don-norman

Nice try Norman.

I don’t care what he said, you guys.

I do not care.

I can’t tell you all how to feel. But this is how I feel. 

And once again, there is NO. FUCKING. WAY. he is going to be able to say dick-all in an interview.

It’s not going to change what I have seen. It’s not. 

I still strongly believe they are happening. It’s. in. the. foreshadows.

And I STILL believe all of these quotes are [successfully] stripping you of ALL expectations, okay? 

That’s all they want to do. They don’t want you to know

Think about it, how many times have they come out and TOLD you the truth before something happened? FUCKING NEVER

I can’t tell you how to feel. Or what to think. But I’m simply not falling for their bullshit. 

I will wait for the season 6 premiere. 

I’m tired as fuck, just like you guys are, but Caryl are not over. 

No.

anonymous asked:

I think I'm done with Caryl, too. At least in the romantic sense. Like you said, there's just really no way to twist that interview. That was just harsh and blunt. I don't know why Norman trolled us for all those years if it was never going to be romantic, or why he chose those words when he KNOWS there are tons of Caryl shippers who would be heartbroken. *sigh* If it was never going to be romantic, why build up hope?

Hi Nonny! Sorry to see you are dissapointed and shocked.

Just to start this off with a note as a number of messages in my inbox have alerted me to the fact I sound as if I’m done with Caryl,

NO FREAKING WAY. I still ship Caryl. I will ship it until I die. I will continue to enjoy anything we get, and shipping has never been about canon or validation for me. 

Before today’s revelations via Norman Reedus, I did not think Caryl would happen. Today has not changed that thought, it has simply given me less patience to deal with him, and it’s disheartened me to see the extent to which Norman does not understand the character he plays.

 I don’t expect him to see the hug as romantic, because I know many people don’t…….in fact I will admit I do not see the hug as romantic……….because Caryl isn’t a “romance” per say………….it’s just a fucking beautiful bond like no other.

 I don’t expect him to ship like we do, or understand any of the Carol/Daryl bond. I don’t expect him to always say positive things. 

I DO expect him to have a basic understanding of who Daryl Dixon is, and realise that the 5x01 moment was probably one of the few times in the series we’ve seen him man up, face up to his emotions and emote to someone and act like a a proper grownup who does not shy away from feelings.

I DO expect him to have a tiny bit of respect for Carol and Daryl’s bond and not render it to a sibling relationship. It can be argued it’s not romantic by many, but it is most certainly not a sibling one………..and by saying that he is in fact contradicting himself, and his colleague Melissa who has said otherwise. And this one might be me but describing it as DARYL being the little kid, kinda felt as if he was putting Carol as being older and therefore automatically some sort of nurtuing motherly/bigsister type looking after their little baby. 

And here comes the bit where, whilst I’m wholly dissapointed that this interview is more evidence of the widening gap between Daryl on the show, and Daryl in Norman Reedus’ head (and please understand me peeps, this is in fact 99% of the reason I’m annoyed at the interview because I’ve been actually hoping for Daryl Dixon to make a bit of a comeback in the character development department and not simply  be“AMC’s recurring Cash Cow Superhero character of the year, every year”, rather than implications for shipping itself, cos, as I said above, I never had my hopes up anyway)……….

I’m not even that surprised.

Norman trolls. Norman also says things he really believes.

He picks and chooses what to say when it suits him. Norman is a great guy, but it does seem he doesn’t really understand the influence and weight of his words upon the fandom, and how he can one minute incite beautiful joy and happiness, and the next incite spiteful shipping wars and discord.

A year ago, he said something like “WHEN Carol and Daryl happens, it’s going to be great”……………..Cue fandom ‘splosions. Whilst we were all overjoyed he said this, it’s fair to say we all sensibly realised he was simply trolling to get us to go “OMG NORMIE WE LOVE YOU” and he didn’t really mean it……..well, ofc he didn’t! And it’s not like he could have said a spoiler anyway, so ofc it wasn’t true.

Lately he’s been on the “Caryl ain’t a thaaaang, she’s ma sisteeerrrr. It’s a familial bond only…….don’t you dare ship me with her or anyone on this show” train. And to give him credit, he’s been consistent with this, and I personally believe it’s his true thoughts. That he doesn’t want it to happen.I can accept that. I don’t like it but oh well. I think there comes a time when we have to stop sugar coating things and finding the signs in all the things he’s saying, and just accepts he isn’t feeling very Caryl-y.

I do agree what he said was not particularly sensitive to the shippers.If it’s his true thoughts then fine, but what irates me is that one minute he can choose to try and win our favour, and the next he’s so careless and goes out of his way to say something stupid which will upset shippers. Whether he’s aware of it or not I do not know, BUT I am just supposed to excuse it because sometimes he might say something supportive to my ship and forget all the dismissive stuff? Uh. No. There’s only so much back and forth between getting hopes up and them being shattered every time an article comes out one can take.

If he doesn’t like Caryl, then that’s absolutely fair enough. Can’t tell him what to like or dislike.

But..

It’s the inconsistency. It means he’s not careful or consistent about what he says. Why not? Because he doesn’t care enough to not treat Caryl as a joke with a constant back and forth. He doesn’t care enough to just treat it with respect and not even say anything. If he doesn’t…why should I? And THAT’S why I think it’s time for me to completely say I CAN NO LONGER CARE LESS WHETHER OR NOT CARYL HAPPENS ON THE ACTUAL SHOW.

It’s such a relief to finally say that actually. All I’m saying is that I don’t want to keep trying to find a positive out of what are obviously negatives, and then pinning everything standing in the way of Caryl happening on “trolling”. Maybe it’s just not meant to be. And that’s fine.

Because Caryl is beautiful. Caryl is real and always will be. We have a beautiful bond with two beautiful characters. We have a fandom to be proud of with several talented writers, artists,meta writers, and supporters. That’s what I want to keep on enjoying. And to get this written at last is great because I can now go an enjoy those things without having to constantly worry about canon.

I’m sorry I couldn’t be of more solace or comfort to you anon. I tend to just see things how are they are, even if that means admitting that there are things I don’t like.

I’m off to read a fanfiction :D XXXXXXXX

  • Norman Felton:Hello, Ian? Hi, I'm launchin a tv-show about a secret agent. I'd like you to give him name.
  • Ian Fleming:Lol. Well, tell me what he's like.
  • Norman Felton:You see, one gurl told me she hates that all the spies on screen are tall Americans. I thought I'd change it all...
  • Ian Fleming:Haha. Not tall and not American? Well, Napoleon then.
  • Norman Felton:Get outta here.
  • Ian Fleming:Why not tho.
  • Norman Felton:Er... Ok.
  • Ian Fleming:Will he have a partner?
  • Norman Felton:No, I think, he'll work alone...
  • Ian Fleming:Call him Solo, lol.
  • Norman Felton:Napoleon Solo? Are you pulling my leg?
  • Ian Fleming:Don't think so.
  • Norman Felton:... I'll tell everyone it was your idea.
  • Ian Fleming:No probs, bro.
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The Design Dilemma: Dismay vs. Delight - Don Norman

What causes this mix of dismay and delight? Designers are trained as craftspeople, without any substantive knowledge of the content areas in which they do their work. My dismay comes from their lack of understanding and by the confidence with which they proclaim masterful solutions to the world’s problems. They often produce innovative, clever solutions, but with no evidence that they have actually addressed the most critical parts of the problem or that their solutions actually work. They are often unaware that others have toiled with those issues for decades, that the problems are deep and profound, and that no single approach, no matter how brilliant, will suddenly solve all the issues.

vimeo

Don Norman on the Research-Product Gap in Design Research. Talk at the IIT Conference 2010.

youtube

The man who coined the term “User Experience” explains why we need to combine psychology and engineering.

youtube

If you have two hours to kill this weekend, I highly recommend this discussion on “Trends in the Overlap between Art, Business, and Design” between Jon Kolko, founder of the Austin Center for Design and Don Norman.

There are way too many good nuggets in here to try to summarize (including Don going off on Google + Design and Jon going off on MBAs + empathy), though moderator Richard Anderson does a great job in this blog post.

Don Norman | TED

Don Norman sees design everywhere. Norman’s goal is to help transform design. Don has experienced and accomplished a lot in his years. Business Week calls him a “cantankerous visionary” – his quest for excellence and has listed him as one of the world’s 27 most influential designers. Norman is cofounder of the Nielsen Norman Group, he has taught at taught at Iowa State, and has been Vice President of Apple in charge of the Advanced Technology Group. 

I watched a video from TED and Don gives his viewpoint of design and I’m happy to say it relates well to my life and design thought process. Beautiful, functional, reflective.

These key words were used to describe what design should be. The importance of emotion within design and the importance of including human elements, cleverness, and even humor are key. “Pleasant things work better, that never made any sense to me.” 

Don talked about how pressure, or fear can really change the way you think, it can focus you. When you are happy you are more likely to do out of the box thinking, that’s what brainstorming is all about. Although, if you always thought like this and never ran into pressure, more than likely you wouldn’t get any work done because you would just continue to think of more solutions. So, to get work done you need to have deadlines and you need to have an anxious feeling in your life. 

In design you can express a visceral level of thinking in many ways, whether it be through typefaces, color, or shape. This is the base level of thinking, if you move deeper you can connect to the behavioral level. Like visceral, behavioral thinking is subconscious. Usability, understanding, and the feeling of design come through on this level. The feeling of control comes through. Reflection is the final level, you always have to take the time to reflect on your actions. Be Positive.

Emotions let us interpret our world. Without emotion what would design be?

Thinking back to my week, our Small Town Studio group was working through our process. We were preparing for a presentation and had put most of our marbles into one basket, which wasn’t the best idea. With a little pressure to spread our excitement and thought process through out three identities, we actual we able to accomplish more, like Don mentioned. To me deadlines are good, I try to stay ahead and be on top of everything. Listening to Don speak was reputable and a good reflection.

Solving For A Use Case vs. Solving For Surprise

I want to offer an alternative view to Don Norman’s article “Technology First, Needs Last” where he argues that “design research is great when it comes to improving existing product categories, but essentially useless when it comes to new, innovative breakthroughs” and that those breakthroughs are largely technological ones.

This blog entry got long. Great writers are concise. As I am a mediocre writer, I’m leaving it longer than I’d like it to be. Try not to yawn out loud.

The limitation of a local maximum (background)

When user-centered design is implemented, it usually goes something like this: NonInnovation, Inc., an operations-oriented product firm realizes that they need to make a big advance in a product. They hire BouncyBallChair Inc, an innovation company which offices in a loft space where the walls are pastels and everyone has nurf guns.  Oh, and all of their employees wear Warby-Parker glasses.

So BouncyBallChair Inc goes through the user-centered design process, working with NonInnovation to study the target customer or consumer, identify the core problem or need, and create a super-cool product to solve that problem.  All throughout, they’re using User-Centered Design. The product is released…it’s the best new product in that category.

But what did we really create? It’s a beautifully designed shopping cart with removable boxes, each a different primary color.  If the Google logo were a shopping cart, this is what it would look like. So we have solved the problem of how to make the best possible shopping cart. Local maximum.

Now let’s take a real life company, Twilio. They didn’t have some major technology breakthrough. They used Asterisk, an existing open-source platform, and turned it into a SaaS product.  I don’t know anyone at that company, but I imagine at some point in the company’s formation, someone had this conversation: “how cool would it be if we could text a website…or if a website could call a phone…with, like, one line of code.”  They would be correct, that’s really cool.

Now, to be fair, I’m sure they had specific use cases in mind, but really what they were doing was creating a platform for an infinite number of uses. 

To illustrate this coolness, their pitch in front of a large audience at the New York Tech Meetup went something like this: “Look, with one line of php code, I can create this phone number that you can now call and hear a message.”  The presenter had people call the number. Cool. But what was mind blowing was that he had a second webpage, which looped through all the numbers that had called in, and one by one, people’s phones started to ring in the audience.  It was visceral. It was surprising. A computer shouldn’t be able to do this. Certainly not with a couple of lines of PHP code.

The underlying issue is that user-centered design can produce breakthroughs, but it’s how it’s being used andto some degree who is using it which prevent it from doing so.  I believe the underlying difference is that you’re solving for two different problems: One I will call Solving for a use case and the other Solving for surprise.

Solving For A Use Case vs. Solving For Surprise, Part 2: Single Use Cases vs. Surprise

When we contrast the two examples from part 1 (the shopping cart vs. the grocery store), the key differentiator for me is that user-centered design tends to focus on solving a single problem – a single use case.  However, the most exciting and innovative products do something surprising. Something that shouldn’t be possible.  As a result, designers, programmers, and everyone else can immediately think of their own use cases for these products. In some sense, this is the difference between a product and a platform.

This is not to say that those innovations don’t solve problems – they absolutely do. But they solve problems beyond a single use case or two. At their best, they are infinitely scalable.

So if you agree that the most innovative products will be surprising, potentially solving hundreds of use cases, whereas user-centered design solves specific problems, sometimes using these innovations, two questions remain. First, must these innovations be massive leaps forward in technology, only invented by mad scientists or criminal masterminds?  Second, can user-centered design be used to identify these types of innovations?

Do these innovations have to be massive leaps forward in technology?  

Twilio is a technology company, but they did not make the underlying technology, it just made it super-easy to use. Very few of the truly innovative products right now are technological breakthrous – not Twitter, not Facebook (especially at first), certainly not Groupon or AirBnB or Birchbox.  

Can user-centered design still be used to identify and create these types of innovations?

Yes, of course! The most entrepreneurs I know in the tech space observe a problem people have through some sort of formal or informal user-centered design. The difference is that they then go out and look for other use cases.  We need two design constraints in our normal user-centered design process.  First, a criterion must be added: is my solution surprising? I don’t mean “oh, that’s clever” I mean “woah, I (almost) can’t believe that’s even possible.”  Not “why didn’t I think of that” but “I never would have thought of that.”

Second, we must ask ourselves “okay, so this is a surprisingly great solution for this one use-case, is it generalizable to potential other use cases?” Or, more likely “what are the characteristics of this solution’s applicability to this use case that might make it a good fit for other use cases? What are the charactaristics that make Facebook great for distributing images? Is it that I know my friends, but not strangers, will automatically see pictures they might find interesting? What else might I want to distribute that way? My location (Foursquare)?  Invitations to private games (Farmville)?    

The Point solved a specific problem for social action that was so generalizable that it cnot only encompassed multiple social actions, but it also included the Groupon use case. Groupon itself is infinitely scalable. If it solved a problem for a local Pizza place (which I believe was their first use case), what other places have that similar problem? Stores that have high lifetime customer values and high loyalty rates are willing to pay to acquire new customers, in this case by offering deep discounts for a first customer’s visit. Clearly that scales across lots of different types of retail, but as it grew, it had its own value proposition – get your company’s name in front of millions of people and only pay if people buy the coupon.  This is a second use case of the product that increases the pool of retailers to whom the service is appealing.

Who's funding the designing matters

It may be the case that it’s difficult to be massively innovative using user-centered design on someone else’s behalf (i.e., as a consultant). Imagine if in the course of doing consumer research for a shopping cart manufacturer, you (correctly) identify the need for Grocery Subscriptions, a truly innovative concept. It is unlikely that a shopping cart manufacturer can/should take on something that far out of their core competency.

Uber identified a market need and had no constraints as to how to implement it. They basically created NetJets for private drivers. Should they buy our own cars? Pool together existing limo services? Distribute on the iPhone? No constraints = the ability to make it work.  Had a taxi company hired a design consulting firm to identify new consumer needs, even if the firm identified a need for Uber, I doubt the taxi company would have been in a position to create this type of service.  

Conclusion

Despite these doubts, we’ve proven that innovation at the margins is by definition a failure of user-centered design, but rather a failure of the focus of it being on only solving a specific use case, rather than finding a surprising solution which can be applied to the use case and generalized to an infinite number of other use cases. 

Designers have developed a number of techniques to avoid being captured by too facile a solution. They take the original problem as a suggestion, not as a final statement, then think broadly about what the real issues underlying this problem statement might really be (for example by using the “Five Whys” approach to get at root causes). Most important of all, is that the process is iterative and expansive. Designers resist the temptation to jump immediately to a solution to the stated problem. Instead, they first spend time determining what the basic, fundamental (root) issue is that needs to be addressed. They don’t try to search for a solution until they have determined the real problem, and even then, instead of solving that problem, they stop to consider a wide range of potential solutions. Only then will they finally converge upon their proposal. This process is called “Design Thinking.”
— 

Don Norman rethinks his position about “Design Thinking”. Het wrote the book “The Design of Everyday Things” when I was 7. A book I read in my early twenties and really influenced how I looked at objects and interaction 

I think designers have a complementary set of skills that really helps in solving challenges. Especially in a time where we need more disrupting innovation instead of incremental. 

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Don Norman: I Have Seen the Future and I am Opposed

“I can no longer function by myself. When my smartphone becomes stupid, I too become stupid. Just as I am reliant on technology and the skills of others to clothe, house and feed me, I am reliant on my technology for my intelligence. My phone translates foreign languages, provides maps and directions, recommends restaurants and tells me the news of the day. It lets me communicate with friends around the world and in general, allows me to function. All my knowledge depends upon access to communication services: my email, my calendar, my maps and guidebooks. But all of this is at the mercy of the service provider.”

Watch on megrobichaud.tumblr.com

Happy Designers makes good design: Talk by Don Norman

Watch on forforward.tumblr.com

Don Norman on 3 Ways Good Design Makes You Happy

…And it turns out that when you’re anxious you squirt neural transmitters in the brain, which focuses you makes you depth-first, And when you’re happy – what we call positive valence – you squirt dopamine into the prefrontal lobes, which makes you a breadth-first problem solver you’re more susceptible to interruption, you do out of the box thinking. That’s what brainstorming’s about, right? With brainstorming we make you happy, we play games, and we say, “No criticism,” and you get all these weird, neat ideas. But in fact, if that’s how you always were you’d never get any work done because you’d be working along and say, “Oh, I got a new way of doing it.” So to get work done, you’ve got to set a deadline, right? You’ve got be anxious. So the brain works differently and if you’re happy, things work better because you’re more creative You get a little problem, you say, “Ah, I’ll figure it out.” No big deal.

There’s something I call the visceral level of processing. Biology – we have co-adapted through biology to like bright colors. That’s especially good that mammals and primates like fruits and bright plants, because you eat the fruit and you thereby spread the seed. There’s an amazing amount of stuff that’s built into the brain. We dislike bitter tastes, we dislike loud sounds, we dislike hot temperatures, cold temperatures. We dislike scolding voices, we dislike frowning faces, We like symmetrical faces, et cetera, et cetera. So that’s the visceral level and in design you can express visceral in lots of ways, like the choice of type fonts and the red for hot, exciting. Or the 1963 Jaguar. It’s actually a crummy car, falls apart all the time, but the owners love it. And it’s beautiful – it’s in the Museum of Modern Art. A water bottle. You buy it because of the bottle, not because of the water. And when people are finished, they don’t throw it away they keep it for – you know, it’s like the old wine bottles, you keep it for decoration or maybe fill it with water again, which proves it’s not the water. It’s all about the visceral experience.

The middle level of processing is the behavioral level and that’s actually where most of our stuff gets done. Visceral is subconscious, you’re unaware of it Behavioral is subconscious, you’re unaware of it. Almost everything we do is subconscious. I’m walking around the stage, I’m not attending to the control of my legs. I’m doing a lot, most of my talk is subconscious, it’s been rehearsed and thought about a lot. Most of what we do is subconscious. Automatic behavior – skilled behavior is subconscious, controlled by the behavioral side. And behavioral design is all about feeling in control, which includes usability, understanding, but also the feel and heft.

via here

They discovered that the most expensive, most feature-laden machines were best sellers among law firms. Did the firms need the extra features of the machines? No. It turns out that they liked to put them in the front offices where clients were waiting—impressive machines, with flashing lights and pretty displays. The firm gained an aura of being modern and up to date, capable of dealing with the rigors of modern high technology. The fact that the machines were too complex to be mastered by most of the people in the firms was irrelevant: the copiers did not even have to be used—appearance alone did the job. Ah, yes, the worshipping of false images, in this case, by the customers.