❧ harry & draco : quidditch world cup date, unexpected twists and turns, shared cigarettes, loud yelling, muggle profanities, adrenaline coursing through the veins, cheering for opposite teams, holding hands, greasy chips, ketchup stains, loud fireworks, victory kisses, comforting kisses, celebrating on the street, doing it right this time
[This interview is no longer available– I happened to find it on the Wayback Machine, so I’m “archiving” it here. :D]
BUY IT, USE IT, BREAK IT, FIX IT BY RANDALL ROBERTS LA Weekly Thursday, October 25, 2007
On the eve of its final American performance of 2007, Daft Punk’s Thomas Bangalter discusses the duo’s banner year, the future of the music industry and the current state of electronic music.
This Saturday night at the Vegoose Festival in Las Vegas, Daft Punk will conclude its revelatory summer American tour. Praised by both critics and fans as one of the best shows of the year – and by many as the greatest show in the history of electronic dance music – the veteran French house duo’s performances saw them perched atop a magical pyramid as a feast of effects and epiphanies swarmed from floor to rafter. L.A. Weekly recently spoke by phone with Thomas Bangalter, who, with partner Guy-Manuel de Homem-Christo, comprise Daft Punk.
L.A. Weekly: I’m trying to get a sense of your mindset when you converged on Los Angeles to begin rehearsals for your summer American tour. What were your goals, and what were your expectations? Thomas Bangalter: We’ve really been on a world tour since that first show at Coachella in April, 2006. We played all summer in Europe last year, and then we played South America and Asia, and also in the fall of last year, too. And we went back to more rehearsals and then played in America, and now we end up in Vegas and then in Mexico and Australia. But it’s true that the headquarters of this tour, are, in a sense, Los Angeles, where we have our creative offices right now. So the tour has been linked to L.A. since before we played in L.A. in July. The rehearsals took place between February and April of last year, 2006, and then there were more rehearsals and more changes in L.A. between April and May of this year.