don't know what she's doing there

i know everyone is feeling some type of way because jackie aina endorses the KKW/KJ nonsense but she so smart imo. I know she’s doing it for the coin and to push her agenda in the long run! Jackie looks like what KKW wishes she looked like since birth, they really look a like and i feel like that gains attention right there. There’s no way she’d pull a Tati and turn her back in her audience. She’s really pulling the right cards and i think at the end of the day she’ll end up with her own makeup brand that’s heavily pro black.

Vulnerability - a Kikyo x Silva drabble

Word count: 583
Summary: A brief look into Silva and Kikyo’s relationship. Mature themes, nothing explicit.

Silva has heard somewhere before the the appeal of a naked woman lies in her vulnerability. When a woman sheds her layers, when she sheds her artifice and her cosmetics, she becomes softer, gentler, and somehow more beautiful for it. Silva has known women who, behind the privacy of bedroom doors, become this. They are all bare defenseless curves, shy looks from under eyelashes, blushing cheeks. Vulnerable and soft and everything that men want.

Or, at least, everything that certain men want.

His wife is a different sort. His wife is like no woman Silva has ever known before her, which is why he has chosen to never know another woman after her.

Kikyo stands before him, pale and bare. Although she stands tall, with shoulders squared and back and straight, Silva still stands taller still - his own head and shoulders above hers. She is thin – dainty in comparison to himself, and some might mistake her for delicate. If he were to wrap both hands around her waist, the tips of his fingers would touch.

He could break her, if he wanted. He could break her with his bare hands.

(Or, he might could, if she were another woman. Silva does not want another woman.)

Yet, for all his stature and all his strength, for all that she is tiny and bare and defenseless, Silva thinks that Kikyo could not be further from being vulnerable in this moment.

Exposing herself to him like this, she seems somehow more powerful – as if by having shed her clothes she exposes to him the full force of all she is capable of. Dark eyes glimmer at him with confidence, with knowing. He wants her, and she knows this. She knows that he knows just how much control she wields over him.

And, oh, he wants her.

Her long, black hair is loose. It hangs past her full hips, flows down over her shoulders and partially hides her breasts from his view. He reaches to take a lock between his fingers and move it aside, but his motion is stopped when Kikyo slaps his hand in reprimand.

“Now, now,” she coos, her tone soft and indulging. “You know it’s my turn to be in charge for the night, dear,” she tells him. As she speaks, she lifts an arm towards his face, her fingers combing into the locks that hang beside his jaw in a moment of tenderness he knows will be short-lived.

Then, her eyes go dark, go hard. He feels her aura expand and knows she is letting him feel it to remind him to obey. Claws extend from her fingers as she pulls her hand from his hair and re-positions so he can feel five sharp pinpricks at his throat. “Kneel,” she commands, her voice dropping into a low tone that vibrates through him and goes directly to his groin.

Silva obeys. He drops to his knees, then sinks further still to sit on his heels after her fingers shift to wrap around his neck and press him down.

“Good Silva,” she praises in her softer tone again, lifting one leg and bracing her foot atop his bare thigh. “If you keep being so compliant, you may yet earn yourself a reward.”

Silva grins at the possibility. He brings a hand up to let his fingers curl delicately around the back of her calf. “Yes ma'am,” he answers, then drops a kiss to her knee. “How may I please my mistress tonight?”





Fleur Delacour

The best thing in the world is when you find your platonic soulmate. There’s no hassle of the drama of romance. It’s just two people who are completely in synch. It’s the ultimate of all bromances. It’s JD and Turk, Abed and Troy, Shawn and Gus. Nothing is better than finding that person and holding on to them.


how old do you have to be before you no longer have the compulsive need to quote spongebob?

also because my brother requested something more traditional:


“…and it was then that Elrond first saw Celebrían, and loved her, though he said nothing of it.” - History of Galadriel and Celeborn.

(totally ridiculous and ooc I’m sure but just let me indulge myself in cheesy romantic subplots haha… I also have a Thing for nerdy, lovesick, lovingly-and-adorably-awkward-around-his-crush Elrond okay??)

Supposed to take place after this comic.

Also tumblr screws up the quality of this so click on each image to read it easier :’)


Panic! At The Disco - Pretty. Odd. songs as eyeshadows.

This right here will be cinematic history. This shot will be studied in film classes. This moment right here is the greatest hero shot I’ve ever seen.

Originally posted by noeliashadyonce

anonymous asked:

Hello! How would you write a dialogue in which a character is freaking out about something? I generally have them word vomit but I don't really like that style. If its too much could you show me an example as well?


You could definitely word vomit – especially if your character is hysterical – but that’s not the only way to do it by any means. I know a few other ways.

1. Calmly.
This is strange, considering your character is freaking out, but the freak-out is internal – they’re shutting themselves off due to shock. In this case, they would be quiet, sane, and even if what they’re saying is illogical, it would probably sound reasonable.

“I was right there when she shot him. He dropped like a sack of flour. I figured he was gone as soon as the bullet hit his chest. So now I’ve decided I’m gonna go after her. Right now. And I’m gonna kill her.”
“What? You can’t do that!”
“Sure I can. She killed him, so I kill her. It’s called justice.”
“But- With just your bare hands?”
“The way I feel right now, my bare hands are more than enough.”

Notice how the character who just watched their friend die in front of them isn’t yelling, isn’t stuttering, isn’t getting angry or crying – they’re perfectly calm, almost to the point of complete emotional shutdown.

2. Angrily.
Some people get angry when they lose control and freak out – it scares them, and the fear manifests itself as anger. This type particularly happens when they’re upset about something and other characters aren’t taking it seriously or are shrugging off their concerns.

“No! It’s happening tonight! We don’t have time to think, or weigh things, we need to fucking leave! Now!”
“We can’t. You know that, and you’d remember that, if you were thinking straight-”
“I am thinking straight! It’s you who’s fucked in the head. I don’t give a damn what you think we can and can’t do, we need to clear out of here, right this second.”

As you can see, this character is freaking out – their concerns may or may not have a firm foundation, but obviously they are concerned, and that concern is manifesting itself as fury.

3. By stuttering.
For some people, it’s hard to talk when they panic, because their minds race forward ahead of their mouths and they get tongue-tied. I typically see/use this with more anxious characters, or with characters who aren’t typically good at speaking anyways (in other words, who are uncomfortable with talking).

There are a couple of different ways to stutter:
a. Repeat the beginning of each word.

“I tr-tried to s-save him, but he wuh-wouldn’t l-let me … he knew it was g-going to happen. It’s my f-fault!”

(However, keep in mind that this kind of stuttering is more as if you’re character is crying and trying to talk through sobs and hiccups. Please use it sparingly – it can get old fast.)

b. Repeat words.

“No. No, I don’t know what’s going on, Ricky. Ricky, why would I have any idea? Don’t fucking look at me like that, Ricky. Don’t look at me like I’m lying.”

c. Insert filler sounds: “ah”, “uh”, “um”, and/or curse words.

“I, uh, I- fuck. I,ummm, I think maybe, ah, maybe we should leave?”

For more on stuttering – it can be hard to peg correctly – check out this post.

I hope this helps! If you need anything else, please feel free to ask. - @authors-haven


she had the world // panic! at the disco


I’ve been slowly rewatching Supergirl s1, and the most recent episode was ‘Manhunter’  now I really want a fic where Kara and Lucy weren’t able to save Alex.

For, whatever reason, Alex and J’onn were being transported separately.  Maybe it’s protocol to keep alien and human prisoners apart, maybe they wanted a stronger transport for J’onn.  Whatever.

Either way, when Kara and Lucy stop the transport, only J’onn is inside, and they have no idea where Alex is.

Well, they know she’s at Cadmus, but they now have no way to rescue her.

When J’onn goes on the run as a fugitive, it’s to find Alex, not Jeremiah.

Only, if he had succeed he would have found both, because as soon as Jeremiah learnt that Alex was being brought to Cadmus, he made sure she was working with him.

Maybe Jeremiah lies to Alex at first, letting her believe that he is still truly a prisoner, being forced to work.  Maybe he’s upfront and tells her that the work is for good and everything.

It doesn’t really matter which, because Alex refuses to work for Cadmus either way.

Until Jeremiah is convinced that Alex may need to be ‘persuaded’.

And Alex is brainwashed.

Alex is programmed to be a sleeper agent and sent back to the DEO.

Jeremiah pushes her - passed out, beat up, and emaciated - into Kara’s arms when he lets her and Mon-El go.

Keep reading

“Oh Mutt darling, don’t even worry about Tank!  He wouldn’t hurt a fly–would you, big boy?”
“….Unless it landed on me, of course, then he would absolutely destroy it.”

Mutt has never been the shortest girl in the room before, but hey.  Number One is 6′3 without her heels. ((Limousines have a certain amount of high-society pretention about them, even limousines belonging to the Duke.  ;)  Thus the evening wear haha)) ((I gotta figure out names for them they can’t just literally go by their car names.  Can they?)) ((CAN THEY?? 8I))


favorite character meme » six scenes
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