). This is NOT GOOD for a Ne-dom. We like to see PROGRESS. We like to see a point in our future when we are FREE to pursue OTHER THINGS. So, give yourself six months to write a rough draft. Or four months. Something doable, that keeps you motivated, because:

When I get done with this, I can write something else!

You are verbose. You are creative. You are ideas-driven. And if you’re a Ne-dom, you can turn out an incredible amount of words in a very short time.

You can do this.

Hope that helps,

- ENFP Mod (who tomorrow goes back to writing her sequel, because she did NOT write fiction today and was so bored she could hardly stand it)