down to the details

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And The Writer Is: John Ryan

John Ryan is a songwriter who co-wrote on nine of One Direction’s singles. Ross Golan, the interviewer, also wrote with One Direction, and co-wrote “If I Could Fly.” This is the same podcast Savan Kotecha gave his interview on.

Ryan’s interview sheds further light on the writing process of One Direction songs. In addition, one gets a glimpse of bts song production and the atmosphere of touring.

As the band got more famous, security was tightened, and there was increasing scrutiny of their individual movements.

It made me think of Harry’s lyrics, “I can’t touch what I see,” and “We’re not who we used to be.” Their fame gradually became a cage.

Ryan also talked about how Julian Bunetta oversaw production so that there was a cohesive “sound” on each album– down to the details of using the same synth, the same percussion.

I thought about the difference of each song on Harry’s album. He must have been thinking about these various sounds for a long time. The production on “Harry Styles,” done with a deft and unifying professionalism, still allowed the expression of a lot of different rock sounds– glam, stadium, folk, garage. All of these are outside of the 1D spectrum.

And finally, Ryan talked about how the audience of 1D was the first to appreciate how the band was maturing as musicians, how their sound “pivoted.” He made the comparison to The Beatles and their song “Revolution.”

block-of-writers replied to your posta writing advice post: don’t describe characters’…

what do you mean people dont usually notice what eye color someone has that’s like one of the first things i notice about someone that asshole can tear my eye descriptions from my cold dead hands

i always figured it was a harmless enough detail to throw in there, esp. considering i deliberately use simple descriptive words - “light brown hair,” “lean,” “tan,” “ruddy,” “blue eyes,” etc

like, you know, you could just toss it in for flavor somewhere down the road, but it’s too cliched, apparently

absolutely_barbaric.jpg

x-everclear  asked:

Bruh you're art is so realistic and I just... I can't.how do you do it??? It looks so heckin nice and clean and I just it's too amazing. You're too amazing ;-; bless your soul and thank you

I’m really happy that you like my art so much!! I literally just look at photos that  I like and copy them down to every last detail. I also sample the colors from the photos as well and its actually very easy once you get the hang of it!

I just wanted to thank everyone who’s commented on my last couple of posts. I really appreciate your concern and support and I wanted to let you know that I hear you. <3 I just had a nice long shower (raaaaining on my faaaace) and after my husband gets home we’re gonna have a Life Discussion™ (as he called it lol) and to decide what to do and how to progress from here, if anything.

A friend of mine on Facebook said maybe this is God telling me to pursue my art. I sincerely wish that were true. I just have no clue how to go about actually doing that.

Putting the gory details of what went down regarding my job below a cut.

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Hi, i’m here to put down a compilation of interesting details of Villainous from what I could see.

It is too much to say that english isn’t my main lenguaje so please, be polite

Ok, to begin, there’s a blueprint of Dementia in the first episode:

I guess it can be a robot version, right?

“Don’t try to run - BH”:

I love the way those Black hat look at each other in shock when Dementia makes appear the bara Black Hat:

lil  dufus Black Hat eating the same sandwich that Flug create:

In other chapter there’s a poster of what I think is a cat with a paperbag, like Dr. Flug:

it’s obvious that his eye got blanc:

there’s a cerberus-look-like ghost

You can think there’s not much to see, but then they change the scene toward Dementia and 505, when they put Black Hat again:

the blackboard changes…

In this short you can see that Black Hat is obviously obsessed with hats (or, that they reprecent him), then again, besides of the knight armor with Undine’s hair, suit design and tophat, there’s a medieval shield with a dragon with tophat AND A BUTT HERO in the wall

Black Hat’s house have a crashed plane

the same crashed plane that you can see in Dr. Flug shirt all the time:

Ok, it can be not the same but it looks like it

In this scene, if you are careful enough, can ear the “crack” sound of something

I guess it’s Black Hat’s neck, because he turns around his head AND THEN, his whole body

I noticed this in the HD version

charming Black Hat is drooling and have have tiny skull in his monocle

In this room background (is this a laboratory?) you can see an Edison Poster and two pictures. One of Dr. Flug

Dementia’s cute doll

and this:

What? there’s nothing wrong with this picture, it’s only an evil family statue to finish the post.

Man, this show is fantastic and It’s full of amazing little details, isn’t it?

SKAM S04E04 Clip 4 - The Best Of Islam

NOORA: What is this again? We’re here for my sake?
SANA: Yes, of course we’re here for your sake.
NOORA: Just to look at muslim boys and stuff.
SANA: Aren’t you tired of white boys now? I thought we had to get out, meet new types of people, see that there’s plenty of fish in the sea. You know what I mean?
NOORA: But you said muslim boys just use Norwegian girls.
SANA: It’s good that you’re converting to Islam, then.
NOORA: Don’t turn around now, okay? But are those boys looking at us?
SANA: How shouldl I see if they’re looking at us if I can’t turn around?
NOORA: Oh my God, they’re coming over!
SANA: Stay cool.
NOORA: Stay cool? I’m really fuckign cool! Hi there!
SANA: Hi!
NOORA: Hi.
BOY1: Can we sit here?
SANA AND NOORA: Yes, of course.
JONAS: It’s okay? Great!
SANA: Sit down!
NOORA: Hi! Yes, hi.
ALI: Ali.
NOORA: Noora.
ALI: Nice to meet you.
NOORA: Noora, it’s a pleasure.
SANA: Sana, it’s a pleasure.
ALI: Ali, it’s a pleasure.
JONAS: Jonas. It was sana?
SANA: Yes.

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“Why do you write sad things?” is one of the hardest questions I’ve always been asked.

How could I answer that? How could I tell you that all I have is sadness, and all I can share to the world is sadness? How could I tell you that every time I get a little glimpse of happiness, I always just save it for myself, keeping it close to my heart, memorizing every details and feelings, and not writing it down because writing it down feels a lot like giving it away, like I am letting that little happiness go. How could I tell you that I write sad things to purge it out from my system? That it is impossible to write sad things without sadness consuming you to the core to the point that all you can do is to bleed it out on the paper. How could I tell you that? That I write sad things to let it out, hoping that one day it would never come back, that maybe one day, I will finally succeed in writing all my sadness away.
—  cynthia go // Why do you write sad things?
How to Deal with Procrastination

1. Be honest with yourself and admit that you’re putting off stuff that really needs to be done.

2. Try and figure out why you’re procrastinating. Is it because you don’t like it, it creates anxiety, you don’t understand it, it feels overwhelming, you’re disorganised …?

3. Decide to break the habit of procrastination by deliberately rewarding yourself for doing something you’d rather not do.

4. Make a pact with a friend –where you deliberately and regularly encourage each other, and hold each other accountable.

5. Sit down and think – in detail – about all the likely consequences of not doing what needs to be done. Be brutally honest, and try and picture what you’re life is going to look like 6 months, a year and five years from now ( if you continue to procrastinate).

6. Decide to break large tasks down into smaller, more achievable tasks, and then tackle these smaller tasks one at a time.

7. Recognise your progress, and affirm and praise yourself for making these changes – and doing things differently, even though it’s hard.

Sci-Fantasy and Technomancy

Creating a world where magic and technology co-exist

Mixing science fiction and magic can be tricky; if everyone in the world is capable of teleporting anywhere at anytime, it probably won’t make much sense for people to own cars, for example. Blending these two forces leads to countless exciting possibilities, but it can also end up creating some inconsistencies that your audience will pick up on if you don’t think things through well.

I have several tips and things you should think about if you want to build a world that mixes sci-fi and fantasy. Ultimately how detailed you get with it is up to you; maybe you want to plot out ever single tiny aspect of how your world works, or maybe you just want to have robot dragons and to hell with whoever disagrees! It’s a story of your making; if you and your audience are having fun with it, that’s what I consider most important.

Either way, here’s some things to think about!

- Of course, it helps to start off with the usual integral factors that tend to define societies; things like geography, language, religion, laws, agriculture, philosophy, etc. Before you even start throwing magic/tech into the mix, what does your world look like? What does it sound like? What does it taste like??

- How does magic work in your world? Is it a gift only available to a select few, or can pretty much any Average Joe summon a fireball? Are all mages Clerics (with magic derived from a powerful entity), Wizards (with magic learned from studying), Sorcerers (with magic just as an innate trait), or a mixture of these (and other?) things? 

- How does technology (generally) work in your world? How widely available is it? How well is it understood? What level is it at; are there nanobots in everyone’s bloodstreams, or is a bronze sword considered “high technology”? 

- How well do magic and technology (generally) mix in your world? Are they both just two different tools for solving problems, or opposed forces? Can one be used to study the other? Can someone be an expert on both things? What problems have been solved (and created) from blending the two?

- Are either things taboo? How much social friction do either things cause? Is the use of one meant to be secret or forbidden? Why?

- Are tech-favoring people/societies generally on equal footing with magic-favoring ones? They don’t have to be! The world being skewed in one side’s favor could be a great source of conflict! 

- What can only be done with magic? What can only be done with technology? Consider the limitations of both forces in the world. Does one force typically work better in some or most ways than the other? What things simply can’t be replicated by one side? 

- Consider how advanced each side is. What methods of communication, transportation, education, fuel consumption, medical care, etc are available to magic-favoring societies and which ones are available to tech-favoring societies? One side may not be exclusively better than the other; a tech-favoring society might have much faster land transportation in the form of huge cars, but a magic-favoring one might be able to magically tame huge creatures that can walk on walls and reach places tech can’t easily get to. 

- (When it can,) how does magic solve the same problems as tech and vice versa? A magical stone of far-speech can fill the magic-equivalent role of a phone, for example. A manufactured chemical packet could function like a certain spell. Of course, if one side’s method is so ubiquitous and accessible, it’s more likely that all people’s will favor it. 

- On the other hand, the different perspectives will likely produce entirely different problems and methods of solving them. Beyond one side being unable to replicate certain things from another, they may not want to. Mages may have no interest in creating an internet analogue they instead have access to some great collective unconscious tech-favoring people can’t access. How might one describe these things to the other? This is where the real creative world-building comes in; not every problem should be solved by just having an equally viable magic or tech version of it. Different cultures will value things differently, and exploring that leads to lots of creative worldbuilding and conflict!

- Consider what divisions might exist within societies. There are always subdivisions within groups; not all mages are as powerful, knowledgeable, or experienced as one another. Some subgroups may think themselves superior in some way, and/or might look down upon others within their own circle for all kinds of reasons. No group is a hivemind (unless they literally are); groups are made up individuals! 

- Lastly (but possibly most importantly), DON’T GET TOO CAUGHT UP WITH HOW COOL YOUR WORLD IS! Consider exactly what information is relevant to the audience and what interesting ways you can show/explain it. Remember that the focus should generally remain on the characters; there’s nothing wrong with having lots of extra world-building details, but they can bog down the story in minutia if you get too off track! You can always explore and explain deeper lore in side material!

Signs as Teachers

Aries: Passionate teacher whose eyes light up when people answer questions and start debates. Grades papers in so much detail it’s annoying. Assigns “going outside” as homework. Absolutely loves Kahoot quizzes.

Taurus: Procrastinates on marking papers, and when a student doodles on the worksheet, they complete the doodle. Rewards students with chocolate every time they get a question right.

Gemini: Students always look forward to their entertaining lessons. Lethal levels of sass and always has cool stories to share. Super neat handwriting and always carries around their personal whiteboard marker collection.

Cancer: Soft-spoken teacher who often gets drowned out by the class. Can be super strict and fierce when pissed off. Cute handwriting and draws smiley faces on every worksheet.

Leo: Loud and intimidating. Their powerpoint slides are always aesthetically-pleasing with great font choices. Has the best studying strategies.

Virgo: Strict when marking papers, examines each paper down the very last detail. Hates students with illegible handwriting, but their lessons are very enriching. Always on time to class, and always dismisses students exactly on time.

Libra: Fashionable teacher who has a different outfit every single day. Treats the students like friends, and very very approachable. Often discusses problems with students over a cup of coffee, their treat.

Scorpio: Their handwriting is absolute chicken scratch. Loves marking in green ink for no apparent reason. Very supportive and often comes up with weird-ass lesson plans.

Sagittarius: The teacher who doesn’t bother with lesson plans. Spontaneously shows videos completely unrelated to the class at hand. Often dismisses the students early.

Capricorn: Marks every paper on time, and their handwriting varies everytime. Ships students and bases their seating plans off their ships.

Aquarius: The teacher who often forgets important stuff, but remembers random facts slightly related to the lesson. Doesn’t bother to bring stationery at all, and their laptop is almost always at 10% battery.

Pisces: Shady teacher who students don’t know a single thing about. Wears either an all-pastel outfit or a totally black outfit. Has cool stationery that they often lend to students.

We can do this the easy way…. or the sharp way. Take your pick, kid.

by popular demand, Anti in A1 (from this)

Bonus gif under the cut:

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lazy: a custard bread couple doodle

p.s. i made this on my iphone notes app w my right index finger & i’ve never taken an art class in mi life so @ my art friendies i apologize in advance that mr. min holly is half yoongi’s size.